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2016 Eighth International Conference on Quality of Multimedia Experience (QoMEX)最新文献

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Towards a universal value scale for quantifying the quality of speech communication across services 建立一种通用的价值尺度来量化跨业务的语音通信质量
Pub Date : 2016-06-06 DOI: 10.1109/QoMEX.2016.7498920
S. Möller, J. Berger
This paper reports on ongoing work in ITU-T Study Group 12 on developing a universal scale quantifying quality across different types of speech communication services. In contrast to a quality rating scale, this scale should be deliberated from the judgment context as far as possible. As a consequence, it should be possible to compare different types of services on such a scale, in order to justify investments made in comparison to QoE gains to be expected. The paper explains the underlying rationale of such a scale, defines the requirements it has to fulfill, and outlines the way to its derivation. It invites further discussion to this work item of ITU-T Study Group 12, and could serve as an example for other types of services.
本文报告了ITU-T第12研究组正在开展的工作,即制定一种通用的标准,对不同类型的语音通信业务的质量进行量化。与质量评定量表相比,该量表应尽可能从判断语境中考虑。因此,应该有可能在这样的规模上比较不同类型的服务,以便与预期的QoE收益相比,证明所做的投资是合理的。本文解释了这种规模的基本原理,定义了它必须满足的需求,并概述了其推导的方法。它邀请对ITU-T第12研究组的这一工作项目进行进一步讨论,并可作为其他类型服务的范例。
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引用次数: 1
Ambiguity-based evaluation of objective quality metrics for image compression 基于模糊度的图像压缩客观质量指标评价
Pub Date : 2016-06-06 DOI: 10.1109/QoMEX.2016.7498944
Manri Cheon, Jong-Seok Lee
While results of subjective quality assessment are represented by mean opinion scores and corresponding confidence intervals, the output of an objective quality metric for a given stimulus is only a single estimated quality level. Accordingly, the performance of a metric is evaluated by measuring the accuracy of its outputs with respect to the corresponding subjective scores. However, the concept of the ambiguity interval for objective quality has been raised recently. In this paper, we propose to consider not only the accuracy but also the ambiguity of objective quality metrics for performance evaluation. In particular, we conduct benchmarking of the seven state-of-the-art image quality metrics for images compressed with JPEG and JPEG2000. It is demonstrated that the best metric in terms of accuracy may not be the best in terms of ambiguity.
虽然主观质量评估的结果由平均意见得分和相应的置信区间表示,但给定刺激的客观质量度量的输出只是一个估计的质量水平。因此,通过测量相对于相应主观分数的输出的准确性来评估度量的性能。然而,最近才提出了客观质量模糊区间的概念。在本文中,我们建议在进行绩效评估时不仅要考虑客观质量指标的准确性,还要考虑其模糊性。特别是,我们对使用JPEG和JPEG2000压缩的图像进行了七个最先进的图像质量指标的基准测试。结果表明,精度方面的最佳度量可能不是模糊性方面的最佳度量。
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引用次数: 3
Quantifying audience experience in the wild: Heuristics for developing and deploying a biosensor infrastructure in theaters 野外量化观众体验:在影院开发和部署生物传感器基础设施的启发式方法
Pub Date : 2016-06-06 DOI: 10.1109/QoMEX.2016.7498951
Chen Wang, J. Wong, Xintong Zhu, Thomas Röggla, Jack Jansen, Pablo César
Measuring the experience of audience of arts events is essential in the “experience economy” of this day and age, but it is a difficult task. The value of such information goes beyond evaluating the impact of the arts, as it can provide insights and feedback to enhance the work of artists and the experiences of other audience members. Through in-depth understanding of the needs of the providers and consumers of the arts, we progressively developed a biosensor infrastructure that was deployed in theaters. Over the years, we identified the challenges and issues related to developing and deploying a biosensor infrastructure in theaters. These collective experiences and identified issues were categorized into three main areas: processes, data, and system. A total of seven heuristics are developed across the three main areas. Processes place the stakeholders and audiences at the core of the research; data provides guidelines for data validity, collecting a variety of data, and supporting real-time data gathering; and systems covers the concurrency, scalability, deployment and feedback of the infrastructure. We believe that this set of heuristics forms the foundation for an adequate infrastructure to measure audience experience in the wild and it is a valuable source of guideline for future work.
在当今时代的“体验经济”中,衡量艺术活动观众的体验是必不可少的,但这是一项艰巨的任务。这些信息的价值超越了评估艺术的影响,因为它可以提供洞察力和反馈,以提高艺术家的工作和其他观众的体验。通过深入了解艺术提供者和消费者的需求,我们逐步开发了一种部署在剧院的生物传感器基础设施。多年来,我们发现了与在战区开发和部署生物传感器基础设施相关的挑战和问题。这些集体经验和确定的问题被分为三个主要领域:过程、数据和系统。在三个主要领域共开发了七个启发式。流程将利益相关者和受众置于研究的核心;数据为数据有效性提供指导,采集多种数据,支持实时数据采集;系统涵盖了基础设施的并发性、可伸缩性、部署和反馈。我们相信,这组启发式构成了一个足够的基础设施,以衡量观众在野外的体验,它是一个有价值的指导来源,为未来的工作。
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引用次数: 9
Perceptual evaluation of Compressive Sensing Image Recovery 压缩感知图像恢复的感知评价
Pub Date : 2016-06-06 DOI: 10.1109/QoMEX.2016.7498963
Bo Hu, Leida Li, Jiansheng Qian, Yuming Fang
Compressive sensing (CS) has been attracting tremendous attention in recent years. Extensive CS recovery algorithms have been proposed for effective image reconstruction. However, little work has been dedicated to the perceptual evaluation of CS image recovery algorithms and the corresponding recovered images. In this paper, we first build a Compressive Sensing Recovered Image Database (CSRID), which contains images generated by ten popular CS image recovery algorithms at different sensing rates. We then carry out a subjective experiment using the single-stimulus method to obtain the subjective qualities of the images. The subjective scores are then used to evaluate the performances of the CS image recovery algorithms. Finally, the performances of general-purpose no-reference (NR) quality metrics and image blur metrics are investigated on the CSRID database. Experimental results show that the state-of-the-art quality metrics are very limited in predicting the quality of CS recovered images.
近年来,压缩感知技术受到了广泛的关注。广泛的CS恢复算法已经提出了有效的图像重建。然而,CS图像恢复算法和相应恢复图像的感知评价方面的工作很少。本文首先构建了压缩感知恢复图像数据库(CSRID),该数据库包含了十种流行的压缩感知图像恢复算法在不同感知速率下生成的图像。然后采用单刺激法进行主观实验,获得图像的主观品质。然后用主观分数来评价CS图像恢复算法的性能。最后,研究了通用无参考(NR)质量指标和图像模糊指标在CSRID数据库上的性能。实验结果表明,最先进的质量指标在预测CS恢复图像质量方面是非常有限的。
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引用次数: 4
A common lexicon for spatial sound quality assessment - latest developments 空间音质评估常用词汇-最新发展
Pub Date : 2016-06-06 DOI: 10.1109/QoMEX.2016.7498967
N. Zacharov, T. Pedersen, C. Pike
This paper reports the latest developments in ongoing research to establish a common lexicon of sound quality attributes agnostic to the application under study. It expands on earlier work with the definition of attributes for the evaluation of spatial sound reproduction. A panel of 12 specialized expert assessors was used to expand the lexicon to incorporate spatial sound characteristics. The discussions were based on the results of a semantic clustering of relevant quality attribute sets proposed in the literature. The updated lexicon is presented, with detailed definitions, scale labels and examples provided for the attributes. Further review and formal validation are required in future.
本文报道了建立与所研究的应用无关的音质属性通用词汇的最新研究进展。它扩展了早期的工作,定义了评价空间声音再现的属性。一个由12名专业专家组成的评估小组被用来扩展词典,以纳入空间声音特征。讨论是基于文献中提出的相关质量属性集的语义聚类结果。给出了更新后的词典,并提供了属性的详细定义、刻度标签和示例。将来需要进一步的审查和正式确认。
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引用次数: 15
Subjective and objective evaluation of HDR video coding technologies HDR视频编码技术的主客观评价
Pub Date : 2016-06-06 DOI: 10.1109/QoMEX.2016.7498943
Philippe Hanhart, M. Rerábek, T. Ebrahimi
This paper reports the details and results of a subjective and objective quality evaluation assessing responses to an MPEG call for evidence (CfE) on high dynamic range (HDR) and wide color gamut video coding. Five HDR video contents, compressed at four bit rates by each proponent responding to the CfE, were used in the subjective assessments. To be able to evaluate the performance of objective quality metrics, the double stimulus impairment scale (DSIS) method was used for subjective assessments instead of previously published paired comparison to an anchor. Subjective results show evidence that coding efficiency can be improved in a statistically noticeable way over the HEVC anchor in terms of perceived quality. However, when compared to paired comparison, less statistically significant differences are observed because of the lower discrimination power of the DSIS method. The collected subjective scores were used as a ground truth to benchmark and analyze the performance of objective metrics. Results show that HDR-VDP-2 and PQ2VIFP have the highest correlation with subjective scores and outperform other investigated metrics.
本文报道了对高动态范围(HDR)和宽色域视频编码的MPEG证据征集(CfE)响应进行主观和客观质量评估的细节和结果。五个HDR视频内容,由每个响应CfE的支持者以4比特率压缩,用于主观评估。为了能够评估客观质量指标的表现,使用双刺激损伤量表(DSIS)方法进行主观评估,而不是之前发表的配对比较锚。主观结果表明,在感知质量方面,编码效率可以以统计上显著的方式优于HEVC锚点。然而,与配对比较相比,由于DSIS方法的判别能力较低,因此观察到的统计学差异较小。收集的主观得分被用作基准,并分析客观指标的表现。结果表明,HDR-VDP-2和PQ2VIFP与主观评分的相关性最高,优于其他调查指标。
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引用次数: 19
ERWIN - enabling the reproducible investigation of waiting times for arbitrary workflows ERWIN——对任意工作流的等待时间进行可重复的调查
Pub Date : 2016-06-06 DOI: 10.1109/QoMEX.2016.7498938
T. Zinner, Matthias Hirth, Valentin Fischer, O. Hohlfeld
Delay effects can impact the Quality of Experience of interactive systems, which motivates research assessing delay impairments, mostly for web based systems. Current studies follow individual methodologies and typically assesses individual and custom-made web pages, whose construction requires expert knowledge in web technologies. Further, a range of native, non-web applications cannot be easily modified for delay studies. Thus, a generalized methodology for assessing delay impacts for a broad range of applications that is accessible to researchers without (web) development expertise is still missing. This paper contributes to this open problem by i) presenting a new methodology for reproducible delay assessments in a broad class of systems and ii) presenting an open-source implementation to be used by the community. This methodology particularly aims at making delay assessment available to a broad range of researchers by avoiding programming skills and thus by lowering the barrier for setting-up delay assessments.
延迟效应会影响交互系统的体验质量,这激发了评估延迟损伤的研究,主要是针对基于web的系统。目前的研究遵循个人方法,通常评估个人和定制的网页,其建设需要网络技术方面的专业知识。此外,许多原生的非web应用程序不容易修改以进行延迟研究。因此,对于没有(web)开发专业知识的研究人员来说,仍然缺乏一种评估广泛应用程序延迟影响的通用方法。本文通过以下方式解决了这个开放问题:i)提出了一种新的方法,用于在广泛的系统中进行可重复的延迟评估;ii)提出了一个供社区使用的开源实现。这种方法特别旨在通过避免编程技能,从而降低设置延迟评估的障碍,使延迟评估可供广泛的研究人员使用。
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引用次数: 3
A review on conventional psychoacoustic evaluation tools, methods and algorithms 传统心理声学评价工具、方法和算法的综述
Pub Date : 2016-06-06 DOI: 10.1109/QoMEX.2016.7498923
Alexander Stojanow, Judith Liebetrau
Nowadays, psychoacoustic analysis of a sound is often applied for quick quantification of its auditory perception. Such hearing-related quantities also referred to as psychoacoustic parameters are meant to be a good representation of the human auditory perception. Predictive models are available to estimate the perception of these quantities. However, calculated psychoacoustic parameters show a lack of accuracy when compared with subjective listening test results for complex and authentic sounds. This paper shows some deficiencies and strengths of conventional algorithms and offers a few ideas for improvement.
目前,声音的心理声学分析常用于快速量化其听觉感知。这种与听觉相关的数量也被称为心理声学参数,旨在很好地代表人类的听觉感知。预测模型可用于估计对这些量的感知。然而,与主观听力测试结果相比,计算出的心理声学参数在复杂和真实的声音中缺乏准确性。本文分析了传统算法的不足和优点,并提出了一些改进思路。
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引用次数: 1
A summary on acoustic room divergence and its effect on externalization of auditory events 声室发散及其对听觉事件外化的影响综述
Pub Date : 2016-06-06 DOI: 10.1109/QoMEX.2016.7498973
S. Werner, Florian Klein, Thomas Mayenfels, K. Brandenburg
This contribution presents a summary of results from perceptual auditory experiments on context dependent quality parameters for virtual acoustic environments. The investigated quality features are influenced by divergence between synthesized scene and listening room and adaptation on congruence or divergence between the rooms. Two experiments are presented. The results from the first experiment show the room divergence effect on spatial auditory perception. A divergence between the listening room and binaurally synthesized room leads to a decrease of perceived externalization while congruence yields an increase. A more comprehensive statistical analysis regarding significance, effect size and visual influences is added to complement the original publication of this data. The second experiment shows this effect as the result of expectations of the listeners and can be shifted by adaptation and training. In the experiments we show, that training to congruent or divergent room combinations can increase or decrease the room divergence effect.
这一贡献提出了对虚拟声学环境中依赖于上下文的质量参数的感知听觉实验结果的总结。所调查的质量特征受合成场景与听音室之间的差异和房间之间的一致性或差异的适应的影响。给出了两个实验。第一个实验的结果显示了空间发散对空间听觉感知的影响。听音室和双耳合成室之间的差异导致感知外化的减少,而一致性则导致感知外化的增加。为了补充这些数据的原始出版,还增加了关于显著性、效应大小和视觉影响的更全面的统计分析。第二个实验表明,这种效应是听者期望的结果,可以通过适应和训练来改变。在实验中,我们表明,训练一致或发散的房间组合可以增加或减少房间发散效应。
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引用次数: 43
Perceived dynamic range of HDR images 感知HDR图像的动态范围
Pub Date : 2016-06-06 DOI: 10.1109/QoMEX.2016.7498953
Vedad Hulusic, G. Valenzise, E. Provenzi, K. Debattista, F. Dufaux
Although high dynamic range (HDR) imaging has gained great popularity and acceptance in both the scientific and commercial domains, the relationship between perceptually accurate, content-independent dynamic range and objective measures has not been fully explored. In this paper, a new methodology for perceived dynamic range evaluation of complex stimuli in HDR conditions is proposed. A subjective study with 20 participants was conducted and correlations between mean opinion scores (MOS) and three image features were analyzed. Strong Spearman correlations between MOS and objective DR measure and between MOS and image key were found. An exploratory analysis reveals that additional image characteristics should be considered when modeling perceptually-based dynamic range metrics. Finally, one of the outcomes of the study is the perceptually annotated HDR image dataset with MOS values, that can be used for HDR imaging algorithms and metric validation, content selection and analysis of aesthetic image attributes.
尽管高动态范围(HDR)成像在科学和商业领域都得到了极大的普及和接受,但感知准确、内容无关的动态范围与客观测量之间的关系尚未得到充分探讨。本文提出了一种评价HDR条件下复杂刺激感知动态范围的新方法。对20名参与者进行了主观研究,分析了平均意见得分(MOS)与三个图像特征之间的相关性。发现MOS与客观DR测量和MOS与图像密钥之间存在很强的Spearman相关性。探索性分析表明,在建模基于感知的动态范围指标时,应考虑额外的图像特征。最后,研究成果之一是具有MOS值的感知注释HDR图像数据集,该数据集可用于HDR成像算法和度量验证,内容选择和美学图像属性分析。
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引用次数: 18
期刊
2016 Eighth International Conference on Quality of Multimedia Experience (QoMEX)
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