Pub Date : 2022-12-19DOI: 10.34010/artic.v5i1.8604
A. Ibrahim, Y. Ekawardhani
This research is motivated by the illumination of the Hanjuang motif on the Sundawi Mushaf Al-Qur'an. Meanwhile, in general, manuscripts that are often circulated in fine print from middle eastern Indonesia use illumination with Islamic geometric patterns. The purpose of this study is to explain the Sundawi Mushaf Al-Qur'an in its entirety related to the formulation of the concept of visualization of Hanjuang motif illumination, explanation of Hanjuang motif illumination, and its influence on Sufism. This study uses descriptive qualitative methods with visual creation approaches and Sufism that systematically describe the things that are the focus of the research. The data collection technique used in this research is library research and field research in the form of document analysis and personal communication with designers, humanists and Sufism experts. The results of this study found that the visualization of Hanjuang motif illumination with Al-Qur'an Mushaf Sundawi is part of plants that exist in West Java and also as a means of introducing West Javanese ornaments in the Sundawi Qur'an. This visual illumination will have an impact on the synergy between the Al-Qur'an Mushaf Sundawi, the Hanjuang motif as part of culture and Sufism. The results of this study refer to the analysis of objects that are concrete or tangible and abstract or conceptual objects that do not refer to objects but the meaning possessed by the illumination object. Keywords: Illumination, Mushaf, Pattern, Hanjuang, Sufism
{"title":"Visual Study Of Hanjuang Motif Illumination In The Qur'an Mushaf Sundawi","authors":"A. Ibrahim, Y. Ekawardhani","doi":"10.34010/artic.v5i1.8604","DOIUrl":"https://doi.org/10.34010/artic.v5i1.8604","url":null,"abstract":"This research is motivated by the illumination of the Hanjuang motif on the Sundawi Mushaf Al-Qur'an. Meanwhile, in general, manuscripts that are often circulated in fine print from middle eastern Indonesia use illumination with Islamic geometric patterns. The purpose of this study is to explain the Sundawi Mushaf Al-Qur'an in its entirety related to the formulation of the concept of visualization of Hanjuang motif illumination, explanation of Hanjuang motif illumination, and its influence on Sufism. This study uses descriptive qualitative methods with visual creation approaches and Sufism that systematically describe the things that are the focus of the research. The data collection technique used in this research is library research and field research in the form of document analysis and personal communication with designers, humanists and Sufism experts. The results of this study found that the visualization of Hanjuang motif illumination with Al-Qur'an Mushaf Sundawi is part of plants that exist in West Java and also as a means of introducing West Javanese ornaments in the Sundawi Qur'an. This visual illumination will have an impact on the synergy between the Al-Qur'an Mushaf Sundawi, the Hanjuang motif as part of culture and Sufism. The results of this study refer to the analysis of objects that are concrete or tangible and abstract or conceptual objects that do not refer to objects but the meaning possessed by the illumination object. \u0000Keywords: Illumination, Mushaf, Pattern, Hanjuang, Sufism","PeriodicalId":72417,"journal":{"name":"Birth defects original article series","volume":"32 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85141606","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-19DOI: 10.34010/artic.v5i1.8614
Trianita Anugerah Setiawan, W. S. Abioso
This study raises the comparison of the building of the Great Hall of Majapahit (Mojokerto, East Java) and the Great Hall of Mataram Pura Mangkunegaran (Solo, Central Java). philosophy in a different way. Both are historical buildings that are directly related to the history of the Mataram Kingdom and the Majapahit Kingdom, which in general, the two kingdoms still have ties to one another due to the journey of the Hindu-Buddhist religion. Inside the interior of the Pendopo Agung there are several ancient ornaments which have an aesthetic function and symbolic meaning. This study aims to analyze the comparison of forms and aesthetic and symbolic functions of the ornaments of the Great Hall. The method used is descriptive method. Data collection was obtained from observation and literature. The emergence of the Pendopo Agung building is a work created from generation to generation, guided by predetermined standard rules both technically and religiously which are interrelated to the Javanese standard. The conclusion of this study is to add insight that in each ornament on the same building has a way of conveying different meanings to the people, these differences can later be used as points of interest for each building of the Great Majapahit and Mataram Halls.
{"title":"Analysis of the Building Ornaments of the Pendopo Agung of Majapahit (Mojokerto, East Java) and Mataram (Pura Mangkunegaran Solo, Central Java)","authors":"Trianita Anugerah Setiawan, W. S. Abioso","doi":"10.34010/artic.v5i1.8614","DOIUrl":"https://doi.org/10.34010/artic.v5i1.8614","url":null,"abstract":"This study raises the comparison of the building of the Great Hall of Majapahit (Mojokerto, East Java) and the Great Hall of Mataram Pura Mangkunegaran (Solo, Central Java). philosophy in a different way. Both are historical buildings that are directly related to the history of the Mataram Kingdom and the Majapahit Kingdom, which in general, the two kingdoms still have ties to one another due to the journey of the Hindu-Buddhist religion. Inside the interior of the Pendopo Agung there are several ancient ornaments which have an aesthetic function and symbolic meaning. This study aims to analyze the comparison of forms and aesthetic and symbolic functions of the ornaments of the Great Hall. The method used is descriptive method. Data collection was obtained from observation and literature. The emergence of the Pendopo Agung building is a work created from generation to generation, guided by predetermined standard rules both technically and religiously which are interrelated to the Javanese standard. The conclusion of this study is to add insight that in each ornament on the same building has a way of conveying different meanings to the people, these differences can later be used as points of interest for each building of the Great Majapahit and Mataram Halls.","PeriodicalId":72417,"journal":{"name":"Birth defects original article series","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81441059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.34010/artic.v4i2.8548
N. Subrata, K. Kasmana
Balinese Traditional Architecture is an architectural concept used by the Balinese people in designing buildings and is still applied on an ongoing basis today. Traditional Balinese architecture has existed since the days of the Hindu kingdoms in Bali. Puri Agung Ubud is one of the heritages of traditional Balinese architecture during the royal period whose buildings are still well maintained and functioning. The current function of the Puri is not only as a residence for the royal family but also functions as a tourist attraction. The areas that can be visited by tourists are the palebahan ancak saji area and the semanggen area. In palebahan ancak saji there is a kori building, a kori is a building that functions as a door for exit and entry access to other palebahans. Kori has the form of a cecandian building structure with various ornaments on each side. The focus of this research is to analyze the shapes and ornaments used on the kori in the northern part of palebahan ancak saji at Puri Agung Ubud. In this study using a qualitative descriptive method following the study of cultural artifacts. The results of this study are to know the shape and types of ornaments used in the North Kori building. Keywords: Kori; Form; Ornamens; Palebahan Ancak Saji
巴厘岛传统建筑是巴厘岛人在设计建筑物时使用的一种建筑理念，今天仍在继续应用。传统的巴厘岛建筑在巴厘岛的印度教王国时代就已经存在了。Puri Agung Ubud是皇家时期传统巴厘岛建筑的遗产之一，其建筑仍然保存完好并发挥作用。普里寺目前的功能不仅是皇室的住所，而且还具有旅游景点的功能。游客可以参观的地区是palebahan anak saji地区和semanggen地区。在palebahan ancak saji有一座kori建筑，kori是一座建筑，作为进出其他palebahan的门。古里的形式是一种公元式的建筑结构，每边都有各种各样的装饰品。本研究的重点是分析在Puri Agung Ubud的palebahan anak saji北部的古丽上使用的形状和装饰。本研究采用定性描述的方法对文物进行后续研究。这次研究的结果是了解北古里建筑中使用的装饰品的形状和类型。关键词:科瑞;形式;Ornamens;Palebahan Ancak Saji
{"title":"Design Analysis of Kori in Palebahan Ancak Saji at Puri Agung Ubud, Bali","authors":"N. Subrata, K. Kasmana","doi":"10.34010/artic.v4i2.8548","DOIUrl":"https://doi.org/10.34010/artic.v4i2.8548","url":null,"abstract":"Balinese Traditional Architecture is an architectural concept used by the Balinese people in designing buildings and is still applied on an ongoing basis today. Traditional Balinese architecture has existed since the days of the Hindu kingdoms in Bali. Puri Agung Ubud is one of the heritages of traditional Balinese architecture during the royal period whose buildings are still well maintained and functioning. The current function of the Puri is not only as a residence for the royal family but also functions as a tourist attraction. The areas that can be visited by tourists are the palebahan ancak saji area and the semanggen area. In palebahan ancak saji there is a kori building, a kori is a building that functions as a door for exit and entry access to other palebahans. Kori has the form of a cecandian building structure with various ornaments on each side. The focus of this research is to analyze the shapes and ornaments used on the kori in the northern part of palebahan ancak saji at Puri Agung Ubud. In this study using a qualitative descriptive method following the study of cultural artifacts. The results of this study are to know the shape and types of ornaments used in the North Kori building. \u0000Keywords: Kori; Form; Ornamens; Palebahan Ancak Saji","PeriodicalId":72417,"journal":{"name":"Birth defects original article series","volume":"75 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80520446","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.34010/artic.v4i2.8511
Iklima Nur Mufida, Y. Ekawardhani
The purpose of this study is to find the visual modifications of Pencak silat movements in The Raid 2 movie through camera movement techniques. The martial arts movements used in The Raid 2 movie have been modified according to the needs of the movie. A descriptive qualitative method was used to collect and process data and information that was needed for this research. The author of this research also did a visual analysis of the Pencak silat movements that were shown in several selected scenes. The analysis was carried out by choosing several scenes from The Raid 2 movie and analyzing the camera movement techniques such as tilting, following, and panning in the selected scenes. The results of this study indicate that in The Raid 2 movie, there are Pencak silat movements that have been modified according to the needs of the film that was analyzed from camera movement techniques. And this research can describe how the original movement has been modified according to the interests of a film. This research also found that the Pencak silat movements modification as the result of mixing traditional martial arts and modern movie technology raises the interest of the audience.
{"title":"Visual Analysis Of Pencak Silat Movements Modification Through Camera Techniques In The Raid 2 Movie","authors":"Iklima Nur Mufida, Y. Ekawardhani","doi":"10.34010/artic.v4i2.8511","DOIUrl":"https://doi.org/10.34010/artic.v4i2.8511","url":null,"abstract":"The purpose of this study is to find the visual modifications of Pencak silat movements in The Raid 2 movie through camera movement techniques. The martial arts movements used in The Raid 2 movie have been modified according to the needs of the movie. A descriptive qualitative method was used to collect and process data and information that was needed for this research. The author of this research also did a visual analysis of the Pencak silat movements that were shown in several selected scenes. The analysis was carried out by choosing several scenes from The Raid 2 movie and analyzing the camera movement techniques such as tilting, following, and panning in the selected scenes. The results of this study indicate that in The Raid 2 movie, there are Pencak silat movements that have been modified according to the needs of the film that was analyzed from camera movement techniques. And this research can describe how the original movement has been modified according to the interests of a film. This research also found that the Pencak silat movements modification as the result of mixing traditional martial arts and modern movie technology raises the interest of the audience.","PeriodicalId":72417,"journal":{"name":"Birth defects original article series","volume":"26 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87358136","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.34010/artic.v4i2.8593
Rifa Nur Fadhilah, T. Hidayatullah
This study aims to describe the role of the ornaments found in the Gedhe Kauman Mosque by having various forms with different meanings. The Gedhe Kauman Mosque building is a place of worship whose history is still attached to the local community, especially in Yogyakarta. The Gedhe Kauman Mosque was built during the Sultanate of Hamengku Buwono with an architect Ki Wiyukusumo with the aim of forming an Islamic state which at that time, the city of Yogyakarta was still in the process of Islamization and the spread of Islam was still being moved. This research is descriptive qualitative by discussing some of the history of the Gedhe Kauman Mosque building as well as some parts of the ornaments printed on the Gedhe Kauman Mosque building. The research data was obtained by means of literature study, observation, documentation and interviews with sources who know about the Gedhe Kauman Mosque building and its contents. There are several ornaments that will be discussed with each having a different meaning. The conclusion of this study is to add insight into works of art that are applied to buildings of worship with a very important meaning in them. Keywords: Art and Ornament Mosque; Design; Islam; Moslem; Yogyakarta Indonesia
{"title":"The Role of Ornaments for the Gedhe Kauman Mosque","authors":"Rifa Nur Fadhilah, T. Hidayatullah","doi":"10.34010/artic.v4i2.8593","DOIUrl":"https://doi.org/10.34010/artic.v4i2.8593","url":null,"abstract":"This study aims to describe the role of the ornaments found in the Gedhe Kauman Mosque by having various forms with different meanings. The Gedhe Kauman Mosque building is a place of worship whose history is still attached to the local community, especially in Yogyakarta. The Gedhe Kauman Mosque was built during the Sultanate of Hamengku Buwono with an architect Ki Wiyukusumo with the aim of forming an Islamic state which at that time, the city of Yogyakarta was still in the process of Islamization and the spread of Islam was still being moved. This research is descriptive qualitative by discussing some of the history of the Gedhe Kauman Mosque building as well as some parts of the ornaments printed on the Gedhe Kauman Mosque building. The research data was obtained by means of literature study, observation, documentation and interviews with sources who know about the Gedhe Kauman Mosque building and its contents. There are several ornaments that will be discussed with each having a different meaning. The conclusion of this study is to add insight into works of art that are applied to buildings of worship with a very important meaning in them. \u0000Keywords: Art and Ornament Mosque; Design; Islam; Moslem; Yogyakarta Indonesia","PeriodicalId":72417,"journal":{"name":"Birth defects original article series","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89950869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.34010/artic.v4i2.8603
Iza Mahendra, K. Kasmana
The Baduy Luar tribe is one of the many tribes in Indonesia that produces garments in the form of woven fabrics they create. In the course of its development, the weaving of the Baduy Luar Tribe was gifted by the cultural anguish of the Baduy Tribe, who always respect the universe and nature that they preserve, which is part of the Pikukuh Karuhun that they carry out as adherents of Sunda Wiwitan. Pikukuh Karuhun is a way of life for the Baduy Tribe and is applied thoroughly in their lives, including woven fabrics made by the Baduy Luar Tribe. The woven fabrics of the Baduy Luar have gone through various developments, including the use of additional tools and manufacturing techniques using songket, which is used to make motifs and decorations on woven fabrics, and synthetic threads as a substitute material used to make woven fabrics. In addition to the development they have made of the woven fabrics they make, the Baduy Luar Tribe creates several cloth motifs that become the identity of the Baduy Luar Tribe and distinguish it from the Baduy Dalam Tribe, whose ancestors they respect and obey. The Baduy Luar tribe also instills their philosophy of life in some of the woven fabrics they make so that they have sacred values for the Baduy Luar tribe, such as the Adu Mancung weaving, which is specifically for the traditional events they carry out. Keywords: Cultural Wisdom; Nature and Cultural Conservation; Sunda Wiwitan; Weaving of the Baduy Luar Tribe
{"title":"Baduy Luar's Weaving as an Identity and Embodiment of Pikukuh Karuhun","authors":"Iza Mahendra, K. Kasmana","doi":"10.34010/artic.v4i2.8603","DOIUrl":"https://doi.org/10.34010/artic.v4i2.8603","url":null,"abstract":"The Baduy Luar tribe is one of the many tribes in Indonesia that produces garments in the form of woven fabrics they create. In the course of its development, the weaving of the Baduy Luar Tribe was gifted by the cultural anguish of the Baduy Tribe, who always respect the universe and nature that they preserve, which is part of the Pikukuh Karuhun that they carry out as adherents of Sunda Wiwitan. Pikukuh Karuhun is a way of life for the Baduy Tribe and is applied thoroughly in their lives, including woven fabrics made by the Baduy Luar Tribe. The woven fabrics of the Baduy Luar have gone through various developments, including the use of additional tools and manufacturing techniques using songket, which is used to make motifs and decorations on woven fabrics, and synthetic threads as a substitute material used to make woven fabrics. In addition to the development they have made of the woven fabrics they make, the Baduy Luar Tribe creates several cloth motifs that become the identity of the Baduy Luar Tribe and distinguish it from the Baduy Dalam Tribe, whose ancestors they respect and obey. The Baduy Luar tribe also instills their philosophy of life in some of the woven fabrics they make so that they have sacred values for the Baduy Luar tribe, such as the Adu Mancung weaving, which is specifically for the traditional events they carry out. \u0000 \u0000Keywords: Cultural Wisdom; Nature and Cultural Conservation; Sunda Wiwitan; Weaving of the Baduy Luar Tribe","PeriodicalId":72417,"journal":{"name":"Birth defects original article series","volume":"194 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86934773","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.34010/artic.v4i2.8589
Ayu Ardana Putri, Rini Maulina
The architecture of buildings in Ubud Village has a peculiarity because it uses the concept of Traditional Balinese Architecture, and the Ubud people mostly work as sculptors, so the building has more carvings or ornaments. One ofthe buildings is angkul-angkul. Angkul-angkul is one of the buildings in the area of a traditional Balinese house that is an access or entrance to the yard of a Balinese Hindu community. With the influence of technological advances, globalization and cultural acculturation, and tourism, the use of angkul-angkul today has begun to shift, both in terms of shape, function, and material. Based on these problems, this study aims to determine the change in the shape and use of angkul-angkul material. Descriptive methods are used to analyze the form of angkul-angkul, with data collection through interviews, observations, and literature studies. The result of the study was that there were variations in new forms and materials in angkul in Banjar Junjungan, Ubud Village. Keywords: Angkul-Angkul; Form; Hindu; Ubud Bali; Design
{"title":"Angkul-Angkul in Ubud Village and It’s Change","authors":"Ayu Ardana Putri, Rini Maulina","doi":"10.34010/artic.v4i2.8589","DOIUrl":"https://doi.org/10.34010/artic.v4i2.8589","url":null,"abstract":"The architecture of buildings in Ubud Village has a peculiarity because it uses the concept of Traditional Balinese Architecture, and the Ubud people mostly work as sculptors, so the building has more carvings or ornaments. One ofthe buildings is angkul-angkul. Angkul-angkul is one of the buildings in the area of a traditional Balinese house that is an access or entrance to the yard of a Balinese Hindu community. With the influence of technological advances, globalization and cultural acculturation, and tourism, the use of angkul-angkul today has begun to shift, both in terms of shape, function, and material. Based on these problems, this study aims to determine the change in the shape and use of angkul-angkul material. Descriptive methods are used to analyze the form of angkul-angkul, with data collection through interviews, observations, and literature studies. The result of the study was that there were variations in new forms and materials in angkul in Banjar Junjungan, Ubud Village. \u0000 \u0000Keywords: Angkul-Angkul; Form; Hindu; Ubud Bali; Design","PeriodicalId":72417,"journal":{"name":"Birth defects original article series","volume":"40 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76136046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Параўнальны аналіз двух захаваных копій карты Масковіі, складзенай Паўлам Іовіем у 1525 годзе","authors":"","doi":"10.54544/715","DOIUrl":"https://doi.org/10.54544/715","url":null,"abstract":"","PeriodicalId":72417,"journal":{"name":"Birth defects original article series","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88920918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The two surviving copies of the 1525 Moscovia map by Paolo Giovio: A comparative study","authors":"","doi":"10.54544/714","DOIUrl":"https://doi.org/10.54544/714","url":null,"abstract":"","PeriodicalId":72417,"journal":{"name":"Birth defects original article series","volume":"107 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81427156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：