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Diamonds of Sadness: A Story of High-Tech Greed, Power, and Hypocrisy 悲伤的钻石:高科技贪婪、权力和虚伪的故事
Pub Date : 2023-05-01 DOI: 10.1145/3587941
D. Loi
of each character is excessively and uncompromisingly depicted. Their goal is to accumulate more, and such an end justifies any means. One could argue that the hightech community, too, has become structured “according to the unequal, savage logic wrought by capitalism” [1] and I’d argue that its what (outcome), how (method), and why (values) are frequently rather questionable. Several years ago, after viewing a demo of a new technology, I asked the inventor if he could imagine ways in which his design might be harmful. With a puzzled look, he replied, “Absolutely not.” After I listed a handful of very problematic and likely misuses of his creation, his response was that he could not be held accountable for what other people might do with his technology. Technically, he was not incorrect. Another time, I asked a colleague if he would put his newly designed surveillance system in his own home. With an incredulous look, he replied, “Of course not.” When I asked him why he thought others should put it in their homes, he said he was confident that marketing would create the right value propositions to monetize such a highly efficient system. Sadly, he was right. Earlier in my career, I was offered the opportunity to be on a fast-promotion track by focusing on a research agenda centered on leveraging behavioral manipulation to increase product sales. When I refused to jump on the opportunity due to the insidiousness of the proposed scope, not only did my manager laugh at what she felt was pure stupidity but also a number of colleagues took the opportunity without hesitation. They were indeed promoted, several years ahead of me. Over the past two decades, I have collected many examples like the ones above. Ongoing discussions with colleagues and mentees confirm that I am not the only one experiencing such puzzling dynamics. Like characters in a movie, we—the high-tech sector— gleefully put on golden blinders and keep moving in one direction, toward satisfying our selfish desires for wealth and power. We seem to have stopped questioning whether something should be designed. We seem to have forgotten the delicate relationship between what is created and how to create. We seem to believe that the values we cherish in private life do not apply when we clock in. Our what, how, and why are too frequently distorted and, like one of Östlund’s characters would say, we seem blissfully comfortable “in den wolken” (in the clouds), far from everyday reality. This may sound harsh, yet, let’s face it, we are shallower than we dare to admit. Similar to the Eastern European character in Triangle of Sadness who shares how he became a millionaire (“I sell shit,” he says, laughing), the hightech industry more frequently than not seems to be self-absorbed in endless manure production—because, it turns out, some will buy manure that they do not need if the surrounding apparatus makes the manure look and feel like must-have gold. This ongoing irresponsible behavior will no do
每一个角色都被过度而毫不妥协地描绘出来。他们的目标是积累更多,这样的目的证明了任何手段都是合理的。有人可能会说,高科技社区也已经“根据资本主义造成的不平等、野蛮的逻辑”[1]而我认为,它的内容(结果)、方式(方法)和为什么(价值观)往往相当可疑。几年前,在观看了一项新技术的演示后,我问发明者是否能想象出他的设计可能有害的方式。他带着困惑的表情回答说:“绝对不是。”在我列出了一些对他的创作非常有问题和可能被滥用的地方后,他的回答是,他不能对其他人可能对他的技术做什么负责。从技术上讲,他没有错。还有一次,我问一位同事,他是否愿意把他新设计的监控系统放在自己家里。他带着怀疑的表情回答说:“当然不是。”当我问他为什么认为其他人应该把它放在家里时,他说他相信营销会创造正确的价值主张,将如此高效的系统货币化。遗憾的是,他是对的。在我职业生涯的早期,我有机会通过专注于以利用行为操纵来提高产品销量为中心的研究议程,快速晋升。当我由于提议范围的隐蔽性而拒绝抓住这个机会时,我的经理不仅嘲笑她觉得纯粹的愚蠢,而且许多同事也毫不犹豫地抓住了这个机会。在过去的二十年里,我收集了许多像上面这样的例子。正在与同事和学员进行的讨论证实,我并不是唯一一个经历这种令人困惑的动态的人。就像电影中的角色一样,我们——高科技行业——兴高采烈地戴上金色的眼罩,朝着一个方向前进,朝着满足我们对财富和权力的私欲前进。我们似乎已经不再质疑是否应该设计一些东西了。我们似乎忘记了创造什么和如何创造之间的微妙关系。我们似乎相信,当我们打卡时,我们在私生活中珍视的价值观并不适用。我们的内容、方式和原因经常被扭曲,就像奥斯特伦德笔下的一个角色所说的那样,我们似乎在“云端”过得很幸福,远离日常现实。这听起来可能很刺耳,但让我们面对现实吧,我们比我们敢于承认的要肤浅。类似于《悲伤三角》中的东欧角色,他分享了自己是如何成为百万富翁的(“我卖屎,”他笑着说),高科技行业似乎更频繁地专注于无休止的粪肥生产——因为事实证明,如果周围的设备让粪肥看起来和感觉都像必备的黄金,有些人会购买他们不需要的粪肥。毫无疑问,这种持续不断的不负责任的行为将作为人类最大的失败之一载入史册。——格蕾塔·桑伯格
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引用次数: 0
Stratum: Selfhood in the Digital World 阶层:数字世界中的自我
Pub Date : 2023-05-01 DOI: 10.1145/3592802
Chariell Glogovac-Smith
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引用次数: 0
What Are You Not Reading? Critical Race Theory for HCI 你没有读什么?HCI的临界种族理论
Pub Date : 2023-05-01 DOI: 10.1145/3589938
M. Adamu
As an early-career researcher, at first, I thought about the possibilities that engaging more profoundly with issues such as race, gender, and class in my work might make clear the unintended consequences of digital technologies in futuring (and defuturing) specific organizing features of communities in Africa. The prevailing argument in African HCI is how diverse social values, cultural attributes, and lived experiences can be drawn into conversations about the applicability and sustainability of HCI methods, approaches, and techniques to technology design projects. Within narratives about appropriation and localization, for example, issues of race and racism don’t figure prominently, and my initial thought was, what would CRT offer in furthering the understanding of the politics of design—ontologically and epistemologically?
作为一名早期的职业研究人员,起初,我思考了在工作中更深入地处理种族、性别和阶级等问题的可能性,这些可能性可能会清楚地表明数字技术在未来(和消除)非洲社区特定组织特征方面的意外后果。非洲HCI的主要论点是,如何将不同的社会价值观、文化属性和生活经历纳入关于HCI方法、方法和技术对技术设计项目的适用性和可持续性的对话中。例如,在关于挪用和本地化的叙事中,种族和种族主义问题并没有占据突出地位,我最初的想法是,CRT在深入理解设计政治方面会提供什么——本体论和认识论?
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引用次数: 0
Resource Man and the Smart Wife 智囊和聪明的妻子
Pub Date : 2023-02-28 DOI: 10.1145/3582566
Y. Strengers
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引用次数: 1
Interaction Design Solutions for Online Meetings 在线会议交互设计解决方案
Pub Date : 2023-02-28 DOI: 10.1145/3581785
V. Kaptelinin
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引用次数: 0
The Cyberunion 20 Years Later 20年后的赛博联盟
Pub Date : 2023-02-28 DOI: 10.1145/3583079
Vera D. Khovanskaya
This forum focuses on the conditions and futures of the labor underpinning technology production and maintenance. We welcome standalone articles as well as interviews and conversations about all tech labor within the global supply chain of digital technologies. --- Seyram Avle and Sarah Fox, Editors
本次论坛的重点是劳动基础技术生产和维护的条件和未来。我们欢迎关于全球数字技术供应链中所有技术劳动力的独立文章以及访谈和对话。——Seyram Avle和Sarah Fox,编辑
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引用次数: 0
Pace Layer Prototyping 图层原型
Pub Date : 2023-02-28 DOI: 10.1145/3583127
D. Chatting
(audio jack, control wheel, buttons, and screen) was unchanged. Research products often seek to both endure daily life in the wild and be open to emergent opportunities [4,5]. To these ends, pace layer prototyping is a way to design layers of a prototype with different material (and immaterial) affordances to change, while maintaining a necessary degree of stability. Each layer requires different kinds of work and tools to make change, which can be manipulated by design. The Router of All Evil is a commercial Linksys router that has been hacked open, then relaid out and made stable on an acrylic backplate. The design principally has two pliable layers: The pegboard at the top presents the possibility of changing the hardware of the router, where components and panels can be easily reconfigured with the guidance of Bill Gaver and Andy Boucher. This was supported by the Arts and Humanities Research Council (AHRC) Design Star Centre for Doctoral Training.
(音频插孔、控制轮、按钮和屏幕)保持不变。研究产品通常寻求既能忍受野外的日常生活,又能接受突发的机会[4,5]。为此,速度层原型设计是一种设计原型层的方法,具有不同的材料(和非物质)可供改变的可能性,同时保持必要的稳定性。每一层都需要不同种类的工作和工具来进行更改,这些更改可以通过设计进行操作。All Evil路由器是一款商业Linksys路由器,它被黑客打开,然后重新锁定,并稳定在丙烯酸背板上。该设计主要有两层:顶部的钉板提供了更改路由器硬件的可能性,在Bill Gaver和Andy Boucher的指导下,可以轻松地重新配置组件和面板。这得到了艺术与人文研究委员会(AHRC)博士培训设计之星中心的支持。
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引用次数: 0
Home Intimacies 家庭亲密
Pub Date : 2023-02-28 DOI: 10.1145/3584740
D. Rosner, Alex H. Taylor, Mikael Wiberg
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引用次数: 0
On Honoring Our Volunteers 关于尊重我们的志愿者
Pub Date : 2023-02-28 DOI: 10.1145/3584698
Sigchi Executive Committee
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引用次数: 0
Jihan Sherman 吉汉·谢尔曼
Pub Date : 2023-02-28 DOI: 10.1145/3583129
Jihan Sherman
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引用次数: 0
期刊
Interactions (New York, N.Y.)
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