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Pre-Darwinian Species Change: Reincarnation and Species Change in George Sand’s Évenor et Leucippe 前达尔文主义物种变化:乔治·桑的Évenor et Leucippe的转世与物种变化
Pub Date : 2018-07-09 DOI: 10.12929/jls.11.1.03
Manon Mathias
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引用次数: 0
Beckett’s Calculus of the Subject: the Performance of Spatial and Self-relations in …but the clouds… 贝克特的微积分:空间和自我关系在……但云…中的表现…
Pub Date : 2018-07-09 DOI: 10.12929/jls.11.1.06
Treena Balds
in sense-certainty, pure being at once splits up into what we have called the two ‘Thises’, one ‘This’ as ‘I’, and the other ‘This’ as object. When we reflect on this difference, we find that neither one nor the other is only immediately present in sense-certainty, but each is at the same time mediated: I have this certainty through something else, viz. the thing; and it, similarly, is in sense-certainty through something else, viz, through the ‘I’.
在意义上的确定性中,纯粹的存在同时分裂成我们所称的两个“Thises”,一个“This”作为“I”,另一个“This”作为对象。当我们反思这种差异时,我们发现两者都不是直接存在于意义上的确定性,而是同时被中介的:我通过其他东西,即事物,获得了这种确定性;同样,它通过其他东西,也就是通过“我”,在某种意义上是确定的。
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引用次数: 0
Review of Gowan Dawson’s “Dickens, Dinosaurs, and Design 高万·道森《狄更斯、恐龙与设计》述评
Pub Date : 2018-07-09 DOI: 10.12929/JLS.11.1.11
J. Murray
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引用次数: 0
Review of Karen Dieleman’s “Evolution and the Struggle of Love in Emily Pfeiffer’s Sonnets 评凯伦·迪勒曼“艾米丽·菲佛十四行诗中的进化与爱的斗争”
Pub Date : 2018-07-09 DOI: 10.12929/jls.11.1.08
Simon Avery
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引用次数: 0
Review of Kirsty Martin’s “Modernism and the Medicalization of Sunlight: D.H. Lawrence, Katherine Mansfield and the Sun Cure 柯斯蒂·马丁《现代主义与阳光的医学化:D.H.劳伦斯、凯瑟琳·曼斯菲尔德与太阳疗法》述评
Pub Date : 2018-07-09 DOI: 10.12929/jls.11.1.12
L. Wilkinson
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引用次数: 0
That Universall and Publik Manuscript”: The Book of Nature and The Garden of Cyrus 《那份普遍和大众的手稿》:《自然之书》和《居鲁士的花园》
Pub Date : 2018-07-09 DOI: 10.12929/jls.11.1.02
Benjamin Lomas
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引用次数: 0
Experimental Identities: Quantum Physics in Popular Science Writing and Virginia Woolf’s The Waves 实验身份:科普写作中的量子物理学与弗吉尼亚·伍尔夫的《波浪》
Pub Date : 2018-07-09 DOI: 10.12929/JLS.11.1.05
Catriona Livingstone
Virginia Woolf’s The Waves (1931) is a novel about the impossibility of defining identity. Throughout the novel, the six main characters utter soliloquies in which they employ image after image to define their own beings and experiences, the very profusion of the images indicating the impossibility of the task. Each image is succeeded by another, and none is final. At the end of the novel, one of the characters, Bernard, engages in an attempt to “sum up” (191) his life, but finds that he cannot do it, for the simple reason that his life is inseparable from those of the people around him:
弗吉尼亚·伍尔夫的《海浪》(1931)是一部关于身份不可能定义的小说。在整部小说中,六个主要人物都在自言自语,他们用一个又一个图像来定义自己的存在和经历,图像的丰富表明了这项任务的不可能。每一个图像都是由另一个图像继承的,没有一个是最终的。在小说的结尾,其中一个角色伯纳德试图“总结”(191)他的生活,但发现他做不到,原因很简单,他的生活与周围的人密不可分:
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引用次数: 0
Telescopes in the Drawing-Room: Geometry and Astronomy in George Eliot’s The Mill on the Floss 客厅里的望远镜:乔治·艾略特《弗洛斯河上的磨坊》中的几何学和天文学
Pub Date : 2018-07-09 DOI: 10.12929/jls.11.1.01
Kimberley Dimitriadis
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引用次数: 1
Review of Rachel Trubowitz’s “Reading Milton and Newton in the Radical Reformation: Poetry, Mathematics, and Religion 雷切尔·特鲁博维茨《在激进改革中阅读米尔顿和牛顿:诗歌、数学和宗教》述评
Pub Date : 2018-07-09 DOI: 10.12929/jls.11.1.09
Ágnes Bató
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引用次数: 0
Literature Rather Than Science”: Henry Neville Hutchinson (1856-1927) and the Literary Borderlines of Science Writing “文学而非科学”:亨利·内维尔·哈钦森(1856-1927)与科学写作的文学边界
Pub Date : 2018-07-09 DOI: 10.12929/JLS.11.1.04
R. Fallon
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引用次数: 1
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