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Arts, Sciences, Humanities: Triangulating the Two Cultures 艺术、科学、人文:两种文化的三角关系
Pub Date : 2018-12-01 DOI: 10.12929/JLS.10.2.03
C. Belling
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引用次数: 2
Smartness, Contemplation, and Slow Research 聪明、沉思和缓慢的研究
Pub Date : 2018-12-01 DOI: 10.12929/JLS.10.2.14
Robert Mitchell
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引用次数: 0
Elephants in a Room of Our Own: Scientists, Humanists; Collaboration, Communication; Rhetorics, Realities 我们自己房间里的大象:科学家,人文主义者;协作、沟通;修辞、现实
Pub Date : 2018-12-01 DOI: 10.12929/JLS.10.2.10
L. Knight, A. Mark
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引用次数: 0
ScienceHumanities: Theory, Politics, Practice 人文科学:理论、政治、实践
Pub Date : 2018-12-01 DOI: 10.12929/JLS.10.2.02
Martin Willis, K. Waddington, James Castell
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引用次数: 3
A Long Anthropological Perspective on the Humanities 从人类学的角度看人文
Pub Date : 2018-12-01 DOI: 10.12929/JLS.10.2.06
D. Clifford
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引用次数: 0
Encapsulation: Inner Worlds and Their Discontents 封装:内心世界及其不满
Pub Date : 2018-12-01 DOI: 10.12929/JLS.10.2.07
Chris Otter
In 1896, the Portuguese writer Joaquim Oliveira Martins reflected on a fogbound stay in an English country house. The English “gather themselves up within themselves,” he noted, “they contract themselves, they roll themselves up like snails in their shells” (76). Their “civilization,” he continued, “consist[s] in” an “artificial structure,” involving “kitchens like laboratories,” “cupboards full of boots of different kinds for each moment of existence,” and “sticks for every kind of walk” (76). Like contemporaneous fictional characters such as Verne’s Captain Nemo and Huysmans’s Des Esseintes, these individuals seemed to have withdrawn into encapsulated, cluttered worlds. Walter Benjamin would later elaborate on private shells, in which one “secluded oneself within a spider’s web” (216). “From this cavern,” he concluded, “one does not like to stir” (216). Peter Sloterdijk has recently argued that “on the threshold of advanced civilization . . . the artificial, sealed inner world can, under certain circumstances, become the only possible environment for its inhabitants” (Globes 237). This retreat into capsules has had significant technological, sociological, ecological and phenomenological consequences. Capsules have become the ubiquitous life-space for billions of humans in the developed and developing world. Human livingspace has become a giant apparatus within which encapsulated beings are fed, watered, mobilized, entertained, and maintained in states of historically-unprecedented bodily comfort. This apparatus is often called the technosphere (Haff; Zalasiewicz et al., “Scale and Diversity”). Conceptually grasping the technosphere necessitates the adoption of a multi-scalar analytical framework which operates at several spatial levels from the intimate worlds of humans to the unfolding planetary wreckage wrought by mass encapsulated existence. It also requires the analytic capacity to shift back and forth between scales and to appreciate the material effects of scale in complex systems (Coen, West). In this essay, I outline a fivefold scalar structure: equipment, capsules, networks, anthromes and anthropogenic sinks. This essay predominantly focuses on the second scale: capsules. It argues that multidisciplinary analysis is essential to bring out the historical, material, cultural and existential complexity of the process of encapsulation. Brief as it is, the analysis draws on literature, history and philosophy as well as evolutionary biology, geology, environmental science and cognitive archaeology. The essay begins with a historical account of capsules and their climates, before sketching the larger scales of the technosphere: networks, anthromes, and anthropogenic sinks. It then provides an account of the material transition unfolding alongside the development of encapsulation, and concludes by situating these various phenomena within a deep historical and evolutionary context.
1896年,葡萄牙作家若阿金·奥利维拉·马丁斯(Joaquim Oliveira Martins)回忆了一次在英国乡间别墅的雾霾之旅。他指出,英国人“把自己聚集在自己的体内”,“他们收缩自己,像蜗牛一样把自己卷起来”(76)。他继续说道,他们的“文明”“由”一个“人造结构组成”,包括“像实验室一样的厨房”、“每一刻都有不同种类的靴子的橱柜”和“每一种行走都有棍子”(76)。就像同时代的虚构人物,如凡尔纳笔下的《尼莫船长》和Huysmans笔下的Des Esseintes一样,这些人似乎已经退缩到了一个封闭、混乱的世界中。沃尔特·本杰明(Walter Benjamin)后来详细阐述了私人贝壳,其中一个“隐藏在蜘蛛网中”(216)。“从这个洞穴里,”他总结道,“人们不喜欢搅动”(216)。Peter Sloterdijk最近认为,“在先进文明的门槛上……在某些情况下,人造的、封闭的内心世界可能成为其居民唯一可能的环境”(Globes 237)。这种对胶囊的退缩产生了重大的技术、社会学、生态学和现象学后果。胶囊已经成为发达国家和发展中国家数十亿人无处不在的生活空间。人类的生活空间已经成为一个巨大的装置,在这个装置中,被封装的生物被喂养、饮水、动员、娱乐,并保持在历史上前所未有的身体舒适状态。这种仪器通常被称为技术领域(Haff;Zalasiewicz等人,“规模和多样性”)。从概念上把握技术领域需要采用一个多标量分析框架,该框架在几个空间层面上运作,从人类的亲密世界到大规模封装的存在所造成的正在展开的行星残骸。它还需要分析能力在尺度之间来回转换,并理解复杂系统中尺度的物质效应(Coen,West)。在这篇文章中,我概述了一个五重标量结构:设备、胶囊、网络、人类和人为汇。本文主要关注第二个尺度:胶囊。它认为,多学科分析对于揭示历史、物质、文化和存在的复杂性的封装过程至关重要。尽管分析很简短,但它借鉴了文学、历史和哲学,以及进化生物学、地质学、环境科学和认知考古学。这篇文章从胶囊及其气候的历史描述开始,然后勾勒出技术领域的更大尺度:网络、人类和人为汇。然后,它描述了随着封装的发展而展开的物质转变,并通过将这些不同的现象置于深刻的历史和进化背景中得出结论。
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引用次数: 6
Contexts of Encounter: How and Where to Criticise Art and Science 相遇的语境:如何以及在哪里批评艺术与科学
Pub Date : 2018-12-01 DOI: 10.12929/JLS.10.2.11
C. Sleigh
Art and science as a practice and interdiscipline must bear the weight of critical discourse if it is to be anything more than a lightweight cultural artefact, or window dressing to one or other of its constituent practices. In this short article I briefly review the possible unintended consequences of post-humanism for art and science (A&S), and, re-asserting the value of the Science and Technology Studies (STS) critique, sketch its often unrecognised compatibility with research-based contemporary art. The essay goes on to reflect on how different spaces of display can bring one or another discipline to predominate in the presentation of A&S. The need for neutral, interdisciplinary spaces of display for A&S is highlighted, along with the value of curation as critical practice.
艺术和科学作为一种实践和跨学科,如果它不仅仅是一件轻量级的文化艺术品,或者是它的一种或另一种组成实践的橱窗装饰,就必须承受批判性话语的重量。在这篇短文中,我简要回顾了后人文主义对艺术和科学(A&S)可能产生的意外后果,并重新肯定了科学与技术研究(STS)批判的价值,勾勒出了它与以研究为基础的当代艺术之间经常未被认识的兼容性。文章接着反思了不同的展示空间如何使一门或另一门学科在A&S的展示中占据主导地位。强调了对A&S中性、跨学科展示空间的需求,以及策展作为批判性实践的价值。
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引用次数: 1
Inter/Experiments 内部/实验
Pub Date : 2018-12-01 DOI: 10.12929/jls.10.2.05
D. Fitzgerald
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引用次数: 0
A.S. Byatt, Science, and the Mind/Body Dilemma A.S.拜厄特,《科学与身心困境》
Pub Date : 2018-07-09 DOI: 10.12929/JLS.11.1.07
Émilie Walezak
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引用次数: 3
Review of Jim Endersby’s “Deceived by Orchids: Sex, Science, Fiction and Darwin 吉姆·恩德斯比的《被兰花欺骗:性、科学、小说和达尔文》
Pub Date : 2018-07-09 DOI: 10.12929/JLS.11.1.10
Amy King
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引用次数: 0
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