{"title":"The Exception as the Rule in Art, Law, and Science","authors":"P. Steiner","doi":"10.1353/mln.2021.0086","DOIUrl":"https://doi.org/10.1353/mln.2021.0086","url":null,"abstract":"","PeriodicalId":78454,"journal":{"name":"MLN bulletin","volume":"136 1","pages":"1215 - 1236"},"PeriodicalIF":0.0,"publicationDate":"2022-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85203735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The False Correspondent's Real Scene of Writing: Capturing an Elusive Figure in the History of Nineteenth-Century News Work","authors":"Petra S. McGillen","doi":"10.1353/mln.2021.0078","DOIUrl":"https://doi.org/10.1353/mln.2021.0078","url":null,"abstract":"","PeriodicalId":78454,"journal":{"name":"MLN bulletin","volume":"36 1","pages":"1032 - 1049"},"PeriodicalIF":0.0,"publicationDate":"2022-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89058277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"Into without image\": Paul Celan reading the moving image","authors":"J. Mcguinn","doi":"10.1353/mln.2021.0087","DOIUrl":"https://doi.org/10.1353/mln.2021.0087","url":null,"abstract":"","PeriodicalId":78454,"journal":{"name":"MLN bulletin","volume":"130 1","pages":"1237 - 1260"},"PeriodicalIF":0.0,"publicationDate":"2022-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80131059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The pairing “writing, the scene of writing” serves as a challenge to consider two ostensibly opposing facets of writing at once: on the one hand, the thematization of writing within literature (semantics, poetics) and, on the other hand, writing in its material, technological, and historical facticity. In drawing these two sides together
{"title":"Journals, Letters, Files: Work Poetics and Scenes of Writing around 1800","authors":"Bryan Klausmeyer","doi":"10.1353/mln.2021.0077","DOIUrl":"https://doi.org/10.1353/mln.2021.0077","url":null,"abstract":"The pairing “writing, the scene of writing” serves as a challenge to consider two ostensibly opposing facets of writing at once: on the one hand, the thematization of writing within literature (semantics, poetics) and, on the other hand, writing in its material, technological, and historical facticity. In drawing these two sides together","PeriodicalId":78454,"journal":{"name":"MLN bulletin","volume":"281 1","pages":"1010 - 1031"},"PeriodicalIF":0.0,"publicationDate":"2022-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72641197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Bitmap is the Territory: How Digital Formats Render Global Positions","authors":"B. Geoghegan","doi":"10.1353/mln.2021.0081","DOIUrl":"https://doi.org/10.1353/mln.2021.0081","url":null,"abstract":",","PeriodicalId":78454,"journal":{"name":"MLN bulletin","volume":"16 1","pages":"1093 - 1113"},"PeriodicalIF":0.0,"publicationDate":"2022-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75021119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Art of Taking Note in G. Ch. Lichtenberg's Waste-Books","authors":"Johannes Wankhammer","doi":"10.1353/mln.2021.0076","DOIUrl":"https://doi.org/10.1353/mln.2021.0076","url":null,"abstract":"a tripartite ensemble of","PeriodicalId":78454,"journal":{"name":"MLN bulletin","volume":"35 1","pages":"1009 - 984"},"PeriodicalIF":0.0,"publicationDate":"2022-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74634922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Bryan Klausmeyer, Andrea Krauss, Johannes Wankhammer
{"title":"Scenes of Writing: An Introduction","authors":"Bryan Klausmeyer, Andrea Krauss, Johannes Wankhammer","doi":"10.1353/mln.2021.0074","DOIUrl":"https://doi.org/10.1353/mln.2021.0074","url":null,"abstract":"","PeriodicalId":78454,"journal":{"name":"MLN bulletin","volume":"67 1","pages":"965 - 970"},"PeriodicalIF":0.0,"publicationDate":"2022-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73790794","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay explores the twinship between the theories of reading articulated in Marcel Proust's "Journées de lecture" (1906) and Hélène Cixous's Philippines. Prédelles (2009). First, the author analyzes how both writers envision reading as an activity that can potentially open the floodgates of the reader's unconscious. Second, the essay advances that Philippines. Prédelles is itself the product of a series of telepathic revelations that befell Cixous over the course of her reading of Proust, Du Maurier, Freud, or Derrida. Third, the essay argues that Cixous's theory of reading as tele-Lethe-pathy provides a corrective to the psychic determinism at work in Freud's concept of phantasying.
摘要:本文探讨了马塞尔·普鲁斯特的《新闻简报》(1906)和希索斯的《菲律宾》中所阐述的阅读理论之间的关系。Predelles(2009)。首先，作者分析了两位作者如何将阅读视为一种可能打开读者无意识闸门的活动。其次，本文提出了菲律宾。pracimdelles本身就是Cixous在阅读Proust, Du Maurier, Freud或Derrida的作品时所受到的一系列心灵感应启示的产物。第三，本文认为，Cixous的阅读理论作为远程-离开-病态提供了一个纠正心理决定论的工作在弗洛伊德的幻想概念。
{"title":"Reading for the Revelation: Hélène Cixous, Marcel Proust, Sigmund Freud, and Tele-Lethe-Pathy","authors":"F. Vozel","doi":"10.1353/mln.2021.0060","DOIUrl":"https://doi.org/10.1353/mln.2021.0060","url":null,"abstract":"Abstract:This essay explores the twinship between the theories of reading articulated in Marcel Proust's \"Journées de lecture\" (1906) and Hélène Cixous's Philippines. Prédelles (2009). First, the author analyzes how both writers envision reading as an activity that can potentially open the floodgates of the reader's unconscious. Second, the essay advances that Philippines. Prédelles is itself the product of a series of telepathic revelations that befell Cixous over the course of her reading of Proust, Du Maurier, Freud, or Derrida. Third, the essay argues that Cixous's theory of reading as tele-Lethe-pathy provides a corrective to the psychic determinism at work in Freud's concept of phantasying.","PeriodicalId":78454,"journal":{"name":"MLN bulletin","volume":"68 1","pages":"907 - 938"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84572883","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This study examines the representation of China in La Chine ouverte: aventures d’un Fan-Koueï dans le pays de Tsin (1845). Pretending to be an expert on China, the author provides a panorama of Chinese society in the late Qing. Yet, this is a fictional travel account, as the author did not set foot in China. Thus, its representations are based either on second-hand knowledge or imagination. Along with literary and visual representations, one finds a discourse permeated by the contemporary surge of colonialism and the insatiable curiosity of the West regarding Chinese culture, and how realism, vraisemblance, and imagination can be fraught with ideological implications and interpretations.
{"title":"A Partial Picture: Nineteenth-Century China in the Eyes of a Fan-Koueï","authors":"Jingzhen Xie","doi":"10.1353/mln.2021.0067","DOIUrl":"https://doi.org/10.1353/mln.2021.0067","url":null,"abstract":"Abstract:This study examines the representation of China in La Chine ouverte: aventures d’un Fan-Koueï dans le pays de Tsin (1845). Pretending to be an expert on China, the author provides a panorama of Chinese society in the late Qing. Yet, this is a fictional travel account, as the author did not set foot in China. Thus, its representations are based either on second-hand knowledge or imagination. Along with literary and visual representations, one finds a discourse permeated by the contemporary surge of colonialism and the insatiable curiosity of the West regarding Chinese culture, and how realism, vraisemblance, and imagination can be fraught with ideological implications and interpretations.","PeriodicalId":78454,"journal":{"name":"MLN bulletin","volume":"8 1","pages":"S-31 - S-53"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79978050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Documentary Imagination in Twentieth-Century French Literature: Writing with Facts by Alison James (review)","authors":"Rebecca Grenouilleau-Loescher","doi":"10.1353/mln.2021.0062","DOIUrl":"https://doi.org/10.1353/mln.2021.0062","url":null,"abstract":"","PeriodicalId":78454,"journal":{"name":"MLN bulletin","volume":"18 1","pages":"957 - 960"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79823959","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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