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AIA journal. American Institute of Architects最新文献

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Pub Date : 2019-07-15 DOI: 10.7591/9781501738500-010
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引用次数: 0
Interlude: Two Kinds of Uncertainty 插曲:两种不确定性
Pub Date : 2019-07-15 DOI: 10.7591/cornell/9781501738494.003.0034
T. Yarrow
In the car back to the office, Tomas is feeling, as he often remarks, “stressed.” A lot has been going on in the practice. Over the last year there has been a process of expansion, with more and bigger projects than usual. New staff have been taken on. Systems have been changed, to try to make the process more efficient. Changes have been difficult to implement, alongside the usual pressures of building and design deadlines—“like changing the engine of a car while you’re still driving,” as he puts it....
在回办公室的车里,托马斯感到,正如他经常说的,“压力很大”。在实践中发生了很多事情。在过去的一年里,出现了一个扩张的过程,项目比以往更多、更大。新职员已被聘用。系统已经改变,试图使过程更有效率。变革很难实施,再加上通常的建设和设计截止日期的压力——“就像在你还在开车的时候给汽车换引擎,”他说....
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引用次数: 0
Index 指数
Pub Date : 2019-07-15 DOI: 10.1515/9781501738500-010
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引用次数: 0
Acts of Design 设计行为
Pub Date : 2019-07-15 DOI: 10.7591/cornell/9781501738494.003.0023
T. Yarrow
Often I watch the architects at work, captivated by the process through which designs develop and evolve. Much of this happens in silence. Eyes concentrate on screens, computer-generated images of more or less realized structures moved and remade through barely perceptible movements of the mouse. The movement of hand on tracing paper seems a more literal relationship—eye-arm-hand-pencil-paper—but the question of what it is that animates the process is no less enigmatic. Asked where their designs come from, architects offer thoughtful reflections but confess their own uncertainty about a process that is both familiar and mysterious: “total magic,” as Megan once put it during a group discussion in the office; “something comes from nothing!”...
我经常观看建筑师的工作,被设计发展和演变的过程所吸引。很多事情都是在沉默中发生的。眼睛集中在屏幕上,计算机生成的图像或多或少地实现了结构的移动和重建,通过几乎无法察觉的鼠标运动。手在描图纸上的动作似乎更像是一种字面上的关系——眼睛-手臂-手-铅笔纸——但究竟是什么推动了这个过程,这个问题同样令人费解。当被问及他们的设计来自哪里时,建筑师们提供了深思熟虑的思考,但也承认他们自己对这个既熟悉又神秘的过程的不确定性:“完全是魔法,”梅根曾经在办公室的一次小组讨论中说;“无中生有!”
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引用次数: 0
Openings 开口
Pub Date : 2019-07-15 DOI: 10.7591/cornell/9781501738494.003.0006
T. Yarrow
When I first started to share my writing, Tomas confessed that he found some of it hard to read. He wished he had said things more eloquently. He was sometimes aware that in putting things into words, he was not completely comfortable with his own position. Thoughtful but, in his own words, “not a theorist,” he worried about sounding naïve if his words were abstracted from the practical contexts through which they arose and were intended to make sense of. Other interviewees, reading their interview transcripts side by side, became newly aware of different perspectives on this work. Even though they expressed discomfort and sometimes harbored doubts about the possible impact on their reputations, the collective thrust of their comments was to urge me further in the direction of “truth.” David responded, having read some early drafts, that the process seemed overly sanitized: “What about all the endless doubts, the anxieties, the sleepless nights?!” he wanted to know. Realizing this more difficult content was missing, I tried to write it in....
当我第一次开始分享我的作品时,托马斯承认他发现有些东西很难读。他希望自己说得更有说服力一些。他有时意识到,在把事情用语言表达出来的时候,他对自己的立场并不完全满意。他很有思想,但用他自己的话说,“不是一个理论家”,他担心如果他的话是从实际环境中抽象出来的,听起来会像naïve,而这些实际环境是他们产生的,是为了让他们有意义。其他的受访者在阅读他们的采访记录时,对这项工作的不同观点有了新的认识。尽管他们表达了不适,有时还对自己的声誉可能受到的影响表示怀疑,但他们的评论的共同推动力是促使我朝着“真相”的方向进一步前进。大卫读了一些初稿后回应说,这个过程似乎被过度消毒了:“那些无尽的怀疑、焦虑和不眠之夜怎么办?他想知道。意识到缺少这个更困难的内容,我试着在....中编写它
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引用次数: 0
BEFORE THE BEGINNING 在开始之前
Pub Date : 2019-07-15 DOI: 10.7591/9781501738500-001
Thomas Yarrow
These sections introduce the structure and approach of the book. The ethnographic orientation is described as a commitment to explore the everyday practice of architecture, as architects experience and understand this. The descriptive orientation and aspiration is explained. The conceptual inspirations are outlined as a novel conjunction: of practice-based approaches to architecture, design and creativity; and those involving a more humanist imperative to 'humanise the expert'.
这些部分介绍了本书的结构和方法。民族志方向被描述为一种探索建筑日常实践的承诺,因为建筑师体验和理解这一点。阐述了本文的写作取向和写作愿望。概念灵感被概括为一种新的结合:基于实践的建筑、设计和创意方法;以及那些涉及更人道主义的“使专家人性化”的问题。
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引用次数: 0
Part 5. PRACTICAL COMPLETION 第5部分。实际竣工
Pub Date : 2019-07-15 DOI: 10.7591/9781501738500-006
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引用次数: 0
Listen: Channeling or Imposing Ideas? 听着:引导思想还是强加思想?
Pub Date : 2019-07-15 DOI: 10.7591/cornell/9781501738494.003.0027
T. Yarrow
Three of the architects are discussing the relationship between architect and client. MEGAN: It’s tricky to work out how much to just channel what a client wants or to come up with an idea that we feel strongly about. Would that just be arrogant? And what is our role, actually? Who are we representing?...
三位建筑师正在讨论建筑师和客户之间的关系。梅根:这是一个棘手的问题,要计算出多少只是引导客户想要的,或者提出一个我们强烈喜欢的想法。那是不是太傲慢了?我们的角色是什么?我们代表谁?
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引用次数: 0
Petrified Drawing 石化画
Pub Date : 2019-07-15 DOI: 10.7591/cornell/9781501738494.003.0036
T. Yarrow
We arrive on-site in sunshine. Carpenters are busy, singing loudly along to the radio: an uninhibited celebration of tunelessness. They are erecting the wooden frame that, as Rob puts it, “is beginning to make the house seem real.” “That’s exciting!” Tomas remarks, eyes lighting up with obvious satisfaction. “The experience of seeing a design built is always strange and always exciting,” he later remarks. “As an architect, you spend time coming up with ideas, playing around with sketches. Everything seems very abstract and conceptual. Then you arrive on-site and suddenly it’s all very real. Walls are being erected, concrete set. You think, ‘Someone’s actually built it’—you’re like, ‘it was only an idea!’ ” He describes returning to a completed building, and the uncanny sense of literally inhabiting your own imagination: “I’m now inside my drawing!”...
我们在阳光下到达现场。木匠们正忙着,随着收音机大声唱歌:这是对无调性的无拘无束的庆祝。他们正在搭建木框架,用罗布的话说,“这开始让房子看起来像真的。”“太令人兴奋了!”托马斯说着,眼睛里闪烁着明显的满足感。他后来说:“看到一个设计被建成的经历总是奇怪而令人兴奋的。”“作为一名建筑师,你花时间想出想法,摆弄草图。一切似乎都非常抽象和概念化。然后你到了现场,突然间一切都很真实。墙正在竖起,水泥墙正在铺设。你会想,‘有人真的把它造出来了’——你会想,‘这只是一个想法!’”他描述了回到一座完工的建筑,以及一种神奇的感觉,即你真的居住在自己的想象中:“我现在在我的画中!”……
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引用次数: 0
Spaces Between 之间的空间
Pub Date : 2019-07-15 DOI: 10.7591/cornell/9781501738494.003.0003
T. Yarrow
During an audio diary, Tomas reflects on the difficulties of occupying, in his words, “the space between.” He is talking specifically about the space between a plan and a building, the endless decisions, negotiations, problems, and reconciliations that emerge in the effort to translate a plan into a physical structure. In his account it is an anxious space but also one where profound enjoyment and reward can be found. His reflections can be generalized to a larger truth about the nature of architects’ working lives. Much of what this book explores involves architects’ efforts to occupy spaces that are, literally and conceptually, “between.”...
在一段音频日记中,托马斯反思了用他的话来说,占据“间隔空间”的困难。他具体谈论的是计划和建筑之间的空间,在努力将计划转化为物理结构的过程中出现的无休止的决定、谈判、问题和和解。在他的叙述中,这是一个令人焦虑的空间,但也是一个可以找到深刻享受和回报的空间。他的思考可以概括为关于建筑师工作生活本质的更大真相。本书探讨的大部分内容都涉及建筑师努力占据的空间,从字面上和概念上来说,“在……之间”。
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引用次数: 0
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AIA journal. American Institute of Architects
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