Pub Date : 2022-01-01DOI: 10.21494/iste.op.2022.0850
C. Rouquette
{"title":"Les explorations maritimes et scientifiques : Sur les traces du matelot « Jean-ne Barré » exploratrice et naturaliste, à Madagascar","authors":"C. Rouquette","doi":"10.21494/iste.op.2022.0850","DOIUrl":"https://doi.org/10.21494/iste.op.2022.0850","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80987374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21494/iste.op.2021.0761
John R. Dolan
{"title":"Les aquarelles de Vincent Fossat : L’art au service de la science","authors":"John R. Dolan","doi":"10.21494/iste.op.2021.0761","DOIUrl":"https://doi.org/10.21494/iste.op.2021.0761","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"19 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75576055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21494/iste.op.2021.0763
R. Scheps
{"title":"Des insectes et des affects","authors":"R. Scheps","doi":"10.21494/iste.op.2021.0763","DOIUrl":"https://doi.org/10.21494/iste.op.2021.0763","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76016003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21494/iste.op.2022.0822
T. Gaudin
{"title":"Méditation borgésienne","authors":"T. Gaudin","doi":"10.21494/iste.op.2022.0822","DOIUrl":"https://doi.org/10.21494/iste.op.2022.0822","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"62 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72610383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21494/iste.op.2022.0793
R. Lehoucq
{"title":"La représentation des extraterrestres","authors":"R. Lehoucq","doi":"10.21494/iste.op.2022.0793","DOIUrl":"https://doi.org/10.21494/iste.op.2022.0793","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76395607","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21494/iste.op.2022.0879
John R. Dolan
. Christian Gottfried Ehrenberg (1795-1876) is renowned for pioneering work on microscopic organisms. His fame is based mainly on his two beautifully illustrated monographic works. The first was the 1838 monograph on living microorganisms 'Infusoria' with 64 plates, and the second in 1854, Mikrogeologie with 41 plates showing the remains of microorganisms in minerals and sedimentary deposits. Largely due to these two major works, Ehrenberg is recognized as a founder of protistology on one hand and micropaleontology on the other. The illustrations in Ehrenberg's two monographs are well known but they represent less than half the plates contained in his works and many of Ehrenberg's publications did not concern microorganisms, living or fossil. Here are shown the lesser-known scientific illustrations, revealing the surprisingly wide range of his scientific investigations and consequently his artwork. Following a biographical sketch of Ehrenberg's life, to place in perspective his works, a selection of these scientific illustrations are presented. The illustrations are drawn from his articles and pamphlets published from 1818 to 1859. Later publications all concerned protists, and contain illustrations thought to be likely the work of his daughter Clara who acted as his essential aide when he became physically diminished in old age.
{"title":"The Lesser-Known Scientific Art of Christian Gottfried Ehrenberg","authors":"John R. Dolan","doi":"10.21494/iste.op.2022.0879","DOIUrl":"https://doi.org/10.21494/iste.op.2022.0879","url":null,"abstract":". Christian Gottfried Ehrenberg (1795-1876) is renowned for pioneering work on microscopic organisms. His fame is based mainly on his two beautifully illustrated monographic works. The first was the 1838 monograph on living microorganisms 'Infusoria' with 64 plates, and the second in 1854, Mikrogeologie with 41 plates showing the remains of microorganisms in minerals and sedimentary deposits. Largely due to these two major works, Ehrenberg is recognized as a founder of protistology on one hand and micropaleontology on the other. The illustrations in Ehrenberg's two monographs are well known but they represent less than half the plates contained in his works and many of Ehrenberg's publications did not concern microorganisms, living or fossil. Here are shown the lesser-known scientific illustrations, revealing the surprisingly wide range of his scientific investigations and consequently his artwork. Following a biographical sketch of Ehrenberg's life, to place in perspective his works, a selection of these scientific illustrations are presented. The illustrations are drawn from his articles and pamphlets published from 1818 to 1859. Later publications all concerned protists, and contain illustrations thought to be likely the work of his daughter Clara who acted as his essential aide when he became physically diminished in old age.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"24 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73972196","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21494/iste.op.2022.0776
Jan van IJken
{"title":"Planktonium: Photo series and short film (15 min) about the unseen world of microscopic plankton","authors":"Jan van IJken","doi":"10.21494/iste.op.2022.0776","DOIUrl":"https://doi.org/10.21494/iste.op.2022.0776","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"296 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79712605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21494/iste.op.2022.0796
J. S. Lévy
{"title":"Science-fiction et science : vie extraterrestre","authors":"J. S. Lévy","doi":"10.21494/iste.op.2022.0796","DOIUrl":"https://doi.org/10.21494/iste.op.2022.0796","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"90 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80864372","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21494/iste.op.2022.0789
Bertrand Nouailles
{"title":"La lumière de l’invisible ?","authors":"Bertrand Nouailles","doi":"10.21494/iste.op.2022.0789","DOIUrl":"https://doi.org/10.21494/iste.op.2022.0789","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88248175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21494/iste.op.2022.0878
Annalisa Di Maria, Jean-Charles Pomerol, Nathalie Popis
RÉSUMÉ. L’influence de l’Académie Néoplatonicienne de Florence sur l’œuvre de Léonard de Vinci est mise en évidence. La fascination du Maître pour la géométrie sacrée, la fleur de vie et surtout le nombre d’or transparait dans ses nombreux dessins et peintures. La présence des sages de l’Antiquité, figurant les apôtres, dans le tableau de la Cène atteste d’un intérêt manifeste pour le néoplatonisme diffusé par l’Académie de Florence et de sa recherche d’un syncrétisme entre le platonisme (ou en tout cas l’Antiquité) et le christianisme. Nous montrons enfin que l’homme de Vitruve est construit sur la base de deux rectangles d’or, exactement comme le cheval idéal qui date probablement de la même époque (Voir Arts et Science n°6, 2022, 48-54). ABSTRACT. The influence of the neoplatonic Academy of Florence on the work of Leonardo da Vinci is shown. His fascination for the sacred geometry, the flower of life and especially the golden number appears in many Leonardo’s drawings and paintings. We also show that several sages of the Antiquity are portrayed as apostles in the Last Supper testifying that Leonardo was very interested in the culture of the neoplatonic Academy in search of a syncretism between Plato’s philosophy and Christianism. Finally, we show that the Vitruvian man is designed on the basis of two golden rectangles exactly like the ideal horse probably drawn at about the same time. (Cf. Arts et Sciences n°6, 2022, 48-54).
摘要。强调了佛罗伦萨新柏拉图主义学院对列奥纳多·达·芬奇作品的影响。大师对神圣几何学、生命之花，尤其是黄金数字的迷恋在他的许多素描和绘画中都很明显。在《最后的晚餐》中，古代圣人的出现，以及使徒的出现，证明了人们对佛罗伦萨学院传播的新柏拉图主义的明显兴趣，以及它对柏拉图主义(或至少是古代)与基督教融合的追求。最后，我们展示了维特鲁威人是建立在两个金色矩形的基础上的，就像可能来自同一时代的理想马一样(参见《艺术与科学》第6期，2022年，48-54)。文摘。= =地理= =根据美国人口普查，这个县的面积为。他对神圣几何学的着迷，生命之花，特别是黄金数字在许多列奥纳多的绘画和绘画中出现。我们还指出，一些古代的圣人在最后的晚餐中被描绘成使徒，证明列奥纳多对新柏拉图主义学院的文化非常感兴趣，在柏拉图的哲学和基督教之间寻求融合。enfin, we show that the Vitruvian man is on the basis of two一站式电子黄金矩形到底like the ideal车的数量可能在at about the same time。(参见《艺术与科学》第6期，2022年，48-54)。
{"title":"Influence Néoplatonicienne et « divine proportion » chez Léonard de Vinci","authors":"Annalisa Di Maria, Jean-Charles Pomerol, Nathalie Popis","doi":"10.21494/iste.op.2022.0878","DOIUrl":"https://doi.org/10.21494/iste.op.2022.0878","url":null,"abstract":"RÉSUMÉ. L’influence de l’Académie Néoplatonicienne de Florence sur l’œuvre de Léonard de Vinci est mise en évidence. La fascination du Maître pour la géométrie sacrée, la fleur de vie et surtout le nombre d’or transparait dans ses nombreux dessins et peintures. La présence des sages de l’Antiquité, figurant les apôtres, dans le tableau de la Cène atteste d’un intérêt manifeste pour le néoplatonisme diffusé par l’Académie de Florence et de sa recherche d’un syncrétisme entre le platonisme (ou en tout cas l’Antiquité) et le christianisme. Nous montrons enfin que l’homme de Vitruve est construit sur la base de deux rectangles d’or, exactement comme le cheval idéal qui date probablement de la même époque (Voir Arts et Science n°6, 2022, 48-54). ABSTRACT. The influence of the neoplatonic Academy of Florence on the work of Leonardo da Vinci is shown. His fascination for the sacred geometry, the flower of life and especially the golden number appears in many Leonardo’s drawings and paintings. We also show that several sages of the Antiquity are portrayed as apostles in the Last Supper testifying that Leonardo was very interested in the culture of the neoplatonic Academy in search of a syncretism between Plato’s philosophy and Christianism. Finally, we show that the Vitruvian man is designed on the basis of two golden rectangles exactly like the ideal horse probably drawn at about the same time. (Cf. Arts et Sciences n°6, 2022, 48-54).","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"68 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84394703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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