Pub Date : 2023-01-01DOI: 10.21494/iste.op.2023.1011
Georges Chapouthier
RÉSUMÉ. Né en France dans un milieu universitaire très littéraire, mais passionné, depuis la petite enfance par les animaux, l’auteur montre comment à travers divers épisodes de l’enfance, de la jeunesse et de la maturité, peut se former un double attrait puissant pour la biologie et pour la poésie. Ce parcours original l’a finalement conduit à être à la fois scientifique et poète, deux activités a priori bien différentes. Ce cheminement double ne va pas sans certaines surprises ou certaines difficultés que l’auteur ne manque pas de souligner. ABSTRACT. The author was born in France, into an academic and literary family, and ever since his earliest childhood has always been devoted to animals. While relating different episodes of his life, from childhood through to adulthood, he shows how he developed two driving ambitions, one for biology and the other for poetry. This unusual combination of interests ultimately led him to follow the two quite different directions, choosing to be both scientist and poet. The dual career path involved various surprises and difficulties that will be described.
{"title":"Comment on devient (à la fois) scientifique et poète. Première partie.","authors":"Georges Chapouthier","doi":"10.21494/iste.op.2023.1011","DOIUrl":"https://doi.org/10.21494/iste.op.2023.1011","url":null,"abstract":"RÉSUMÉ. Né en France dans un milieu universitaire très littéraire, mais passionné, depuis la petite enfance par les animaux, l’auteur montre comment à travers divers épisodes de l’enfance, de la jeunesse et de la maturité, peut se former un double attrait puissant pour la biologie et pour la poésie. Ce parcours original l’a finalement conduit à être à la fois scientifique et poète, deux activités a priori bien différentes. Ce cheminement double ne va pas sans certaines surprises ou certaines difficultés que l’auteur ne manque pas de souligner. ABSTRACT. The author was born in France, into an academic and literary family, and ever since his earliest childhood has always been devoted to animals. While relating different episodes of his life, from childhood through to adulthood, he shows how he developed two driving ambitions, one for biology and the other for poetry. This unusual combination of interests ultimately led him to follow the two quite different directions, choosing to be both scientist and poet. The dual career path involved various surprises and difficulties that will be described.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135599630","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.21494/iste.op.2023.0993
R. Scheps
{"title":"Défis du vide","authors":"R. Scheps","doi":"10.21494/iste.op.2023.0993","DOIUrl":"https://doi.org/10.21494/iste.op.2023.0993","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"300 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87515188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.21494/iste.op.2023.1012
Georges Chapouthier
{"title":"Comment on devient (à la fois) scientifique et poète. Seconde partie.","authors":"Georges Chapouthier","doi":"10.21494/iste.op.2023.1012","DOIUrl":"https://doi.org/10.21494/iste.op.2023.1012","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"84 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135599263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.21494/iste.op.2023.1013
Annalisa Di Maria, Jean-Charles Pomerol, Nathalie Popis, Andrea Chiarabini
{"title":"La Marie-Madeleine de Raphaël ou quand l’élève dépasse le Maître !","authors":"Annalisa Di Maria, Jean-Charles Pomerol, Nathalie Popis, Andrea Chiarabini","doi":"10.21494/iste.op.2023.1013","DOIUrl":"https://doi.org/10.21494/iste.op.2023.1013","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"93 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135954009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.21494/iste.op.2023.1020
Ève Golomer
{"title":"Art des jardins en terrasse et sciences du relief et du climat au Château-Neuf de Saint-Germain-en-Laye","authors":"Ève Golomer","doi":"10.21494/iste.op.2023.1020","DOIUrl":"https://doi.org/10.21494/iste.op.2023.1020","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135507202","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.21494/iste.op.2023.0968
John R. Dolan
{"title":"Sur Antoine Risso et son Histoire Naturelle des Principales Productions de l’Europe Méridionale et Particulièrement de Celles des Environs de Nice et des Alpes Maritimes","authors":"John R. Dolan","doi":"10.21494/iste.op.2023.0968","DOIUrl":"https://doi.org/10.21494/iste.op.2023.0968","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"36 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87142114","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21494/iste.op.2022.0859
Jean-Charles Pomerol
RÉSUMÉ. Un dessin de cheval récemment découvert de Léonard de Vinci, nous a donné l’occasion de mettre en évidence l’omniprésence du nombre d’or dans la composition du Maître, confirmant l’inspiration grecque de celui qui fut, en son temps, surnommé le nouveau « Phidias ». Le cheval dessiné par Léonard, peut être regardé comme un « cheval idéal » aux proportions parfaites, respectant la « divine proportion » du nombre d’or pour le corps comme pour la tête. Cette composition très élaborée nous a aussi permis de mettre en évidence une très bonne approximation du nombre d’or, facile à construire. ABSTRACT. A recently discovered drawing of a horse by Leonardo da Vinci gives us the opportunity to highlight the ubiquitous use of the golden ratio by the master, confirming the Greek inspiration of who was nicknamed the “new Phidias”. The horse drawn by Leonardo can be seen as an “ideal horse”, with perfect measurements for the body as well as the head, according to the “divine proportion”, i.e. the golden ratio. This also allows us to point out a very good approximation and simple geometric construction of the golden ratio. MOTS-CLÉS. Léonard de Vinci, nombre d’or, cheval, beauté et idéalisme.
{"title":"D’un cheval dessiné par Léonard de Vinci et du nombre d’or","authors":"Jean-Charles Pomerol","doi":"10.21494/iste.op.2022.0859","DOIUrl":"https://doi.org/10.21494/iste.op.2022.0859","url":null,"abstract":"RÉSUMÉ. Un dessin de cheval récemment découvert de Léonard de Vinci, nous a donné l’occasion de mettre en évidence l’omniprésence du nombre d’or dans la composition du Maître, confirmant l’inspiration grecque de celui qui fut, en son temps, surnommé le nouveau « Phidias ». Le cheval dessiné par Léonard, peut être regardé comme un « cheval idéal » aux proportions parfaites, respectant la « divine proportion » du nombre d’or pour le corps comme pour la tête. Cette composition très élaborée nous a aussi permis de mettre en évidence une très bonne approximation du nombre d’or, facile à construire. ABSTRACT. A recently discovered drawing of a horse by Leonardo da Vinci gives us the opportunity to highlight the ubiquitous use of the golden ratio by the master, confirming the Greek inspiration of who was nicknamed the “new Phidias”. The horse drawn by Leonardo can be seen as an “ideal horse”, with perfect measurements for the body as well as the head, according to the “divine proportion”, i.e. the golden ratio. This also allows us to point out a very good approximation and simple geometric construction of the golden ratio. MOTS-CLÉS. Léonard de Vinci, nombre d’or, cheval, beauté et idéalisme.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"86 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84026078","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21494/iste.op.2022.0893
É. Denion, Sophie Denion, F. Mouriaux, Guillaume Béraud
. We aimed at searching in color art paintings through all art periods from Ancient Egyptian Art to Contemporary Art for sclerotic scatter (SS) and peripheral light focusing (PLF), using large-scale internet databases. These phenomena originate from the illuminated side of the eyeshell: limbal sclera for SS or cornea for PLF. They end at the darkness of the opposite limbal scleral side, where they are either scattered (SS) or concentrated (PLF) forming a clear arc or spot of light, respectively ("light through darkness"). We found SS and PLF in 83 and 2 paintings respectively out of 113,962 paintings analyzed. These forms of objective chiaroscuro help to reconstruct a basic sense of eyeball modelling by bringing the limbus out of the shadows. Among the paintings with SS, most were painted during the following periods: Renaissance (44), Baroque (15), Rococo (11). Sixty-one of the paintings with SS have a dark background compatible with the fact that SS is more easily observed under low ambient light illuminance ("light through darkness"). subtle, rare of see them a new light, to their proper treatment and restoration and is likely to enhance their economic value.
{"title":"Sclerotic scatter and focusing in eye painting: light through darkness","authors":"É. Denion, Sophie Denion, F. Mouriaux, Guillaume Béraud","doi":"10.21494/iste.op.2022.0893","DOIUrl":"https://doi.org/10.21494/iste.op.2022.0893","url":null,"abstract":". We aimed at searching in color art paintings through all art periods from Ancient Egyptian Art to Contemporary Art for sclerotic scatter (SS) and peripheral light focusing (PLF), using large-scale internet databases. These phenomena originate from the illuminated side of the eyeshell: limbal sclera for SS or cornea for PLF. They end at the darkness of the opposite limbal scleral side, where they are either scattered (SS) or concentrated (PLF) forming a clear arc or spot of light, respectively (\"light through darkness\"). We found SS and PLF in 83 and 2 paintings respectively out of 113,962 paintings analyzed. These forms of objective chiaroscuro help to reconstruct a basic sense of eyeball modelling by bringing the limbus out of the shadows. Among the paintings with SS, most were painted during the following periods: Renaissance (44), Baroque (15), Rococo (11). Sixty-one of the paintings with SS have a dark background compatible with the fact that SS is more easily observed under low ambient light illuminance (\"light through darkness\"). subtle, rare of see them a new light, to their proper treatment and restoration and is likely to enhance their economic value.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"36 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75311838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21494/iste.op.2022.0890
F. Leprévost
RÉSUMÉ. L’artiste français du 17 ème siècle Georges de La Tour a-t-il séjourné en Italie ? A-t-il peint la toile intitulée Diogène ? Dans un ouvrage paru en 2021, l’historien de l’art Jean-Pierre Cuzin développe un argumentaire en faveur d’une réponse affirmative aux deux assertions. Nous analysons la logique de cet argumentaire, et montrons son insuffisance pour arriver à une conclusion. ABSTRACT. Was the 17 th century French artist Georges de La Tour in Italy? Did he paint the canvas entitled Diogenes ? In a book published in 2021, the art historian Jean-Pierre Cuzin develops arguments in favor of an affirmative answer to the two statements. We analyze the logic of the arguments and show that they are not persuasive to reach a conclusion. Tour, circulaire,
摘要。17世纪的法国艺术家乔治·德拉图尔在意大利呆过吗?他画了《第欧根尼》吗?在2021年出版的一本书中，艺术史学家让-皮埃尔·库津(Jean-Pierre Cuzin)提出了一个论点，支持对这两种说法的肯定答案。我们分析了这一论点的逻辑，并表明它不足以得出结论。文摘。th century 17 Was the French artist Tour in Italy的乔治?他画了一幅名为第欧根尼的油画吗?在2021年出版的一本书中，艺术历史学家让-皮埃尔·库津(Jean-Pierre Cuzin)阐述了对这两种说法的肯定回答。我们分析了这些论点的逻辑，并证明它们不能令人信服地得出结论。圆形、塔
{"title":"Le de La Tour italien de Cuzin. Une réflexion logique sur l’avéré en histoire de l’art","authors":"F. Leprévost","doi":"10.21494/iste.op.2022.0890","DOIUrl":"https://doi.org/10.21494/iste.op.2022.0890","url":null,"abstract":"RÉSUMÉ. L’artiste français du 17 ème siècle Georges de La Tour a-t-il séjourné en Italie ? A-t-il peint la toile intitulée Diogène ? Dans un ouvrage paru en 2021, l’historien de l’art Jean-Pierre Cuzin développe un argumentaire en faveur d’une réponse affirmative aux deux assertions. Nous analysons la logique de cet argumentaire, et montrons son insuffisance pour arriver à une conclusion. ABSTRACT. Was the 17 th century French artist Georges de La Tour in Italy? Did he paint the canvas entitled Diogenes ? In a book published in 2021, the art historian Jean-Pierre Cuzin develops arguments in favor of an affirmative answer to the two statements. We analyze the logic of the arguments and show that they are not persuasive to reach a conclusion. Tour, circulaire,","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73053270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21494/iste.op.2022.0802
A. Bañón
{"title":"Une sculpture sur la lune, l’alliance de l’Art et de la Science","authors":"A. Bañón","doi":"10.21494/iste.op.2022.0802","DOIUrl":"https://doi.org/10.21494/iste.op.2022.0802","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"37 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72608895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：