Pub Date : 2020-01-01DOI: 10.21494/iste.op.2020.0478
K. Feigelson
{"title":"https://www.openscience.fr/Kosmoopera-between-cosmos-and-cosmogony","authors":"K. Feigelson","doi":"10.21494/iste.op.2020.0478","DOIUrl":"https://doi.org/10.21494/iste.op.2020.0478","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"52 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85607958","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-11DOI: 10.21494/iste.op.2019.0423
Anne Goyer, A. Bensalah‐Ledoux, D. Carole, C. Luyer, T. Blanchard, I. Merdrignac, I. Guibard, A. Pillonnet
An art/science collaboration has enabled a contemporary artist to re-discover an age-old technique used by glaze-masters such as Leonardo da Vinci. The process uses dark bitumen, white mineral particles, a brush, and knowledge of drying and laying time to produce intense, structural, blue hues that are mainly due to Rayleigh light scattering. Although these blue hues are mentioned in ancient studio manuscripts, very few are found in actual easel painting masterpieces.
{"title":"Structural blue coating based on glaze painting","authors":"Anne Goyer, A. Bensalah‐Ledoux, D. Carole, C. Luyer, T. Blanchard, I. Merdrignac, I. Guibard, A. Pillonnet","doi":"10.21494/iste.op.2019.0423","DOIUrl":"https://doi.org/10.21494/iste.op.2019.0423","url":null,"abstract":"An art/science collaboration has enabled a contemporary artist to re-discover an age-old technique used by glaze-masters such as Leonardo da Vinci. The process uses dark bitumen, white mineral particles, a brush, and knowledge of drying and laying time to produce intense, structural, blue hues that are mainly due to Rayleigh light scattering. Although these blue hues are mentioned in ancient studio manuscripts, very few are found in actual easel painting masterpieces.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"29 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86719044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-10-23DOI: 10.21494/iste.op.2019.0420
J. Dolan
Early in his long career, Ernst Haeckel (1834 - 1919) twice visited Villefranche-sur-Mer. First, as a student, in 1856 during a sampling trip to Nice, and again in 1864 when sent to Nice by his parents for a change of scenery following the untimely death of his first wife. The two visits appear to have been key events in the development of Haeckel's science and art as they are the beginnings of his studies, first on radiolarians, and then on medusa. During the 1856 visit he observed for the first time living radiolarians, the group of microscopic planktonic protists, the subject of his first monographic work in 1862 that brought him fame at a young age. During the 1864 visit he resided in Villefranche-sur-Mer. There, for the first time, he made detailed observations on the development and morphology of medusa. He subsequently produced monumental monographs on both radiolaria and medusa, e.g., the Challenger Reports, which remain today his major scientific contributions. Haeckel's artistic fame is largely from his Kunstformen der Natur. The book relies heavily on illustrations of both radiolarians and medusa, more so than other groups of organisms, and contains iconic images of medusa and radiolarians, suggesting a major importance in Haeckel's art for the two groups linked closely with Haeckel's visits to Villefranche-sur-Mer.
{"title":"Ernst Haeckel’s Radiolarians and Medusa: The influence of his visits to Villefranche on his science and his art","authors":"J. Dolan","doi":"10.21494/iste.op.2019.0420","DOIUrl":"https://doi.org/10.21494/iste.op.2019.0420","url":null,"abstract":"Early in his long career, Ernst Haeckel (1834 - 1919) twice visited Villefranche-sur-Mer. First, as a student, in 1856 during a sampling trip to Nice, and again in 1864 when sent to Nice by his parents for a change of scenery following the untimely death of his first wife. The two visits appear to have been key events in the development of Haeckel's science and art as they are the beginnings of his studies, first on radiolarians, and then on medusa. During the 1856 visit he observed for the first time living radiolarians, the group of microscopic planktonic protists, the subject of his first monographic work in 1862 that brought him fame at a young age. During the 1864 visit he resided in Villefranche-sur-Mer. There, for the first time, he made detailed observations on the development and morphology of medusa. He subsequently produced monumental monographs on both radiolaria and medusa, e.g., the Challenger Reports, which remain today his major scientific contributions. Haeckel's artistic fame is largely from his Kunstformen der Natur. The book relies heavily on illustrations of both radiolarians and medusa, more so than other groups of organisms, and contains iconic images of medusa and radiolarians, suggesting a major importance in Haeckel's art for the two groups linked closely with Haeckel's visits to Villefranche-sur-Mer.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"72 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74668166","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-10-02DOI: 10.21494/iste.op.2019.0416
N. Sauve
L'artiste Noemie Sauve a embarque en 2017 a bord de la Goelette Tara Pacific, pour un sejour de 7 semaines au sein de l'expedition qui etudiait l'etat des recifs coralliens. Dans cet article, elle revient sur cette experience et la facon dont celle-ci a fait evoluer sa maniere de concevoir le rapport de l'art et la science : faconner un art qui soutient la complexite du vivant pour faire respecter ce qui nous echappe aussi avec la science.
{"title":"De l’art pour ne pas simplifier le discours et porter l’inconnu dans la science, une artiste à bord de TARA PACIFIC","authors":"N. Sauve","doi":"10.21494/iste.op.2019.0416","DOIUrl":"https://doi.org/10.21494/iste.op.2019.0416","url":null,"abstract":"L'artiste Noemie Sauve a embarque en 2017 a bord de la Goelette Tara Pacific, pour un sejour de 7 semaines au sein de l'expedition qui etudiait l'etat des recifs coralliens. Dans cet article, elle revient sur cette experience et la facon dont celle-ci a fait evoluer sa maniere de concevoir le rapport de l'art et la science : faconner un art qui soutient la complexite du vivant pour faire respecter ce qui nous echappe aussi avec la science.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86886597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-19DOI: 10.21494/iste.op.2019.0415
G. Longo
The Italian Renaissance painters invented the first symbolic form for the mathematical concept of ''actual'' infinity : the projective point of the perspective. This was the result of a long debate on infinity, in philosophy, since Aristotle, and in theology, during the Middle Age, and had a major fall out in this early geometrization of space. In particular, this invention set the grounds for the construction of the infinite spaces of all possible physical dynamics. In spite of the diversity of the theories in physics (Classical, Relativistic, Quantum … theories), an a priori ''phase space'', as a generalization of the infinite Newtonian space-time, is a core presupposition of each theoretical frame. The problem will be posed of the pertinence of this construction as for historical sciences, biology in particular, where the “space of all possible paths” (the list of all phenotypes and their phylogenetic history) cannot be pre-given.
{"title":"Mathematical Infinity “in prospettiva” and Spaces of Possibilities","authors":"G. Longo","doi":"10.21494/iste.op.2019.0415","DOIUrl":"https://doi.org/10.21494/iste.op.2019.0415","url":null,"abstract":"The Italian Renaissance painters invented the first symbolic form for the mathematical concept of ''actual'' infinity : the projective point of the perspective. This was the result of a long debate on infinity, in philosophy, since Aristotle, and in theology, during the Middle Age, and had a major fall out in this early geometrization of space. In particular, this invention set the grounds for the construction of the infinite spaces of all possible physical dynamics. In spite of the diversity of the theories in physics (Classical, Relativistic, Quantum … theories), an a priori ''phase space'', as a generalization of the infinite Newtonian space-time, is a core presupposition of each theoretical frame. The problem will be posed of the pertinence of this construction as for historical sciences, biology in particular, where the “space of all possible paths” (the list of all phenotypes and their phylogenetic history) cannot be pre-given.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"57 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82372192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-21DOI: 10.21494/ISTE.OP.2019.0385
A. Darmon, Julie Simon
Coalescence. Inevitable attraction, fusion ineluctable de deux matieres identiques qui resulte en la creation d'une nouvelle entite, plus efficace energetiquement. Telle est l'essence de cet ouvrage qui associe science et art au service de la recherche du beau. Revelant l'esthetique saisissante des nombreuses formes de la nature, les photographies du livre Coalescence, un imaginaire scientifique subliment la recherche scientifique et rappellent a quel point la nature peut etre belle et deconcertante. Saisis par les chercheurs, ces instantanes de beaute deroutent et font travailler l'imaginaire ; ils sont autant emplis de mystere qu'empreints d'une indiscutable verite.
{"title":"Coalescence, un imaginaire scientifique","authors":"A. Darmon, Julie Simon","doi":"10.21494/ISTE.OP.2019.0385","DOIUrl":"https://doi.org/10.21494/ISTE.OP.2019.0385","url":null,"abstract":"Coalescence. Inevitable attraction, fusion ineluctable de deux matieres identiques qui resulte en la creation d'une nouvelle entite, plus efficace energetiquement. Telle est l'essence de cet ouvrage qui associe science et art au service de la recherche du beau. Revelant l'esthetique saisissante des nombreuses formes de la nature, les photographies du livre Coalescence, un imaginaire scientifique subliment la recherche scientifique et rappellent a quel point la nature peut etre belle et deconcertante. Saisis par les chercheurs, ces instantanes de beaute deroutent et font travailler l'imaginaire ; ils sont autant emplis de mystere qu'empreints d'une indiscutable verite.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"55 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84387087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-16DOI: 10.21494/ISTE.OP.2019.0383
J. Crettez
L'etude presentee ici concerne la recherche de la geometrie interne du Salvator Mundi (version dite Cook, attribuee a Leonard de Vinci), suivie, par comparaison, de celle de la version dite de Ganay. Cette approche confirme la methodologie que nous avons developpee precedemment. Elle met en evidence la demarche creatrice de Leonard et en particulier sa conception dynamique de la geometrie.
{"title":"Géométrie interne du \"Salvator Mundi\" (version dite Cook, attribuée à Léonard de Vinci)","authors":"J. Crettez","doi":"10.21494/ISTE.OP.2019.0383","DOIUrl":"https://doi.org/10.21494/ISTE.OP.2019.0383","url":null,"abstract":"L'etude presentee ici concerne la recherche de la geometrie interne du Salvator Mundi (version dite Cook, attribuee a Leonard de Vinci), suivie, par comparaison, de celle de la version dite de Ganay. Cette approche confirme la methodologie que nous avons developpee precedemment. Elle met en evidence la demarche creatrice de Leonard et en particulier sa conception dynamique de la geometrie.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"26 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75338768","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-13DOI: 10.21494/ISTE.OP.2019.0331
J. Gasc
Parmi les religions institutionnelles, les formules monotheistes se sont imposees dans le Proche-Orient en association avec l'histoire de societes hierarchisees et leurs modalites d'exercice du pouvoir. Cette relation a fait des religions des agents responsables des plus grands massacres de l'histoire. L'exercice de la raison, du doute et de la cri-tique a conduit au developpement de la philosophie et de la science, souvent en opposition avec les religions. Cepen-dant, d'une part les causes mentales de la tentation du recours a la religion resident en chaque etre humain et se trou-vent renforcees par des conditions sociales, d'autre part la soif de pouvoir et l'instrumentation du fait religieux dressent des obstacles a l'epanouissement de l'humanite. Les solutions resident dans la conjonction d'une diffusion massive des connaissances et un partage volontariste des ressources.
{"title":"Arts, Sciences, Religions et le surdimensionnement du cerveau humain","authors":"J. Gasc","doi":"10.21494/ISTE.OP.2019.0331","DOIUrl":"https://doi.org/10.21494/ISTE.OP.2019.0331","url":null,"abstract":"Parmi les religions institutionnelles, les formules monotheistes se sont imposees dans le Proche-Orient en association avec l'histoire de societes hierarchisees et leurs modalites d'exercice du pouvoir. Cette relation a fait des religions des agents responsables des plus grands massacres de l'histoire. L'exercice de la raison, du doute et de la cri-tique a conduit au developpement de la philosophie et de la science, souvent en opposition avec les religions. Cepen-dant, d'une part les causes mentales de la tentation du recours a la religion resident en chaque etre humain et se trou-vent renforcees par des conditions sociales, d'autre part la soif de pouvoir et l'instrumentation du fait religieux dressent des obstacles a l'epanouissement de l'humanite. Les solutions resident dans la conjonction d'une diffusion massive des connaissances et un partage volontariste des ressources.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87145603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-01DOI: 10.21494/iste.op.2019.0414
Benjamin Hanussek
Digital games have become considerable and influential cultural transmitters throughout the past years. As social sciences had grasped the importance of this medium as an object of study, the field of archaeology has increasingly taken notice of the digital leisure worlds of millions of players. Studying games as artefacts or archaeological sites have been therefore pioneering research programmes by scholars like Andrew Reinhard in order to test the boundaries of the archaeological framework, as also to generate important insight on our society by applying archaeological methodology on digital games. The aim of this paper is to discuss the possible role of archaeology in its conjunction with video games and tries to establish a critical perspective towards the enthusiastic first wave of the archaeology of video games.
{"title":"Conducting Archaeogaming & Protecting Digital Heritage: Does the Future for Archaeology Lie in The Immaterial","authors":"Benjamin Hanussek","doi":"10.21494/iste.op.2019.0414","DOIUrl":"https://doi.org/10.21494/iste.op.2019.0414","url":null,"abstract":"Digital games have become considerable and influential cultural transmitters throughout the past years. As social sciences had grasped the importance of this medium as an object of study, the field of archaeology has increasingly taken notice of the digital leisure worlds of millions of players. Studying games as artefacts or archaeological sites have been therefore pioneering research programmes by scholars like Andrew Reinhard in order to test the boundaries of the archaeological framework, as also to generate important insight on our society by applying archaeological methodology on digital games. The aim of this paper is to discuss the possible role of archaeology in its conjunction with video games and tries to establish a critical perspective towards the enthusiastic first wave of the archaeology of video games.","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"38 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73476080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-01DOI: 10.21494/iste.op.2019.0419
Viviana Yaccuzzi Polisena
{"title":"Phénomènes quantiques en tant que phénomènes saturés. Troisième réduction phénoménologique : la donation","authors":"Viviana Yaccuzzi Polisena","doi":"10.21494/iste.op.2019.0419","DOIUrl":"https://doi.org/10.21494/iste.op.2019.0419","url":null,"abstract":"","PeriodicalId":80768,"journal":{"name":"Bulletin de la Societe d'agriculture, sciences et arts de la Sarthe. Societe d'agriculture, sciences et arts de la Sarthe","volume":"6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89013177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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