Discover最新文献

英文中文

Reading Steve Biko Through Contemporary South African Fiction: Black Consciousness as a Force for Something Else 从当代南非小说中解读史蒂夫·比科:黑人意识作为一种力量

Discover

Pub Date : 2016-01-01 DOI: 10.31922/DISC3.6

Nathan E Frisch

引用次数: 0

Julia’s Nuptials: Free, Freed, and Slave Marriage in Late Fifth Century Roman Law 朱莉亚的婚礼:五世纪晚期罗马法中的自由婚姻、自由婚姻和奴隶婚姻

Discover

Pub Date : 2016-01-01 DOI: 10.31922/DISC3.1

Hannah Basta, Cam Grey

引用次数: 1

Recidivism and the Convict Labor Market: A Cross-country Comparison of Recidivism Trends in For-Profit Prisons 累犯与罪犯劳动力市场:盈利性监狱累犯趋势的跨国比较

Discover

Pub Date : 2016-01-01 DOI: 10.31922/DISC3.7

Alex T Basinger

引用次数: 1

From Pants to Pearls: Rodgers and Hammerstein’s Affect on Post WWII Women 从裤子到珍珠:罗杰斯和汉默斯坦对二战后女性的影响

Discover

Pub Date : 2016-01-01 DOI: 10.31922/DISC3.2

A. Dees

American theatre world. These musicals contained plots which focused on patriotism and primarily featured male leads. In Strike up the Band, the two male mangers of a cheese factory wage war against Switzerland ("Strike up the band," 2013). In This is the Army, an all-male cast sang about the trials which come with being in the Armed Forces (Kenrick, 1996). Theatre producers' primarily focused on the war raging in Europe and Japan. While actors sang about the harsh reality of war, men were actually living it. Following the attacks on Pearl Harbor, countless men left home to fight for American freedoms overseas while women became the power which fueled the American home front. From Rosie the Riveter to articles which talked about different ways to wear your hair at work, the nation attempted to bring glamour to the women who traded their home life for a job in a factory. The Sperry Company even created a Miss Victory pageant where "women were encouraged to wear slacks and keep their hair hidden for safety" (Patnode, 2012). These pageants gave working class women a chance to model their work clothes all in hopes to support the company's campaign which "focused on safety practices that eliminated traditional markers of femininity such as long hair and skirts" (Patnode, 2012). This support for women in the work force radically differed from the decade before. During the 1930's, many women felt the harsh judgement from those around them for taking jobs to help support their family. Due to the "high unemployment during the Depression, most people were against women working because they saw it as women taking jobs from the unemployed me" ("Women At Work", n.d.) In 1945, Europe and Japan fell to the Allied Powers and World War II was officially over. The brave American troops who fought the war started to return home. The men who bravely defeated the Axis Powers dramatically changed the work force. Due to the increase in male workers, many women became unemployed or were demoted to jobs receiving less pay. Thousands of women who had broken away from the chains of the house were forced to return to domestic life. During this time of demotion for these riveters of war, composer Richard Rodgers and lyricist Oscar Hammerstein decided to form a partnership. They both wanted to create the next 'big thing' and as John Nolan (2002) stated, "something unmistakably …

美国戏剧界。这些音乐剧的情节集中于爱国主义，主要由男性主演。在《Strike up the Band》中，一家奶酪厂的两名男性经理对瑞士发动了战争(《Strike up the Band》，2013)。在《这就是军队》中，一个全是男性的演员唱了关于在武装部队中的审判(Kenrick, 1996)。戏剧制作人主要关注在欧洲和日本肆虐的战争。当演员们歌唱战争的残酷现实时，男人们却在亲身经历。珍珠港事件发生后，无数男人离开家乡到海外为美国的自由而战，而女性则成为推动美国大后方的力量。从《铆工罗西》(Rosie the Riveter)到讨论工作时不同发型的文章，这个国家试图给那些放弃家庭生活、到工厂工作的女性带来魅力。斯佩里公司甚至举办了一场“胜利小姐”选美比赛，“鼓励女性穿宽松裤，为了安全把头发藏起来”(Patnode, 2012)。这些选美比赛给了工人阶级女性一个展示自己工作服的机会，所有这些都是为了支持该公司的活动，该活动“专注于消除长发和裙子等传统女性特征的安全措施”(Patnode, 2012)。这种对劳动力中女性的支持与十年前截然不同。在20世纪30年代，许多妇女感到来自周围人的严厉评判，因为她们为了养家而工作。由于“大萧条时期的高失业率，大多数人都反对女性工作，因为他们认为这是女性从失业的人那里抢工作”(“工作中的女性”，无日期)。1945年，欧洲和日本沦陷，第二次世界大战正式结束。参加过这场战争的勇敢的美国军队开始返回家园。由于男性工人的增加，许多妇女失业或被降级到工资较低的工作。成千上万从家庭枷锁中挣脱出来的妇女被迫回到家庭生活。在这段时间里，这些战争的铆工被降级，作曲家理查德·罗杰斯和词作者奥斯卡·汉默斯坦决定组成一个伙伴关系。他们都想创造下一个“大事件”，正如约翰·诺兰(2002)所说的那样，“毫无疑问……

{"title":"From Pants to Pearls: Rodgers and Hammerstein’s Affect on Post WWII Women","authors":"A. Dees","doi":"10.31922/DISC3.2","DOIUrl":"https://doi.org/10.31922/DISC3.2","url":null,"abstract":"American theatre world. These musicals contained plots which focused on patriotism and primarily featured male leads. In Strike up the Band, the two male mangers of a cheese factory wage war against Switzerland (\"Strike up the band,\" 2013). In This is the Army, an all-male cast sang about the trials which come with being in the Armed Forces (Kenrick, 1996). Theatre producers' primarily focused on the war raging in Europe and Japan. While actors sang about the harsh reality of war, men were actually living it. Following the attacks on Pearl Harbor, countless men left home to fight for American freedoms overseas while women became the power which fueled the American home front. From Rosie the Riveter to articles which talked about different ways to wear your hair at work, the nation attempted to bring glamour to the women who traded their home life for a job in a factory. The Sperry Company even created a Miss Victory pageant where \"women were encouraged to wear slacks and keep their hair hidden for safety\" (Patnode, 2012). These pageants gave working class women a chance to model their work clothes all in hopes to support the company's campaign which \"focused on safety practices that eliminated traditional markers of femininity such as long hair and skirts\" (Patnode, 2012). This support for women in the work force radically differed from the decade before. During the 1930's, many women felt the harsh judgement from those around them for taking jobs to help support their family. Due to the \"high unemployment during the Depression, most people were against women working because they saw it as women taking jobs from the unemployed me\" (\"Women At Work\", n.d.) In 1945, Europe and Japan fell to the Allied Powers and World War II was officially over. The brave American troops who fought the war started to return home. The men who bravely defeated the Axis Powers dramatically changed the work force. Due to the increase in male workers, many women became unemployed or were demoted to jobs receiving less pay. Thousands of women who had broken away from the chains of the house were forced to return to domestic life. During this time of demotion for these riveters of war, composer Richard Rodgers and lyricist Oscar Hammerstein decided to form a partnership. They both wanted to create the next 'big thing' and as John Nolan (2002) stated, \"something unmistakably …","PeriodicalId":81113,"journal":{"name":"Discover","volume":"3 1","pages":"2"},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69790465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

I Want to Get This off My Chest: When Perpetrators Publicly Disclose how They Raped Their Victims 我想把这件事说出来:当犯罪者公开披露他们是如何强奸受害者的

Discover

Pub Date : 2016-01-01 DOI: 10.31922/DISC3.5

Rebekah M. Sandy, Amy Gregg, Carolyn L. Brennan, Kevin M. Swartout

引用次数: 1

The Supermadre and the Governmentality of Heteronormativity in Post-Water Wars Bolivia 后水战时期玻利维亚的Supermadre与异规范治理

Discover

Pub Date : 2014-06-13 DOI: 10.31922/DISC2.5

Nathan E Frisch

This Article is brought to you for free and open access by ScholarWorks @ Georgia State University. It has been accepted for inclusion in DISCOVERY: Georgia State Honors College Undergraduate Research Journal by an authorized editor of ScholarWorks @ Georgia State University. For more information, please contact scholarworks@gsu.edu. Recommended Citation Frisch, Nathan E. (2014) "The Supermadre and the Governmentality of Heteronormativity in Post-Water Wars Bolivia," DISCOVERY: Georgia State Honors College Undergraduate Research Journal: Vol. 2 , Article 5. DOI: https://doi.org/10.31922/disc2.5 Available at: https://scholarworks.gsu.edu/discovery/vol2/iss1/5 brought to you by CORE View metadata, citation and similar papers at core.ac.uk

这篇文章是由佐治亚州立大学ScholarWorks免费提供的。它已被乔治亚州立大学ScholarWorks的授权编辑接受，并被纳入《发现:乔治亚州立大学荣誉学院本科生研究期刊》。欲了解更多信息，请联系scholarworks@gsu.edu。内森·e·弗里施(2014)“水战后玻利维亚的超女和异规范治理”，《发现:乔治亚州立荣誉学院本科生研究期刊》第2卷第5条。DOI: https://doi.org/10.31922/disc2.5可在:https://scholarworks.gsu.edu/discovery/vol2/iss1/5由CORE View元数据、引文和类似论文CORE .ac.uk提供给您

引用次数: 1

The Neue Frau and the Significance of Beetle Imagery in the Photomontages of Hannah Höch 《新夫人》与《汉娜》蒙太奇中甲虫意象的意义Höch

Discover

Pub Date : 2014-01-01 DOI: 10.31922/DISC2.6

Hannah C Waara

Hannah Hoch obscurely incorporated the image of a beetle into several of her photomontages. By analyzing three of her works, Untitled (c. 1920), From Above (c. 1922), and The Coquette (1923-25), I propose Hoch’s beetle to be a response to the archeological understanding of the Egyptian scarab’s meaning of rebirth, which directly relates to the contemporary social phenomenon of the neue Frau, or New Woman. Thus, by removing the beetle from the focal points of these works, Hoch represents the society’s rejection of the neue Frau as well as the Berlin Dadaists’ denial of her. To evaluate the significance of these beetles, this paper examines the social constructs produced by the Weimar Republic, specifically the idea of the New Woman. The New Woman was epitomized by a financially independent woman who had no legal ties to a man. While this idea was glorified within the media, the average New Woman was generally ostracized and disdained. By deconstructing the photomontages, this paper emphasizes the importance of the beetle and its correlation to the scarab based on visual comparisons to the dung beetle and Hoch’s ties to non-western art, including the ethnographic museums she was known to frequent. Reviewing Egyptian archeological records from the era reveals that the scarab was already associated with ideas of rebirth. By including the beetle within these compositions, Hoch consciously makes the connection to the scarab’s meaning of rebirth. Simultaneously, the female gender role is reborn within German society. Therefore, the beetle is directly correlated to the New Woman. It is important to note the obscure fashion in which Hoch incorporates the beetle. While the beetle is never directly hidden, it generally exists outside of the central arrangement. This subordination of the beetle to the often male imagery reflects the unrealized ideal of the New Woman. Hoch fit the mold for the New Woman, yet nonetheless was scorned by her male counterparts within the Dadaist group. Therefore, the beetle not only represents the idea of the New Woman, but also stands as a self-representation of Hoch.

汉娜·霍克(Hannah Hoch)将甲虫的图像模糊地融入了她的几张蒙太奇照片中。通过分析她的三部作品，《无题》(约1920年)、《来自上面》(约1922年)和《风骚女》(1923-25年)，我认为霍克的甲虫是对考古学对埃及圣甲虫重生意义的理解的回应，这与当代社会现象“新女人”直接相关。因此，通过将甲虫从这些作品的焦点中移除，Hoch代表了社会对新夫人的拒绝，以及柏林达达主义者对她的否认。为了评价这些甲虫的意义，本文考察了魏玛共和国产生的社会结构，特别是新女性的观念。“新女性”的典型代表是经济独立、与男性没有法律关系的女性。虽然这种想法在媒体中得到了赞美，但普通的新女性普遍受到排斥和蔑视。通过解构照片蒙太奇，本文强调了甲虫的重要性及其与圣甲虫的相关性，这是基于与屎壳虫的视觉对比，以及Hoch与非西方艺术的联系，包括她经常光顾的民族志博物馆。回顾那个时代的埃及考古记录，圣甲虫已经与重生的想法联系在一起了。通过在这些作品中加入甲虫，Hoch有意识地将圣甲虫的重生意义联系起来。同时，女性的性别角色在德国社会中重生。因此，甲虫与新女性直接相关。值得注意的是，Hoch将甲虫融入其中的晦涩时尚。虽然甲虫从不直接隐藏，但它通常存在于中央安排之外。甲虫从属于男性形象，反映了新女性尚未实现的理想。Hoch符合新女性的模式，然而却遭到达达主义团体中男性同行的蔑视。因此，甲虫不仅代表了新女性的观念，也是Hoch的自我代表。

{"title":"The Neue Frau and the Significance of Beetle Imagery in the Photomontages of Hannah Höch","authors":"Hannah C Waara","doi":"10.31922/DISC2.6","DOIUrl":"https://doi.org/10.31922/DISC2.6","url":null,"abstract":"Hannah Hoch obscurely incorporated the image of a beetle into several of her photomontages. By analyzing three of her works, Untitled (c. 1920), From Above (c. 1922), and The Coquette (1923-25), I propose Hoch’s beetle to be a response to the archeological understanding of the Egyptian scarab’s meaning of rebirth, which directly relates to the contemporary social phenomenon of the neue Frau, or New Woman. Thus, by removing the beetle from the focal points of these works, Hoch represents the society’s rejection of the neue Frau as well as the Berlin Dadaists’ denial of her. To evaluate the significance of these beetles, this paper examines the social constructs produced by the Weimar Republic, specifically the idea of the New Woman. The New Woman was epitomized by a financially independent woman who had no legal ties to a man. While this idea was glorified within the media, the average New Woman was generally ostracized and disdained. By deconstructing the photomontages, this paper emphasizes the importance of the beetle and its correlation to the scarab based on visual comparisons to the dung beetle and Hoch’s ties to non-western art, including the ethnographic museums she was known to frequent. Reviewing Egyptian archeological records from the era reveals that the scarab was already associated with ideas of rebirth. By including the beetle within these compositions, Hoch consciously makes the connection to the scarab’s meaning of rebirth. Simultaneously, the female gender role is reborn within German society. Therefore, the beetle is directly correlated to the New Woman. It is important to note the obscure fashion in which Hoch incorporates the beetle. While the beetle is never directly hidden, it generally exists outside of the central arrangement. This subordination of the beetle to the often male imagery reflects the unrealized ideal of the New Woman. Hoch fit the mold for the New Woman, yet nonetheless was scorned by her male counterparts within the Dadaist group. Therefore, the beetle not only represents the idea of the New Woman, but also stands as a self-representation of Hoch.","PeriodicalId":81113,"journal":{"name":"Discover","volume":"2 1","pages":"6"},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69790324","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Protestants, Quakers, and the Narrative of Religious Persecution in England 新教徒、贵格会教徒和英国宗教迫害的叙述

Discover

Pub Date : 2014-01-01 DOI: 10.31922/DISC2.1

S. Lohr

In early modern England, religious intolerance reigned supreme. There was a pervading hostility towards religious groups that were not associated with the Church of England, and these dissenting religious groups were regularly persecuted for their differing views. While each sectarian group was unique, there are parallels that can be traced between the persecutions that occurred throughout this period. Among these 16 th-and 17 th-century dissenting groups are Protestants and Quakers, whose responses to persecution are strikingly similar. This essay seeks to trace the commonalities between these two religious groups, with the aim of gaining a more nuanced understanding of religious intolerance in a period hostile to religious nonconformity. First, it is imperative to understand the distinction between Protestants and Quakers as employed in this essay. Although Quakers are generally classified under the wider umbrella of Protestantism, they are considered as separate groups in this analysis for two primary reasons. First, the time periods examined for the Protestants and Quakers in this analysis is different; this research examines Protestants of the 16 th century and female Quakers of the mid-17th century. Second, female Quakers receive special consideration for this analysis because they were singled out and persecuted, even after Protestantism had become tolerated across England; since that is the case, female Quakers' stories diverge from the larger story of Protestantism. Although Protestantism as a whole had achieved wide approbation by the mid-17 th century, public sentiment towards Quakers—also a Protestant group—was still low. While there was no longer a significant need for Protestants to gain approval in society, Quakers were still harried and sometimes killed for their beliefs. 1 The research was conducted by examining the representation of female Quakers in pamphlets from Early English Books Online (EEBO), a database containing digitized primary source archives from the period. Also, quotes from journal articles that relied on primary source documents of Quakers were included in this survey. From there, I reviewed John Foxe's Acts and Monuments and sought out parallels between Foxe's work and documents relating to female Quakers. Female Quakers were of particular interest for this study because, while all Quakers experienced persecution, female Quaker persecution was more marked. Female Quakers were better known for crossing the boundaries of propriety, mainly because the realm of " acceptable actions " for women was still so small—it was easy to act in unacceptable ways when virtually all actions are deemed unacceptable. The ultimate …

{"title":"Protestants, Quakers, and the Narrative of Religious Persecution in England","authors":"S. Lohr","doi":"10.31922/DISC2.1","DOIUrl":"https://doi.org/10.31922/DISC2.1","url":null,"abstract":"In early modern England, religious intolerance reigned supreme. There was a pervading hostility towards religious groups that were not associated with the Church of England, and these dissenting religious groups were regularly persecuted for their differing views. While each sectarian group was unique, there are parallels that can be traced between the persecutions that occurred throughout this period. Among these 16 th-and 17 th-century dissenting groups are Protestants and Quakers, whose responses to persecution are strikingly similar. This essay seeks to trace the commonalities between these two religious groups, with the aim of gaining a more nuanced understanding of religious intolerance in a period hostile to religious nonconformity. First, it is imperative to understand the distinction between Protestants and Quakers as employed in this essay. Although Quakers are generally classified under the wider umbrella of Protestantism, they are considered as separate groups in this analysis for two primary reasons. First, the time periods examined for the Protestants and Quakers in this analysis is different; this research examines Protestants of the 16 th century and female Quakers of the mid-17th century. Second, female Quakers receive special consideration for this analysis because they were singled out and persecuted, even after Protestantism had become tolerated across England; since that is the case, female Quakers' stories diverge from the larger story of Protestantism. Although Protestantism as a whole had achieved wide approbation by the mid-17 th century, public sentiment towards Quakers—also a Protestant group—was still low. While there was no longer a significant need for Protestants to gain approval in society, Quakers were still harried and sometimes killed for their beliefs. 1 The research was conducted by examining the representation of female Quakers in pamphlets from Early English Books Online (EEBO), a database containing digitized primary source archives from the period. Also, quotes from journal articles that relied on primary source documents of Quakers were included in this survey. From there, I reviewed John Foxe's Acts and Monuments and sought out parallels between Foxe's work and documents relating to female Quakers. Female Quakers were of particular interest for this study because, while all Quakers experienced persecution, female Quaker persecution was more marked. Female Quakers were better known for crossing the boundaries of propriety, mainly because the realm of \" acceptable actions \" for women was still so small—it was easy to act in unacceptable ways when virtually all actions are deemed unacceptable. The ultimate …","PeriodicalId":81113,"journal":{"name":"Discover","volume":"2 1","pages":"1"},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69789939","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

James I and British Identity: The Development of a British Identity from 1542-1689 詹姆斯一世与英国身份:1542-1689年英国身份的发展

Discover

Pub Date : 2014-01-01 DOI: 10.31922/DISC2.2

Zachary Bates

The development of a British identity was an ongoing process during the seventeenth century. In this paper, I argue that the ascension of James to the English throne in 1603 would be integral to the establishing of a British identity in both England and Scotland. James, from 1604 to 1607, tried to create a political union between the two kingdoms but would ultimately fail due to English concerns about "imperfect union" and the absence of any tradition to sustain a new kingdom. James would still style himself "King of Great Britain," a styling he established by royal proclamation, and he would also attempt to create common grounds for his subjects in the courts. Ultimately, James made a lasting impact in bring the title "King of Great Britain" into usage, and for an idea of a Britain that was naturally united. I made heavy use of the pamphlets and books printed in the 1600s in order to exhibit the popular appeal of a British identity, and also used the modern writings of Jenny Wormald and David Armitage.

英国身份的发展在17世纪是一个持续的过程。在本文中，我认为1603年詹姆斯登上英格兰王位将是英格兰和苏格兰建立英国身份不可或缺的一部分。1604年至1607年，詹姆斯试图在两个王国之间建立一个政治联盟，但由于英国人担心“不完美的联盟”和缺乏任何维持新王国的传统，最终以失败告终。詹姆斯仍然标榜自己为"大不列颠之王"这是他通过皇家宣言确立的风格，他还试图为他的臣民在宫廷中创造共同的基础。最终，詹姆斯产生了持久的影响，使“大不列颠国王”的头衔得以使用，并使英国成为一个自然统一的国家。我大量使用了17世纪印刷的小册子和书籍，以展示英国身份的大众吸引力，也使用了珍妮·沃尔默德和大卫·阿米蒂奇的现代著作。

引用次数: 0

Post-Apartheid South Africa’s Ultimate Challenge 后种族隔离时代南非的终极挑战

Discover

Pub Date : 2014-01-01 DOI: 10.31922/DISC2.3

Nahomie Julien

引用次数: 0

首页上一页

下一页尾页

类型

全部化学•材料生命科学医学物理工程技术环境•农林材料科学地球科学法学管理学化学环境科学与生态学计算机科学教育学经济学农林科学人文科学生物学数学物理与天体物理心理学综合性期刊其他工业工程理学历史学农学文学信息工程

数据库

全部 ACS Publications Elsevier ieeexplore Springer The Royal Society of Chemistry Wiley

期刊

Discover

全部 Acc. Chem. Res. ACS Applied Bio Materials ACS Appl. Electron. Mater. ACS Appl. Energy Mater. ACS Appl. Mater. Interfaces ACS Appl. Nano Mater. ACS Appl. Polym. Mater. ACS BIOMATER-SCI ENG ACS Catal. ACS Cent. Sci. ACS Chem. Biol. ACS Chemical Health & Safety ACS Chem. Neurosci. ACS Comb. Sci. ACS Earth Space Chem. ACS Energy Lett. ACS Infect. Dis. ACS Macro Lett. ACS Mater. Lett. ACS Med. Chem. Lett. ACS Nano ACS Omega ACS Photonics ACS Sens. ACS Sustainable Chem. Eng. ACS Synth. Biol. Anal. Chem. BIOCHEMISTRY-US Bioconjugate Chem. BIOMACROMOLECULES Chem. Res. Toxicol. Chem. Rev. Chem. Mater. CRYST GROWTH DES ENERG FUEL Environ. Sci. Technol. Environ. Sci. Technol. Lett. Eur. J. Inorg. Chem. IND ENG CHEM RES Inorg. Chem. J. Agric. Food. Chem. J. Chem. Eng. Data J. Chem. Educ. J. Chem. Inf. Model. J. Chem. Theory Comput. J. Med. Chem. J. Nat. Prod. J PROTEOME RES J. Am. Chem. Soc. LANGMUIR MACROMOLECULES Mol. Pharmaceutics Nano Lett. Org. Lett. ORG PROCESS RES DEV ORGANOMETALLICS J. Org. Chem. J. Phys. Chem. J. Phys. Chem. A J. Phys. Chem. B J. Phys. Chem. C J. Phys. Chem. Lett. Analyst Anal. Methods Biomater. Sci. Catal. Sci. Technol. Chem. Commun. Chem. Soc. Rev. CHEM EDUC RES PRACT CRYSTENGCOMM Dalton Trans. Energy Environ. Sci. ENVIRON SCI-NANO ENVIRON SCI-PROC IMP ENVIRON SCI-WAT RES Faraday Discuss. Food Funct. Green Chem. Inorg. Chem. Front. Integr. Biol. J. Anal. At. Spectrom. J. Mater. Chem. A J. Mater. Chem. B J. Mater. Chem. C Lab Chip Mater. Chem. Front. Mater. Horiz. MEDCHEMCOMM Metallomics Mol. Biosyst. Mol. Syst. Des. Eng. Nanoscale Nanoscale Horiz. Nat. Prod. Rep. New J. Chem. Org. Biomol. Chem. Org. Chem. Front. PHOTOCH PHOTOBIO SCI PCCP Polym. Chem.

﹀