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The Expansion and Foreign Trade of Southern Ceramic Industry through the Blue & White Porcelain of the Yuan Dynasty 从元代青花瓷看南方陶瓷工业的扩张与对外贸易
IF 0.5 2区 艺术学 0 ART
Art History
Pub Date : 2023-02-28 DOI: 10.14769/jkaahe.2023.02.45.91
Eun-kyoung Kim
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引用次数: 0
Multiple Temporalities of Contemporary Asian Art: Asian Artists at the 1993 Venice Biennale 当代亚洲艺术的多重时间性:1993年威尼斯双年展上的亚洲艺术家
IF 0.5 2区 艺术学 0 ART
Art History
Pub Date : 2023-02-28 DOI: 10.14769/jkaahe.2023.02.45.7
Eunyoung Park
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引用次数: 0
Searching for a New Digital Creation : Exploring for the Possibilities of Geumgangsan Metaverse 寻找新的数字创作:探索金刚山虚拟世界的可能性
IF 0.5 2区 艺术学 0 ART
Art History
Pub Date : 2023-02-28 DOI: 10.14769/jkaahe.2023.02.45.139
Hyo-eun Park
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引用次数: 0
VR Exhibition and Education Model Using ZEPETO 基于ZEPETO的VR展示与教育模型
IF 0.5 2区 艺术学 0 ART
Art History
Pub Date : 2023-02-28 DOI: 10.14769/jkaahe.2023.02.45.117
H. Kim
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引用次数: 0
A Study on the Wooden Mandorla of Sculptor Monk Segyun(世均) - Focusing on the Wooden Mandorlas of Buseoksa and Chukseosa Temple - 雕刻家世允和尚木制曼陀罗的研究——以浮石寺和秋心寺木制曼陀罗为例
IF 0.5 2区 艺术学 0 ART
Art History
Pub Date : 2023-02-28 DOI: 10.14769/jkaahe.2023.02.45.35
So-jung Kim
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引用次数: 0
Physital Art and its Potential to cross between Materiality and Immaterialization : Finding Alternatives to NFT Art 物理艺术及其在物质性和非物质化之间跨越的潜力:寻找NFT艺术的替代品
IF 0.5 2区 艺术学 0 ART
Art History
Pub Date : 2023-02-28 DOI: 10.14769/jkaahe.2023.02.45.175
Hayoung Joo
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引用次数: 0
The Continuity and Diversity of Korean Feminist Art: The 1990s Feminist Art and Publishing Projects of Yun Suknam, Park Youngsook, and Jung Jungyeob 韩国女性主义艺术的延续性与多样性:20世纪90年代的女性主义艺术与尹素南、朴英淑、郑贞烨的出版项目
IF 0.5 2区 艺术学 0 ART
Art History
Pub Date : 2023-02-28 DOI: 10.14769/jkaahe.2023.02.45.61
Hyeok-rae Cho
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引用次数: 0
‘The New Life’: Mozambican Art Students in the USSR, and the Aesthetic Epistemologies of Anti-Colonial Solidarity “新生活”:苏联的莫桑比克艺术学生，以及反殖民团结的美学认识论
IF 0.5 2区 艺术学 0 ART
Art History
Pub Date : 2023-02-22 DOI: 10.1111/1467-8365.12692
Polly Savage

This essay traces the histories and reverberations of the socialist scholarship programmes which brought art and graphic design students from Africa to the USSR during the 1980s. Drawing on the accounts and archives of art students and cultural workers who participated in or supported these programmes, it follows the path of one Mozambican cohort through a Graphic Design degree in Uzbekistan. It shows how, by navigating between the emancipatory opportunities offered by the programme, and the pedagogical expressions of state power that constrained it, the students developed affiliations and aesthetic positions which would survive, appropriate, and resist dominant geopolitical epistemologies. Ultimately, I argue that their artworks and recollections allow alternative, unofficial histories of Cold War solidarity networks to come into sharper focus.

这篇文章追溯了20世纪80年代将非洲艺术和平面设计专业的学生带到苏联的社会主义奖学金项目的历史和影响。它借鉴了参与或支持这些方案的艺术学生和文化工作者的叙述和档案，沿循了莫桑比克一群人在乌兹别克斯坦获得平面设计学位的道路。它展示了如何通过在项目提供的解放机会和限制它的国家权力的教学表达之间进行导航，学生们发展了能够生存、适当并抵制占主导地位的地缘政治认识论的联系和审美立场。最后，我认为他们的艺术作品和回忆让冷战团结网络的另类非官方历史得到了更清晰的关注。
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引用次数: 0
Index to Volume 45 第45卷索引
IF 0.5 2区 艺术学 0 ART
Art History
Pub Date : 2023-02-22 DOI: 10.1111/1467-8365.12698
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引用次数: 0
Architecture in Anticipation: Building Socialist Friendship between Hungary and North Korea in the 1950s 《期待中的建筑:20世纪50年代匈牙利和朝鲜之间建立社会主义友谊
IF 0.5 2区 艺术学 0 ART
Art History
Pub Date : 2023-02-22 DOI: 10.1111/1467-8365.12684
Douglas Gabriel, Adri Kácsor

Beginning in the early 1950s, North Korea and Hungary forged a friendship in anticipation of building a new socialist world. In 1954, a team of Hungarian architects led by Emil Zöldy (1913–82) travelled to Pyongyang to design a broad spectrum of buildings and spaces in collaboration with North Korean architects and workers. Separate groups of Hungarian experts were also commissioned to design factories and plants in provincial North Korean cities such as Kusŏng. This essay examines how these large-scale construction projects operated on the ground, including some of the fissures and give-and-take of the friendship that was built between the Korean and Hungarian comrades. Their designs and construction projects, we argue, concretized and cemented the ephemeral and contingent experiences of socialist friendship between Korea and Hungary, even if its memory has been subjected to erasure in both the North Korean and Hungarian contexts.

从20世纪50年代初开始，北韩和匈牙利在建立社会主义新世界的期待下结下了友谊。1954年，由Emil Zöldy(1913-82)领导的匈牙利建筑师团队前往平壤，与朝鲜建筑师和工人合作设计了一系列建筑和空间。另外，还委托匈牙利专家小组设计朝鲜地方城市(Kusŏng)的工厂和工厂。这篇文章考察了这些大型建设项目是如何在地面上运作的，包括韩国和匈牙利同志之间建立的友谊的一些裂痕和让步。我们认为，他们的设计和建设项目具体化并巩固了朝鲜和匈牙利之间短暂而偶然的社会主义友谊经历，即使它的记忆在朝鲜和匈牙利的背景下都被抹去了。
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引用次数: 0
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