{"title":"David Bowie: Critical Perspectives ed. by Eoin Devereux, Aileen Dillane, and Martin J. Power (review)","authors":"Ana Cristina Mendes","doi":"10.1353/CJ.2018.0044","DOIUrl":"https://doi.org/10.1353/CJ.2018.0044","url":null,"abstract":"","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"1 1","pages":"188 - 192"},"PeriodicalIF":0.0,"publicationDate":"2018-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89161789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Revisiting Star Studies ed. by Sabrina Qiong Yu and Guy Austin (review)","authors":"L. Stein, M. Shingler","doi":"10.1353/CJ.2018.0041","DOIUrl":"https://doi.org/10.1353/CJ.2018.0041","url":null,"abstract":"","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"46 1","pages":"176 - 179"},"PeriodicalIF":0.0,"publicationDate":"2018-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86518479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Iván Hevesy and the Revolution of the Second Plan","authors":"András Szekfü","doi":"10.1353/CJ.2018.0031","DOIUrl":"https://doi.org/10.1353/CJ.2018.0031","url":null,"abstract":"","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"98 4 1","pages":"54 - 60"},"PeriodicalIF":0.0,"publicationDate":"2018-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81288667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rebellious Bodies: Stardom, Citizenship, and the New Body Politics by Russell Meeuf (review)","authors":"Hannah Hamad","doi":"10.1353/CJ.2018.0042","DOIUrl":"https://doi.org/10.1353/CJ.2018.0042","url":null,"abstract":"","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"76 1","pages":"180 - 183"},"PeriodicalIF":0.0,"publicationDate":"2018-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83833917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Canvas of Flesh”: David Bowie, Andy Warhol in Basquiat","authors":"T. Cinque","doi":"10.1353/CJ.2018.0038","DOIUrl":"https://doi.org/10.1353/CJ.2018.0038","url":null,"abstract":"","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"74 1","pages":"158 - 166"},"PeriodicalIF":0.0,"publicationDate":"2018-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75694642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
D. Church, Kaveh Askari, András Szekfü, Felan Parker, Jihoon Kim, T. Cinque, A. Ndalianis, S. Redmond, Rosalind Galt, J. Furby, L. Stein, M. Shingler, Hannah Hamad, L. Perrott, Ana Cristina Mendes, Melinda Szalóky, Ágnes Matuska
Abstract:Through its ironic critique of monogamy as a monstrous force, the horror film It Follows (David Robert Mitchell, 2014) advances, by way of negative example, a queer ethics of open, responsible sexuality—albeit an ethics constrained by the film’s setting in a present-day, neoliberal Detroit increasingly stripped of public services. By examining the film’s ambivalent nostalgia for both a generic and an urban past, this article argues that the queer aesthetic of It Follows achieves its emotional tenor through imaging Detroit’s decrepit (sub)urban spaces as haunted by polyvalent sexualities and socioeconomic inequalities.
摘要:恐怖电影《跟随》(David Robert Mitchell, 2014)通过对一夫一妻制作为一种可怕力量的讽刺批判，以负面榜样的方式推进了一种开放、负责任的性行为的酷儿伦理——尽管这种伦理受到电影背景的限制，在当今，新自由主义的底特律日益剥夺公共服务。通过考察影片对普通过去和城市过去的矛盾怀旧，本文认为《追随》的酷儿美学通过将底特律破旧的(次)城市空间描绘成被多重性行为和社会经济不平等所困扰的场景，从而达到了其情感基调。
{"title":"Queer Ethics, Urban Spaces, and the Horrors of Monogamy in It Follows","authors":"D. Church, Kaveh Askari, András Szekfü, Felan Parker, Jihoon Kim, T. Cinque, A. Ndalianis, S. Redmond, Rosalind Galt, J. Furby, L. Stein, M. Shingler, Hannah Hamad, L. Perrott, Ana Cristina Mendes, Melinda Szalóky, Ágnes Matuska","doi":"10.1353/CJ.2018.0028","DOIUrl":"https://doi.org/10.1353/CJ.2018.0028","url":null,"abstract":"Abstract:Through its ironic critique of monogamy as a monstrous force, the horror film It Follows (David Robert Mitchell, 2014) advances, by way of negative example, a queer ethics of open, responsible sexuality—albeit an ethics constrained by the film’s setting in a present-day, neoliberal Detroit increasingly stripped of public services. By examining the film’s ambivalent nostalgia for both a generic and an urban past, this article argues that the queer aesthetic of It Follows achieves its emotional tenor through imaging Detroit’s decrepit (sub)urban spaces as haunted by polyvalent sexualities and socioeconomic inequalities.","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"37 1","pages":"1 - 100 - 101 - 125 - 126 - 130 - 131 - 138 - 139 - 149 - 150 - 157 - 158 - 166 - 167 - 174 - 175 -"},"PeriodicalIF":0.0,"publicationDate":"2018-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90103623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This article examines the cultural legitimation of digital games, and how film critic Roger Ebert became the unlikely antagonist in a heated popular debate about games and art between 2005 and 2010. Although most scholars dismiss this debate as ignorant and misguided, it reveals much about colloquial notions of art and aesthetics, and it has had far-reaching implications for popular discourse on games. Framed by the Ebert debate, the article analyzes arguments for and against games as art in terms of their sociocultural significance and concludes by arguing that the debate is an important factor in the recent history of gaming culture.
{"title":"Roger Ebert and the Games-as-Art Debate","authors":"Felan Parker","doi":"10.1353/CJ.2018.0032","DOIUrl":"https://doi.org/10.1353/CJ.2018.0032","url":null,"abstract":"Abstract:This article examines the cultural legitimation of digital games, and how film critic Roger Ebert became the unlikely antagonist in a heated popular debate about games and art between 2005 and 2010. Although most scholars dismiss this debate as ignorant and misguided, it reveals much about colloquial notions of art and aesthetics, and it has had far-reaching implications for popular discourse on games. Framed by the Ebert debate, the article analyzes arguments for and against games as art in terms of their sociocultural significance and concludes by arguing that the debate is an important factor in the recent history of gaming culture.","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"24 1","pages":"100 - 77"},"PeriodicalIF":0.0,"publicationDate":"2018-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82455316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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