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"Against a Sharp White Background": Toward Race-Based Intersectional Research in Youth Media Studies “在鲜明的白色背景下”:青年媒体研究中基于种族的交叉研究
Pub Date : 2017-10-17 DOI: 10.1353/CJ.2017.0060
M. Kearney
W e set out on this In Focus section with the general intent of bringing together scholars working in contemporary youth media studies. This is our own background, as Louisa has written extensively on teen television shows and the youth fan cultures that surround them, and Tim has examined youth in American movies going back to early Hollywood. As we began considering established scholars in the fi eld to solicit for contributions, we soon found evidence of the increasing attention to youth concerns beyond traditional fi lm and television texts, as much recent scholarship has focused on children and young adults using and creating social media. This increased attention to youth digital cultures should not have been a surprise given the state of the academy and, more so, the preoccupations of young people today. The youth population is indeed spending less time watching TV and going to movies and more time doing something—anything—on the Internet. When they are watching fi lms and TV programs, they’re often consuming that media online and then transforming their media engagement into authorship in digital venues, creating fan art and fan fi ction, or off ering reviews and critiques through social media networks. Increasingly, youth media engagement is also becoming more mobile because, for a variety of
我们开设“焦点”部分的总体目的是将从事当代青年媒体研究的学者聚集在一起。这是我们自己的背景,因为路易莎写了大量关于青少年电视节目和围绕这些节目的青少年粉丝文化的文章,蒂姆研究了早期好莱坞时期美国电影中的年轻人。当我们开始考虑邀请该领域的知名学者发表文章时,我们很快发现,除了传统的电影和电视文本之外,人们越来越关注年轻人的问题,因为最近的许多学术研究都集中在儿童和年轻人使用和创建社交媒体上。考虑到学术界的现状,更重要的是,考虑到当今年轻人的关注点,对青年数字文化的关注日益增加不应令人感到意外。年轻人确实花更少的时间看电视和看电影,而花更多的时间在互联网上做任何事情。当他们在看电影和电视节目时,他们经常在网上消费这些媒体,然后将他们的媒体参与转化为数字场所的作者身份,创作粉丝艺术和粉丝小说,或者通过社交媒体网络发表评论和批评。越来越多地,年轻人的媒体参与也变得更加移动,因为,对于各种
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引用次数: 2
Star Testimonials and Trailers: Mobilizing during World War I 明星感言和预告片:第一次世界大战期间的动员
Pub Date : 2017-10-17 DOI: 10.1353/CJ.2017.0055
S. Collins
Abstract:Hollywood's war mobilization efforts in support of the Liberty Loan Bond Drives (1917–1918) were critical to shifting government officials' perceptions of the value of commercial cinema as a tool of propaganda and cultural policy during wartime. By tracing the industry's efforts in the bond drives, and the narrative production and distribution of the Liberty Loan propaganda films in particular, this article shows how the patriotic film star testimonial became an expedient ideological mechanism. The propaganda films reinforced perceptions held by some political elites of commercial film as lowbrow as they also signaled a new manner of effectively linking popular culture with state power to promote unified national identity during crisis.
摘要:好莱坞为支持自由贷款债券运动(1917-1918)所做的战争动员努力,对于改变政府官员对战时商业电影作为宣传和文化政策工具的价值的看法至关重要。本文通过追溯电影行业在债券驱动中的努力,特别是自由贷款宣传片的叙事制作和发行,展示了爱国电影明星的感言如何成为一种权宜之计的意识形态机制。宣传片强化了一些政治精英对商业电影低俗的看法,同时也标志着一种新的方式,可以有效地将大众文化与国家权力联系起来,在危机期间促进国家认同的统一。
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引用次数: 1
Radio Remediated: Sissako's Life on Earth and Sembène's Moolaadé 无线电修复:Sissako的地球生活和semb<e:1>的moolaad<s:1>
Pub Date : 2017-10-17 DOI: 10.1353/CJ.2017.0057
Marissa J. Moorman
Abstract:Remediation is a noted phenomenon in cinema studies. How it operates in African films has been less parsed. This article examines Abderrahmane Sissako's La vie sur Terre (1998) and Ousmane Sembène's Moolaadé (2004), two films with distinct approaches to the remediation of radio. I argue that postcolonial African media contexts, where national cinemas struggle (Nollywood excepted) and radio thrives, compel us to read remediation's tensions as locally rendered and politically charged. As these media interact on film they pose questions about visuality, sound, and broadcasting that fortify the film narratives and challenge media ideologies of the continent.
摘要:补救是电影研究中一个值得注意的现象。它是如何在非洲电影中运作的却很少被分析。本文考察了Abderrahmane Sissako的La vie sur Terre(1998)和Ousmane semb的moolaad(2004),这两部电影采用了不同的方法来修复广播。我认为,后殖民时代的非洲媒体背景下,国家影院(诺莱坞除外)举步维艰,广播蓬勃发展,这迫使我们把补救措施的紧张局势解读为当地渲染的、带有政治色彩的紧张局势。当这些媒体在电影上互动时,它们提出了关于视觉、声音和广播的问题,这些问题强化了电影叙事,并挑战了非洲大陆的媒体意识形态。
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引用次数: 1
MTV and Teen Pregnancy: Critical Essays on 16 and Pregnant and Teen Mom ed. by Letizia Guglielmo (review) MTV与青少年怀孕:莱蒂齐亚·古列尔莫主编的《16岁、怀孕和青少年妈妈》评论文章(评论)
Pub Date : 2017-10-17 DOI: 10.1353/CJ.2017.0069
L. Giggey
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引用次数: 0
Love and Sex in the Age of Capitalist Realism: On Spike Jonze's Her 资本主义现实主义时代的爱与性——论斯派克·琼斯的《她》
Pub Date : 2017-10-17 DOI: 10.1353/CJ.2017.0054
Matthew Flisfeder, C. Burnham
Abstract:Spike Jonze's Her (2013) is a film about a romantic relationship between a man and an operating system. Using a Lacanian and Žižekian psychoanalytic framework, we interpret this film in the context of what the late cultural theorist Mark Fisher has called "capitalist realism." Referring to the Lacanian thesis that "there is no sexual relationship," we discuss the film's unique treatment of our enjoyment of digital technology and how it deals with the parallel deadlocks of the sexual relationship and the work relationship. We address these topics by looking at how Her deals with the sexual relationship, love, work, and fantasy. The premise of the film is original—suited to the zeitgeist of the digital present—and we claim that it reveals important insights about processes of subjectivization.
摘要:斯派克·琼斯的《她》(2013)讲述了一个男人和一个操作系统之间的爱情故事。利用拉康和Žižekian精神分析的框架,我们在已故文化理论家马克·费希尔所谓的“资本主义现实主义”的背景下解读这部电影。参考拉康的“没有性关系”的论点,我们讨论了这部电影对我们享受数字技术的独特处理,以及它如何处理两性关系和工作关系的并行僵局。我们通过看她如何处理性关系、爱情、工作和幻想来讨论这些话题。这部电影的前提是原创的——适合数字时代的时代精神——我们声称它揭示了关于主体化过程的重要见解。
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引用次数: 9
Muslim Cool: Race, Religion, and Hip Hop in the United States by Su'ad Abdul Khabeer (review) 《穆斯林酷:美国的种族、宗教和嘻哈》作者:苏阿德·阿卜杜勒·哈比尔(书评)
Pub Date : 2017-10-17 DOI: 10.1353/CJ.2017.0068
Alexander Cho
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引用次数: 0
Tumblr Youth Subcultures and Media Engagement Tumblr青年亚文化和媒体参与
Pub Date : 2017-10-17 DOI: 10.1353/CJ.2017.0061
A. Mccracken
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引用次数: 20
Abstinence Cinema: Virginity and the Rhetoric of Sexual Purity in Contemporary Film by Casey Ryan Kelly (review) 《禁欲电影:当代电影中的童贞与性纯洁的修辞》作者:凯西·瑞安·凯利(书评)
Pub Date : 2017-10-17 DOI: 10.1353/CJ.2017.0067
M. Rogers
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引用次数: 0
Mediated Youth Cultures: The Internet, Belonging and New Cultural Configurations eds. by Andy Bennett and Brady Robards (review) 中介青年文化:互联网、归属感和新文化配置需求。作者:安迪·贝内特和布雷迪·罗巴兹(评论)
Pub Date : 2017-10-17 DOI: 10.1353/CJ.2017.0066
L. Stein, S. Ross
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引用次数: 0
Youth Audiences and the Media in the Digital Era: The Intensification of Multimedia Engagement and Interaction 数字时代的青年受众与媒体:多媒体参与与互动的强化
Pub Date : 2017-10-17 DOI: 10.1353/CJ.2017.0064
Valerie Wee
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引用次数: 9
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