Pub Date : 2020-03-01DOI: 10.3167/PROJ.2020.140104
Jonathan Frome
Over the last thirty years, Noël Carroll has elaborated his theory of erotetic narration, which holds that most films have a narrative structure in which early scenes raise questions and later scenes answer them. Carroll's prolific publishing about this theory and his expansion of the theory to issues such as audience engagement, narrative closure, and film genre have bolstered its profile, but, despite its high visibility in the field, virtually no other scholars have either criticized or built upon the theory. This article uses Carroll's own criteria for evaluating film theories—evidentiary support, falsifiability, and explanatory power—to argue that erotetic theory's strange position in the field is due to its intuitive examples and equivocal descriptions, which make the theory appear highly plausible even though it is ultimately indefensible.
{"title":"Intuition, Evidence, and Carroll's Theory of Narrative","authors":"Jonathan Frome","doi":"10.3167/PROJ.2020.140104","DOIUrl":"https://doi.org/10.3167/PROJ.2020.140104","url":null,"abstract":"Over the last thirty years, Noël Carroll has elaborated his theory of erotetic narration, which holds that most films have a narrative structure in which early scenes raise questions and later scenes answer them. Carroll's prolific publishing about this theory and his expansion of the theory to issues such as audience engagement, narrative closure, and film genre have bolstered its profile, but, despite its high visibility in the field, virtually no other scholars have either criticized or built upon the theory. This article uses Carroll's own criteria for evaluating film theories—evidentiary support, falsifiability, and explanatory power—to argue that erotetic theory's strange position in the field is due to its intuitive examples and equivocal descriptions, which make the theory appear highly plausible even though it is ultimately indefensible.","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"45 1","pages":"37-57"},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80791375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-01DOI: 10.3167/PROJ.2020.140105
Héctor J. Pérez
This article explores the use of the plot twist in screen fictions. This is a largely unexplored area, as interest in this phenomenon has largely focused on the so-called “plot twist movie,” which is an older narrative tradition. In order to explain this aesthetic phenomenon, it draws on the model of surprise originally proposed by the cognitive psychologists Wulf Meyer, Rainer Reisenzein, and Achim Schützwohl. Plot twists are characterized by three distinct but intimately intertwined temporal segments and their corresponding functions, which are explained by this model. The objective of this article is to explore how cognitive-emotional interactions shape the aesthetic viewing experience and to identify how that experience relates to shows’ artistic qualities. Game of Thrones (S01 and S03), Homeland (S01), and Westworld (S01) will be used as test cases. In each of the three plot segments, there are specific processes that distinguish the experience of surprise as an aesthetic phenomenon.
{"title":"The Plot Twist in TV Serial Narratives","authors":"Héctor J. Pérez","doi":"10.3167/PROJ.2020.140105","DOIUrl":"https://doi.org/10.3167/PROJ.2020.140105","url":null,"abstract":"This article explores the use of the plot twist in screen fictions. This is a largely unexplored area, as interest in this phenomenon has largely focused on the so-called “plot twist movie,” which is an older narrative tradition. In order to explain this aesthetic phenomenon, it draws on the model of surprise originally proposed by the cognitive psychologists Wulf Meyer, Rainer Reisenzein, and Achim Schützwohl. Plot twists are characterized by three distinct but intimately intertwined temporal segments and their corresponding functions, which are explained by this model. The objective of this article is to explore how cognitive-emotional interactions shape the aesthetic viewing experience and to identify how that experience relates to shows’ artistic qualities. Game of Thrones (S01 and S03), Homeland (S01), and Westworld (S01) will be used as test cases. In each of the three plot segments, there are specific processes that distinguish the experience of surprise as an aesthetic phenomenon.","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"52 1","pages":"58-74"},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81034426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-01DOI: 10.3167/proj.2020.140101
Ted Nannicelli
{"title":"From the Editor","authors":"Ted Nannicelli","doi":"10.3167/proj.2020.140101","DOIUrl":"https://doi.org/10.3167/proj.2020.140101","url":null,"abstract":"","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"40 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79883270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-01DOI: 10.3167/PROJ.2020.140103
Francesco Sticchi
Since the emergence of embodied cognitive theories, there has been an ever-growing interest in the application of these theories to media studies, generating a large number of analyses focusing on the affective and intellectual features of viewers’ participation. The body of the viewer has become the central object of study for film and media scholars, who examine the conceptual physicality of the viewing experience by associating body states with parallel intellectual and moral constructions. In this article, I contribute to the study of embodied cognition and cinema by drawing upon Baruch Spinoza's philosophy, especially from his process-based notion of the body. I will put this ecological and dynamic concept of the body in connection with recent studies on enactive cognition, and define a radical enactivist approach to be applied in the discussion of the experiential dynamics of Lynne Ramsay's You Were Never Really Here.
自具身认知理论出现以来，人们对将这些理论应用于媒体研究的兴趣日益浓厚，产生了大量关注观众参与的情感和智力特征的分析。观众的身体已经成为电影和媒体学者研究的中心对象，他们通过将身体状态与平行的智力和道德结构联系起来，来研究观影体验的概念肉体性。在这篇文章中，我通过借鉴巴鲁克·斯宾诺莎的哲学，特别是他基于过程的身体概念，对具身认知和电影的研究做出了贡献。我将把这个关于身体的生态和动态概念与最近关于动作认知的研究联系起来，并定义一个激进的动作方法，用于讨论琳恩·拉姆齐(Lynne Ramsay)的《你从未真正在这里》(You Were Never Really Here)中的经验动态。
{"title":"Beyond the Individual Body","authors":"Francesco Sticchi","doi":"10.3167/PROJ.2020.140103","DOIUrl":"https://doi.org/10.3167/PROJ.2020.140103","url":null,"abstract":"Since the emergence of embodied cognitive theories, there has been an ever-growing interest in the application of these theories to media studies, generating a large number of analyses focusing on the affective and intellectual features of viewers’ participation. The body of the viewer has become the central object of study for film and media scholars, who examine the conceptual physicality of the viewing experience by associating body states with parallel intellectual and moral constructions. In this article, I contribute to the study of embodied cognition and cinema by drawing upon Baruch Spinoza's philosophy, especially from his process-based notion of the body. I will put this ecological and dynamic concept of the body in connection with recent studies on enactive cognition, and define a radical enactivist approach to be applied in the discussion of the experiential dynamics of Lynne Ramsay's You Were Never Really Here.","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"32 1","pages":"18-36"},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74410171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-20DOI: 10.1162/00c13b77.d91a08fd
A. Beck, Isadora Cruxên
{"title":"New uses for old rivers: Rediscovering urban waterways","authors":"A. Beck, Isadora Cruxên","doi":"10.1162/00c13b77.d91a08fd","DOIUrl":"https://doi.org/10.1162/00c13b77.d91a08fd","url":null,"abstract":"","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74699482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-20DOI: 10.1162/00c13b77.705b9f95
Oren Shlomo, Nathan Marom
This article draws on the case of the Yarqon Restoration Project (YRP) in the Tel Aviv metropolitan region (TAMR) to highlight the infrastructural instabilities of urban river restoration and their theoretical implications. It analyzes the YRP as an outcome of multiple material interdependencies between “gray” and “green” infrastructures that are embedded in metropolitan-scale flows and politics. Methodologically, the article focuses on the main infrastructural projects constructed as part of the YRP and on subsequent polluting events that have since undermined the project. It uses data collected from policy documents, protocols, media coverage, and interviews conducted with stakeholders and professionals. The analysis shows that infrastructural instabilities are directly marked by the recurrence of “old” polluting uses within “new” recreational and ecological uses. These instabilities are deeply embedded in the metropolitan region’s unequal spatial-political structure, particularly disparities between upstream and downstream municipalities. We use the YRP case to develop a preliminary conceptual outline of a metropolitan political ecology, which highlights the spatial, environmental, and political complexities and inequalities of the metropolitan region and their consequences for the production of urban nature. This perspective extends the critical approach of urban political ecology, highlighting the metropolitan region as a critical scale at which natural watersheds intersect with geopolitical arrangements of territorial control, and at which environmental concerns are negotiated between numerous jurisdictions, conflicting land uses, and competing political-economic interests. The article suggests that metropolitan political ecology is a distinct and useful approach to understand not only urban river restoration but also other complex environmental issues.Keywordsurban rivers; green and gray infrastructure; pollution; metropolitan regions; urban political ecology; Yarqon river
{"title":"Infrastructural instabilities of urban river restoration: Towards a metropolitan political ecology in the Tel Aviv region","authors":"Oren Shlomo, Nathan Marom","doi":"10.1162/00c13b77.705b9f95","DOIUrl":"https://doi.org/10.1162/00c13b77.705b9f95","url":null,"abstract":"This article draws on the case of the Yarqon Restoration Project (YRP) in the Tel Aviv metropolitan region (TAMR) to highlight the infrastructural instabilities of urban river restoration and their theoretical implications. It analyzes the YRP as an outcome of multiple material interdependencies between “gray” and “green” infrastructures that are embedded in metropolitan-scale flows and politics. Methodologically, the article focuses on the main infrastructural projects constructed as part of the YRP and on subsequent polluting events that have since undermined the project. It uses data collected from policy documents, protocols, media coverage, and interviews conducted with stakeholders and professionals. The analysis shows that infrastructural instabilities are directly marked by the recurrence of “old” polluting uses within “new” recreational and ecological uses. These instabilities are deeply embedded in the metropolitan region’s unequal spatial-political structure, particularly disparities between upstream and downstream municipalities. We use the YRP case to develop a preliminary conceptual outline of a metropolitan political ecology, which highlights the spatial, environmental, and political complexities and inequalities of the metropolitan region and their consequences for the production of urban nature. This perspective extends the critical approach of urban political ecology, highlighting the metropolitan region as a critical scale at which natural watersheds intersect with geopolitical arrangements of territorial control, and at which environmental concerns are negotiated between numerous jurisdictions, conflicting land uses, and competing political-economic interests. The article suggests that metropolitan political ecology is a distinct and useful approach to understand not only urban river restoration but also other complex environmental issues.Keywordsurban rivers; green and gray infrastructure; pollution; metropolitan regions; urban political ecology; Yarqon river","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"80 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89284157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-20DOI: 10.1162/00c13b77.ea8fcc5a
Yonah Freemark
Scholars writing about the influence of the “neoliberal turn” suggest that, in response to global competition and a declining welfare state, cities have committed to using urban development projects for the purpose of investment attraction through spatially isolated interventions, particularly on key sites such as riverfronts. But is that really the case, or do project programming and design offer opportunities to combat inequality and increase links to the surrounding city? I explore this question through a study of postwar waterside development in Paris, examining planning documents and statements by government representatives. While officials have promoted their city’s global status, I show that they have also increasingly emphasized the provision of affordable housing; meanwhile, they have encouraged new approaches to urban design that prioritize local needs over those of tourists and create new links between existing neighborhoods. This suggests that Paris’ projects reflect a diversity of development logics—that is, goals with respect to certain planning policies—including some conducive to promoting social equity and community cohesion. This finding challenges expectations about project creation as commonly understood through the lens of the neoliberal turn. It suggests that contemporary urbanism is not converging to a uniform, regressive outcome. I identify institutional and political changes—respectively, the devolution of power to the local government in 1977 and the election of left-wing councils beginning in 2001—as the primary explanations for Paris’ history.
{"title":"Metropolis on the water: Varieties of development logics along the Seine","authors":"Yonah Freemark","doi":"10.1162/00c13b77.ea8fcc5a","DOIUrl":"https://doi.org/10.1162/00c13b77.ea8fcc5a","url":null,"abstract":"Scholars writing about the influence of the “neoliberal turn” suggest that, in response to global competition and a declining welfare state, cities have committed to using urban development projects for the purpose of investment attraction through spatially isolated interventions, particularly on key sites such as riverfronts. But is that really the case, or do project programming and design offer opportunities to combat inequality and increase links to the surrounding city? I explore this question through a study of postwar waterside development in Paris, examining planning documents and statements by government representatives. While officials have promoted their city’s global status, I show that they have also increasingly emphasized the provision of affordable housing; meanwhile, they have encouraged new approaches to urban design that prioritize local needs over those of tourists and create new links between existing neighborhoods. This suggests that Paris’ projects reflect a diversity of development logics—that is, goals with respect to certain planning policies—including some conducive to promoting social equity and community cohesion. This finding challenges expectations about project creation as commonly understood through the lens of the neoliberal turn. It suggests that contemporary urbanism is not converging to a uniform, regressive outcome. I identify institutional and political changes—respectively, the devolution of power to the local government in 1977 and the election of left-wing councils beginning in 2001—as the primary explanations for Paris’ history.","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"138 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85134965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-20DOI: 10.1162/00c13b77.765f84a4
Leonie Tuitjer
Recently, the Bangkok Metropolitan Administration, real estate developers, and the national military government of the Kingdom of Thailand have rediscovered their interest in Bangkok’s Chao Phraya riverfront. In 2015, plans surfaced to build a bike lane next to the river to create public space and to enhance the flood protection of the delta capital. Quickly, however, environmental and social activists mobilized against the plan’s negative ecological and social impacts. In this paper, I draw on assemblage theory to focus on the practices of two environmental NGOs. I discuss their use of social media, socio-material artifacts, and subversive events to create space for alternative planning proposals. The particular theoretical assemblage perspective is chosen to attend to the materiality and partial agency of non-human actants, such as the river itself and the objects used by the NGOs to mount resistance.Keywords: river; waterfront; assemblage; smooth space; urban planning; Bangkok
{"title":"From boats to bikes? Assembling contestations along the Chao Phraya river in Bangkok, Thailand","authors":"Leonie Tuitjer","doi":"10.1162/00c13b77.765f84a4","DOIUrl":"https://doi.org/10.1162/00c13b77.765f84a4","url":null,"abstract":"Recently, the Bangkok Metropolitan Administration, real estate developers, and the national military government of the Kingdom of Thailand have rediscovered their interest in Bangkok’s Chao Phraya riverfront. In 2015, plans surfaced to build a bike lane next to the river to create public space and to enhance the flood protection of the delta capital. Quickly, however, environmental and social activists mobilized against the plan’s negative ecological and social impacts. In this paper, I draw on assemblage theory to focus on the practices of two environmental NGOs. I discuss their use of social media, socio-material artifacts, and subversive events to create space for alternative planning proposals. The particular theoretical assemblage perspective is chosen to attend to the materiality and partial agency of non-human actants, such as the river itself and the objects used by the NGOs to mount resistance.Keywords: river; waterfront; assemblage; smooth space; urban planning; Bangkok","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85016273","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-20DOI: 10.1162/00c13b77.7817f0e9
Judith Otto
Although the revitalization of urban rivers in large cities in the Global North has received much scholarly attention, the role of streams in small cities (with populations less than 100,000 people) has been much less studied. This chapter uses two case studies to examine the potential of streams in small post-industrial cities to serve as catalysts for urban regeneration in the new services-based economy. Faced with an aging infrastructure, decades of disinvestment, competition for scarce financial resources for physical improvements, and often, expensive and time-consuming cleanups of industrial wastes, stakeholders in small cities face unique challenges in making the most of these assets. A study of the dynamics of urban redevelopment in Amesbury, MA (Powwow River) and Peabody, MA (North River), both of which had used their downtown rivers to serve industrial production in the 19th and early 20th centuries, illustrates the diverse opportunities and challenges endemic in re-imagining these rivers. Analysis of the two cases presented here suggests empirically that successful strategies for using small urban rivers as part of an urban revitalization strategy include at least three factors. First, a transformative new vision for river landscapes (often articulated by outsiders rather than endogenously) must be created. This vision may reference historical industrial contexts, but must also find ways to resonate with current inhabitants, who may not be aware of the community’s industrial history. Second, key actors must be committed to the strategies for the long term, and must promote the strategies to their professional networks across multiple scales of government and business. Last, synergistic, creative financial support from multiple scales of government is necessary to move urban revitalization forward.
{"title":"“A river runs through it”: Using small urban rivers as catalysts for revitalization in post-industrial New England cities","authors":"Judith Otto","doi":"10.1162/00c13b77.7817f0e9","DOIUrl":"https://doi.org/10.1162/00c13b77.7817f0e9","url":null,"abstract":"Although the revitalization of urban rivers in large cities in the Global North has received much scholarly attention, the role of streams in small cities (with populations less than 100,000 people) has been much less studied. This chapter uses two case studies to examine the potential of streams in small post-industrial cities to serve as catalysts for urban regeneration in the new services-based economy. Faced with an aging infrastructure, decades of disinvestment, competition for scarce financial resources for physical improvements, and often, expensive and time-consuming cleanups of industrial wastes, stakeholders in small cities face unique challenges in making the most of these assets. A study of the dynamics of urban redevelopment in Amesbury, MA (Powwow River) and Peabody, MA (North River), both of which had used their downtown rivers to serve industrial production in the 19th and early 20th centuries, illustrates the diverse opportunities and challenges endemic in re-imagining these rivers. Analysis of the two cases presented here suggests empirically that successful strategies for using small urban rivers as part of an urban revitalization strategy include at least three factors. First, a transformative new vision for river landscapes (often articulated by outsiders rather than endogenously) must be created. This vision may reference historical industrial contexts, but must also find ways to resonate with current inhabitants, who may not be aware of the community’s industrial history. Second, key actors must be committed to the strategies for the long term, and must promote the strategies to their professional networks across multiple scales of government and business. Last, synergistic, creative financial support from multiple scales of government is necessary to move urban revitalization forward.","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"66 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89568114","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-01DOI: 10.3167/proj.2019.130311
Jason Gendler
Teacher. Mentor. Dissertation committee member. Advocate. Colleague. Friend. These are the many roles that Ed Branigan filled in my life over the eleven-plus years I was privileged to know him. However, merely listing these roles does not really do justice to his impact on me, because it leaves out the kindness, generosity, wit, and enthusiasm that he always had in store for me in all of our interactions, be they post-lecture dinners together in Santa Barbara, movie marathons at his house in Oak Park, California, or, as was more and more common over the last few years, e-mail messages.
{"title":"In Memoriam: Edward Branigan","authors":"Jason Gendler","doi":"10.3167/proj.2019.130311","DOIUrl":"https://doi.org/10.3167/proj.2019.130311","url":null,"abstract":"Teacher. Mentor. Dissertation committee member. Advocate. Colleague. Friend. These are the many roles that Ed Branigan filled in my life over the eleven-plus years I was privileged to know him. However, merely listing these roles does not really do justice to his impact on me, because it leaves out the kindness, generosity, wit, and enthusiasm that he always had in store for me in all of our interactions, be they post-lecture dinners together in Santa Barbara, movie marathons at his house in Oak Park, California, or, as was more and more common over the last few years, e-mail messages.","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"39 1","pages":"142-144"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74858638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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