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Looking at (Overlooked) Lichen: Visual Journaling as Part of Meetings with Remarkable and Unremarkable Trees 看着(被忽视的)地衣:作为与非凡和平凡树木会面的一部分的视觉日志
Pub Date : 2022-05-27 DOI: 10.54916/rae.116978
Annette Arlander
The daily practice of photographing lichen on bark developed from my interest in the bark of trees during the project Performing with Plants (2017-2019) and continued during the project Meetings with Remarkable and Unremarkable Trees (2020-2021). In this essay I return to these visual fieldnotes, compare the visual diary on Flickr with my previous journals on social media, and consider the potential of such practices for developing awareness of and a respectful relationship to other beings that we share this planet with.  
每天在树皮上拍摄地衣的实践源于我在“与植物一起表演”(2017-2019)项目中对树皮的兴趣,并在“与非凡和平凡的树木会面”(2020-2021)项目中继续进行。在这篇文章中,我将回到这些视觉现场笔记,将Flickr上的视觉日记与我之前在社交媒体上的日记进行比较,并考虑这些实践在培养对与我们共享这个星球的其他生物的意识和尊重关系方面的潜力。
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引用次数: 1
Investigating Stray-Concept and Ticks as a Co-Species 流浪动物概念与蜱共种的研究
Pub Date : 2022-05-27 DOI: 10.54916/rae.116987
Laura Beloff
While humanities are today calling for re-evaluation of the anthropocentric worldview and affection towards the non-humans, there crawls a small creature in the forests among other animals that evokes feelings of hatred and disgust in humans. The recent decades have witnessed an environmental change in the increase of tick populations and the expansion of tick-infested areas that is attributed to the continuous warming of our climate. This has led to a heightened awareness of ticks and tick-borne diseases that can be contracted by humans. It has also become evident that we need to learn to live with this pervasive proximity to increasing numbers of ticks, this situation will require new attitudes and adaptations from us that will potentially change our behaviors and routines. The article reports on an on-going artistic research project that investigates relations between ticks and humans from a perspective where artistic research meets with scientific research. It presents a contradicting case, in which a disgust and hatred towards ticks is reflected from an evolutionary co-agency perspective that claims that without our parasites – we, humans, would not be what we are today.
今天,当人文学科呼吁重新评估人类中心主义的世界观和对非人类的感情时,森林里有一种小生物在其他动物中爬行,引起了人类的仇恨和厌恶。近几十年来,由于气候持续变暖,蜱虫数量增加,蜱虫出没地区扩大,环境发生了变化。这提高了人们对蜱虫和蜱传疾病的认识,这些疾病可以被人类感染。很明显,我们需要学会与越来越多的蜱虫生活在一起,这种情况需要我们有新的态度和适应,这可能会改变我们的行为和习惯。这篇文章报道了一个正在进行的艺术研究项目,从艺术研究与科学研究相结合的角度调查蜱虫与人类之间的关系。它提出了一个相互矛盾的案例,其中对蜱虫的厌恶和仇恨反映了进化协同作用的观点,该观点声称,如果没有寄生虫,我们人类就不会是今天的样子。
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引用次数: 0
Au milieu des bureaux empilés (In Between Desks) 在堆叠的办公室中间(在桌子之间)
Pub Date : 2021-12-31 DOI: 10.54916/rae.119518
Anouk Verviers
This paper analyzes the socially engaged art project Au milieu des bureux empilés and investigates if it can be possible to create open discursive spaces within schools for students to collectively develop conversations about the education system and their experiences of schooling. The article outlines one possible framework to do so and focuses on investigating the repercussions of these open discursive spaces in schools were students shared instances of lack of care. It explores how the developed conversations might have the potential to foster a certain sense of agency and of community within participatingstudents.
本文分析了社会参与艺术项目Au milieu des bureux empilsims,并调查了是否有可能在学校内为学生创造开放的话语空间,让学生集体开展关于教育系统和他们的上学经历的对话。本文概述了这样做的一个可能的框架,并侧重于调查这些开放话语空间在学生共享缺乏关怀的情况下对学校的影响。它探讨了发展的对话如何有可能在参与的学生中培养某种能动性和社区意识。
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引用次数: 0
Critical Artistic Research and Arts Practices as Forms of (Radical) Care 批判性艺术研究和作为(激进)关怀形式的艺术实践
Pub Date : 2021-12-31 DOI: 10.54916/rae.119465
Marie A. Godin, Mira Kallio-Tavin, Abdullah Qureshi
   
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引用次数: 0
Person-centred Music-making as a Cultural Change Agent for Compassionate Healthcare 以人为本的音乐制作作为富有同情心的医疗保健的文化变革代理人
Pub Date : 2021-12-31 DOI: 10.54916/rae.119540
Krista De Wit
To meet the care needs of the rapidly ageing patient populations, the cultivation of a compassionate patient-centred healthcare culture has becomecentral in the value-based healthcare discourse. A participatory music practice, ‘Meaningful Music in Healthcare’ employs a person-centred approach tomusic-making in Dutch hospitals. A grounded theory analysis on ethnographically collected data suggests that music-making serves as a social change agent and cultural resource for catalysing compassionate contact between healthcare professionals and patients. Processes of experiential growth and shared valuesin music-making and healthcare help to enrich care relationships and allow the emotional dimension of nurses’ professional performance to be explored.
为了满足快速老龄化患者群体的护理需求,培养富有同情心的以患者为中心的医疗保健文化已成为以价值为基础的医疗保健话语的核心。参与式音乐实践,“医疗保健中有意义的音乐”在荷兰医院采用以人为本的音乐制作方法。一项基于民族志收集的数据的理论分析表明,音乐创作是一种社会变革的推动者和文化资源,可以促进医疗保健专业人员和患者之间富有同情心的接触。在音乐制作和医疗保健中体验成长和共享价值观的过程有助于丰富护理关系,并允许探索护士专业表现的情感维度。
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引用次数: 2
Caressing the Earth 爱抚地球
Pub Date : 2021-12-31 DOI: 10.54916/rae.119471
C.S. Diaz, D. Fleischmann
This joint article draws on artistic practices that showcase how relations to nature can articulate rituals of care and reciprocity in embodied experiences and sympoesis. It discusses active approaches to practicing sympathetic interaction with Nature by challenging our habitual processes of forming connection. The paper revolves around modes of exploitation in animal experiments and the lack of emotional knowledge and connection in science, in The Touch ofSoil by Dominik Fleischmann; and advocates for attention to soil, in Palpating Landscape by celine s diaz, as ritualistic extension of inclusiveness for thelandscape. Through creative writing, theoretic reflection and the photographic medium, both unravel deep concerns for the human-centred approach of viewing and engaging with the natural world and its habitants and advocate for a broader agency, action invoked in caring. Finding overlapping questions, this paper shows two practices of responsibility as empathy and care are evermore significant in our relationship with nature. These vulnerable acts comprehenddisruptive temporalities and propose a kinder but equally relevant message: “I care”.
这篇联合文章借鉴了艺术实践,展示了与自然的关系如何在具体化的体验和共鸣中表达关怀和互惠的仪式。它讨论了通过挑战我们形成联系的习惯过程来实践与自然的同情互动的积极方法。本文围绕着多米尼克·弗莱施曼《土壤的触摸》中动物实验的开发模式和科学中情感知识和联系的缺乏展开;在celine s diaz的《触感景观》(Palpating Landscape)中,倡导对土壤的关注,作为对景观包容性的仪仪性延伸。通过创造性的写作、理论反思和摄影媒介,两者都揭示了对以人为中心的观察和参与自然世界及其居民的深切关注,并倡导更广泛的机构,在关怀中采取行动。本文发现了重叠的问题,表明了在我们与自然的关系中,责任的两种实践,即同理心和关怀,越来越重要。这些脆弱的行为理解了破坏性的暂时性,并提出了一个更友善但同样相关的信息:“我在乎”。
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引用次数: 0
Politics of Care and Responsibility 关心和责任的政治
Pub Date : 2021-12-31 DOI: 10.54916/rae.119523
Censu Caruana, Isabelle Gatt, R. Vella, C. Zammit
This article evaluates an EU-funded research project called Visual art education in new times: Connecting Art with REal life issues (CARE), which studies the infusion of principles of Education for Sustainable Development in art education. It describes the central goals of this project and presents some findings related to a group of teachers’ participation in an online course related to the project and lessons they implemented subsequently. Informed by a relational framework that revolves around theories of care and responsibility, the article argues that art education can promote a commitment to action on issues of sustainability, extending our sense of care towards the broader environment, other species and ecosystems, and future generations. By developing lessons based on ‘big ideas’ like diversity, the public and conservation and change, teachers participating in CARE helped students understand connections between things, the importance of interpersonal relations and the value of collaborative learning for sustainability. Finally, CARE also embraced and promoted the idea that tertiary institutions can play a significant role in addressing real-life sustainability problems through teacher training.
本文对欧盟资助的“新时代视觉艺术教育:将艺术与现实生活问题联系起来”(CARE)研究项目进行了评估,该项目研究了可持续发展教育原则在艺术教育中的渗透。它描述了该项目的中心目标,并介绍了一些与一组教师参与与该项目相关的在线课程以及他们随后实施的课程相关的发现。以关怀和责任理论为中心的关系框架为基础,文章认为艺术教育可以促进对可持续发展问题的行动承诺,将我们的关怀意识扩展到更广泛的环境,其他物种和生态系统,以及子孙后代。通过开发基于“大概念”的课程,如多样性、公共、保护和变化,参与CARE的教师帮助学生理解事物之间的联系、人际关系的重要性以及协作学习对可持续发展的价值。最后,CARE还接受并推广了高等教育机构可以通过教师培训在解决现实生活中的可持续性问题方面发挥重要作用的理念。
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引用次数: 0
Touching/Transforming 触摸/变形
Pub Date : 2021-12-31 DOI: 10.54916/rae.119466
Freja Bäckman, Rebecca N. Close, Marie Godin, Mira Kallio-Tavin, Aranyak Mehta, A. Qureshi, Sepideh Rahaa
   
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引用次数: 0
Making and Unmaking Collections through Gift Exchange 通过礼物交换制作和取消收藏
Pub Date : 2021-12-31 DOI: 10.54916/rae.119491
Sue Uhlig
In this visual essay, I argue that the gift economy generated through the Buy Nothing Project is a form of community care. Specifically, I will discuss how members in the Buy Nothing Project helped to make and unmake a research-creation exhibition in a university project space through their commitment to community building. Founded in the US, the Buy Nothing Project is a global network of thousands of hyper-local community groups that eschew a trational cash economy and instead advocate collaboration, community, sustainability, and creativity through a gift economy. The generous gifting from my local group enabled the making of my research exhibition through the contributions of bookcases, tables, ephemera, and small boxes. Several of the Buy Nothing Project members also became participants in the research, and they lingered in the space during the exhibition and related events. On the concluding day during its unmaking, objects and furniture in the research exhibition were gifted back to Buy Nothing members to deepen the connection of community care.
在这篇视觉文章中,我认为通过“不买东西”项目产生的礼物经济是一种社区关怀形式。具体来说,我将讨论“不买东西”项目的成员如何通过他们对社区建设的承诺,帮助在大学项目空间举办和取消一个研究创作展览。“不买东西”项目成立于美国,是一个由数千个超本地社区团体组成的全球网络,这些团体避开了传统的现金经济,而是通过礼物经济倡导合作、社区、可持续发展和创造力。当地团体的慷慨捐赠使我的研究展览得以进行,其中包括书架、桌子、蜉蝣和小盒子。“什么都不买”项目的几位成员也成为了研究的参与者,他们在展览和相关活动期间逗留在这个空间里。在拆除的最后一天,研究展览中的物品和家具被赠送给Buy Nothing会员,以加深社区关怀的联系。
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引用次数: 0
To Draw the Line 划清界限
Pub Date : 2021-12-31 DOI: 10.54916/rae.119473
Marika Tervahartiala
Drawing (a non-human entity) and a human researcher-drawer offer a caring visual-verbal research exploration about drawn care and care for Drawing aspart of ongoing research. The artistic research is a combination of scholarly drawing, drawn bi-directional autoethnographies created in inseparable coop-eration with an emergent agent: Drawing. The researcher searches for ways to care for her co-researcher Drawing and reader in the text and in/with/bydrawing. The words and visuals in this article aim to complement and compliment each other; their open-endedness mirroring the process[es] of not- and[un]knowing in/with/by Drawing.
绘画(非人类实体)和人类研究者-抽屉提供了一个关于绘画护理和绘画护理的关怀视觉-语言研究探索,这是正在进行的研究的一部分。艺术研究是学术绘画的结合,是与绘画这一新兴媒介不可分割地合作而形成的双向自我民族志。研究人员在文本中寻找照顾她的共同研究人员Drawing和读者的方法。本文中的文字和图像旨在相互补充和恭维;他们的开放性反映了[es]和[un]在绘画中/与/通过绘画知道的过程。
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Research in Arts and Education
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