Pub Date : 1900-01-01DOI: 10.2991/ASSEHR.K.210106.109
Xin-Li Wei, Yachen Wang
This paper analyzes the trend, design fundamentals and design principles of contemporary UI design from user interface design (UI design). It discusses that even though the design styles of today's digital art era are flourishing with diverse thinking, the pixel style will never go out of style. A single element of pixel style is the basic element of artistic design, and it is favored by many designers, deriving many interesting design categories. In view of the current development prospects of pixel style, based on interactive user experience results of UI, and combined with the art style of current UI design, this paper adopts a new development strategy for the future development of pixel art style. The results show that even if full high definition 3D rendering images have become the mainstream of design, as a timeless tribute to the classics, the pixelated style still has an indelible influence. Pixelated design is now being applied to practice by more designers and artists, and it has gradually become a unique form of artistic visual expression.
{"title":"Research on the Application of Pixel Style in UI (User Interface) Design","authors":"Xin-Li Wei, Yachen Wang","doi":"10.2991/ASSEHR.K.210106.109","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.109","url":null,"abstract":"This paper analyzes the trend, design fundamentals and design principles of contemporary UI design from user interface design (UI design). It discusses that even though the design styles of today's digital art era are flourishing with diverse thinking, the pixel style will never go out of style. A single element of pixel style is the basic element of artistic design, and it is favored by many designers, deriving many interesting design categories. In view of the current development prospects of pixel style, based on interactive user experience results of UI, and combined with the art style of current UI design, this paper adopts a new development strategy for the future development of pixel art style. The results show that even if full high definition 3D rendering images have become the mainstream of design, as a timeless tribute to the classics, the pixelated style still has an indelible influence. Pixelated design is now being applied to practice by more designers and artists, and it has gradually become a unique form of artistic visual expression.","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"2 2-3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120929437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/ASSEHR.K.210106.122
Rui Chen
As a medium by which public opinion is spread, public welfare posters use the elements of visual symbols and words to reflect social problems, guide the public to examine, coordinate and solve problems and move public welfare programs in a positive direction with the unique artistic charm, rich connotation, distinctive themes and other relevant poster visual languages. However, whether the information conveyed by the poster can be effectively accepted by the public, so as to change their thoughts and actions, depends on the factors such as the visual expression method, the choice of subject and content, emotional appeal and psychological identity of the poster design. Based on several aspects of cognitive psychology, this paper studies public welfare posters for wildlife protection. This paper is composed of three parts: The first chapter gives a brief overview of public welfare posters, and then analyzes and studies the current situation of public welfare posters in China and abroad. The second chapter briefly describes cognitive psychology and discusses the influence of cognitive psychology on public welfare poster design. The third chapter, based on cognitive psychology, discusses the innovative way of public welfare poster design. First of all, it is necessary to understand the audience, choose the right design symbol elements, and strengthen the visual effect of the poster, so as to trigger the psychological recognition of the public, so that the social value and publicity function of the public welfare poster can be increased to the maximum. Through the research of this topic, the analysis of public welfare poster design from the perspective of cognitive psychology can provide designers with new design thinking and methods, so as to promote the development of public welfare poster design towards the direction of diversification.
{"title":"Research on Public Welfare Poster Design Based on Cognitive Psychology — Taking the Poster Design for Wildlife Protection as an Example","authors":"Rui Chen","doi":"10.2991/ASSEHR.K.210106.122","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.122","url":null,"abstract":"As a medium by which public opinion is spread, public welfare posters use the elements of visual symbols and words to reflect social problems, guide the public to examine, coordinate and solve problems and move public welfare programs in a positive direction with the unique artistic charm, rich connotation, distinctive themes and other relevant poster visual languages. However, whether the information conveyed by the poster can be effectively accepted by the public, so as to change their thoughts and actions, depends on the factors such as the visual expression method, the choice of subject and content, emotional appeal and psychological identity of the poster design. Based on several aspects of cognitive psychology, this paper studies public welfare posters for wildlife protection. This paper is composed of three parts: The first chapter gives a brief overview of public welfare posters, and then analyzes and studies the current situation of public welfare posters in China and abroad. The second chapter briefly describes cognitive psychology and discusses the influence of cognitive psychology on public welfare poster design. The third chapter, based on cognitive psychology, discusses the innovative way of public welfare poster design. First of all, it is necessary to understand the audience, choose the right design symbol elements, and strengthen the visual effect of the poster, so as to trigger the psychological recognition of the public, so that the social value and publicity function of the public welfare poster can be increased to the maximum. Through the research of this topic, the analysis of public welfare poster design from the perspective of cognitive psychology can provide designers with new design thinking and methods, so as to promote the development of public welfare poster design towards the direction of diversification.","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"123 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134277483","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/ASSEHR.K.210106.094
Yanjun Jiao
This paper first explores the internal connection between "Tao" (ideal method) and "Qi" (a definite thing) in Chinese traditional humanistic spirit and the free style in Chinese artistic spirit. Then, by pointing out that sculpture is the carrier of cultural spirit, this paper analyzes the reasons for the lack of humanistic spirit in Chinese traditional sculpture, and emphasizes that "people-oriented" humanistic spirit gradually appeared in Chinese sculpture art at the beginning of last century. Finally, it points out that through the efforts of several generations of sculptors, Chinese urban sculpture not only inherits the ancient sculpture tradition, but also excavates the humanistic connotation. Excellent urban sculptures are always based on the local artistic language, focusing on the connection with the traditional context, and at the same time reflecting the contemporary intellectuals' keen attention to the social humanity.
{"title":"Understanding of Humanistic Spirit in Urban Sculpture","authors":"Yanjun Jiao","doi":"10.2991/ASSEHR.K.210106.094","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.094","url":null,"abstract":"This paper first explores the internal connection between \"Tao\" (ideal method) and \"Qi\" (a definite thing) in Chinese traditional humanistic spirit and the free style in Chinese artistic spirit. Then, by pointing out that sculpture is the carrier of cultural spirit, this paper analyzes the reasons for the lack of humanistic spirit in Chinese traditional sculpture, and emphasizes that \"people-oriented\" humanistic spirit gradually appeared in Chinese sculpture art at the beginning of last century. Finally, it points out that through the efforts of several generations of sculptors, Chinese urban sculpture not only inherits the ancient sculpture tradition, but also excavates the humanistic connotation. Excellent urban sculptures are always based on the local artistic language, focusing on the connection with the traditional context, and at the same time reflecting the contemporary intellectuals' keen attention to the social humanity.","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124728186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/ASSEHR.K.210106.105
Lijuan Xiong
This research, based on the research on the pattern design method of Qiang ethnic minority, explores the development and application of cultural and creative products with graphic patterns in Qiang area as the focus. The concept of international vision is combined to enhance the sense of design and the internationalization of cultural and creative products in the Qiang area. Through combing the representative themes of the Qiang ethnic minority, especially the Qiang embroidery patterns, the research redesigns the products and starts from the four aspects of pattern composition, style integration, handicraft integration, and day-selling product design to explore the thoughts and methods of development and design of cultural and creative products in Qiang area and design products that not only conform to modern young consumers' aesthetics and habits of using products, but also contain typical cultural characteristics of Qiang ethnic minority.
{"title":"Research on the Application of Cultural and Creative Products Based on the Pattern Design of Qiang Culture","authors":"Lijuan Xiong","doi":"10.2991/ASSEHR.K.210106.105","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.105","url":null,"abstract":"This research, based on the research on the pattern design method of Qiang ethnic minority, explores the development and application of cultural and creative products with graphic patterns in Qiang area as the focus. The concept of international vision is combined to enhance the sense of design and the internationalization of cultural and creative products in the Qiang area. Through combing the representative themes of the Qiang ethnic minority, especially the Qiang embroidery patterns, the research redesigns the products and starts from the four aspects of pattern composition, style integration, handicraft integration, and day-selling product design to explore the thoughts and methods of development and design of cultural and creative products in Qiang area and design products that not only conform to modern young consumers' aesthetics and habits of using products, but also contain typical cultural characteristics of Qiang ethnic minority.","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123718247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/ASSEHR.K.210106.045
Zhijing Zhu, Guicheng Zhuang
"The Attorney" is a representative film in recent years in South Korea which tells the story of the hero Song Woo-seok, who is transformed from a mercenary lawyer to a democratic fighter who pleads in the name of the people, and finally starts to pursue the path of democracy and freedom. Through five thrilling court defences, the film shows the sublimation of human nature in the struggle from the "little self" who pursues nothing but making a life and get rich to the "great self" who dares to sacrifice himself to fight for people's rights. Taking "The Attorney" as a representative, it can also be seen that there are some common characteristics of Korean films in recent years, such as revelation of the dark side of society, the hope of people in tragedy, and the protagonist's empathetic transformation, etc.
{"title":"Defence Sublimates Humanity — Comment on the Korean Film “The Attorney”","authors":"Zhijing Zhu, Guicheng Zhuang","doi":"10.2991/ASSEHR.K.210106.045","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.045","url":null,"abstract":"\"The Attorney\" is a representative film in recent years in South Korea which tells the story of the hero Song Woo-seok, who is transformed from a mercenary lawyer to a democratic fighter who pleads in the name of the people, and finally starts to pursue the path of democracy and freedom. Through five thrilling court defences, the film shows the sublimation of human nature in the struggle from the \"little self\" who pursues nothing but making a life and get rich to the \"great self\" who dares to sacrifice himself to fight for people's rights. Taking \"The Attorney\" as a representative, it can also be seen that there are some common characteristics of Korean films in recent years, such as revelation of the dark side of society, the hope of people in tragedy, and the protagonist's empathetic transformation, etc.","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125042943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/ASSEHR.K.210106.096
Tingting Jiang
With the continuous development of society and the advancement of urbanization, the role of lighting began to change from meeting the initial basic material conditions of people's lives to meeting people's spiritual needs for a higher quality of life. Lighting installation art then emerges as the time requires under the impetus of this environment, playing an indispensable role in urban public space. Lighting installation art is not only the way for creators to express their artistic perception, but also bringing multidimensional spiritual enjoyment for the viewers and participants in the public space. Through the representative art works, this article aims to elaborate the artistic value that lighting installation art develops in the public space, and discusses the design and application of various characteristics of lighting installation art in public space, so as to promote the lighting installation art in public landscape, make it a public art form that leads the public to appreciate and taste, and bring people a better artistic sensory experience.
{"title":"Research on Lighting Installation Art Design in Public Space","authors":"Tingting Jiang","doi":"10.2991/ASSEHR.K.210106.096","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.096","url":null,"abstract":"With the continuous development of society and the advancement of urbanization, the role of lighting began to change from meeting the initial basic material conditions of people's lives to meeting people's spiritual needs for a higher quality of life. Lighting installation art then emerges as the time requires under the impetus of this environment, playing an indispensable role in urban public space. Lighting installation art is not only the way for creators to express their artistic perception, but also bringing multidimensional spiritual enjoyment for the viewers and participants in the public space. Through the representative art works, this article aims to elaborate the artistic value that lighting installation art develops in the public space, and discusses the design and application of various characteristics of lighting installation art in public space, so as to promote the lighting installation art in public landscape, make it a public art form that leads the public to appreciate and taste, and bring people a better artistic sensory experience.","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"150 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133683958","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/ASSEHR.K.210106.064
Yang Li, Ning Kang
This paper takes the book design course as an example to analyze the application of online and offline teaching mode. According to the characteristics of the book design curriculum, the researchers adjust the curriculum design, refine and expand the content of the book design, and optimize the ratio of in-and extra-curricular hours and content distribution. Offline teaching is based on practical teaching, and online teaching is based on knowledge points, micro-class videos and resource links. At the same time, a problem feedback mechanism and a learning interactive discussion link are set up, which not only retains the offline traditional face-to-face teaching mode, but also develops online digital teaching mode, being able to effectively maximize their respective advantages. These adjustments in teaching mode solve the problem of insufficient understanding of offline knowledge points by students. Through online resources, students can review repeatedly, and finally learn and understand, to achieve the integration of knowledge points, improve learning efficiency, strengthen independent learning ability, and realize curriculum optimization.
{"title":"The Application of Online and Offline Blended Teaching Mode in the Course of “Book Design”","authors":"Yang Li, Ning Kang","doi":"10.2991/ASSEHR.K.210106.064","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.064","url":null,"abstract":"This paper takes the book design course as an example to analyze the application of online and offline teaching mode. According to the characteristics of the book design curriculum, the researchers adjust the curriculum design, refine and expand the content of the book design, and optimize the ratio of in-and extra-curricular hours and content distribution. Offline teaching is based on practical teaching, and online teaching is based on knowledge points, micro-class videos and resource links. At the same time, a problem feedback mechanism and a learning interactive discussion link are set up, which not only retains the offline traditional face-to-face teaching mode, but also develops online digital teaching mode, being able to effectively maximize their respective advantages. These adjustments in teaching mode solve the problem of insufficient understanding of offline knowledge points by students. Through online resources, students can review repeatedly, and finally learn and understand, to achieve the integration of knowledge points, improve learning efficiency, strengthen independent learning ability, and realize curriculum optimization.","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"254 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134071485","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/ASSEHR.K.210106.006
Lyubov Shirshova
The present paper is dedicated to the creative work of a master of international renown, Zurab Konstantinovich Tsereteli. Various aspects of his many-sided activities as a sculpture-pioneer are described here. Basing on the works of Tsereteli, the author analyzes a broad picture of developments in the national artistic culture, individual features of the master’s craft that have come through both his monumental and indoor works.
{"title":"The Space of Zurab Tsereteli’s Creative Personality in World Modern Art","authors":"Lyubov Shirshova","doi":"10.2991/ASSEHR.K.210106.006","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.006","url":null,"abstract":"The present paper is dedicated to the creative work of a master of international renown, Zurab Konstantinovich Tsereteli. Various aspects of his many-sided activities as a sculpture-pioneer are described here. Basing on the works of Tsereteli, the author analyzes a broad picture of developments in the national artistic culture, individual features of the master’s craft that have come through both his monumental and indoor works.","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"404 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116075888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/ASSEHR.K.210106.053
Qian Qi, Feng Qi
Russian art education is well-known in the world, which requires school education to form a systematic art quality education system, and pay special attention to the construction of social and family environment. With the rapid development of economy, society has put forward new requirements for the quality education of art. By analyzing and comparing the art quality education between China and Russia, and drawing on the successful experience of Russian art quality education, China should increase the government's investment in basic art education, form a good art education environment and system, and improve children's love for art.
{"title":"A Comparative Study of Art Quality Education Between China and Russia","authors":"Qian Qi, Feng Qi","doi":"10.2991/ASSEHR.K.210106.053","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.053","url":null,"abstract":"Russian art education is well-known in the world, which requires school education to form a systematic art quality education system, and pay special attention to the construction of social and family environment. With the rapid development of economy, society has put forward new requirements for the quality education of art. By analyzing and comparing the art quality education between China and Russia, and drawing on the successful experience of Russian art quality education, China should increase the government's investment in basic art education, form a good art education environment and system, and improve children's love for art.","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123813351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/ASSEHR.K.210106.029
Kexin Liu
The construction of public art is not only to leave a work of art in the public space, but to make the work penetrate into the lives of the public and into their hearts, so as to arouse emotional interaction and communication, and interact and influence with people, society, and the environment. From this point of view, public art is more like an art that balances various social relationships, which requires that it always have a dialogue relationship with the city, the community, and the public, and find a context of integration. Once out of touch with it, it will not only affect the appearance of the city, but also cause public dissatisfaction and controversy. This paper takes the public art dialogue as the starting point, and discusses the social meaning of the 2019 Urban Space Art Season held in Shanghai from the three aspects of the dialogue between public art and the city, the community and the public.
{"title":"Public Art Dialogue","authors":"Kexin Liu","doi":"10.2991/ASSEHR.K.210106.029","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.029","url":null,"abstract":"The construction of public art is not only to leave a work of art in the public space, but to make the work penetrate into the lives of the public and into their hearts, so as to arouse emotional interaction and communication, and interact and influence with people, society, and the environment. From this point of view, public art is more like an art that balances various social relationships, which requires that it always have a dialogue relationship with the city, the community, and the public, and find a context of integration. Once out of touch with it, it will not only affect the appearance of the city, but also cause public dissatisfaction and controversy. This paper takes the public art dialogue as the starting point, and discusses the social meaning of the 2019 Urban Space Art Season held in Shanghai from the three aspects of the dialogue between public art and the city, the community and the public.","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116009149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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