Pub Date : 2021-01-06DOI: 10.2991/ASSEHR.K.210106.080
Qiu-si Jin
A city needs a brand as a "container" to pack up the assets. When the city creates the brand image system, it needs to explore a very rich field for brand positioning. This includes the city's cultural resources, geographical customs, cultural scenery, natural environment, etc. A city is like a creature, which is difficult to be identified. If it is represented in a figurative graph, people will feel hard to consider all its features. But a super symbol can put all the elements of regional culture in it and become the most explicit and powerful brand symbol. Starting with the development of Dalian's city brand image, this paper discusses how to use regional culture to spread the city's brand image by designing super symbols of brand and carrying out city advertising activities.
{"title":"The Application of Regional Culture in City Brand Design","authors":"Qiu-si Jin","doi":"10.2991/ASSEHR.K.210106.080","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.080","url":null,"abstract":"A city needs a brand as a \"container\" to pack up the assets. When the city creates the brand image system, it needs to explore a very rich field for brand positioning. This includes the city's cultural resources, geographical customs, cultural scenery, natural environment, etc. A city is like a creature, which is difficult to be identified. If it is represented in a figurative graph, people will feel hard to consider all its features. But a super symbol can put all the elements of regional culture in it and become the most explicit and powerful brand symbol. Starting with the development of Dalian's city brand image, this paper discusses how to use regional culture to spread the city's brand image by designing super symbols of brand and carrying out city advertising activities.","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128608185","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.2991/ASSEHR.K.210106.002
Y. Ding
No art can exist without the limitation of time and space. As a manifestation of the entity, the space of art is an important condition hidden behind the form of expression, which also restricts the appearance and form of artistic works. The understanding of space has directly changed the face of art, especially painting. This paper discusses the changes of the spatial expression of Western art, from the gradual transformation of the early art from imitation to forming unique and multivariate space ideas, to representing the cognition of the world in a new space that does not exist. This paper attempts to enlighten new artistic expression methods and cognition through the interpretation of space in art.
{"title":"The Relationship Between Space Field and Real Space in Art","authors":"Y. Ding","doi":"10.2991/ASSEHR.K.210106.002","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.002","url":null,"abstract":"No art can exist without the limitation of time and space. As a manifestation of the entity, the space of art is an important condition hidden behind the form of expression, which also restricts the appearance and form of artistic works. The understanding of space has directly changed the face of art, especially painting. This paper discusses the changes of the spatial expression of Western art, from the gradual transformation of the early art from imitation to forming unique and multivariate space ideas, to representing the cognition of the world in a new space that does not exist. This paper attempts to enlighten new artistic expression methods and cognition through the interpretation of space in art.","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115284420","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.2991/ASSEHR.K.210106.044
Cheng Li
TV drama creation takes real life as the source of creation, restoring real life scenes, and not only presents the audience's life experience in various fields through different themes, but also affects the audience's perception of life. The images of female characters in TV dramas are gradually diversified, but there are still certain stereotypes about women. Based on the list of "Annual Selected Works of Chinese TV Dramas" published by the State Administration of Press, Publication, Radio, Film and Television of China from 2009 to 2018, 123 TV dramas were selected from 246 TV dramas, and 272 female characters appeared as the research objects. Through the four aspects of body appearance, inner character, ethical role, and professional identity, the content analysis of the female role image in TV dramas is carried out to obtain the characteristics of the female role image in Chinese TV dramas and the hidden problems in the construction of female images. Finally, corresponding suggestions are made.
{"title":"The Construction of Female Images in Chinese TV Dramas From 2009 to 2018","authors":"Cheng Li","doi":"10.2991/ASSEHR.K.210106.044","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.044","url":null,"abstract":"TV drama creation takes real life as the source of creation, restoring real life scenes, and not only presents the audience's life experience in various fields through different themes, but also affects the audience's perception of life. The images of female characters in TV dramas are gradually diversified, but there are still certain stereotypes about women. Based on the list of \"Annual Selected Works of Chinese TV Dramas\" published by the State Administration of Press, Publication, Radio, Film and Television of China from 2009 to 2018, 123 TV dramas were selected from 246 TV dramas, and 272 female characters appeared as the research objects. Through the four aspects of body appearance, inner character, ethical role, and professional identity, the content analysis of the female role image in TV dramas is carried out to obtain the characteristics of the female role image in Chinese TV dramas and the hidden problems in the construction of female images. Finally, corresponding suggestions are made.","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126844887","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-06DOI: 10.2991/ASSEHR.K.210106.083
Shunmei Lin, X. Ban
This paper analyzes the creative product design concept of traditional Chinese calligraphy tools (writing brushes, ink sticks, paper and inkstones) in the context of the new digital media era, as well as the development and practice methods of creative products. It explores how to present the design expression in accordance with the modern aesthetic elements in the design, and points out the practical importance of the design and development of the traditional Chinese calligraphy tools through a large number of data research and combining with the use habits and aesthetic habits of modern people. The author also looks into the design prospect of cultural and creative products
{"title":"Study on Cultural and Creative Design of Traditional Chinese Calligraphy Tools in Digital Era","authors":"Shunmei Lin, X. Ban","doi":"10.2991/ASSEHR.K.210106.083","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.083","url":null,"abstract":"This paper analyzes the creative product design concept of traditional Chinese calligraphy tools (writing brushes, ink sticks, paper and inkstones) in the context of the new digital media era, as well as the development and practice methods of creative products. It explores how to present the design expression in accordance with the modern aesthetic elements in the design, and points out the practical importance of the design and development of the traditional Chinese calligraphy tools through a large number of data research and combining with the use habits and aesthetic habits of modern people. The author also looks into the design prospect of cultural and creative products","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126143766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/ASSEHR.K.210106.027
Xinlin Gao
Director Jia Zhangke's films have always paid close attention to social changes, and he is good at using symbolic expression in films, which is also an important feature of his films. The use of symbols in the film "Ash Is Purest White" (also known as "People of Jianghu") runs through the entire film, in which the portrayal of the characters' images highlights their status in "jianghu ( 江湖 , referring to the folk society)"; the display of physical images expresses the changes in "jianghu", and the use of popular music from Hong Kong and Taiwan conveys the ideal "jianghu" in the director's heart. The use of dialects is the symbol of Jia Zhangke's films that highlight the "jianghu". The use of these symbols expresses the theme of "change" in the film: "jianghu" is changing, and "people" are also changing. Its essence is to pay attention to the interpersonal relationship in Chinese society and depict the changes in society and characters under the change of time. This research aims to use the theory of film semiotics to analyze various symbols in films, including the analysis of visual symbols, auditory symbols and accompanying text. The first is to analyze the character image symbols, physical image symbols and virtual image symbols in the visual symbols; the second is to analyze music symbols and dialects in auditory symbols; the third is to analyze the pre-text in the accompanying text. Through the interpretation of the three aspects, this paper analyzes how the film presents themes and pays attention to the interpersonal relationship in Chinese society, and depicts the changes of the characters under the change of time.
{"title":"Interpretation of Symbols in the Film “Ash Is Purest White”","authors":"Xinlin Gao","doi":"10.2991/ASSEHR.K.210106.027","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.027","url":null,"abstract":"Director Jia Zhangke's films have always paid close attention to social changes, and he is good at using symbolic expression in films, which is also an important feature of his films. The use of symbols in the film \"Ash Is Purest White\" (also known as \"People of Jianghu\") runs through the entire film, in which the portrayal of the characters' images highlights their status in \"jianghu ( 江湖 , referring to the folk society)\"; the display of physical images expresses the changes in \"jianghu\", and the use of popular music from Hong Kong and Taiwan conveys the ideal \"jianghu\" in the director's heart. The use of dialects is the symbol of Jia Zhangke's films that highlight the \"jianghu\". The use of these symbols expresses the theme of \"change\" in the film: \"jianghu\" is changing, and \"people\" are also changing. Its essence is to pay attention to the interpersonal relationship in Chinese society and depict the changes in society and characters under the change of time. This research aims to use the theory of film semiotics to analyze various symbols in films, including the analysis of visual symbols, auditory symbols and accompanying text. The first is to analyze the character image symbols, physical image symbols and virtual image symbols in the visual symbols; the second is to analyze music symbols and dialects in auditory symbols; the third is to analyze the pre-text in the accompanying text. Through the interpretation of the three aspects, this paper analyzes how the film presents themes and pays attention to the interpersonal relationship in Chinese society, and depicts the changes of the characters under the change of time.","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123628011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/ASSEHR.K.210106.120
Xin Wei, Yuanyuan Fang
This paper probes into the composition of modern regional logos and cultural symbols based on minimalism and its design ideas and methods, and explores the development trend of modern regional logos design, so as to help modern designers have more design ideas for regional logos. Based on the current successful cases of minimalist logos in China and foreign countries, this paper analyzes the minimalist cultural symbol composition method and its intrinsic nature in specific regional logo design, and explores the various influences of minimalism on logo design in order to further outline the future trend and vision of regional logo design. It also takes the logo design of Jiang'an District in Wuhan City as practice to further demonstrate the feasibility of ideas and methods. The minimalist cultural symbols have diversified influences on modern regional logo design. This design method can provide a reference for regional logo design and innovation.
{"title":"Research on the Composition of Regional Logos and Cultural Symbols Based on Minimalism","authors":"Xin Wei, Yuanyuan Fang","doi":"10.2991/ASSEHR.K.210106.120","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.120","url":null,"abstract":"This paper probes into the composition of modern regional logos and cultural symbols based on minimalism and its design ideas and methods, and explores the development trend of modern regional logos design, so as to help modern designers have more design ideas for regional logos. Based on the current successful cases of minimalist logos in China and foreign countries, this paper analyzes the minimalist cultural symbol composition method and its intrinsic nature in specific regional logo design, and explores the various influences of minimalism on logo design in order to further outline the future trend and vision of regional logo design. It also takes the logo design of Jiang'an District in Wuhan City as practice to further demonstrate the feasibility of ideas and methods. The minimalist cultural symbols have diversified influences on modern regional logo design. This design method can provide a reference for regional logo design and innovation.","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117147251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/ASSEHR.K.210106.079
Y. Wu
With the development of science and technology, new materials emerge in endlessly, so that various decorations of different materials appear in modern life, and decorations of different materials play different decorative effects in modern life. Decorations made of glass materials are no exception. Decorations made of this material give people a sense of transparency, ease and pleasure, and they have different decorative effects in different environments. Starting from the different shapes of glass materials, this article mainly discusses point-shaped glass materials, linear glass materials, planar glass materials and glass materials of different colors, highlighting that the decoration of glass materials and different shapes and colors has the characteristics that other materials do not have, and can play different decorative effects in different environments in modern life.
{"title":"Innovative Application of Glass Materials in Modern Decoration Modeling","authors":"Y. Wu","doi":"10.2991/ASSEHR.K.210106.079","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.079","url":null,"abstract":"With the development of science and technology, new materials emerge in endlessly, so that various decorations of different materials appear in modern life, and decorations of different materials play different decorative effects in modern life. Decorations made of glass materials are no exception. Decorations made of this material give people a sense of transparency, ease and pleasure, and they have different decorative effects in different environments. Starting from the different shapes of glass materials, this article mainly discusses point-shaped glass materials, linear glass materials, planar glass materials and glass materials of different colors, highlighting that the decoration of glass materials and different shapes and colors has the characteristics that other materials do not have, and can play different decorative effects in different environments in modern life.","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125487797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/ASSEHR.K.210106.129
Zhan Shi
Through literature review, this research analyzes the six creative methods of traditional Chinese auspicious patterns, such as symbol design, the application of phonetic loan characters, the application of personification, signify-functional design, the application of homophony, and the application of embedded characters. With the discussion on the application of oriental elements to international fashion, the connotation of Chinese culture is deconstructed, and the concept of environmental protection is proposed at the same time, showing the traditional Chinese value and the sustainable fashion in the international trend.
{"title":"The Application of Chinese Traditional Auspicious Patterns in Yves Saint Laurent Fashion Design","authors":"Zhan Shi","doi":"10.2991/ASSEHR.K.210106.129","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.129","url":null,"abstract":"Through literature review, this research analyzes the six creative methods of traditional Chinese auspicious patterns, such as symbol design, the application of phonetic loan characters, the application of personification, signify-functional design, the application of homophony, and the application of embedded characters. With the discussion on the application of oriental elements to international fashion, the connotation of Chinese culture is deconstructed, and the concept of environmental protection is proposed at the same time, showing the traditional Chinese value and the sustainable fashion in the international trend.","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131594477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/ASSEHR.K.210106.062
Min Wang
Current music education in colleges and universities is "people-oriented", and the constructivist learning theory closely meets the actual needs of higher music teaching in our country. The author summarizes the guiding ideology of the constructivist teaching model, the operating procedures and principles of the constructivist music appreciation course, and the basis. The construction of the theory of music appreciation course teaching model construction is discussed in three aspects, and theory is combined with practice to carry out the implementation of the current constructivist teaching model, and to determine its significance and value in college music teaching.
{"title":"Discussion on the Teaching Model of Music Appreciation Class Based on Constructivism Theory","authors":"Min Wang","doi":"10.2991/ASSEHR.K.210106.062","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.062","url":null,"abstract":"Current music education in colleges and universities is \"people-oriented\", and the constructivist learning theory closely meets the actual needs of higher music teaching in our country. The author summarizes the guiding ideology of the constructivist teaching model, the operating procedures and principles of the constructivist music appreciation course, and the basis. The construction of the theory of music appreciation course teaching model construction is discussed in three aspects, and theory is combined with practice to carry out the implementation of the current constructivist teaching model, and to determine its significance and value in college music teaching.","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115710458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.2991/ASSEHR.K.210106.104
Dongmei Jiang
The graphic images of northern hunting peoples have a wide range of applications, and their graphic patterns and image characteristics are also very rich and unique. They are not only a portrayal of life, but also a unique epitome of an era. This article mainly elaborates on the application of graphic image in clothing art and leather object modeling, and analyzes its unique aesthetic consciousness, national cultural style, the meaning of this unique graphic image and its current application direction. It aims to feel the inheritance and innovation of the development process of traditional minority image art.
{"title":"Research on the Application of Graphic Images of Forest and Hunting Peoples in Heilong River Valley","authors":"Dongmei Jiang","doi":"10.2991/ASSEHR.K.210106.104","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210106.104","url":null,"abstract":"The graphic images of northern hunting peoples have a wide range of applications, and their graphic patterns and image characteristics are also very rich and unique. They are not only a portrayal of life, but also a unique epitome of an era. This article mainly elaborates on the application of graphic image in clothing art and leather object modeling, and analyzes its unique aesthetic consciousness, national cultural style, the meaning of this unique graphic image and its current application direction. It aims to feel the inheritance and innovation of the development process of traditional minority image art.","PeriodicalId":104333,"journal":{"name":"Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126302088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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