Pub Date : 2022-12-19DOI: 10.30687/tol/2499-5975/2022/01/011
Paola Carmagnani
Arundhati Roy’s The God of Small Things has been effectively described by N. Rokotnitz as a narrative that accesses and arouses sensory modes of reception and perception, infiltrating reader’s preconscious and subconscious levels of understanding and thus enhancing the vividness of immersion in a text that ultimately renders its moral code physically tangible. This use of multimodal mental imagery, which per se vouches for a transmedia understanding of narrative as a “multimedia construct” (Ryan 2004), is an integral part of a literary representation of trauma that also integrates explicit reference to other media, namely cinema and traditional dance performance. The essay addresses the role of these media within the socio-cultural frame of Roy’s novel and interrogates their function in shaping the literary narrative of trauma and healing, integrating the writing’s multimodal imagery and contributing to the reader’s emotional and intellectual responses.
{"title":"Trauma, Multimodal Mental Imagery and Intermediality in Arundhati Roy’s The God of Small Things","authors":"Paola Carmagnani","doi":"10.30687/tol/2499-5975/2022/01/011","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2022/01/011","url":null,"abstract":"Arundhati Roy’s The God of Small Things has been effectively described by N. Rokotnitz as a narrative that accesses and arouses sensory modes of reception and perception, infiltrating reader’s preconscious and subconscious levels of understanding and thus enhancing the vividness of immersion in a text that ultimately renders its moral code physically tangible. This use of multimodal mental imagery, which per se vouches for a transmedia understanding of narrative as a “multimedia construct” (Ryan 2004), is an integral part of a literary representation of trauma that also integrates explicit reference to other media, namely cinema and traditional dance performance. The essay addresses the role of these media within the socio-cultural frame of Roy’s novel and interrogates their function in shaping the literary narrative of trauma and healing, integrating the writing’s multimodal imagery and contributing to the reader’s emotional and intellectual responses.","PeriodicalId":10891,"journal":{"name":"Day 2 Thu, February 24, 2022","volume":"35 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82701139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-19DOI: 10.30687/tol/2499-5975/2022/01/033
Review of Moore, W. (2020). The Dragons, the Giant, the Women. Minneapolis: Graywolf Press, 250 pp.
Moore, W.(2020)。龙，巨人，女人。明尼阿波利斯:格雷沃尔夫出版社，250页。
{"title":"Wayétu Moore. The Dragons, the Giant, the Women","authors":"","doi":"10.30687/tol/2499-5975/2022/01/033","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2022/01/033","url":null,"abstract":"Review of Moore, W. (2020). The Dragons, the Giant, the Women. Minneapolis: Graywolf Press, 250 pp.","PeriodicalId":10891,"journal":{"name":"Day 2 Thu, February 24, 2022","volume":"60 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84638191","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lucilene Reginaldo, Roquinaldo Ferreira. África, margens e oceanos: perspectivas de história social","authors":"Mônica Muniz de Souza Simas","doi":"10.30687/tol/2499-5975/2022/01/035","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2022/01/035","url":null,"abstract":"Resenha de Reginaldo, L.; Ferreira, R. (eds) (2021). África, margens e oceanos: perspectivas de história social. Campinas: Editora da Unicamp, 793 pp.","PeriodicalId":10891,"journal":{"name":"Day 2 Thu, February 24, 2022","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87267625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-19DOI: 10.30687/tol/2499-5975/2022/01/015
P. Puccini
Through his works, Celestino Testore gave an important reflection on the construction of otherness by the “natural definition”. The missionary discourse ends up confirming or invalidating, through the play of representation, the identity of the young protagonists. In order to understand the linguistic and cultural issues of missionary discourse in a given intercultural context, this article is centred on a corpus of 23 missionary narratives for youth. These texts – published in Quebec and edited by l’Apostolat de la Presse – present a classical ethnological approach for which the identification of the Other results in a closed network of meanings that use comparisons based on an ethno-centred perspective. However, in this kind of discourse we can also observe some unexpected signs of interculturality.
塞莱斯蒂诺·特斯托通过他的作品，对“自然定义”对他者的建构进行了重要反思。传教士的话语最终通过表现的游戏，证实或否定了年轻主人公的身份。为了理解在特定的跨文化背景下传教士话语的语言和文化问题，本文集中于23个青年传教士叙事的语料库。这些文本在魁北克出版，由l 'Apostolat de la Presse编辑，提出了一种经典的民族学方法，其中对他者的识别产生了一个封闭的意义网络，使用基于种族中心观点的比较。然而，在这种话语中，我们也可以观察到一些意想不到的跨文化迹象。
{"title":"La construction de l’altérité par la « définition naturelle »\u0000 Enjeux linguistiques, culturels et identitaires du discours missionnaire","authors":"P. Puccini","doi":"10.30687/tol/2499-5975/2022/01/015","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2022/01/015","url":null,"abstract":"Through his works, Celestino Testore gave an important reflection on the construction of otherness by the “natural definition”. The missionary discourse ends up confirming or invalidating, through the play of representation, the identity of the young protagonists. In order to understand the linguistic and cultural issues of missionary discourse in a given intercultural context, this article is centred on a corpus of 23 missionary narratives for youth. These texts – published in Quebec and edited by l’Apostolat de la Presse – present a classical ethnological approach for which the identification of the Other results in a closed network of meanings that use comparisons based on an ethno-centred perspective. However, in this kind of discourse we can also observe some unexpected signs of interculturality.","PeriodicalId":10891,"journal":{"name":"Day 2 Thu, February 24, 2022","volume":"98 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75568099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-19DOI: 10.30687/tol/2499-5975/2022/01/014
Francesca Aiuti
French rap music provides an original contribution to literary exposition, redefinition and re-adaptation. As a postcolonial product, rap music rehabilitates the memory of an often forgotten colonial past and offers a new transdisciplinary and post-colonial perspective on contemporary French society. Through his music, French-Congolese rapper Youssoupha enters into dialogue with French Martinican poet, author and politician Aimé Césaire, one of the founders of the Négritude movement in Francophone literature. Through the analysis of the albums Sur les chemins du retour (2007), Noir D**** (2012) and NGRTD (2015), the purpose of the present study is to investigate how Youssoupha unfolds and actualizes Césaire’s works and the concept of Négritude across multiple media channels.
法国说唱音乐为文学阐释、重新定义和重新改编提供了原创性贡献。作为一种后殖民产物，说唱音乐恢复了人们对经常被遗忘的殖民历史的记忆，并为当代法国社会提供了一种新的跨学科和后殖民视角。通过他的音乐，法裔刚果饶舌歌手Youssoupha与法国马丁尼诗人、作家和政治家aim csamsaire进行了对话，csamsaire是法语文学中nsamsaire感恩运动的创始人之一。通过对专辑《Sur les chemins du retour》(2007)、《Noir D****》(2012)和《NGRTD》(2015)的分析，本研究的目的是探讨Youssoupha如何在多个媒体渠道上展现和实现csamsaire的作品和nsama感恩的概念。
{"title":"Narrer la Négritude de façon transmédiale : le cas du rappeur Youssoupha","authors":"Francesca Aiuti","doi":"10.30687/tol/2499-5975/2022/01/014","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2022/01/014","url":null,"abstract":"French rap music provides an original contribution to literary exposition, redefinition and re-adaptation. As a postcolonial product, rap music rehabilitates the memory of an often forgotten colonial past and offers a new transdisciplinary and post-colonial perspective on contemporary French society. Through his music, French-Congolese rapper Youssoupha enters into dialogue with French Martinican poet, author and politician Aimé Césaire, one of the founders of the Négritude movement in Francophone literature. Through the analysis of the albums Sur les chemins du retour (2007), Noir D**** (2012) and NGRTD (2015), the purpose of the present study is to investigate how Youssoupha unfolds and actualizes Césaire’s works and the concept of Négritude across multiple media channels.","PeriodicalId":10891,"journal":{"name":"Day 2 Thu, February 24, 2022","volume":"239 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79291907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-19DOI: 10.30687/tol/2499-5975/2022/01/021
Gaia De Luca
In many respects, classics may be considered as a language, that was aptly used to legitimate the imperialist exploitation of white people over the so called “Third World countries”. My paper is aimed at understanding whether and to which extent the Greco-Roman Antiquity as such can become a tool for telling a submerged history and for bringing forth its non hegemonic subjects. I will take into consideration a collective experience conducted by a theatre company in the south of Italy during the summer of 2018. Through a workshop involving immigrant people in the city of Palermo, Ali Farah, a Somali-Italian writer, staged an experimental rewriting of Sophocles’ Antigone, which starts from the telling of personal stories of migration through the Mediterranean sea. Grounding my analysis in the comparison between Antigone’s defiance of the power and the crossing of borders, I will underline the revolutionary message that the rewriting of this myth in contemporary Fortress Europe delivers.
{"title":"Antigone Power: una straniera alle frontiere dell’Europa","authors":"Gaia De Luca","doi":"10.30687/tol/2499-5975/2022/01/021","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2022/01/021","url":null,"abstract":"In many respects, classics may be considered as a language, that was aptly used to legitimate the imperialist exploitation of white people over the so called “Third World countries”. My paper is aimed at understanding whether and to which extent the Greco-Roman Antiquity as such can become a tool for telling a submerged history and for bringing forth its non hegemonic subjects. I will take into consideration a collective experience conducted by a theatre company in the south of Italy during the summer of 2018. Through a workshop involving immigrant people in the city of Palermo, Ali Farah, a Somali-Italian writer, staged an experimental rewriting of Sophocles’ Antigone, which starts from the telling of personal stories of migration through the Mediterranean sea. Grounding my analysis in the comparison between Antigone’s defiance of the power and the crossing of borders, I will underline the revolutionary message that the rewriting of this myth in contemporary Fortress Europe delivers.","PeriodicalId":10891,"journal":{"name":"Day 2 Thu, February 24, 2022","volume":"37 6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72957587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-19DOI: 10.30687/tol/2499-5975/2022/01/022
Alice Girotto
[intervista senza abstract]
[无摘要访谈]
{"title":"Branca Clara das Neves conversa com Alice Girotto","authors":"Alice Girotto","doi":"10.30687/tol/2499-5975/2022/01/022","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2022/01/022","url":null,"abstract":"[intervista senza abstract]","PeriodicalId":10891,"journal":{"name":"Day 2 Thu, February 24, 2022","volume":"850 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78912048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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