{"title":"Oodgeroo Noonuccal, My People / La mia gente","authors":"Lorenzo Mari","doi":"10.30687/tol/2499-5975/2022/01/034","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2022/01/034","url":null,"abstract":"Recensione di Noonuccal, O. (2021). My People / La mia gente. A cura di M. Zanoletti. Milano: Mimesis, 348 pp.","PeriodicalId":10891,"journal":{"name":"Day 2 Thu, February 24, 2022","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82240448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ângela Ferreira. Atlantica. Contemporary Art from Mozambique and its Diaspora","authors":"Alice Girotto","doi":"10.30687/tol/2499-5975/2022/01/036","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2022/01/036","url":null,"abstract":"Review of Ferreira, A. (ed.) (2020). Atlantica. Contemporary Art from Mozambique and its Diaspora. Lisbon: Hangar Books, 265 pp.","PeriodicalId":10891,"journal":{"name":"Day 2 Thu, February 24, 2022","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88695465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-19DOI: 10.30687/tol/2499-5975/2022/01/018
Mohamed Lamine Rhimi
In this work, we will mainly focus on Edouard Glissant’s archipelago aesthetics. Indeed, the West Indian novelist-orator uses in La Lézarde (1958) and Malemort (1975) a kind of rhetoric which reflects not only the history of the slave trade, but also the Caribbean island landscape. This is how the writer cultivates Caribbean ethnopoetics, without falling into the trap of standardisation or reductionism. In others words, the fiery indictment that the writer has drawn up against the oppressors is inextricably linked to a plea made to defend the cause of West Indian culture, by exhorting the Caribbean people to recover their historical memory and to take their destiny into their own hands. It is specifically in that context that the Edouard Glissant’s romantic epic and sublime beauty are fully in line with his archipelago aesthetics.
{"title":"La Lézarde (1958) et Malemort (1975) d’Édouard Glissant : dire l’esthétique archipélique depuis la Martinique et l’aire des Caraïbes","authors":"Mohamed Lamine Rhimi","doi":"10.30687/tol/2499-5975/2022/01/018","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2022/01/018","url":null,"abstract":"In this work, we will mainly focus on Edouard Glissant’s archipelago aesthetics. Indeed, the West Indian novelist-orator uses in La Lézarde (1958) and Malemort (1975) a kind of rhetoric which reflects not only the history of the slave trade, but also the Caribbean island landscape. This is how the writer cultivates Caribbean ethnopoetics, without falling into the trap of standardisation or reductionism. In others words, the fiery indictment that the writer has drawn up against the oppressors is inextricably linked to a plea made to defend the cause of West Indian culture, by exhorting the Caribbean people to recover their historical memory and to take their destiny into their own hands. It is specifically in that context that the Edouard Glissant’s romantic epic and sublime beauty are fully in line with his archipelago aesthetics.","PeriodicalId":10891,"journal":{"name":"Day 2 Thu, February 24, 2022","volume":"208 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76097018","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-19DOI: 10.30687/tol/2499-5975/2022/01/010
M. Badr
{"title":"Humeurs dans les bois\u0000 Prélude photo-poétique","authors":"M. Badr","doi":"10.30687/tol/2499-5975/2022/01/010","DOIUrl":"https://doi.org/10.30687/tol/2499-5975/2022/01/010","url":null,"abstract":"","PeriodicalId":10891,"journal":{"name":"Day 2 Thu, February 24, 2022","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75193895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}