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Oodgeroo Noonuccal, My People / La mia gente Oodgeroo中午,我的人民/我的人民
Pub Date : 2022-12-19 DOI: 10.30687/tol/2499-5975/2022/01/034
Lorenzo Mari
Recensione di Noonuccal, O. (2021). My People / La mia gente. A cura di M. Zanoletti. Milano: Mimesis, 348 pp.
noonucal的评论,O.(2021)。我的人/我的人。作者:zanetti先生。米兰:Mimesis, 348页。
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引用次数: 0
Ângela Ferreira. Atlantica. Contemporary Art from Mozambique and its Diaspora 安吉拉•费雷拉。王者世界。莫桑比克当代艺术及其流散
Pub Date : 2022-12-19 DOI: 10.30687/tol/2499-5975/2022/01/036
Alice Girotto
Review of Ferreira, A. (ed.) (2020). Atlantica. Contemporary Art from Mozambique and its Diaspora. Lisbon: Hangar Books, 265 pp.
审查费雷拉,A.(编)(2020)。王者世界。莫桑比克当代艺术及其流散。里斯本:Hangar Books, 265页。
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引用次数: 0
White Seed Black Canvas 白色种子黑色帆布
Pub Date : 2022-12-19 DOI: 10.30687/tol/2499-5975/2022/01/001
Lethokuhle Msimang
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引用次数: 0
bain rituel
Pub Date : 2022-12-19 DOI: 10.30687/tol/2499-5975/2022/01/008
Louis-Philippe Dalembert
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引用次数: 0
Durban, July, the Run 德班,七月,跑步
Pub Date : 2022-12-19 DOI: 10.30687/tol/2499-5975/2022/01/004
T. Voss
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引用次数: 0
La Lézarde (1958) et Malemort (1975) d’Édouard Glissant : dire l’esthétique archipélique depuis la Martinique et l’aire des Caraïbes La lezarde(1958)和Malemort (1975) edouard Glissant:讲述马提尼克岛和加勒比地区的群岛美学
Pub Date : 2022-12-19 DOI: 10.30687/tol/2499-5975/2022/01/018
Mohamed Lamine Rhimi
In this work, we will mainly focus on Edouard Glissant’s archipelago aesthetics. Indeed, the West Indian novelist-orator uses in La Lézarde (1958) and Malemort (1975) a kind of rhetoric which reflects not only the history of the slave trade, but also the Caribbean island landscape. This is how the writer cultivates Caribbean ethnopoetics, without falling into the trap of standardisation or reductionism. In others words, the fiery indictment that the writer has drawn up against the oppressors is inextricably linked to a plea made to defend the cause of West Indian culture, by exhorting the Caribbean people to recover their historical memory and to take their destiny into their own hands. It is specifically in that context that the Edouard Glissant’s romantic epic and sublime beauty are fully in line with his archipelago aesthetics.
在这项工作中,我们将主要关注爱德华·格利桑特的群岛美学。事实上,这位西印度群岛的小说家兼演说家在《La lacimzarde》(1958)和《Malemort》(1975)中使用的修辞不仅反映了奴隶贸易的历史,也反映了加勒比海岛屿的景观。这就是作者如何培养加勒比民族学,而不陷入标准化或还原论的陷阱。换句话说,作者对压迫者所作的激烈控诉与捍卫西印度文化事业的请求有着不可分割的联系,他敦促加勒比人民恢复他们的历史记忆,并把自己的命运掌握在自己手中。正是在这种背景下,爱德华·格里桑特的浪漫史诗和崇高之美与他的群岛美学完全一致。
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引用次数: 0
Humeurs dans les bois Prélude photo-poétique 森林中的情绪摄影诗学前奏
Pub Date : 2022-12-19 DOI: 10.30687/tol/2499-5975/2022/01/010
M. Badr
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引用次数: 0
Yves Chemla, Alba Pessini. « Jean-Claude Charles, 1949-2008. La ‘voix fêlée, comme une hirondelle grippée’ » 伊夫·谢姆拉,阿尔芭·佩西尼。让-克洛德·查尔斯,1949-2008。“声音被打破了,就像燕子被抓了一样”
Pub Date : 2022-12-19 DOI: 10.30687/tol/2499-5975/2022/01/025
Silvia Boraso
Compte rendu de Chemla, Y. ; Pessini, A. (éds) (2021). « Jean-Claude Charles, 1949-2008. La ‘voix fêlée, comme une hirondelle grippée’ ». Francofonia, 80, printemps, 212 pp.
Chemla, Y.的报告;佩西尼,A.(编)(2021)。让-克洛德·查尔斯,1949-2008。“声音裂开了,就像燕子咬了一口。”法语国家,80,春天,212页。
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引用次数: 0
Shara McCallum. No Ruined Stone 沙拉McCallum。没有废石
Pub Date : 2022-12-19 DOI: 10.30687/tol/2499-5975/2022/01/032
Michela A. Calderaro
Review of McCallum, S. (2021). No Ruined Stone. New Gloucester: Alice James Books, 90 pp.
McCallum, S.(2021)。没有废石。新格洛斯特:爱丽丝·詹姆斯出版社,90页。
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引用次数: 0
Kathleen Gyssels, Kanaté Dahouda. « René Maran »
Pub Date : 2022-12-19 DOI: 10.30687/tol/2499-5975/2022/01/030
Fabiana Fianco
Compte rendu de Gyssels, K. ; Dahouda, K. (éds) (2021). « René Maran ». Études caribéennes, 8, décembre. https://doi.org/10.4000/etudescaribeennes.23125.
K. Gyssels的报告;达胡达,K.(编)(2021)。“rene Maran”。加勒比研究,12月8日。https://doi.org/10.4000/etudescaribeennes.23125。
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引用次数: 0
期刊
Day 2 Thu, February 24, 2022
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