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Nature Art Therapy: Preliminary Research Findings 自然艺术疗法:初步研究结果
Pub Date : 2017-02-27 DOI: 10.25602/GOLD.ATOL.V8I1.439
Lisa Manthe
Andy Goldsworthy inspired nature art therapy provides a metaphoric template in which an adolescent explores time, change, and loss. Goldsworthy speaks to the importance of a heightened sense of touch or ‘haptic’ state that nature sculpture provokes within the artist utilizing all senses (Malpas, 2007; Goldsworthy, 2004). This whole body, mindful contemplation of place and the present, directly connects to the asserted need of the adolescent struggling with trauma (Van der Kolk, 2014). Nature art therapy allows the individual to create an essential sense of safety through the involvement of right brain interventions as well as the resolution of attachment to the environment. The importance of re-establishing a safe place for growth is essential to the developing needs of the adolescent struggling with Post Traumatic Stress Disorder (PTSD). This paper explores the importance of place through review of relevant literature and description of research within a nine week Andy Goldsworthy inspired nature group based treatment intervention for teenagers diagnosed with PTSD. Keywords:  Art Therapy, nature Therapy, PTSD, Adolescence, Space, Andy Goldsworthy
Andy Goldsworthy启发的自然艺术疗法提供了一个隐喻模板,在这个模板中,青少年探索时间、变化和失去。戈尔兹沃西谈到了一种高度的触觉或“触觉”状态的重要性,这种状态是自然雕塑在艺术家内部利用所有感官所激发的(马尔帕斯,2007;。戈兹沃西,2004)。整个身体,对地点和现在的有意识的沉思,直接与青少年在创伤中挣扎的断言需求联系在一起(Van der Kolk, 2014)。自然艺术疗法允许个体通过参与右脑干预以及解决对环境的依恋来创造一种基本的安全感。重建一个安全的成长环境的重要性对于与创伤后应激障碍(PTSD)作斗争的青少年的发展需求至关重要。本文通过对相关文献的回顾和对为期九周的以Andy Goldsworthy为灵感的自然小组为基础的青少年PTSD治疗干预的研究描述,探讨了场所的重要性。关键词:艺术疗法,自然疗法,创伤后应激障碍,青春期,空间,安迪·戈尔兹沃西
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引用次数: 0
Keynote Speeches by Grayson Perry and Patrick Casement Edited by Dr Robin Tipple 格雷森·佩里和帕特里克·凯斯门特的主题演讲,罗宾·蒂普尔博士编辑
Pub Date : 2017-02-27 DOI: 10.25602/GOLD.atol.v8i1.419
G. Perry, P. Casement, Robin A. Tipple
Grayson Perry Dr Jill Westwood introduced the delegates to Grayson Perry.  She drew attention to the work that Grayson had produced, and his observations, all of which she felt had “extraordinary reach”. In his making of pots, pictures, books, dresses, tapestries, motorbikes and now houses, Grayson draws on autobiography, works with the emotional and with the experience of psychotherapy. Grayson was also the winner of two BAFTA awards for his TV programmes presenting social and art-driven observations on class, taste, culture gender and identity.  Addressing Grayson Jill said “You are in a unique position….and we are very happy for you, who is mischievous at the centre, to connect to us who is mildly maverick on the margins”. Grayson shared his creative journey through slides, talk and discussion with the conference delegates.  He explored identity and the development of a sense of self.  He emphasised the way in which the material culture provided support for self explorations and expression.  He gave an account of journeys he had made and the inspiration that he gained from exchanges with others.  Learning from others, Grayson suggested, was central to his understanding of creativity, a creativity which he felt was also central to the therapeutic endeavour. Patrick Casement Dr Robin Tipple introduced the delegates to the psychoanalyst Patrick Casement, author of Learning from the Patient (1985), Further learning from the patient (1990), and Learning from mistakes (2002), the later receiving a Gradiva award for its contribution to psychoanalysis.  Robin felt that all these books together represented psychoanalysis at its best, a psychotherapy that was not dogmatic, but open and honest in relation to communication with the patient.  He said that the books were formative in developing his own therapeutic practices, and he was delighted when Patrick agreed to speak at the conference. Robin ended his introduction by observing how Patrick, in his youth, developed an extraordinary ability in diving, in plumbing the depths and holding his breath.
吉尔·韦斯特伍德博士向代表们介绍了格雷森·佩里。她提请人们注意格雷森的作品和他的观察,她认为所有这些都具有“非凡的影响力”。在制作陶器、绘画、书籍、服装、挂毯、摩托车以及现在的房屋时,格雷森借鉴了自传,运用情感和心理治疗的经验进行创作。格雷森还因其在电视节目中对阶级、品味、文化、性别和身份的社会和艺术观察而获得两项英国电影和电视艺术学院奖。吉尔对格雷森说:“你处于一个独特的位置....我们很高兴看到你们,一个在中央调皮捣蛋的人,与我们这个在边缘有点特立独行的人建立联系。”格雷森通过幻灯片、演讲和会议代表的讨论分享了他的创意之旅。他探索身份和自我意识的发展。他强调物质文化为自我探索和表达提供支持的方式。他讲述了他的旅行经历,以及他从与他人交流中获得的灵感。格雷森认为,向他人学习是他理解创造力的核心,他认为这种创造力也是治疗努力的核心。Robin Tipple博士向代表们介绍了精神分析学家Patrick Casement,他是《向病人学习》(1985)、《进一步向病人学习》(1990)和《从错误中学习》(2002)的作者,后者因其对精神分析的贡献而获得格拉迪瓦奖。罗宾觉得所有这些书合在一起代表了精神分析学的最佳状态,一种不教条的心理治疗,在与病人的交流中是开放和诚实的。他说,这些书对他发展自己的治疗实践起到了重要作用,当帕特里克同意在会议上发言时,他很高兴。在介绍的最后,罗宾观察了帕特里克在年轻时是如何培养出非凡的潜水能力的,他能潜到深海并屏住呼吸。
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引用次数: 0
Safe Space for change in the outside world of School: A Framework for running Therapeutic Groups in schools 学校外部世界变化的安全空间:学校治疗小组运作的框架
Pub Date : 2017-02-27 DOI: 10.25602/GOLD.ATOL.V8I1.440
Jill McWilliam
In this paper presentation report presenter (Jill McWilliam) will give a brief overview of the framework developed with school-based facilitators and multi agency teams for use alongside the Morton model of Therapeutic Story groups. The presenter will give a brief summary of case study material to show how a child used the space in a group to express inner pre-occupations and re-engage with learning and his peers and class teacher. The case study will include an example of the profile of the child developed using the evaluation tool (Metaphors Social and Learning Resilience Score) that is then shared with the school as a means of showing changes resulting from the work and next steps with the child in school or with the family.
在这篇论文中,报告的主讲人(Jill McWilliam)将简要概述由学校辅导员和多机构团队开发的框架,并与莫顿治疗故事小组模型一起使用。主讲人将简要总结案例研究材料,以展示孩子如何利用小组空间表达内心的当务之急,并重新与学习、同伴和老师互动。案例研究将包括使用评估工具(隐喻社会和学习弹性评分)开发的儿童概况的示例,然后与学校共享,作为显示工作产生的变化以及与学校或家庭中儿童的后续步骤的手段。
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引用次数: 0
Art Therapy with Syrian Refugee Children in Jordan: Difficulties of containment 约旦叙利亚难民儿童的艺术治疗:收容的困难
Pub Date : 2017-02-27 DOI: 10.25602/GOLD.atol.v8i1.443
Shireen Yaish
Syrian refugee children face ongoing trauma living in Baqa’a Palestinian Refugee Camp in Jordan. The experiences and the struggle of an art therapist working for three months with 30 children in the midst of chaos, pain and anger, raise challenges for the application of art therapy in the broader practice and geo-political context. Group art therapy, guided in particular by the work of Yalom, provided a foundation for limited yet meaningful therapeutic engagement for children through art.  Keywords: Refugees, group art therapy, trauma, cultural responsiveness
生活在约旦巴卡巴勒斯坦难民营的叙利亚难民儿童面临着持续的创伤。一位艺术治疗师在混乱、痛苦和愤怒中与30个孩子一起工作了三个月的经历和挣扎,为艺术治疗在更广泛的实践和地缘政治背景下的应用提出了挑战。团体艺术治疗,特别是在Yalom的工作指导下,通过艺术为儿童提供了有限但有意义的治疗参与的基础。关键词:难民,群体艺术治疗,创伤,文化回应
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引用次数: 0
Crossing The Field: creating intra-active spaces through a participatory artists’ event 穿越田野:通过参与式艺术家活动创造内部活动空间
Pub Date : 2017-02-27 DOI: 10.25602/GOLD.atol.v8i1.426
A. Lever, Sheridan Linnell, L. Morris, J. Westwood
Crossing The Field art installation began as a series of reflections on our experiences of the radical shifts and changes in the place of, and spaces for art therapy in the UK. Provoked by the crisis of whole populations of people traversing the globe in search of a place of safety and refuge, these discussions grew into the concept of a collaborative tent city on the college field. At the same time our colleagues in Australia were moved by similar concerns to imagine a tent-shaped installation of builders’ plumb bobs and line, a void space inside the posi1ve space suggesting tension, precision, intention; a place where borders are articulated.
“穿越田野”艺术装置最初是我们对英国艺术治疗场所和空间的急剧转变和变化的一系列反思。由于全球各地的人们都在寻找一个安全的地方和避难所,这些讨论演变成了在大学场地上建立一个合作帐篷城市的概念。与此同时,我们在澳大利亚的同事也被类似的担忧所感动,他们想象了一个帐篷状的建筑铅锤和线条的装置,在积极的空间内形成一个空洞的空间,暗示着紧张、精确和意图;边界清晰的地方
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引用次数: 0
Developing safe space through art therapy in a child and adolescent In-patient unit 在儿童和青少年住院病房通过艺术疗法开发安全空间
Pub Date : 2017-02-27 DOI: 10.25602/GOLD.ATOL.V8I1.431
E. Inman
The following case study provided a clinical vignette for my MA Art Psychotherapy dissertation, which explored the dynamics between art therapy, groups and adolescents in psychiatric inpatient services. An introduction provides a thorough view of the state of children’s mental health and the services offered within England, highlighting aspects in need of attention and using up-to-date data to draw these conclusions from. A case vignette offers an experience of the art therapy group with adolescent inpatients and links theoretical ideas to practice. Alongside other group art therapy theories, development of an aspect of an embedded theory such as containment is offered as a hypothesis. Through the discussion it is fair to conclude art therapy may provide safe space in the environment because images themselves act as containers. Art therapy models the scaffolding needed in this setting and the quantitative and qualitative research reviewed indicates that art therapy can be a useful intervention for this client population. Keywords: Art Therapy, Group, Collaborative, Adolescent In-Patient, Pre- therapy, Systemic Containment
下面的案例研究为我的艺术心理治疗硕士论文提供了一个临床小插图,该论文探讨了精神科住院服务中艺术治疗、团体和青少年之间的动态关系。前言全面介绍了儿童心理健康状况和英格兰境内提供的服务,强调了需要注意的方面,并利用最新数据得出这些结论。案例简介提供了艺术治疗小组与青少年住院病人的经验,并将理论思想与实践联系起来。与其他团体艺术治疗理论一起,一个嵌入式理论(如遏制)的一个方面的发展作为一个假设提供。通过讨论,我们可以公平地得出结论,艺术疗法可能在环境中提供安全的空间,因为图像本身就像容器一样。艺术治疗模型是这种情况下所需的支架,定量和定性研究表明,艺术治疗对这类客户群体来说是一种有用的干预。关键词:艺术治疗,团体,合作,青少年住院病人,治疗前,系统遏制
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引用次数: 0
Parting is Such Sweet Sorry or Is It? Closing the Art Therapy Space at Termination 离别是如此甜蜜,是真的吗?终止艺术治疗空间的关闭
Pub Date : 2017-02-27 DOI: 10.25602/GOLD.ATOL.V8I1.427
A. Etherington
Episodes of clinical art therapy practice include stages of assessment, planning, intervention, and endings (Wilson, 1984; Walsh, 2003). Terminations planned or unplanned each lend a particular psychological/cultural context. The space of the art therapist/patient has engendered a powerful fulcrum around which healing has occurred. The sanctity of the art therapy space will be dissolved. How will that work, that relationship, and that space be carried forward? The ‘creative potential’ at closure is often overlooked as mourning begins, in some form, on all sides. Within that mourning of the art therapy can be seen the patient’s gains, the patient–art therapist relationship, the art produced, and the art studio/office that provides a physical container for the work that is now being completed. Ending holds rich possibilities for the patient and the therapist. Keywords: Art psychotherapy, endings in psychotherapy, bereavement, termination, closure, psychotherapy
临床艺术治疗实践的阶段包括评估、计划、干预和结束阶段(Wilson, 1984;沃尔什,2003)。计划或非计划的终止都有其特定的心理/文化背景。艺术治疗师/病人的空间产生了一个强大的支点,在这个支点周围发生了治疗。艺术治疗空间的神圣性将被消解。这种关系、这种关系和这种空间将如何延续下去?随着各方以某种形式开始哀悼,结束时的“创造潜力”常常被忽视。在对艺术治疗的哀悼中,我们可以看到病人的收获、病人与艺术治疗师的关系、所产生的艺术,以及为正在完成的工作提供物理容器的艺术工作室/办公室。对病人和治疗师来说,结局有着丰富的可能性。关键词:艺术心理治疗,心理治疗中的终结,丧亲之痛,终结,终结,心理治疗
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引用次数: 0
From Head of Social, Therapeutic and Community Studies (STaCS) 社会、治疗及社区研究主任
Pub Date : 2017-02-27 DOI: 10.25602/GOLD.atol.v8i1.418
K. Jones
Welcome to the second international art therapy conference to be held here at Goldsmiths. We hope that the conference will provide a rich balance of theoretical and experiential learning, art practice and the power of the image. It will also present a chance to meet up with old friends and colleagues and to meet new people and make new contacts. It is a great pleasure to see that we have so many delegates from all over the world and we look forward to the contribution that will be made from these multiple international perspectives. In this address I want to say a few words about Social Therapeutic and Community Studies (STaCS), the department in which Art Therapy sits at Goldsmiths and the provide a few thoughts on the significance of holding such a conference at a time when austerity and the increased marketization of Higher Education is challenging the values and role of the university in society.
欢迎参加在金匠学院举行的第二届国际艺术治疗会议。我们希望这次会议能提供一个理论和经验学习、艺术实践和图像力量的丰富平衡。它也将提供一个机会,与老朋友和同事见面,结识新朋友,建立新的联系。很高兴看到我们有这么多来自世界各地的代表,我们期待着从这些多重国际角度作出贡献。在这个演讲中,我想说几句关于社会治疗和社区研究(STaCS),艺术治疗系位于金史密斯学院,并提供一些关于召开这样一个会议的意义的想法,因为高等教育的紧缩和日益增加的市场正在挑战大学在社会中的价值和角色。
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引用次数: 0
Working with Veterans in Prison: "Don't Mention Art or Therapy" 与监狱中的退伍军人合作:“别提艺术或治疗”
Pub Date : 2017-02-27 DOI: 10.25602/GOLD.ATOL.V8I1.442
Steven B. Pratt
This paper examines the health risks and issues associated with Military Training and Military Service in order to establish a veteran informed approach to working therapeutically with veterans in prison. It is written by a military veteran, and describes the author's work with veterans in prison using undirected, change focussed art therapy. It describes a conference workshop offered for delegates, which used the same format as that used in prisons. The different experiences are discussed. We asked: "What is a veteran?"  Keywords:  Military Training, Military Service, The Veterans Service (NHS), Kings Centre for Military Health Research (KCMHR), PTSD, Adjustment Issues, Mental Health, Risks, Veteran Informed Approach, Psychological Injury, Criminal Justice System, Military Covenant
本文探讨了与军事训练和服兵役有关的健康风险和问题,以便建立一种退伍军人知情的方法,对监狱中的退伍军人进行治疗。它是由一位退伍军人写的,描述了作者在监狱里与退伍军人一起使用无导向的、以改变为重点的艺术疗法的工作。它介绍了为代表提供的一次会议讲习班,其形式与监狱中使用的形式相同。讨论了不同的经验。我们问:“什么是老兵?”关键词:军事训练,兵役,退伍军人服务(NHS),国王军事健康研究中心(KCMHR),创伤后应激障碍,适应问题,心理健康,风险,退伍军人知情方法,心理伤害,刑事司法制度,军事契约
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引用次数: 1
Crafting The Visual Voice: Art as Agency in Studio Art Therapy 制作视觉声音:艺术作为工作室艺术治疗的代理
Pub Date : 2017-02-27 DOI: 10.25602/GOLD.ATOL.V8I1.438
D. Malis
The art therapy studio model has important implications for practice that include the role of the facilitator and the social setting of the therapeutic space. The studio environment brings art making to the forefront as a communal connected activity. The Artist Mentoring Program (AMP) is a supportive studio group of adults with experiences in the mental health system. This ten-year studio art program provide a unique lens to examine the role of community and creative agency within the context of recovery in mental health. The studio is viewed as a unique, nurturing, relational environment that allows group members to self-determine and develop individual visual voices. The artwork of one artist member serves to illustrate how ongoing aesthetic engagement can provide a path to independence and transformation. Keywords:  studio art therapy, social connection, mental illness, recovery
艺术治疗工作室模式对实践具有重要意义,包括促进者的角色和治疗空间的社会环境。工作室环境将艺术创作作为一种公共联系活动带到了最前沿。艺术家指导计划(AMP)是一个由有心理健康系统经验的成年人组成的支持性工作室。这个为期十年的工作室艺术项目提供了一个独特的视角来审视社区和创意机构在心理健康康复的背景下的作用。工作室被视为一个独特的、培育的、关系的环境,允许小组成员自我决定和发展个人的视觉声音。一位艺术家成员的作品说明了持续的审美参与如何提供独立和转型的途径。关键词:工作室艺术疗法,社会联系,精神疾病,康复
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引用次数: 0
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Art Therapy Online
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