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ACM SIGGRAPH 2015 Computer Animation Festival最新文献

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Grey goo cutscene mission 05 outro Grey goo过场动画任务05
Pub Date : 2015-07-31 DOI: 10.1145/2745234.2746972
Dana Dorian
All work was created at Axis Animation's Glasgow studio. Much of the asset-design work was created by Weta Workshop. Animation was created with MAYA 2014, then lit and rendered using Side Effects, Houdini, and its renderer Mantra. Everything was brought together in Blackmagic Design's Fusion compositing software.
所有作品都是在Axis Animation的格拉斯哥工作室创作的。大部分资产设计工作都是由Weta Workshop完成的。动画是用MAYA 2014创建的,然后用副作用、胡迪尼和它的渲染器咒语来点燃和渲染。一切都汇集在Blackmagic Design的Fusion合成软件中。
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引用次数: 0
Building San Fransokyo: creating the world of Disney's "big hero 6" 构筑旧金山-东京:打造迪士尼“超能陆战队”的世界
Pub Date : 2015-07-31 DOI: 10.1145/2745234.2773230
C. Supervisor, L. Wu, W. Disney, Animation Studios, Adolph Lusinsky, Sean D Renderer, Jenkins
"Art challenges technology, technology inspires art." (John Lasseter) This was especially true while making Walt Disney Animation Studios' 2014 film "Big Hero 6". In this session, the filmmakers explain creation of the rich and vibrant metropolis of San Fransokyo. From art direction to final frames, the talents of the whole team as well as new approaches to rendering were required to bring the dynamic and detailed world of "Big Hero 6" to life.
“艺术挑战技术,技术激发艺术。”在制作2014年迪士尼动画工作室的电影《超能陆战队》时尤其如此。在这个环节中,电影制片人解释了富有活力的大都市旧金山的创造。从美术指导到最终帧,整个团队的才能以及新的渲染方法都需要将《超能陆战队》的动态和细节世界带入生活。
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引用次数: 0
Fibers 纤维
Pub Date : 2015-07-31 DOI: 10.1145/2745234.2746813
W. Fullagar
The fibers of our being are what we seek to control. Through dance, do we fight the chaos or let it go?
我们试图控制的是我们生命的纤维。通过舞蹈,我们是对抗混乱还是放任自流?
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引用次数: 0
Nitro nation 硝基的国家
Pub Date : 2015-07-31 DOI: 10.1145/2745234.2746997
Olga Cyganiak
The cinematic for the mobile racing game Nitro Nation by Creative Mobile.
Creative mobile的手机赛车游戏《Nitro Nation》的电影画面。
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引用次数: 0
Dji. death sails 收。死亡的帆
Pub Date : 2015-07-31 DOI: 10.1145/2745234.2745327
E. Saraeva
Dji is a terribly unlucky agent of death who doesn't seem good at his job. This time he has to take the soul of a pirate stuck in the middle of the ocean, but that is easier said than done!
大疆是一个非常不幸的死亡代理人,他似乎不擅长他的工作。这一次,他必须取走一个被困在海洋中央的海盗的灵魂,但这说起来容易做起来难!
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引用次数: 0
MPC "Godzilla" VFX breakdown MPC“哥斯拉”的视觉特效分解
Pub Date : 2015-07-31 DOI: 10.1145/2745234.2746838
Jonny Vale
Moving Picture Company was the lead VFX studio on Gareth Edward's "Godzilla" remake. This breakdown shows how the studio created the King of the Monsters, and applied its Academy Award-winning software, Kali, to destroy San Francisco.
电影公司是加雷斯·爱德华翻拍的《哥斯拉》的主要视觉特效工作室。下面的分析显示了该工作室是如何创造出怪兽之王,并应用其获得奥斯卡奖的软件Kali来摧毁旧金山的。
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引用次数: 0
T4-logo T4-logo
Pub Date : 2015-07-31 DOI: 10.1145/2745234.2746948
Bohong Deng
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引用次数: 0
VRP
Pub Date : 2015-07-31 DOI: 10.1145/2745234.2746797
Annabel Sebag
An approaching truck drives a young traveling salesman on an unusual adventure.
一辆驶近的卡车载着一个年轻的旅行推销员进行了一次不寻常的冒险。
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引用次数: 0
Paddington 帕丁顿
Pub Date : 2015-07-31 DOI: 10.1145/2745234.2746762
Beginning in 2012, a 350-strong team at Framestore delivered 760 final shots for "Paddington", 570 of which feature the marmalade-obsessed bear. Beyond Paddington, there is also a CG supporting cast including Aunt Lucy and Uncle Pastuzo, a dog, and a flock of pigeons.
从2012年开始,Framestore一个350人的团队为《帕丁顿熊》拍摄了760个最后镜头,其中570个是这只痴迷于果酱的熊。除了帕丁顿,还有一个CG配角,包括露西阿姨和帕斯图佐叔叔,一只狗和一群鸽子。
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引用次数: 1
Big black delta - "huggin & kissin" official video 黑色大三角-“拥抱与亲吻”官方视频
Pub Date : 2015-07-31 DOI: 10.1145/2745234.2746950
Adam Osgood
Loosely inspired by the stories of Ray Bradbury, this intentionally ambiguous narrative features an astronaut traversing Mars, a strange cat, a beautiful woman, decades of memories, and an undersea battle.
受雷·布拉德伯里(Ray Bradbury)故事的启发,这部故意模糊的叙事讲述了一位穿越火星的宇航员、一只奇怪的猫、一位美丽的女人、几十年的回忆和一场海底战争。
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引用次数: 0
期刊
ACM SIGGRAPH 2015 Computer Animation Festival
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