Cinesite's team created a subtle, post-apocalyptic world for this horror drama. Visual effects enhanced the environments with fire, smoke, and debris, and some entirely CG shots created an ominous, chaotic atmosphere. Zombie makeup was enhanced, projecting texture onto faces and hands, with black blood and veins.
{"title":"Maggie","authors":"H. Moody","doi":"10.1145/2745234.2746907","DOIUrl":"https://doi.org/10.1145/2745234.2746907","url":null,"abstract":"Cinesite's team created a subtle, post-apocalyptic world for this horror drama. Visual effects enhanced the environments with fire, smoke, and debris, and some entirely CG shots created an ominous, chaotic atmosphere. Zombie makeup was enhanced, projecting texture onto faces and hands, with black blood and veins.","PeriodicalId":121109,"journal":{"name":"ACM SIGGRAPH 2015 Computer Animation Festival","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125030024","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
"The Maze Runner" is a science fiction action thriller based on the book of the same name. As the lead VFX vendor on the film, Method Studios was involved in creation of 530 environment and character shots, including the menacing Grievers.
{"title":"The maze runner","authors":"Melissa Knight","doi":"10.1145/2745234.2746819","DOIUrl":"https://doi.org/10.1145/2745234.2746819","url":null,"abstract":"\"The Maze Runner\" is a science fiction action thriller based on the book of the same name. As the lead VFX vendor on the film, Method Studios was involved in creation of 530 environment and character shots, including the menacing Grievers.","PeriodicalId":121109,"journal":{"name":"ACM SIGGRAPH 2015 Computer Animation Festival","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128707609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pierre, the ugly parrot, gets lucky when a fashionable pirate is just a little too fashionably late.
丑陋的鹦鹉皮埃尔很幸运，因为一个时髦的海盗迟到了一点。
{"title":"Parrot away","authors":"William Fullagar","doi":"10.1145/2745234.2746815","DOIUrl":"https://doi.org/10.1145/2745234.2746815","url":null,"abstract":"Pierre, the ugly parrot, gets lucky when a fashionable pirate is just a little too fashionably late.","PeriodicalId":121109,"journal":{"name":"ACM SIGGRAPH 2015 Computer Animation Festival","volume":"162 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129315829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The idea was to get a range of emotional performances out of inanimate objects that have no consistency or form, and at the same time make them look realistic. In addition to animation, cloth-simulation techniques were used to get the hugely detailed interactions between the t-shirts and the environments.
{"title":"Ikea, \"t-shirts\"","authors":"Alice Arbuthnot","doi":"10.1145/2745234.2746854","DOIUrl":"https://doi.org/10.1145/2745234.2746854","url":null,"abstract":"The idea was to get a range of emotional performances out of inanimate objects that have no consistency or form, and at the same time make them look realistic. In addition to animation, cloth-simulation techniques were used to get the hugely detailed interactions between the t-shirts and the environments.","PeriodicalId":121109,"journal":{"name":"ACM SIGGRAPH 2015 Computer Animation Festival","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129600868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Shirley Bassey \"if you go away\" rebeat remix","authors":"Ashkan Rahgozar","doi":"10.1145/2745234.2746783","DOIUrl":"https://doi.org/10.1145/2745234.2746783","url":null,"abstract":"In a cyberpunk kind of world, when a man loses his girlfriend, he tries to upload the memories he carries from her into a female-shaped robot.","PeriodicalId":121109,"journal":{"name":"ACM SIGGRAPH 2015 Computer Animation Festival","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127078297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
"Citius, Altius, Fortius" explores the interplay of abstract shapes and motions. How can the substance of motion be visualized? Original footage of athletes in Olympic competitions was digitized into 3D through motion tracking and rotoscoping. The specific character of each sport is reflected in the visual language.
{"title":"Citius, altius, fortius","authors":"Felix Deimann","doi":"10.1145/2745234.2746876","DOIUrl":"https://doi.org/10.1145/2745234.2746876","url":null,"abstract":"\"Citius, Altius, Fortius\" explores the interplay of abstract shapes and motions. How can the substance of motion be visualized? Original footage of athletes in Olympic competitions was digitized into 3D through motion tracking and rotoscoping. The specific character of each sport is reflected in the visual language.","PeriodicalId":121109,"journal":{"name":"ACM SIGGRAPH 2015 Computer Animation Festival","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127335417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Orc chieftain Blackhand has laid siege to the city of Shattrath by sea. Heroes of the Alliance and the Horde take the fight to his flagship to stop the onslaught, but an unexpected appearance by Blackhand himself turns the battle against them.
{"title":"Warlords of draenor - talador finale","authors":"Angela Blake","doi":"10.1145/2745234.2746931","DOIUrl":"https://doi.org/10.1145/2745234.2746931","url":null,"abstract":"The Orc chieftain Blackhand has laid siege to the city of Shattrath by sea. Heroes of the Alliance and the Horde take the fight to his flagship to stop the onslaught, but an unexpected appearance by Blackhand himself turns the battle against them.","PeriodicalId":121109,"journal":{"name":"ACM SIGGRAPH 2015 Computer Animation Festival","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130814137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sticking to the anatomical constraints of a frill-necked lizard while creatively making him behave like a human stuck in a lizard's body, the team merged the human and lizard performances by manipulating the lizard's body to stand in an upright position while embracing his tiny lizard arms.
{"title":"First direct, \"little frill\"","authors":"Alice Arbuthnot","doi":"10.1145/2745234.2746853","DOIUrl":"https://doi.org/10.1145/2745234.2746853","url":null,"abstract":"Sticking to the anatomical constraints of a frill-necked lizard while creatively making him behave like a human stuck in a lizard's body, the team merged the human and lizard performances by manipulating the lizard's body to stand in an upright position while embracing his tiny lizard arms.","PeriodicalId":121109,"journal":{"name":"ACM SIGGRAPH 2015 Computer Animation Festival","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126310463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
From shading and rendering giant soap bubbles to alien characters splashing in calm waters and a giant bulldozer machine crunching the Australian outback.
从着色和渲染巨大的肥皂泡到在平静的水中戏水的外星人角色，以及在澳大利亚内陆碾压的巨型推土机。
{"title":"\"HOME\" VFX breakdown","authors":"Amaury Aubel","doi":"10.1145/2745234.2746859","DOIUrl":"https://doi.org/10.1145/2745234.2746859","url":null,"abstract":"From shading and rendering giant soap bubbles to alien characters splashing in calm waters and a giant bulldozer machine crunching the Australian outback.","PeriodicalId":121109,"journal":{"name":"ACM SIGGRAPH 2015 Computer Animation Festival","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122240403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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