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Polityka abenomiki jako odpowiedź na problemy gospodarcze Japonii
Pub Date : 1900-01-01 DOI: 10.4467/23538724gs.21.008.14840
Michał Przybysz
The abenomics policy as an answer to Japan’s economic problemsThe aim of the article is to present the so-called Abenomics policy and its results with regards to the economic stagnation and chronic deflation which persisted in Japan since early 1990s. Created by the new Prime Minister of Japan Shinzo Abe and based on the reflationism theory, its goal was first and foremost to stop the deflation, but also reinvigorate demand and boost economic growth via means of structural reforms. These three objectives became known as the “three arrows” of the plan.The core of the program focused on the quantitative easing policy (QQE) led by the Bank of Japan, which consisted of massive purchase of bonds which would in turn raise their prices and inject money into the economy. Other measures included setting the goal of reaching 2% inflation in two years’ time, as well as enormous infrastructural investment and pension spending or numerous reforms regarding job market accessibility and deregulation. In the wake of the original plan’s middling results the Abenomics 2.0 plan was presented in 2014 and focused on Japan’s structural problems, which are rapidly aging population and shrinking workforce.Critical examination showed that these new goals concerning projected GDP level or fertility rate were unrealistic from the onset and did not amount to much. Despite the country leaving the long-lasting deflation behind, it did not reach the set 2% inflation mark or GDP growth on the level of comparable economies.Moreover, the debt level is still rising, partly because of the volume of the QQE policy. Adding to the situation is the recent economic crisis caused by the COVID-19 pandemic, which demanded a shift in government’s focus and caused all of the economic indicators to again worsen. Despite some successes along the way, the main goals of the Abenomics were unfulfilled during Shinzo Abe’s term of office, and Japan’s economic problems remain to be solved by the next governments.
安倍经济学政策作为日本经济问题的答案本文的目的是提出所谓的安倍经济学政策及其对日本自20世纪90年代初以来持续存在的经济停滞和慢性通货紧缩的结果。该政策由日本新任首相安倍晋三(Shinzo Abe)创立,以通货再膨胀主义理论为基础,其首要目标是阻止通货紧缩,但也要通过结构性改革重振需求,促进经济增长。这三个目标被称为该计划的“三支箭”。该计划的核心是由日本银行主导的量化宽松政策(QQE),该政策包括大规模购买债券,从而提高债券价格并向经济注入资金。其他措施包括设定两年内通胀率达到2%的目标,以及巨额基础设施投资和养老金支出,以及有关就业市场准入和放松管制的众多改革。在最初计划的中等效果之后,安倍经济学2.0计划于2014年提出,重点关注日本的结构性问题,即人口迅速老龄化和劳动力萎缩。严格的审查表明,这些关于预计国内总产值水平或生育率的新目标从一开始就不现实,也没有多大意义。尽管这个国家摆脱了长期的通货紧缩,但它并没有达到设定的2%的通货膨胀率或GDP增长率。此外,债务水平仍在上升,部分原因在于QQE政策的规模。最近因新冠肺炎(COVID-19)疫情而引发的经济危机,要求政府调整工作重心,导致各项经济指标再次恶化。尽管在此过程中取得了一些成功,但安倍经济学的主要目标在安倍晋三任期内未能实现,日本的经济问题仍有待下一届政府解决。
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引用次数: 0
Arkadiusz Jabłoński, Polski leksykon japońskich terminów gramatycznych, Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika w Toruniu, Toruń 2021, t. 1 (A–K, ss. 494), t. 2 (L–R, ss. 406), t. 3 (S–Z, ss. 394)
Pub Date : 1900-01-01 DOI: 10.4467/23538724gs.21.017.14849
K. Olszewski
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引用次数: 0
Zhang Yimou – twórca niezależny, twórca koniunkturalny? Metamorfozy artysty w państwie komunistycznym
Pub Date : 1900-01-01 DOI: 10.4467/23538724gs.19.019.11864
Ł. Bachora, Maša Guštin
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引用次数: 0
Między teorią a praktyką: kierunki polityki zagranicznej Indonezji w XXI wieku oraz jej pozycja w stosunkach międzynarodowych z perspektywy koncepcji państw średniej rangi
Pub Date : 1900-01-01 DOI: 10.4467/23538724gs.19.025.11870
Piotr Topór
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引用次数: 0
Recenzje - Sun Min, Papier, tusz i pędzel, czyli Traktat o chińskiej kaligrafii, przeł. zespół pod kierunkiem Wu Lan, Wydawnictwo Uniwersytetu Gdańskiego, Gdańsk 2017, ss. 238
Pub Date : 1900-01-01 DOI: 10.4467/23538724gs.19.011.11185
Irena Kadulska
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引用次数: 0
Osamu Tezuka w Polsce – popularność i znaczenie twórczości „boga mangi” na polskim rynku
Pub Date : 1900-01-01 DOI: 10.4467/23538724gs.21.013.14845
Ryszard Woszczak
Osamu Tezuka in Poland. The popularity and significance of the work of the god of manga on the Polish marketThe author presents and analyzes the situation of Osamu Tezuka’s manga on the Polish market in 2001–2020, trying to show the popularity and effects of the twenty-year presence of Osamu Tezuka’s work on the market. At the same time, the author presents the situation of the Polish manga market and the processes that accompanied the launch of Polish manga editions of the author, known in Japan as the God of Manga.
Osamu Tezuka在波兰。漫画之神作品在波兰市场的受欢迎程度和意义笔者对手冢治虫2001-2020年在波兰市场的漫画情况进行了介绍和分析,试图展示手冢治虫作品在波兰市场上20年来的受欢迎程度和影响。同时,作者还介绍了波兰漫画市场的情况,以及作者在日本被称为漫画之神的波兰漫画版本发行的过程。
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引用次数: 0
Wajda. Człowiek z Gdańska. Wystawa rysunków, akwarel i plakatów na Uniwersytecie Gdańskim ze zbiorów Muzeum Sztuki i Techniki Japońskiej Manggha w Krakowie, Gdańsk, 5 października 2021 r. – 30 stycznia 2022 r.
Pub Date : 1900-01-01 DOI: 10.4467/23538724gs.21.018.14850
Joanna Kamień, Kamil Zeidler
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引用次数: 0
Rozwój energetyki wiatrowej w Chinach 中国的风电发展
Pub Date : 1900-01-01 DOI: 10.4467/23538724gs.19.013.11858
M. Szczepaniec
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引用次数: 0
Intangible cultural heritage in Japan 日本的非物质文化遗产
Pub Date : 1900-01-01 DOI: 10.4467/23538724gs.21.011.14843
Antonina Zemska
W artykule przybliżono wyjątkowe zarówno w stosunku do standardów zachodnich, jak i standardów krajów postkolonialnych podejście Japonii do niematerialnego dziedzictwa kultury, szczególnie w kontekście gwarantowanego prawnie systemu ochrony oraz historycznego i współczesnego znaczenia tego dziedzictwa dla społeczeństwa. Poczynając od wprowadzenia po raz pierwszy kategorii niematerialnego dziedzictwa kultury w ustawie o ochronie dóbr kultury z 1950 r. aż po obowiązującą obecnie nowelizację z 2004 r., niematerialne dziedzictwo podlega coraz szerszej i bardziej efektywnej ochronie. Składa się na nią zarówno wsparcie finansowe ze strony państwa, jak i edukacja społeczeństwa, promocja i kultywowanie tradycji. Wszystkie te działania zapobiegają odejściu w niepamięć klasycznym umiejętnościom i dziedzinom sztuki. System ochrony w Japonii dzieli niematerialne dziedzictwo na wiele kategorii, które podkreślają zróżnicowany charakter dziedzin, w jakich przejawia się lokalna kultura i które mają zapewnione adekwatne środki prawne, odpowiadające ich szczególnym potrzebom. Starania podejmowane w celu zachowania niematerialnego dziedzictwa kultury i dbałość o nie były podyktowane potrzebą zrekonstruowania tożsamości narodowej po przegranej II wojnie światowej oraz zabezpieczenia folkloru przed postępującą globalizacją i westernizacją, obecnie zaś stanowią przejaw rosnącego zainteresowania różnorodnością kulturową.
本文仔细研究了日本对待非物质文化遗产的方法,无论是按照西方标准还是按照后殖民地标 准,日本对待非物质文化遗产的方法都是独一无二的,特别是在有法律保障的保护制度以及这种 遗产对社会的历史和当代意义方面。从 1950 年《文化财产保护法》首次引入非物质文化遗产类别开始,到目前的 2004 年修正案,非物质遗产受到越来越广泛和有效的保护。这既包括国家的财政支持,也包括对传统的公共教育、宣传和培养。所有这些活动都是为了防止经典技能和艺术成为过去。日本的保护制度将非物质遗产分为若干类别,强调地方文化表现领域的多样性,并为其提供适当的法律手段以满足其特定需求。保护和关心非物质文化遗产的努力是在第二次世界大战失利后重建民族特性的需要以及在日益全球化和西方化的情况下保护民间传说的需要所推动的,现在则是对文化多样性日益增长的兴趣的一种表现。
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引用次数: 0
Ochrona zabytków archeologicznych w prawie japońskim
Pub Date : 1900-01-01 DOI: 10.4467/23538724gs.21.010.14842
Paula Chmielowska
Protection of archaeological sites in Japanese lawIn popular perception Japan is often associated with cherry blossoms, the samurai, the geishas, rice fields and delicious ramen soup. However, each of these elements is relatively new. The country’s culture is rich and ancient, and the Japanese are very aware of their heritage and are eager to protect it. The Japanese government encourages universal public participation in supporting and appreciating artistic activities. The most important cultural goods are considered national treasures, which are particularly valuable to the world and to the Japanese nation. These can be works of art such as paintings, sculptures or architectural masterpieces, as well as other forms of artistic expression such as suiseki – art of artistic display of stones, chadō – tea ceremony, ikebana – flower arrangement, and even the artists themselves. The purpose of this article is to outline the Japanese heritage law with respect to protection of archaeological sites; the long history of the island nation means the Japanese archaeologists have plenty of sites to work on. Since 1945, archaeological research has become an important way of constructing the Japanese national identity. While the key goal of archeology in Japan is still about building national identity in relation to the past, there is a noticeable diversity in research goals and methodology used by the current generation of practicing archaeologists.
在大众的印象中,日本经常与樱花、武士、艺妓、稻田和美味的拉面汤联系在一起。然而,这些元素都是相对较新的。这个国家的文化丰富而古老,日本人非常了解他们的遗产,并渴望保护它。日本政府鼓励公众普遍参与支持和欣赏艺术活动。最重要的文化产品被认为是国宝,对世界和日本民族特别有价值。这些可以是艺术作品,如绘画,雕塑或建筑杰作,以及其他形式的艺术表现,如石料-艺术展示石头的艺术,茶道-茶道,插花-插花,甚至艺术家自己。本文的目的是概述日本遗产法在保护考古遗址方面的规定;这个岛国悠久的历史意味着日本考古学家有很多地方可以挖掘。自1945年以来,考古研究已成为构建日本民族认同的重要途径。虽然日本考古学的主要目标仍然是建立与过去有关的国家认同,但当代实践考古学家在研究目标和方法上存在明显的多样性。
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Gdańskie Studia Azji Wschodniej
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