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Poetry of Emily Dickinson in the Light of the Bhagavad-gita 《博伽梵歌》下的艾米莉·狄金森诗歌
Pub Date : 2022-07-30 DOI: 10.56062/gtrs.2022.1.4.1
S. K. Arora
Emily Dickinson, now a celebrated poet, is still studied more from the subjective angles which belittle her stature than the objective ones which may contribute in highlighting her genuine poetic worth. This perspective is a modest attempt to decipher Dickinson’s poetry in the light of the Bhagavad-gita, the flashes of which are flashed in her concept of soul, self, non-attachment, renunciation, equanimity, happiness within, removal of false ego for peace and rejection of sense objects for a higher taste. A few relevant excerpts from the Bhagavad-gita and Dickinson’s poems have been analysed to trace out the spiritual light that reveals the path leading to her invisible connection with India. In her poems, she exhorts like Krishna of the Bhagavad-gita and reveals the truth of the material existence while making her journey from outside to inside. The application of the objective approach helps in bringing out the real worth of Emily Dickinson and contributes in connecting the threads of her poetry to the other parts of the world claiming for a universal appeal of her poetry.
艾米莉·狄金森现在已经是一位著名的诗人了,但人们对她的研究仍然更多地是从主观的角度出发,这种角度贬低了她的地位,而不是从客观的角度出发,这可能有助于突出她真正的诗歌价值。这种观点是一种适度的尝试,以《博伽梵歌》的视角来解读狄金森的诗歌,其中闪现的是她的灵魂,自我,不依恋,放弃,平静,内在幸福,为了和平而去除虚假的自我,为了更高的品味而拒绝感官对象。我们分析了《博伽梵歌》和狄金森诗歌中的一些相关节选,以寻找通往她与印度无形联系的精神之光。在她的诗歌中,她像《博伽梵歌》中的奎师那那样劝诫,在她从外到内的旅程中揭示了物质存在的真相。客观方法的应用有助于揭示艾米莉·狄金森的真正价值,并有助于将她的诗歌与世界其他地方的线索联系起来,从而使她的诗歌具有普遍的吸引力。
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引用次数: 0
The Non-fictions of V.S. Naipaul: A Critical Exploration 奈保尔的非虚构文学:一个批判性的探索
Pub Date : 1900-01-01 DOI: 10.56062/gtrs.2022.1.8.168
A. Prasad
V. S. Naipaul is an eminent literary figure in the field of modern fiction, non-fiction, and travelogue writing in English literature. He earned a number of literary awards and accolades, including the covetous Nobel Prize and Booker Prize. His non-fiction e.g., An Area of Darkness, India: A Wounded Civilization, The Loss of El Dorado, India: A Million Mutinies Now and Beyond Belief are a realistic portrayal of the various types of religion, culture, customs, and people of India. As an author, the main purpose of V. S. Naipaul is to deliver the truth; because poets are the unacknowledged legislators of mankind. The fact that V. S. Naipaul has presented in his non-fiction is more authentic and realistic than that of his fiction. Nonetheless, it is fictional work that is elaborately explored, discussed, and analyzed in abundance. On the other hand, his non-fiction, by and far, remains aloof. In the last few decades, non-fictions are also taking the ground strongly. Now non-fiction writings are being analyzed, elucidated, and explored based on various theoretical principles of literary criticism. V. S. Naipaul carried the new genre to new heights and achievements. He is of Indian descent and known for his pessimistic works set in developing countries. He visited India several times, like Pearl S. Buck and E. M. Forster. So, his presentation of Indian religion, society, culture, and politics are very realistic. His vision and ideas are very close to the modern thoughts and visions of both the east and the west.
奈保尔是英国现代小说、非小说和游记写作领域的杰出文学人物。他获得了许多文学奖项和荣誉,包括令人垂涎的诺贝尔奖和布克奖。他的非虚构作品,如《黑暗之地》、《印度:受伤的文明》、《失去埃尔多拉多》、《印度:一百万兵变》和《超越信仰》,都是对印度各种宗教、文化、习俗和人民的现实写照。作为作者,奈保尔的主要目的是传递真相;因为诗人是人类未被承认的立法者。奈保尔在他的非虚构作品中所呈现的事实比他的小说作品更真实、更现实。尽管如此,这是一部虚构的作品,经过了大量的精心探索、讨论和分析。另一方面,到目前为止,他的非虚构作品仍然是冷漠的。在过去的几十年里,非小说类书籍也占据了强势地位。现在,人们正根据文学批评的各种理论原则对非虚构作品进行分析、阐释和探索。v·s·奈保尔将这一新流派带到了新的高度和成就。他是印度裔,以以发展中国家为背景的悲观作品而闻名。他曾像赛珍珠和福斯特一样访问过印度几次。所以,他对印度宗教、社会、文化和政治的描述非常现实。他的视野和观念与现代东西方的思想和观念非常接近。
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Creative Saplings
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