Pub Date : 2022-12-25DOI: 10.56062/gtrs.2022.1.8.183
Dr. Latha. V & Dr. Velusamy. A
Khaled Hosseini, an Afghan-American novelist is best known for his debut novel The Kite Runner. Hassan's loyalty stirred the readers they got stunned and enraged by Amir's betrayal. It is believed from various studies that the protagonist Amir’s behavior like shame, betrayal, and redemption is strongly intertwined with his psychological transformations. Diversified psychological states lead to different emotional strains and deeds, ranging from mistrust to uncertainty, culpability to inferiority, self-accusation to confusion, and inclination of love to devotion. The two concepts of redemption and reparation are vital in developing the thread to connect the characters. Amir admits that the entire psychological progression is a learning experience for him. This novel is not only about salvation but also about the return to humanity. This paper pursues to reveal Amir's inner world by examining his psychological shift at different phases to have a better understanding of the reasons behind Amir's wickedness and cowardice.
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Pub Date : 2022-12-25DOI: 10.56062/gtrs.2022.1.9.185
Nishtha Kishore
The paper attempts to trace the generational relevance of produced fiction by Anita Desai (b. 1937) towards the possibility of locating third culture subjectivity and the scope of the third space spectrum. The association ranges from the character aesthetics to strategic spatial intervention in her fiction, and the scope of extending the same to new pressures of readership pertaining to constantly mobile and restructured locales. The world around shows signs of disintegration of the individual vis-a-vis dislocation, migration, and dynamic forms of locomotion. It is, therefore, imperative that the modern Indian-English novel should seek new techniques to articulate the experienced inner and outer realities, merging textuality, spatiality, and subjectivity. Desai's preoccupation with the individual highlights their psychological motivations, identity constructs, organizational logic of family institutions, disintegration, sense of failure, the absence to offer a clear binary, and her keen awareness of the futility of existence radiates from most of her novels. The paper tries to fathom such possibilities through analyses of her major fiction into a third culture spectrum, which may serve as a major constituent to tackle her oeuvre and accommodate her major themes.
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Pub Date : 2022-12-25DOI: 10.56062/gtrs.2022.1.9.186
Dr. Shatakshi Misra
Like Rabindra Nath Tagore and Shri Aurobindo Sarojini Naidu too was more than a poet. She was one of mother India’s most gifted children, readily sharing her burden of pain, fiercely articulating her agonies and hopes. The present paper “The Contemporary Scene and The Emergence of Sarojini Naidu”, provides an account of Sarojini’s social, political, and literary background, here love for India evident from her passionate involvement with the freedom struggle did, in no way, withhold her for being so enamored by the poetic muse. It is rather unfortunate that Sarojini Naidu has been criticized for writing about the colorful land of romance and mystery, the India of the common western imagination, with the essential reality-a of real experience, a real landscape, and the real people blurred into a mystified sentimentality.
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Pub Date : 2022-12-25DOI: 10.56062/gtrs.2022.1.9.187
Smriti Sneh
This paper aims at exploring the texts of Haruki Murakami, namely his novels Norwegian Wood (1987) and Kafka on the Shore (2002), and an anthology of short stories Men Without Women (2014), to observe with a close eye the phallocentric tongue, literary devices, characters, and plot; the depiction of a man’s world through a quintessential male gaze. Studying his art of characterization and the recurrent motifs he employs towards that very realization are a key reference point to understand the covert stance of Murakami, which appears to be misogynistic in its stead. Murakami creates his fictional women with certain key characteristics omnipresent in almost all of them, their exhibition of ludicrously unnatural and overt sexuality as if deliberately strengthening a stereotype of the seemingly new “modern woman” who has no qualms in expressing her sexuality even to near-strangers. While his protagonists, in most cases heterosexual men, in every literary creation of his are blueprints of the same man, most probably either Murakami himself or someone he aspired to be like but failed and compensated for it by creating numerous men in that lonely ideal nihilistic image, one around whom women lose all sense of autonomy and give themselves up entirely, to what Murakami literarily depicted as a mysterious muscular charm. In Murakami’s literary world, the men are there to fulfill their destinies whereas the women are there for the men.
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Pub Date : 2022-11-25DOI: 10.56062/gtrs.2022.1.8.173
Dr. Shatakshi Misra
Sarojini Naidu was an Indian political activist, feminist, and poet, a proponent of civil rights, women’s emancipation, and anti-imperialistic ideas. Despite all these qualities, she was known as “The Singer of Beautiful Songs” she will always be remembered and recalled by her two names: “The Nightingale of India” and” Bharat Kokila” as Mahatma Gandhi ornamented her. The present paper is a genuine effort to reveal her personality as a singer of beautiful songs; she emerged as the very soul of India and was attached firmly to its soil. Despite all her western garb and literary affiliation with the English poets, her sensibility was “wholly native.” Blessed with remarkable creative talent, she adroitly composed charming songs with a striking note of native fervour. In this task, she fell into the tradition of Indian women writers since the Vedic age. In the tradition of Vishwavara and Ghosha, the singers of sonorous songs in Vedas of Gargie, Maitreyi, and Sulabha, the unchangeable Upanishadic debaters of Sumana, Shyama, Sumangala, Sangh Mitra, and Rajyashri.
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Pub Date : 2022-11-25DOI: 10.56062/gtrs.2022.1.8.172
Dr. Mirza Sibtain Beg
Poetry is the passion that a poet possesses in genes, and through poetry, mental health and peace of mind can be maintained at a pace immeasurable. The waves of passion that run through the poet’s sensibility soothe the readers' senses. Poetry reading, writing, and listening cast good therapeutic effects. Poetry provides peace, calmness, and comfort to the minds by elevating moods in distress and duress. Studies show that poetry therapy has proven a boon to patients suffering from serious ailments, augments their emotional resilience, and brings joy. Our brains are electrified with the rhyme and rhythm of the poetry to give emotional reactions to joy and sadness. Like the sweet melody of music, poetry heals our emotional hurts. The metaphors embellish the poetic lines with magical brilliance and glitter with astute meaning and message. Diction plays a very decisive role in discerning the poet’s leanings. Reflection, perception, and attachment are interwoven in diction so inextricably that they turn the poet’s mouthpiece and roar and rave with perfect resonance to poetic experiences. Through the intoxicated taken-for- grantedness of the laidback reading public will take a turn at the melody of the tone and exquisiteness of diction. The paper, however, explores how poetry can be a natural tool to heal mental stress, trauma, and agony and maintain mental health. We will examine some poetic utterances of great poets like Sylvia Plath, Anne Sexton, Emily Dickinson, Kamala Das, etc. Moreover, we will also examine how nature can extend peace, purpose, and poise to the mind.
{"title":"Maintaining Mental Health through Poetry","authors":"Dr. Mirza Sibtain Beg","doi":"10.56062/gtrs.2022.1.8.172","DOIUrl":"https://doi.org/10.56062/gtrs.2022.1.8.172","url":null,"abstract":"Poetry is the passion that a poet possesses in genes, and through poetry, mental health and peace of mind can be maintained at a pace immeasurable. The waves of passion that run through the poet’s sensibility soothe the readers' senses. Poetry reading, writing, and listening cast good therapeutic effects. Poetry provides peace, calmness, and comfort to the minds by elevating moods in distress and duress. Studies show that poetry therapy has proven a boon to patients suffering from serious ailments, augments their emotional resilience, and brings joy. Our brains are electrified with the rhyme and rhythm of the poetry to give emotional reactions to joy and sadness. Like the sweet melody of music, poetry heals our emotional hurts. The metaphors embellish the poetic lines with magical brilliance and glitter with astute meaning and message. Diction plays a very decisive role in discerning the poet’s leanings. Reflection, perception, and attachment are interwoven in diction so inextricably that they turn the poet’s mouthpiece and roar and rave with perfect resonance to poetic experiences. Through the intoxicated taken-for- grantedness of the laidback reading public will take a turn at the melody of the tone and exquisiteness of diction. \u0000The paper, however, explores how poetry can be a natural tool to heal mental stress, trauma, and agony and maintain mental health. We will examine some poetic utterances of great poets like Sylvia Plath, Anne Sexton, Emily Dickinson, Kamala Das, etc. Moreover, we will also examine how nature can extend peace, purpose, and poise to the mind.","PeriodicalId":125811,"journal":{"name":"Creative Saplings","volume":"165 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127380148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-25DOI: 10.56062/gtrs.2022.1.8.169
Ashutosh Manohar Popate
The colonization of India had awful consequences on the lives of people as the nation was severely affected by problems like poverty, illiteracy, unhygienic and callous living producing, in addition to the already prevailing sociological and economic problems, environmental and conservational crisis, the root cause of which was to be found in the incessant exploitation of natural resources by the ruling European colonial powers in India. Resultantly, the Gandhian struggle for independence could not restrict itself merely to the primary objective of acquiring a politically independent statehood for India, but it had to keep on its agenda also problems of ecology, hygiene and conservation. The novel Tamas describes analogous labors made by the congress working committee volunteers in the Muslim area despite antagonism by the Muslim League workers. This ecology of nationalism, however, could not sustain long as the ecological purity of a mosque and a temple, in retaliatory action, was polluted by the perpetrators. The novel regularly, throughout the narrative, establishes a connection between the ideas of pureness and dirtiness and the consequential communal clashes in the city by showing how harmony and mutual veneration for each other’s community, the so-called ecology of nationalism and political unity, was thwarted by an error of Nathu, a member of the lower caste community. In a broad sense, the character of Nathu is presented representatively in a way to demonstrate how the act of a socially impure community was accountable for the fall of the ecology of Indian nationalism rather than the political desires and mistakes of leadership.
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Pub Date : 2022-11-25DOI: 10.56062/gtrs.2022.1.8.171
Dr Ravindra D. Hajare
Gond, Korku, Bhill, Pardhan, Madia, Pawar, Santhali are some tribal communities settled in the hills and forest of India. Many of them are found spread in Maharshtra. The area called Gondwan has the largest number of Gond and Pardhan communities, and once they had their territory there. Similarly, the Korku tribe is settled in the Melghat area of Vidarbha and Pawari in the western region of the Sahyadri. During the course of time, they lost their script, but they were able to preserve their dialects and culture, which is rich and erotic. They sing several folk songs at the festivities and cultural gatherings. Now, due to the spread of education and facilities, many talented poets and writers from the communities have come forward and produced a lot of literature, particularly poetry. They used Marathi script for their poetic expressions. The poets like Ramgopal Bhilavekar in Korku dialect, Santosh Pawara in Pawari dialect and Dr. Veera Rathod in Banjara dialect are some of the important names whose poems in their respective dialects have been taken for the study. This research article is an attempt to bring fore the tribal consciousness expressed by them and a serious and novel attempt to explore their aesthetics with some examples by translating them into English. Hopefully, it will provide an international platform for these tribal senses and sensibilities and bring before the developed world community the richness of rebellious thoughts and a beautiful cadence of content essential in their short but simple compositions.
{"title":"Exploring New Aesthetics of Tribal Poetry with Reference to Korku, Pawari and Banjara Dialects","authors":"Dr Ravindra D. Hajare","doi":"10.56062/gtrs.2022.1.8.171","DOIUrl":"https://doi.org/10.56062/gtrs.2022.1.8.171","url":null,"abstract":"Gond, Korku, Bhill, Pardhan, Madia, Pawar, Santhali are some tribal communities settled in the hills and forest of India. Many of them are found spread in Maharshtra. The area called Gondwan has the largest number of Gond and Pardhan communities, and once they had their territory there. Similarly, the Korku tribe is settled in the Melghat area of Vidarbha and Pawari in the western region of the Sahyadri. During the course of time, they lost their script, but they were able to preserve their dialects and culture, which is rich and erotic. They sing several folk songs at the festivities and cultural gatherings. Now, due to the spread of education and facilities, many talented poets and writers from the communities have come forward and produced a lot of literature, particularly poetry. They used Marathi script for their poetic expressions. The poets like Ramgopal Bhilavekar in Korku dialect, Santosh Pawara in Pawari dialect and Dr. Veera Rathod in Banjara dialect are some of the important names whose poems in their respective dialects have been taken for the study. \u0000This research article is an attempt to bring fore the tribal consciousness expressed by them and a serious and novel attempt to explore their aesthetics with some examples by translating them into English. Hopefully, it will provide an international platform for these tribal senses and sensibilities and bring before the developed world community the richness of rebellious thoughts and a beautiful cadence of content essential in their short but simple compositions.","PeriodicalId":125811,"journal":{"name":"Creative Saplings","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122817686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-25DOI: 10.56062/gtrs.2022.1.7.1
N. Sahu
My purpose in this work is to interpret a nd critica lly investiga te folklore a nd socia l epistemology, with specific reference to some folk deities a nd pra ctices tha t I refer to a s 'a lterna tive mythologies,' a nd I da re to do so with tena city. In the India n cultura l context, cla ssica l Sa nskritic a nd Bra hma nica l religious a cts ha ve la rgely ta ken centersta ge in the religious pa noptica l system, a t the expense of subverting extremely significa nt a nd relevant loca l a nd verna cula r pra ctices a nd doctrines. The blending of mythology a nd folklore, the blending of loca l deities with the ostensibly"officia l" ones, ca n be seen in pra ctica lly a ll public spa ces in India . To comprehend the excha nges between myth a nd folklore, one must first comprehend India 's geogra phica l a nd cultura l diversity, as well a s the pra ctica l requirement of holy ceremonies. This technique considers the distinct sociologica l, a nthropologica l, a nd psychologica l roles tha t myth a nd folklore pla y in a group. It becomes necessa ry to penetrate society's sympa thetic gra sp of the implica tions of a certa in rite, whether mythologica l or folkloristic. Dussehra provides a n opportunity for a thorough expla na tion a nd sensitiza tion of tha t spiritua l system, a s well a s an a ppropria te exa mple of a cceptance a nd inclusion of diverse religious a ctivities.
我在这工作是需要interpret目的a和te critica莉调查民间传说和民间社会有关l epistemology里,用非常具体参考到一些预ctices tha deities a和t . s I '指to a ' a lterna基金会mythologies, a和I ' da re to do so with tena城。印度》《n cultura l,中情局杰西卡身上洛杉矶Sa nskritic尼克和胸罩hma洛杉矶宗教cts有la pa rgely ta肯centersta ge《宗教noptica expense》洛杉矶系统,t subverting非常significa nt a和相关的洛杉矶loca和预ctices verna角r a和真理。神话的混合和混乱，和普遍的“官方l”的混合，可以在印度的公共设施设施前看到。为了比较这两者之间的分歧，一个人必须首先了解印度的文化和文化是我多样性的根源，就像之前的宗教仪式一样。这项技术考虑到社会心理学的混乱，一种nthropologica，一种精神病学，一种在一个群体中孕育和发展的疾病。在仪式中，无论神话人物是l还是fol氯istic，都需要渗透社会的象征。对于这种对精神和宗教制度的解释，一个好的概念和对宗教多样性的解释是错误的。
{"title":"Folk Deities as the Alternative Myths in India","authors":"N. Sahu","doi":"10.56062/gtrs.2022.1.7.1","DOIUrl":"https://doi.org/10.56062/gtrs.2022.1.7.1","url":null,"abstract":"My purpose in this work is to interpret a nd critica lly investiga te folklore a nd socia l epistemology, with specific reference to some folk deities a nd pra ctices tha t I refer to a s 'a lterna tive mythologies,' a nd I da re to do so with tena city. In the India n cultura l context, cla ssica l Sa nskritic a nd Bra hma nica l religious a cts ha ve la rgely ta ken centersta ge in the religious pa noptica l system, a t the expense of subverting extremely significa nt a nd relevant loca l a nd verna cula r pra ctices a nd doctrines. The blending of mythology a nd folklore, the blending of loca l deities with the ostensibly\"officia l\" ones, ca n be seen in pra ctica lly a ll public spa ces in India . To comprehend the excha nges between myth a nd folklore, one must first comprehend India 's geogra phica l a nd cultura l diversity, as well a s the pra ctica l requirement of holy ceremonies. This technique considers the distinct sociologica l, a nthropologica l, a nd psychologica l roles tha t myth a nd folklore pla y in a group. It becomes necessa ry to penetrate society's sympa thetic gra sp of the implica tions of a certa in rite, whether mythologica l or folkloristic. Dussehra provides a n opportunity for a thorough expla na tion a nd sensitiza tion of tha t spiritua l system, a s well a s an a ppropria te exa mple of a cceptance a nd inclusion of diverse religious a ctivities.","PeriodicalId":125811,"journal":{"name":"Creative Saplings","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127011662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-25DOI: 10.56062/gtrs.2022.1.7.5
DharmendraKumar Singh.
Thomas Hardy, a world-famous English novelist, is not only known as the ‘Saint of Max Gate’ but also a ‘Proto-Existentialist’ in the domain of English literature. Both his life and his works are in the grip of Existentialism. As his novels, especially tragic ones, are, either directly or indirectly, affected by the themes, thoughts, and concepts of Existentialism, his sensitively hectic life is also, either directly or indirectly, influenced by the existential thinkers and writers like Kierkegaard, Dostoevsky, Sartre, Nietzsche, and Camus, etc. As his thoughts existing in his works prove, his novels reflect the predicament of human existence, which is concerned with the experiences of individuals’ life. The Absurdity of the cosmos and human life, angst, authenticity, dread, despair, existential crises, preceding existence over essence, facticity, and the Other and the Look, are such existential concepts as arebrimming in his novels. The concept of ‘Cosmic Absurdity,’ which is related to the concept of the ‘Absurd,’ that is the crux of ‘Absurdism,’ is an axis around which revolves around his most tragic novels. This article explores the existence and essence of‘Cosmic Absurdity’ in Thomas Hardy’s novel Tess of the d’Urbervilles. In addition, it discusses its tools and how more or less, they affect the plot, characters, and theme of the mentioned novel.
{"title":"Existence and Essence of Cosmic Absurdity in Thomas Hardy’s Tess of the d’Urbervilles: A Pure Woman Faithfully Presented","authors":"DharmendraKumar Singh.","doi":"10.56062/gtrs.2022.1.7.5","DOIUrl":"https://doi.org/10.56062/gtrs.2022.1.7.5","url":null,"abstract":"Thomas Hardy, a world-famous English novelist, is not only known as the ‘Saint of Max Gate’ but also a ‘Proto-Existentialist’ in the domain of English literature. Both his life and his works are in the grip of Existentialism. As his novels, especially tragic ones, are, either directly or indirectly, affected by the themes, thoughts, and concepts of Existentialism, his sensitively hectic life is also, either directly or indirectly, influenced by the existential thinkers and writers like Kierkegaard, Dostoevsky, Sartre, Nietzsche, and Camus, etc. As his thoughts existing in his works prove, his novels reflect the predicament of human existence, which is concerned with the experiences of individuals’ life. The Absurdity of the cosmos and human life, angst, authenticity, dread, despair, existential crises, preceding existence over essence, facticity, and the Other and the Look, are such existential concepts as arebrimming in his novels. The concept of ‘Cosmic Absurdity,’ which is related to the concept of the ‘Absurd,’ that is the crux of ‘Absurdism,’ is an axis around which revolves around his most tragic novels. This article explores the existence and essence of‘Cosmic Absurdity’ in Thomas Hardy’s novel Tess of the d’Urbervilles. In addition, it discusses its tools and how more or less, they affect the plot, characters, and theme of the mentioned novel.","PeriodicalId":125811,"journal":{"name":"Creative Saplings","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132014923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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