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A Framework for a Hazard Taxonomy to Support Risk Assessment of Tangible Outdoor Heritage 支持户外物质遗产风险评估的危害分类框架
IF 1.7 Q1 Arts and Humanities Pub Date : 2024-06-04 DOI: 10.3390/heritage7060140
Alessandra Battisti, A. Figliola, M. Santarelli
The variety of hazards with a potential impact on cultural heritage requires a multidisciplinary approach and a preliminary overview of the existing methods for risk assessment in order to define a comprehensive hazard taxonomy. The starting point of the research thus aims to build a multidisciplinary framework to support the risk assessment process according to the classification of cultural heritage based on the harmonization of European vocabularies’ definitions and protocols. To collect the necessary information, such as hazard classification, indicators, indices and thresholds, a series of methodologies was adopted: analysis of the main international protocols and the EU Research projects related to risk assessment in cultural heritage, expert-based knowledge and a systematic literature review. The research aims to fill a gap in the field of quantitative and indicator-based risk assessment that does not present a unique and all-encompassing framework capable of collecting the main natural and anthropic risks along with the related taxonomy in a single repository. The framework has been set up to be consulted by researchers, professionals and public administrations to support the evaluation process of potential risks on tangible outdoor heritage enabling users to incrementally add exposure and vulnerability data for each specific risk.
对文化遗产有潜在影响的危害种类繁多,因此需要采用多学科方法,并对现有的风险评估方法进行初步概述,以确定全面的危害分类法。因此,研究的出发点是建立一个多学科框架,在统一欧洲词汇定义和协议的基础上,根据文化遗产分类支持风险评估过程。为了收集必要的信息,如危害分类、指标、指数和阈值,我们采用了一系列方法:分析与文化遗产风险评估相关的主要国际协议和欧盟研究项目、专家知识和系统的文献综述。这项研究旨在填补定量和基于指标的风险评估领域的空白,因为该领域没有一个独特的、包罗万象的框架,能够将主要的自然和人为风险以及相关的分类法收集到一个单一的资料库中。该框架可供研究人员、专业人员和公共管理部门参考,以支持对户外物质遗产潜在风险的评估过程,使用户能够逐步增加每种特定风险的暴露和脆弱性数据。
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引用次数: 0
Modelling and Stability Assessment of the Rock Cliffs and Xrobb l-Ġħaġin Neolithic Structure in Malta 马耳他岩石峭壁和 Xrobb l-ħaġin 新石器时代结构的建模和稳定性评估
IF 1.7 Q1 Arts and Humanities Pub Date : 2024-06-03 DOI: 10.3390/heritage7060138
George Volanis, Demitrios Galanakis, N. Bolanakis, Emmanuel Maravelakis, Ruben Paul Borg, Georgios E. Stavroulakis
The stability of rock cliffs is a longstanding issue and is of practical significance. This case study demonstrates the application and use of advanced 3D modeling techniques, concentrating on the geological formations of the Xrobb l-Ġħaġin peninsula on the south-east coast of Malta, where the Xrobb l-Ġħaġin Neolithic site is located. In order to utilize a static and dynamic analysis of the investigated scenario, a 3D finite element model (FEM) of the geological formation in which the monument is set had to be created. To this end, 3D scanning, unmanned aerial vehicles (UAVs), and oblique photogrammetry were first used with state-of-the-art commercial packages for mesh reconstruction. As a result, a geometric and finite element model (FEM) was created, suitable for both static and dynamic analysis. In the second stage, a parametric investigation of the material properties of the structural system of the geological substrate was sought. The structural response of the system was evaluated for different loading scenarios assuming nonlinear finite element analysis. Collapse case scenarios were investigated for standard and weakened materials, predicting which components would collapse first and under which case of weakened materials the collapse occurs. Among other aspects, the main novelty of this paper lies in the integrated approach and multidisciplinary paradigm that supplement the available historical knowledge for this specific cultural heritage Neolithic site towards its conservation.
岩石悬崖的稳定性是一个长期存在的问题,具有重要的现实意义。本案例研究展示了先进三维建模技术的应用和使用,主要集中在马耳他东南海岸 Xrobb l-ħaġin 半岛的地质构造上,Xrobb l-ħaġin 新石器时代遗址就位于该半岛上。为了对所调查的情况进行静态和动态分析,必须创建该遗迹所在地质构造的三维有限元模型(FEM)。为此,首先使用了三维扫描、无人驾驶飞行器(UAV)和倾斜摄影测量技术,并使用最先进的商业软件包进行网格重建。因此,创建了一个几何和有限元模型(FEM),适用于静态和动态分析。在第二阶段,对地质基底结构系统的材料特性进行了参数化研究。假定进行非线性有限元分析,对不同加载情况下的系统结构响应进行评估。对标准材料和弱化材料的坍塌情况进行了研究,预测了哪些部件会首先坍塌,以及在哪种弱化材料情况下会发生坍塌。除其他方面外,本文的主要创新之处在于采用了综合方法和多学科范式,补充了新石器时代遗址这一特殊文化遗产在保护方面的现有历史知识。
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引用次数: 0
Multi-Sensor Geomatic Techniques for the 3D Documentation and Virtual Repositioning of Elements of the Church of S. Miguel (Jaén, Spain) 用于 S. Miguel 教堂(西班牙哈恩)各组成部分的三维记录和虚拟重新定位的多传感器大地测量技术
IF 1.7 Q1 Arts and Humanities Pub Date : 2024-06-03 DOI: 10.3390/heritage7060137
A. Mozas-Calvache, J. M. Gómez-López, José Luis Pérez-García, D. Vico-García, V. Barba-Colmenero, Alberto Fernández-Ordóñez
This study describes the methodology and main results obtained after applying several geomatic techniques, based on the fusion of data acquired by several sensors, to document the recovery works carried out in an abandoned church. A century ago, the façade was moved to a museum to ensure its preservation. In addition to documentary purposes, a secondary goal is the virtual repositioning of a model of this element on that of the church. The method takes advantage of the potential of each technique, considering the acquisition of geometry based mainly on laser scanning techniques and radiometry on photogrammetry. The results include 3D models and orthoimages, which are used to perform a stratigraphic study. The 3D model of the façade has been repositioned in the general one, considering common geometries previously fitted in both models and repeating part of the photogrammetric process, using masks to define the image areas related to the church and the façade. Therefore, we obtained a 3D model with the façade included in it. This procedure has demonstrated its feasibility despite the existence of different environmental conditions in both areas. Using these results, we have also developed a BIM to allow for the management of future restoration works.
本研究介绍了在融合多个传感器获取的数据的基础上,应用多种大地测量技术记录一座废弃教堂修复工程的方法和主要成果。一个世纪前,教堂外墙被移至博物馆,以确保其保存完好。除了记录的目的之外,一个次要的目标是将这一元素的模型虚拟地重新定位到教堂的模型上。该方法利用了每种技术的潜力,主要基于激光扫描技术和摄影测量的辐射测量来获取几何图形。结果包括三维模型和正射影像,用于进行地层研究。考虑到之前两个模型中的共同几何形状,外墙的三维模型在一般模型中进行了重新定位,并重复了部分摄影测量过程,使用遮罩来定义与教堂和外墙相关的图像区域。因此,我们获得了一个包含外墙的三维模型。尽管两个区域存在不同的环境条件,但这一程序证明了其可行性。利用这些结果,我们还开发了一个 BIM,以便对未来的修复工程进行管理。
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引用次数: 0
Reflections on the Decay Mechanisms of Half-Timbered Walls in Traditional Spanish Architecture: Statistical Analysis of Material and Structural Damage 对西班牙传统建筑中半木结构墙体腐朽机制的思考:材料和结构损坏的统计分析
IF 1.7 Q1 Arts and Humanities Pub Date : 2024-06-03 DOI: 10.3390/heritage7060136
Alicia Hueto-Escobar, F. Vegas, C. Mileto, María Lidón de Miguel
Knowledge on the state of conservation and vulnerability of traditional techniques when faced with the most common degradation phenomena is vital in order to propose the most suitable conservation and maintenance actions. This article presents the systematic review of 1218 half-timbered walls found throughout Spain, enabling the identification of a total of 27 material lesions, classified by atmospheric, biological or anthropic origin, and 9 structural lesions due to stress or excessive deformation. Their qualitative and quantitative analysis has focused on the frequency of the individual lesions and the possible correlation with different constructive characteristics, such as the materials used, the geometry of the framework and the presence of plinths, eaves and protective rendering. Almost the entire sample presents some degree of material degradation, mostly atmospheric lesions of limited severity, such as superficial atmospheric erosion and chromatic alteration and dehydration of the timber. In terms of structural lesions, half-timbered walls are seen to be more vulnerable to this type of deformation. Considering the risk of loss affecting all traditional architecture, it becomes particularly important to promote the continued maintenance of half-timbered walls in order to reduce the influence of material lesions caused by atmospheric agents. Subsequently, suitable criteria for intervention are established in order to reduce the effect of anthropic lesions and structural degradation phenomena, particularly linked to a lack of maintenance and modifications of anthropic origin.
为了提出最合适的保护和维护措施,了解传统工艺在面对最常见的退化现象时的保护状况和脆弱性至关重要。本文介绍了对西班牙各地发现的 1218 处半木结构墙体进行的系统性审查,通过审查共发现了 27 处按大气、生物或人为原因分类的材料损坏,以及 9 处由于压力或过度变形造成的结构损坏。定性和定量分析的重点是个别病变的发生频率,以及与不同结构特征之间可能存在的关联,如使用的材料、框架的几何形状,以及是否存在基座、屋檐和保护层。几乎所有样本都出现了一定程度的材料退化,主要是严重程度有限的大气病变,如表层大气侵蚀、木材色变和脱水。就结构病变而言,半木结构的墙体更容易受到这种变形的影响。考虑到影响所有传统建筑的损失风险,促进对半木结构墙体的持续维护以减少大气介质造成的材料损坏的影响变得尤为重要。随后,制定适当的干预标准,以减少人为损坏和结构退化现象的影响,特别是与缺乏维护和人为改造有关的影响。
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引用次数: 0
Experimental Study of Chalconatronite: From Its Identification to the Treatment of Copper Alloy Objects 铬铁矿的实验研究:从铜合金物体的识别到处理
IF 1.7 Q1 Arts and Humanities Pub Date : 2024-06-01 DOI: 10.3390/heritage7060135
Charlène Pelé-Meziani, Aymeric Raimon, J. Mevellec, Elodie Guilminot
On the occasion of the reopening of the Dobrée Museum (Nantes, France), two statuettes of Egyptian origin, representing Harpocrate and Isis, were studied to shed light on the presence of the blue-green efflorescence on their surface. The efflorescence on the Harpocrate statuette was identified as being chalconatronite, while that which was present on the Isis statuette corresponded to sodium copper formate/acetate, probably due to the evolution of chalconatronite in an environment containing VOCs. The efflorescence appeared to be sensitive to the cyclic variation in relative humidity whereas it seemed stable. An experimental curative treatment to halt the reappearance was carried out. A series of pure water baths extracted a significant quantity of sodium. The treatment appeared effective and reduced the risk of a recrudescence of the efflorescence for both statuettes. However, when the efflorescence was dissolved on the Isis statuette, other compounds appeared to react with water, leading to acidification and a potential reaction with the lead in the alloy. A layer of lead carbonate/acetate on the surface appeared. The objects were then dried and protected with a highly concentrated acrylic varnish. They are currently being monitored to identify any new efflorescence that may appear during display.
在多布雷博物馆(法国南特)重新开放之际,我们对代表哈波克拉特和伊希斯的两尊埃及雕像进行了研究,以揭示其表面是否存在蓝绿色荧光。经鉴定,哈波克拉特雕像上的鳞片为辉铜矿,而伊希斯雕像上的鳞片则为甲酸铜/乙酸钠,这可能是由于辉铜矿在含有挥发性有机化合物的环境中演变所致。风化现象似乎对相对湿度的周期性变化很敏感,但它似乎很稳定。为了阻止这种现象再次出现,我们进行了实验性处理。一系列的纯水浴提取了大量的钠。这种处理方法似乎很有效,降低了两座雕像再次出现风化的风险。然而,当溶解伊希斯雕像上的沉积物时,其他化合物似乎与水发生了反应,导致酸化并可能与合金中的铅发生反应。表面出现了一层碳酸铅/醋酸盐。随后,这些文物被烘干,并用高浓度丙烯酸清漆加以保护。目前正在对它们进行监测,以确定在展示期间可能出现的新的风化现象。
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引用次数: 0
Technology of Dyeing beyond Text 超越文字的染色技术
IF 1.7 Q1 Arts and Humanities Pub Date : 2024-05-24 DOI: 10.3390/heritage7060127
Anete Karlsone
A major source in the research on Baltic cultural history (Latvia, Estonia), including studies dedicated to the clothing of local inhabitants, are the drawings and descriptions of Johann Christoph Brotze (1742–1823), which date back to the turn of the 18th and 19th centuries. They contain references to dyes and dyeing methods used by local peasants. The information recorded by J. C. Brotze, although fragmentary, is valuable because researchers lack documentary sources about the dyeing methods used in the 18th century in the territory of present-day Latvia. Additional research yields more extensive information about the contents of the descriptions. The current article will describe the experimental method that enabled the establishment of the specific dyeing technique, which, using Bixa orellana L., was employed to obtain the particular orange color referred to in the descriptions.
约翰-克里斯托夫-布罗兹(Johann Christoph Brotze,1742-1823 年)的图画和描述是研究波罗的海文化史(拉脱维亚、爱沙尼亚),包括研究当地居民服饰的主要资料,这些图画和描述可以追溯到 18 世纪和 19 世纪之交。其中提到了当地农民使用的染料和染色方法。J. C. Brotze 记录的信息虽然零散,但却很有价值,因为研究人员缺乏有关 18 世纪在现今拉脱维亚境内使用的染色方法的文献资料。额外的研究可以获得有关描述内容的更多信息。本文将介绍一种实验方法,通过这种方法可以确定特定的染色技术,即使用 Bixa orellana L.来获得描述中提到的特定橙色。
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引用次数: 0
Community Attachment to AlUla Heritage Site and Tourists’ Green Consumption: The Role of Support for Green Tourism Development 社区对 AlUla 遗址的依恋与游客的绿色消费:支持绿色旅游发展的作用
IF 1.7 Q1 Arts and Humanities Pub Date : 2024-05-23 DOI: 10.3390/heritage7060126
I. Elshaer, Mansour A. Alyahya, Alaa M. S. Azazz, Sameh Fayyad
This study explores the interrelationship between community attachment in AlUla Heritage City (located in Saudi Arabia) and tourists’ green consumption practices, testing support for green tourism development as a mediator. The old historical city of AlUla, a significant city experiencing ongoing preservation and tourism development, represents an adequate context for exploring the link between community attachment and green tourism practices. This study employs a quantitative approach, including surveys with 328 local residents of AlUla. A structural equation modeling partial least square (PLS-SEM) analysis is conducted to explore the indirect influence of community attachment on tourists’ green consumption through the mediating role of support for green tourism development. The findings indicated a positive path from community attachment in AlUla to tourists’ tendencies toward green consumption behavior. Moreover, the mediating effects of support for green tourism development suggested that a deep sense of community attachment improves tourists’ support for green practices in the tourism sector. This study adds to the extended body of the literature on place attachment and green tourism by emphasizing the significance of community place attachment in stimulating tourists’ green consumption practices. Several practical implications for policymakers seeking to promote green tourism practices in heritage cities like AlUla are explored from the study results.
本研究探讨了 AlUla 历史古城(位于沙特阿拉伯)的社区归属感与游客绿色消费行为之间的相互关系,并测试了绿色旅游发展作为中介的支持度。AlUla 历史古城是一座正在经历保护和旅游开发的重要城市,为探索社区依恋与绿色旅游实践之间的联系提供了充分的背景。本研究采用定量方法,包括对 328 名 AlUla 当地居民进行调查。研究采用结构方程模型偏最小二乘法(PLS-SEM)分析,通过对绿色旅游发展的支持这一中介作用,探讨社区依恋对游客绿色消费的间接影响。研究结果表明,从 AlUla 的社区依恋到游客的绿色消费行为倾向之间存在正向路径。此外,对绿色旅游发展支持的中介效应表明,深厚的社区依恋感会提高游客对旅游部门绿色实践的支持。本研究强调了社区归属感对刺激游客绿色消费行为的重要意义,从而为有关地方归属感和绿色旅游的大量文献增添了新的内容。研究结果还探讨了在乌拉这样的遗产城市推广绿色旅游实践对政策制定者的若干实际意义。
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引用次数: 0
Seventeenth-Century Barniz de Pasto Objects from the Collection of the Hispanic Society Museum & Library: Materiality and Technology 西班牙协会博物馆和图书馆收藏的十七世纪巴尼兹-德-帕斯托物品:物质性与技术
IF 1.7 Q1 Arts and Humanities Pub Date : 2024-05-18 DOI: 10.3390/heritage7050125
E. Basso, Alicia McGeachy, Maria Goretti Mieites Alonso, Federica Pozzi, Roxanne Radpour, Monica Katz
The Hispanic Society Museum & Library (HSML) holds a collection of nine viceregal barniz de Pasto objects, made by Indigenous artisans in the 17th and 18th centuries. Designed to imitate Asian lacquers and intended for European aesthetic tastes, barniz de Pasto is an example of Indigenous technique and knowledge that has survived to the present day. An in-depth analysis of five of these barniz de Pasto objects, dated to the first half and last quarter of the 17th century based on their iconography, was carried out through a combination of non-invasive and micro-invasive techniques, including portable X-ray fluorescence (pXRF) spectroscopy to investigate the possible presence of inorganic pigments, and fiber-optics reflectance spectroscopy (FORS) and reflectance imaging spectroscopy (RIS) to provide molecular information on colorants and their distributions across the objects. Dyes and pigments were also identified using Raman spectroscopy, Fourier-transform infrared (FTIR) spectroscopy, and liquid chromatography/mass spectrometry (LC/MS). The nature of the resin was determined by FTIR and pyrolysis-gas chromatography/mass spectrometry (Py-GC/MS), while the decoration stratigraphy and composition were analyzed by scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM-EDS). This paper confirms the use of mopa mopa, the resin used in the barniz de Pasto technique, in two objects not previously analyzed, and identifies indigo, insect-based red, calomel, lead white, and an unknown flavonol-based yellow dye, and challenges the use of calomel as a temporal marker for these works. Taken together, these results expand our understanding of the material use and explorations undertaken by artists during this time period to create such elaborate and enduring objects.
西班牙协会博物馆和图书馆(HSML)收藏了九件由土著工匠在 17 和 18 世纪制作的巴尼兹-德-帕斯托(barniz de Pasto)饰品。barniz de Pasto 的设计模仿亚洲漆器,旨在迎合欧洲人的审美趣味,是土著技术和知识流传至今的典范。我们采用非侵入式和微侵入式技术,包括便携式 X 射线荧光光谱仪 (pXRF) 调查可能存在的无机颜料,以及光纤反射光谱仪 (FORS) 和反射成像光谱仪 (RIS),提供着色剂的分子信息及其在器物上的分布情况,对其中五件巴尼斯德帕斯托器物进行了深入分析。此外,还使用拉曼光谱、傅立叶变换红外(FTIR)光谱和液相色谱/质谱(LC/MS)对染料和颜料进行了鉴定。傅立叶变换红外光谱和热解气相色谱/质谱法(Py-GC/MS)确定了树脂的性质,扫描电子显微镜与能量色散 X 射线光谱法(SEM-EDS)分析了装饰层和成分。本文证实了在两件以前未分析过的物品中使用了 mopa mopa(一种用于 barniz de Pasto 技术的树脂),并确定了靛蓝、昆虫红、甘汞、铅白和一种未知的黄酮醇基黄色染料,同时对使用甘汞作为这些作品的时间标记提出了质疑。总之,这些结果拓展了我们对这一时期艺术家使用材料和进行探索的理解,从而创造出如此精致和经久耐用的物品。
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引用次数: 0
An Introduction and Recent Advances in the Analytical Study of Early Synthetic Dyes and Organic Pigments in Cultural Heritage 文化遗产中早期合成染料和有机颜料分析研究的简介和最新进展
IF 1.7 Q1 Arts and Humanities Pub Date : 2024-03-28 DOI: 10.3390/heritage7040094
Diego Tamburini, F. Sabatini, S. Berbers, Maarten R. van Bommel, Ilaria Degano
This article reviews the research recently undertaken to characterise and identify early synthetic dyes (ESDs) and synthetic organic pigments (SOPs) as well as study their degradation pathways with a focus on cultural heritage applications. Since the invention of the first fully synthetic dye in 1856, these materials have been used in a variety of historic objects and artworks, such as textiles, furniture, prints, paintings, drawings, etc. The synthesis of new dyes and their implementation into pigment formulations were rapid phenomena, so that by the beginning of the 20th century, thousands of new molecules were patented and commercialised. This review will focus on these early formulations synthesised up to approximately 1914 and the outbreak of World War I. ESDs and SOPs represent a challenge from an analytical point of view. Molecular databases are fundamental for the unequivocal identification of these compounds, but reference materials are not always readily available. A combination of analytical techniques is often needed for characterisation, especially in the case of SOPs, which have both organic and inorganic components. Furthermore, the degradation of these molecules can jeopardise their detection in historic objects that have been exposed to light, humidity and temperature fluctuations. Nevertheless, ESDs and SOPs are important research tools. As the dates of their first synthesis are often known with precision, based on patent information, their detection can be used to refine the production date of objects. Additionally, their trade from Europe to the world and their adoption in artistic practices around the globe is an active area of research.
本文以文化遗产应用为重点,回顾了近期开展的早期合成染料(ESD)和合成有机颜料(SOP)的特征描述和鉴定及其降解途径研究。自 1856 年发明第一种全合成染料以来,这些材料已被用于各种历史文物和艺术品,如纺织品、家具、版画、油画、素描等。新染料的合成及其在颜料配方中的应用非常迅速,到 20 世纪初,已有数千种新分子获得了专利和商业化。本综述将重点介绍大约在 1914 年和第一次世界大战爆发之前合成的这些早期配方。从分析角度来看,ESD 和 SOP 是一项挑战。分子数据库是明确鉴定这些化合物的基础,但参考材料并非总能轻易获得。通常需要结合多种分析技术来确定其特征,尤其是 SOP,因为它既含有有机成分,也含有无机成分。此外,这些分子的降解可能会影响对暴露在光线、湿度和温度波动下的历史文物的检测。尽管如此,ESD 和 SOP 仍是重要的研究工具。根据专利信息,人们通常可以精确地知道它们的首次合成日期,因此,对它们的检测可用于确定文物的生产日期。此外,它们从欧洲走向世界以及在全球艺术实践中的应用也是一个活跃的研究领域。
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引用次数: 0
Winds of Change: Urgent Challenges and Emerging Opportunities in Submerged Prehistory, a Perspective from the North Sea 变革之风:来自北海的视角:水下史前研究的紧迫挑战和新机遇
IF 1.7 Q1 Arts and Humanities Pub Date : 2024-03-28 DOI: 10.3390/heritage7040093
Vincent Gaffney, Rachel Harding, S. Fitch, James Walker, Victoria Boothby, Andrew Iain Fraser
Development of the continental shelf has accelerated significantly as nations around the world seek to harness offshore renewable energy. Many areas marked for development align with submerged palaeolandscapes. Poorly understood and difficult to protect, these vulnerable, prehistoric landscapes provide specific challenges for heritage management. Indeed, there now appears to be a schism between what underwater cultural heritage policy intends and what it is achieving in practice. Shortcomings in international and national legislature ensures that large parts of the continental shelf, including areas under development, may have little or no legal protection. Increasingly impacted by extensive development, these unique cultural landscapes are ever more at risk. However, heritage challenges posed by such development also create opportunities. An immense amount of data is being generated by development, and there is an opportunity to establish broader cooperative relationships involving industrial stakeholders, national curators, government bodies, and heritage professionals. As a matter of urgency, the archaeological community must better engage with the offshore sector and development process. If achieved, we may revolutionise our knowledge of submerged prehistoric settlement and land use. Otherwise, our capacity to reconstruct prehistoric settlement patterns, learn from past climate change, or simply manage what are among the best-preserved postglacial landscapes globally may be irreparably undermined.
随着世界各国寻求利用近海可再生能源,大陆架的开发速度明显加快。许多开发区域与水下古地貌相吻合。这些脆弱的史前景观鲜为人知,难以保护,给遗产管理带来了特殊的挑战。事实上,水下文化遗产政策的初衷与实际效果之间现在似乎存在分歧。国际和国家立法的缺陷确保了大陆架的大部分区域,包括正在开发的区域,可能很少或根本没有法律保护。这些独特的文化景观日益受到大规模开发的影响,面临着更大的风险。然而,这种开发带来的遗产挑战也创造了机遇。开发过程中产生了大量数据,因此有机会建立更广泛的合作关系,其中包括产业利益相关者、国家馆长、政府机构和遗产专业人员。当务之急是,考古界必须更好地参与近海部门和开发进程。如果能够做到这一点,我们就有可能彻底改变我们对水下史前聚落和土地利用的认识。否则,我们重建史前居住模式、从过去的气候变化中吸取经验教训的能力,或者仅仅是管理全球保存最完好的冰川期后地貌的能力,都可能受到不可挽回的损害。
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