Lucian Cristian Ratoiu, Sister Serafima, Ioana Maria Cortea, Octavian G. Duliu
As part of a detailed investigation project focused on the painting materials and technical features used in Wallachia during the 17th and 18th century, the imperial icon “Mother of God with Child” from the Orthodox Church of the “Annunciation” in Râmnicu Vâlcea, Romania, was investigated before the restoration intervention. A minimally invasive multi-analytical approach consisting of high-resolution digital radiography, hyperspectral imaging, UV fluorescence imaging, portable X-ray fluorescence, and Fourier transform infrared spectroscopy was used. The results emphasized several key features, such as: the structure of the wooden panel, the nature of pigments and of the painting technique frequently used at that time, and various defects of the pictorial layer including traces of previous restoration works, most probably made at the end of the 18th century.
作为详细调查项目的一部分，重点是17世纪和18世纪在瓦拉几亚使用的绘画材料和技术特征，在修复干预之前，对来自罗马尼亚r mnicu v lcea“报信”东正教教堂的帝国圣像“带着孩子的上帝之母”进行了调查。采用高分辨率数字x线摄影、高光谱成像、紫外荧光成像、便携式x射线荧光和傅里叶变换红外光谱等微创多分析方法。结果强调了几个关键特征，例如:木板的结构，颜料的性质和当时常用的绘画技术，以及图像层的各种缺陷，包括以前修复工作的痕迹，最有可能是在18世纪末完成的。
{"title":"A Multi-Analytical Study of a 17th-Century Wallachian Icon Depicting the “Mother of God with Child”","authors":"Lucian Cristian Ratoiu, Sister Serafima, Ioana Maria Cortea, Octavian G. Duliu","doi":"10.3390/heritage6100362","DOIUrl":"https://doi.org/10.3390/heritage6100362","url":null,"abstract":"As part of a detailed investigation project focused on the painting materials and technical features used in Wallachia during the 17th and 18th century, the imperial icon “Mother of God with Child” from the Orthodox Church of the “Annunciation” in Râmnicu Vâlcea, Romania, was investigated before the restoration intervention. A minimally invasive multi-analytical approach consisting of high-resolution digital radiography, hyperspectral imaging, UV fluorescence imaging, portable X-ray fluorescence, and Fourier transform infrared spectroscopy was used. The results emphasized several key features, such as: the structure of the wooden panel, the nature of pigments and of the painting technique frequently used at that time, and various defects of the pictorial layer including traces of previous restoration works, most probably made at the end of the 18th century.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":"28 6","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135413846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Using rock art conservation as a focus, this paper outlines the levels of legislated protection afforded to designated natural and cultural areas/sites in Australia and describes the co-management approach adopted in 1998 in relation to Mutawintji National Park in western New South Wales. The park encompasses four different protection categories: a Historic Site, a Nature Reserve, a National Park, and a State Conservation Area. Known for more than a century, the Historic Site is a major area of rock art containing Aboriginal engravings, paintings and stencils. Management of the Historic Site is a key concern, given the tourist interest and associated potential for accelerated deterioration of cultural heritage. The Mutawintji Plan of Management pointed to the importance of Mutawintji for Aboriginal people to connect with the country, and the co-management model encouraged tourism development as a means of providing employment opportunities as Aboriginal guides. No special legislative requirements in relation to rock art conservation, beyond those already in existence, were applied to the co-management system. Using field knowledge involving rock art research and early guide training programs at Mutawintji and literature sources, this paper suggests possible future approaches to rock art conservation in the Mutawintji Lands.
{"title":"Conservation and Co-Management of Rock Art in National Parks: An Australian Case Study","authors":"Deirdre Dragovich, Farshad Amiraslani","doi":"10.3390/heritage6100360","DOIUrl":"https://doi.org/10.3390/heritage6100360","url":null,"abstract":"Using rock art conservation as a focus, this paper outlines the levels of legislated protection afforded to designated natural and cultural areas/sites in Australia and describes the co-management approach adopted in 1998 in relation to Mutawintji National Park in western New South Wales. The park encompasses four different protection categories: a Historic Site, a Nature Reserve, a National Park, and a State Conservation Area. Known for more than a century, the Historic Site is a major area of rock art containing Aboriginal engravings, paintings and stencils. Management of the Historic Site is a key concern, given the tourist interest and associated potential for accelerated deterioration of cultural heritage. The Mutawintji Plan of Management pointed to the importance of Mutawintji for Aboriginal people to connect with the country, and the co-management model encouraged tourism development as a means of providing employment opportunities as Aboriginal guides. No special legislative requirements in relation to rock art conservation, beyond those already in existence, were applied to the co-management system. Using field knowledge involving rock art research and early guide training programs at Mutawintji and literature sources, this paper suggests possible future approaches to rock art conservation in the Mutawintji Lands.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":"39 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135412999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The employment of technology and digitization is crucial for cultural organizations to establish and sustain digital repositories for their cultural heritage artifacts. This exploitation is also essential in facilitating the presentation of cultural works and exhibits to a broader audience. Consequently, in this work, we propose a custom-developed digital repository that functions as software-as-a-service (SaaS), primarily promoting the safe storage, display, and sharing of cultural materials; enhancing accessibility; and fostering a deeper understanding and appreciation of cultural heritage. The proposed digital repository service is designed as a multitenant architecture, which enables organizations to expand their reach, enhance accessibility, foster collaboration, and ensure the preservation of their content. Moreover, our technology stack incorporates robust and reliable backend technologies, such as Django, to ensure data security and efficient management. Meanwhile, the frontend is powered by Angular, which guarantees a user-friendly and engaging interface for exploring and interacting with cultural materials. Specifically, this project aims to assist each cultural institution in organizing its digital cultural assets into collections and feeding other digital platforms, including educational, museum, pedagogical, and games, through appropriate interfaces. The creation of this digital repository offers a cutting-edge and effective open-access laboratory solution. It allows organizations to have a significant influence on their audiences by fostering cultural understanding and appreciation. Additionally, it facilitates the connection between different digital repositories and national/European aggregators, promoting collaboration and information sharing. By embracing this innovative solution, cultural institutions can benefit from shared resources and features, such as system updates, backup and recovery services, and data analytics tools, attributes that are currently provided by the platform.
{"title":"Digital Repository as a Service (D-RaaS): Enhancing Access and Preservation of Cultural Heritage Artifacts","authors":"Lefteris Tsipi, Demosthenes Vouyioukas, Georgios Loumos, Antonios Kargas, Dimitrios Varoutas","doi":"10.3390/heritage6100359","DOIUrl":"https://doi.org/10.3390/heritage6100359","url":null,"abstract":"The employment of technology and digitization is crucial for cultural organizations to establish and sustain digital repositories for their cultural heritage artifacts. This exploitation is also essential in facilitating the presentation of cultural works and exhibits to a broader audience. Consequently, in this work, we propose a custom-developed digital repository that functions as software-as-a-service (SaaS), primarily promoting the safe storage, display, and sharing of cultural materials; enhancing accessibility; and fostering a deeper understanding and appreciation of cultural heritage. The proposed digital repository service is designed as a multitenant architecture, which enables organizations to expand their reach, enhance accessibility, foster collaboration, and ensure the preservation of their content. Moreover, our technology stack incorporates robust and reliable backend technologies, such as Django, to ensure data security and efficient management. Meanwhile, the frontend is powered by Angular, which guarantees a user-friendly and engaging interface for exploring and interacting with cultural materials. Specifically, this project aims to assist each cultural institution in organizing its digital cultural assets into collections and feeding other digital platforms, including educational, museum, pedagogical, and games, through appropriate interfaces. The creation of this digital repository offers a cutting-edge and effective open-access laboratory solution. It allows organizations to have a significant influence on their audiences by fostering cultural understanding and appreciation. Additionally, it facilitates the connection between different digital repositories and national/European aggregators, promoting collaboration and information sharing. By embracing this innovative solution, cultural institutions can benefit from shared resources and features, such as system updates, backup and recovery services, and data analytics tools, attributes that are currently provided by the platform.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135462904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ana Žuvela, Marta Šveb Dragija, Daniela Angelina Jelinčić
Cultural heritage governance and management has been shifting from the sole authority of the state and public bodies towards approaches that list multi-actor partnerships in several combinations involving public actors, civil society, private actors and community. This paper examines the public–civil, public–private and public–private–community partnerships through expounding rationales, conceptual backgrounds and theoretical framings for each partnership, followed by a systemic review and analysis of the academic literature sourced through the PRISMA protocol. The analysis objective was to assess the main advantages and disadvantages of each of the partnerships in governing and managing cultural heritage, noting the levels of representation of each governance and management approach. The results have shown that the public–civil and public–private–community partnerships have similar advantages and disadvantages, with the public–civil partnership being the least represented approach in the literature, while the public–private partnership has the highest level of representation with advantages and disadvantages that are inclined towards more pragmatic aims than those of the other two examined approaches. The so-called ‘new governance models’ of heritage were also detected in the analysis; however, they represent only a variant of the already analysed models.
{"title":"Partnerships in Heritage Governance and Management: Review Study of Public–Civil, Public–Private and Public–Private–Community Partnerships","authors":"Ana Žuvela, Marta Šveb Dragija, Daniela Angelina Jelinčić","doi":"10.3390/heritage6100358","DOIUrl":"https://doi.org/10.3390/heritage6100358","url":null,"abstract":"Cultural heritage governance and management has been shifting from the sole authority of the state and public bodies towards approaches that list multi-actor partnerships in several combinations involving public actors, civil society, private actors and community. This paper examines the public–civil, public–private and public–private–community partnerships through expounding rationales, conceptual backgrounds and theoretical framings for each partnership, followed by a systemic review and analysis of the academic literature sourced through the PRISMA protocol. The analysis objective was to assess the main advantages and disadvantages of each of the partnerships in governing and managing cultural heritage, noting the levels of representation of each governance and management approach. The results have shown that the public–civil and public–private–community partnerships have similar advantages and disadvantages, with the public–civil partnership being the least represented approach in the literature, while the public–private partnership has the highest level of representation with advantages and disadvantages that are inclined towards more pragmatic aims than those of the other two examined approaches. The so-called ‘new governance models’ of heritage were also detected in the analysis; however, they represent only a variant of the already analysed models.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135569726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper describes the operations carried out to generate a georeferenced heritage inventory at a supra-municipal scale. The tool establishes links between its heritage elements based on the features and characteristics of the territory. The work has been carried out on the fluvial zone of the Lower Guadalquivir, an area of approximately 8500 km2 located in Andalusia in the south of Spain. The method used is based on the digital inventory of the Andalusian immovable historical heritage generated by the Andalusian Institute of Historical Heritage, in which more than 500 heritage assets in the study area are indexed. The work begins with the expansion and processing of these assets with the aim of reorganizing them and establishing new parameters in their classification schemes. Subsequently, a spatial analysis developed in a GIS environment detects relationships between heritage assets determined by the physical characteristics of the territory. These relationships are contrasted by historical research, and eight heritage networks in the territory are defined as a result. Finally, one of the networks is used to show how, from the graph theory, it is possible to investigate the detected links. Ultimately, it is discussed how this study allows us to move toward new models of the heritage management of territorial dimension and relational vocation.
{"title":"Networked Heritage Management in the Lower Guadalquivir (Spain)","authors":"Marina López Sánchez, Cristina Vicente Gilabert","doi":"10.3390/heritage6100356","DOIUrl":"https://doi.org/10.3390/heritage6100356","url":null,"abstract":"This paper describes the operations carried out to generate a georeferenced heritage inventory at a supra-municipal scale. The tool establishes links between its heritage elements based on the features and characteristics of the territory. The work has been carried out on the fluvial zone of the Lower Guadalquivir, an area of approximately 8500 km2 located in Andalusia in the south of Spain. The method used is based on the digital inventory of the Andalusian immovable historical heritage generated by the Andalusian Institute of Historical Heritage, in which more than 500 heritage assets in the study area are indexed. The work begins with the expansion and processing of these assets with the aim of reorganizing them and establishing new parameters in their classification schemes. Subsequently, a spatial analysis developed in a GIS environment detects relationships between heritage assets determined by the physical characteristics of the territory. These relationships are contrasted by historical research, and eight heritage networks in the territory are defined as a result. Finally, one of the networks is used to show how, from the graph theory, it is possible to investigate the detected links. Ultimately, it is discussed how this study allows us to move toward new models of the heritage management of territorial dimension and relational vocation.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135778881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This review paper aims to provide a meta-analysis of the scientific literature for heritage documentation and monitoring using geo-information sensors. The study initially introduces the main types of geomatic sensors that are currently widely used for heritage studies. Although the list provided here is indicative rather than exhaustive, it provides a general overview of the variety of sensors used for different observation scales. The study next focuses on the existing literature, based on published documents. Targeted queries were implemented to the Scopus database to extract the relevant information. Filtering was then applied to the results so as to limit the analysis on the specific thematic sub-domains that is applied for heritage documentation and monitoring. These domains include, among other close-range and underwater photogrammetry, Terrestrial Laser Scanner, Unmanned Aerial Vehicles platforms, and satellite observations. In total, more than 12,000 documents were further elaborated. The overall findings are summarized and presented here, providing further insights into the current status of the domain.
{"title":"Geomatic Sensors for Heritage Documentation: A Meta-Analysis of the Scientific Literature","authors":"Athos Agapiou, Dimitrios Skarlatos","doi":"10.3390/heritage6100357","DOIUrl":"https://doi.org/10.3390/heritage6100357","url":null,"abstract":"This review paper aims to provide a meta-analysis of the scientific literature for heritage documentation and monitoring using geo-information sensors. The study initially introduces the main types of geomatic sensors that are currently widely used for heritage studies. Although the list provided here is indicative rather than exhaustive, it provides a general overview of the variety of sensors used for different observation scales. The study next focuses on the existing literature, based on published documents. Targeted queries were implemented to the Scopus database to extract the relevant information. Filtering was then applied to the results so as to limit the analysis on the specific thematic sub-domains that is applied for heritage documentation and monitoring. These domains include, among other close-range and underwater photogrammetry, Terrestrial Laser Scanner, Unmanned Aerial Vehicles platforms, and satellite observations. In total, more than 12,000 documents were further elaborated. The overall findings are summarized and presented here, providing further insights into the current status of the domain.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135779026","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Adam R. Szromek, Bartłomiej Walas, Zygmunt Kruczek
The process of coming out of the COVID-19 pandemic is an opportunity to create various scenarios for returning to the path of tourism development. The search for suitable and effective solutions was at the heart of the Tourism Friendly Cities project, in which eight European cities participated. The aim is to define the challenges and tools related to the sustainability of urban tourism. The empirical research was based on the opinions of experts from eight cities involved, and concerned four thematic areas: the quality of life and tourism in the city before and during/after COVID-19, tourism dysfunctions, the sources of conflicts between local stakeholders, and the tools for the sustainable reconstruction of tourism. The results confirmed the existence of a wide range of declared tools for the development of sustainable tourism after the pandemic. The conducted research indicates key areas of conflict in the field of tourism activity. The authors also come to the conclusion that tools for regulating tourist traffic should not be universal, but should meet the individual needs of the city.
{"title":"Identification of Challenges for the Reconstruction of Heritage Tourism—Multiple Case Studies of European Heritage Cities","authors":"Adam R. Szromek, Bartłomiej Walas, Zygmunt Kruczek","doi":"10.3390/heritage6100355","DOIUrl":"https://doi.org/10.3390/heritage6100355","url":null,"abstract":"The process of coming out of the COVID-19 pandemic is an opportunity to create various scenarios for returning to the path of tourism development. The search for suitable and effective solutions was at the heart of the Tourism Friendly Cities project, in which eight European cities participated. The aim is to define the challenges and tools related to the sustainability of urban tourism. The empirical research was based on the opinions of experts from eight cities involved, and concerned four thematic areas: the quality of life and tourism in the city before and during/after COVID-19, tourism dysfunctions, the sources of conflicts between local stakeholders, and the tools for the sustainable reconstruction of tourism. The results confirmed the existence of a wide range of declared tools for the development of sustainable tourism after the pandemic. The conducted research indicates key areas of conflict in the field of tourism activity. The authors also come to the conclusion that tools for regulating tourist traffic should not be universal, but should meet the individual needs of the city.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135888439","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper presents a preliminary scientific investigation of pigments used by Martiros Sarian, a prominent Armenian artist known for his vibrant and evocative paintings. The study focuses on five of Sarian’s paintings from different periods of his career, namely, Morning in Stavrino, Arabian Dancer, Caravan, Yerevan Zangu River, and Kirovakan, dated between 1909 and 1948. Non-destructive techniques, including micro-attenuated total reflection Fourier transform infrared (ATR-FTIR) spectroscopic imaging and X-ray fluorescence (XRF), were employed to characterize the pigments in the samples extracted from these paintings. The results reveal the presence of various pigments, including ultramarine blue, cobalt blue, cobalt cerulean blue, viridian, emerald green, cobalt green, celadonite green, cadmium yellow, chrome yellow, Venetian red, yellow ochre, red ochre, lead white, zinc white, and calcium carbonate. Additionally, metal carboxylates and oxalates, degradation products associated with the paint layers, were observed and discussed. The findings contribute to a better understanding of Sarian’s artistic technique and provide valuable insights for the conservation and restoration of his artworks.
{"title":"Characterization and Degradation Analysis of Pigments in Paintings by Martiros Sarian: Attenuated Total Reflection Fourier Transform Infrared Spectroscopic Imaging and X-ray Fluorescence Approach","authors":"Guan-Lin Liu, Sergei G. Kazarian","doi":"10.3390/heritage6100354","DOIUrl":"https://doi.org/10.3390/heritage6100354","url":null,"abstract":"This paper presents a preliminary scientific investigation of pigments used by Martiros Sarian, a prominent Armenian artist known for his vibrant and evocative paintings. The study focuses on five of Sarian’s paintings from different periods of his career, namely, Morning in Stavrino, Arabian Dancer, Caravan, Yerevan Zangu River, and Kirovakan, dated between 1909 and 1948. Non-destructive techniques, including micro-attenuated total reflection Fourier transform infrared (ATR-FTIR) spectroscopic imaging and X-ray fluorescence (XRF), were employed to characterize the pigments in the samples extracted from these paintings. The results reveal the presence of various pigments, including ultramarine blue, cobalt blue, cobalt cerulean blue, viridian, emerald green, cobalt green, celadonite green, cadmium yellow, chrome yellow, Venetian red, yellow ochre, red ochre, lead white, zinc white, and calcium carbonate. Additionally, metal carboxylates and oxalates, degradation products associated with the paint layers, were observed and discussed. The findings contribute to a better understanding of Sarian’s artistic technique and provide valuable insights for the conservation and restoration of his artworks.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135994719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Marco Merella, Simone Farina, Patrizia Scaglia, Gaia Caneve, Giada Bernardini, Alice Pieri, Alberto Collareta, Giovanni Bianucci
The Natural History Museum of the University of Pisa hosts one of the most important osteological collections of cetaceans all over Europe, as well as a conspicuous paleontological collection, including several holotypes of Archaeoceti (archaic whales), Mysticeti (baleen whales), and Odontoceti (toothed whales). In order to valorize these collections, we used 3D technologies to digitize the most relevant specimens, create an online archive, and make the resulting models accessible and shareable with the broadest audience possible through social media profiles and internet browsers. Tens of specimens were surface-scanned using a structured-light scanner, and the resulting 3D models were processed for post-production through the 3D software Blender whenever necessary. All the 3D scans were then gathered in the online repository Sketchfab, which was chosen for its user-friendly interface and common usage among museum institutions. The result is a web page that hosts 35 surface scans of extant and extinct cetacean specimens. This Sketchfab account was linked to the social media (Facebook and Instagram) profiles of the MSNUP to increase the visibility of the museum and promote the dissemination of its outstanding collections of modern and fossil cetaceans. The preliminary results of such an effort are encouraging in terms of views and online interactions. Hopefully, this effort of digitization and online archiving will soon extend to other vertebrate collections.
{"title":"Structured-Light 3D Scanning as a Tool for Creating a Digital Collection of Modern and Fossil Cetacean Skeletons (Natural History Museum, University of Pisa)","authors":"Marco Merella, Simone Farina, Patrizia Scaglia, Gaia Caneve, Giada Bernardini, Alice Pieri, Alberto Collareta, Giovanni Bianucci","doi":"10.3390/heritage6100353","DOIUrl":"https://doi.org/10.3390/heritage6100353","url":null,"abstract":"The Natural History Museum of the University of Pisa hosts one of the most important osteological collections of cetaceans all over Europe, as well as a conspicuous paleontological collection, including several holotypes of Archaeoceti (archaic whales), Mysticeti (baleen whales), and Odontoceti (toothed whales). In order to valorize these collections, we used 3D technologies to digitize the most relevant specimens, create an online archive, and make the resulting models accessible and shareable with the broadest audience possible through social media profiles and internet browsers. Tens of specimens were surface-scanned using a structured-light scanner, and the resulting 3D models were processed for post-production through the 3D software Blender whenever necessary. All the 3D scans were then gathered in the online repository Sketchfab, which was chosen for its user-friendly interface and common usage among museum institutions. The result is a web page that hosts 35 surface scans of extant and extinct cetacean specimens. This Sketchfab account was linked to the social media (Facebook and Instagram) profiles of the MSNUP to increase the visibility of the museum and promote the dissemination of its outstanding collections of modern and fossil cetaceans. The preliminary results of such an effort are encouraging in terms of views and online interactions. Hopefully, this effort of digitization and online archiving will soon extend to other vertebrate collections.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":"118 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135805436","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In recent times, the significance of living heritage during crises has gained prominence. While the aftermath of such crises often leads to lessons being forgotten, those in conflict zones persistently endure hardships. This study examines the pivotal role of intangible cultural heritage (ICH) in bolstering resilience, particularly among diaspora communities, using Syrians in the UK as a case study. We delve into the primary ICH practices that they adopt, their assimilation techniques within the UK, the impact of wartime experiences on their reactions to the COVID-19 pandemic lockdown, and the consequent effects on host communities. Employing a diverse methodological framework that includes online public lectures, interviews, and direct observations, our results underscore the Syrian diaspora’s earnest commitment to preserving its rich heritage. Beyond the poignant losses of invaluable art and treasures to conflict, a dominant narrative of hope and enduring human spirit emerges. As illuminated by our findings, Syrians’ resilience extends beyond mere survival, reflecting a deep-seated pride in identity and an unyielding cultural spirit. This resilience not only marks the continuation of Syrian culture but also highlights its capacity to evolve, adapt, and enrich new environments.
{"title":"Preserving and Celebrating Syrian Intangible Cultural Heritage in the UK: Strategies, Insights, and Untold Narratives","authors":"Ataa Alsalloum","doi":"10.3390/heritage6100351","DOIUrl":"https://doi.org/10.3390/heritage6100351","url":null,"abstract":"In recent times, the significance of living heritage during crises has gained prominence. While the aftermath of such crises often leads to lessons being forgotten, those in conflict zones persistently endure hardships. This study examines the pivotal role of intangible cultural heritage (ICH) in bolstering resilience, particularly among diaspora communities, using Syrians in the UK as a case study. We delve into the primary ICH practices that they adopt, their assimilation techniques within the UK, the impact of wartime experiences on their reactions to the COVID-19 pandemic lockdown, and the consequent effects on host communities. Employing a diverse methodological framework that includes online public lectures, interviews, and direct observations, our results underscore the Syrian diaspora’s earnest commitment to preserving its rich heritage. Beyond the poignant losses of invaluable art and treasures to conflict, a dominant narrative of hope and enduring human spirit emerges. As illuminated by our findings, Syrians’ resilience extends beyond mere survival, reflecting a deep-seated pride in identity and an unyielding cultural spirit. This resilience not only marks the continuation of Syrian culture but also highlights its capacity to evolve, adapt, and enrich new environments.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136014093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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