Different regions around the world are experiencing climate risks, including increasing temperatures, rapid changes in rainfall patterns, loss of biodiversity and extreme weather events. Within the last decade, Nigeria has experienced a series of localised and regional drought and flooding events affecting not only arable farmlands but also cultural heritage, including heritage buildings and cultural landscapes. This study assesses climate-related risks affecting cultural heritage using the ABC risk assessment method to understand the impacts of key climate drivers. The assessment method was applied to five cultural heritage sites with different values and functions. The findings revealed that changes in precipitation and wind speed and direction induce most of the sudden-onset impacts, such as bushfires, flooding and physical collapse. A sense of community connection and attachment to the built heritage remain strong but there have been limited efforts to implement actions that address climate risks to the built heritage and its surrounding spaces. The output of the assessment contributes to risk prioritisation and informs decision making for developing the needed adaptive actions. The study demonstrates the need to leverage climate information collected by different national and international organisations not to only assess climate risks to heritage but also to improve the involvement of local communities and non-heritage professionals in developing adaptation actions for built heritage.
{"title":"Climate Risk Management in Cultural Heritage for Inclusive Adaptation Actions in Nigeria","authors":"O. Adetunji, Cathy Daly","doi":"10.3390/heritage7030060","DOIUrl":"https://doi.org/10.3390/heritage7030060","url":null,"abstract":"Different regions around the world are experiencing climate risks, including increasing temperatures, rapid changes in rainfall patterns, loss of biodiversity and extreme weather events. Within the last decade, Nigeria has experienced a series of localised and regional drought and flooding events affecting not only arable farmlands but also cultural heritage, including heritage buildings and cultural landscapes. This study assesses climate-related risks affecting cultural heritage using the ABC risk assessment method to understand the impacts of key climate drivers. The assessment method was applied to five cultural heritage sites with different values and functions. The findings revealed that changes in precipitation and wind speed and direction induce most of the sudden-onset impacts, such as bushfires, flooding and physical collapse. A sense of community connection and attachment to the built heritage remain strong but there have been limited efforts to implement actions that address climate risks to the built heritage and its surrounding spaces. The output of the assessment contributes to risk prioritisation and informs decision making for developing the needed adaptive actions. The study demonstrates the need to leverage climate information collected by different national and international organisations not to only assess climate risks to heritage but also to improve the involvement of local communities and non-heritage professionals in developing adaptation actions for built heritage.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":null,"pages":null},"PeriodicalIF":1.7,"publicationDate":"2024-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140411706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Valentina Lončarić, Ana Margarida Arruda, P. Barrulas, Mafalda Costa
Phoenician colonisation of the Iberian Peninsula in the 1st millennium BCE introduced many novel and luxurious goods to the local populations of the Western Mediterranean. Among them, black-appearing glass beads are characteristic of indigenous female burials in Southern Portugal during the 6th century BCE. This study presents the results of the first comprehensive archaeometric investigation of black-appearing glass from Vinha das Caliças 4 (Portugal), and of black-appearing glass from the Iberian Peninsula in general. A multi-analytical approach employing Stereomicroscopic observation of manufacture and use traces, VP-SEM-EDS, μ-XRD, and LA-ICP-MS was used to cover a wide range of questions regarding technology and provenance. All analysed samples are natron glass. All samples of black and white beads are characterized by high Zr and low Sr values typically ascribed to the use of Egyptian sands. A comparison of the results of previous studies from the same site clearly demonstrates at least two geochemical provenances for Phoenician-traded glass beads, located in the Levantine region and Egypt, respectively. Furthermore, different colours of glass in individual polychrome beads exhibit similar trace element patterns, which might suggest these beads could have been produced close to glassmaking sites/regions.
公元前一千年，腓尼基人在伊比利亚半岛殖民，为西地中海的当地居民带来了许多新奇的奢侈品。其中，黑色玻璃珠是公元前 6 世纪葡萄牙南部土著女性墓葬的特征。本研究介绍了对 Vinha das Caliças 4（葡萄牙）出土的黑面玻璃以及整个伊比利亚半岛出土的黑面玻璃进行的首次全面考古计量学调查的结果。采用立体显微镜观察制造和使用痕迹、VP-SEM-EDS、μ-XRD 和 LA-ICP-MS 等多种分析方法，涵盖了有关技术和来源的广泛问题。所有分析样品均为纳特伦玻璃。所有黑珠和白珠样品都具有高 Zr 值和低 Sr 值的特点，这通常是由于使用了埃及砂。对比之前对同一遗址的研究结果，可以清楚地看出腓尼基人交易的玻璃珠至少有两个地球化学产地，分别位于黎凡特地区和埃及。此外，个别多色玻璃珠中不同颜色的玻璃呈现出相似的微量元素模式，这可能表明这些玻璃珠可能是在玻璃制造遗址/地区附近生产的。
{"title":"An Archaeometric Analysis of Black-Appearing Iron Age Glass Beads from Vinha das Caliças 4 (Portugal)","authors":"Valentina Lončarić, Ana Margarida Arruda, P. Barrulas, Mafalda Costa","doi":"10.3390/heritage7030061","DOIUrl":"https://doi.org/10.3390/heritage7030061","url":null,"abstract":"Phoenician colonisation of the Iberian Peninsula in the 1st millennium BCE introduced many novel and luxurious goods to the local populations of the Western Mediterranean. Among them, black-appearing glass beads are characteristic of indigenous female burials in Southern Portugal during the 6th century BCE. This study presents the results of the first comprehensive archaeometric investigation of black-appearing glass from Vinha das Caliças 4 (Portugal), and of black-appearing glass from the Iberian Peninsula in general. A multi-analytical approach employing Stereomicroscopic observation of manufacture and use traces, VP-SEM-EDS, μ-XRD, and LA-ICP-MS was used to cover a wide range of questions regarding technology and provenance. All analysed samples are natron glass. All samples of black and white beads are characterized by high Zr and low Sr values typically ascribed to the use of Egyptian sands. A comparison of the results of previous studies from the same site clearly demonstrates at least two geochemical provenances for Phoenician-traded glass beads, located in the Levantine region and Egypt, respectively. Furthermore, different colours of glass in individual polychrome beads exhibit similar trace element patterns, which might suggest these beads could have been produced close to glassmaking sites/regions.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":null,"pages":null},"PeriodicalIF":1.7,"publicationDate":"2024-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140410997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Victor J. Chen, Gregory D. Smith, Amanda Holden, Sadie Arft
This paper describes the identification of dyes on fifty yarn samples from a tapestry created by the well-known 17th-century Flemish workshop of the Mattens family. The design of the tapestry is based on the first of ten drawings known as the Acts of the Apostles by the famed 16th-century Italian painter Raphael. The drawings were commissioned by Pope Leo X and translated into tapestries by Pieter van Aelst; these original tapestries are still in the collection of the Vatican Museums. The present work was reproduced over a century later from the original drawing and is one in a possible set of nearly fifty known copies of the original tapestry cycle. Most of the Mattens yarn samples were found to be dyed by weld, indigo, and madder, as well as a few using brazilwood and lichen, but no insect dyes were detected. A significant finding in the present study was the detection of the dye component pseudoindirubin 1, alongside indigotin and indirubin, as well as yarns that only yielded the latter two dyes. The implication of using this new marker as objective evidence of the use of both woad and most likely Asian indigo is explored. The historical and conservation significance of the dyestuffs identified is also discussed.
{"title":"Dye Analysis of a 17th-Century Mattens Workshop Tapestry Based on Raphael’s Drawing, The Miraculous Draught of Fishes","authors":"Victor J. Chen, Gregory D. Smith, Amanda Holden, Sadie Arft","doi":"10.3390/heritage7030059","DOIUrl":"https://doi.org/10.3390/heritage7030059","url":null,"abstract":"This paper describes the identification of dyes on fifty yarn samples from a tapestry created by the well-known 17th-century Flemish workshop of the Mattens family. The design of the tapestry is based on the first of ten drawings known as the Acts of the Apostles by the famed 16th-century Italian painter Raphael. The drawings were commissioned by Pope Leo X and translated into tapestries by Pieter van Aelst; these original tapestries are still in the collection of the Vatican Museums. The present work was reproduced over a century later from the original drawing and is one in a possible set of nearly fifty known copies of the original tapestry cycle. Most of the Mattens yarn samples were found to be dyed by weld, indigo, and madder, as well as a few using brazilwood and lichen, but no insect dyes were detected. A significant finding in the present study was the detection of the dye component pseudoindirubin 1, alongside indigotin and indirubin, as well as yarns that only yielded the latter two dyes. The implication of using this new marker as objective evidence of the use of both woad and most likely Asian indigo is explored. The historical and conservation significance of the dyestuffs identified is also discussed.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":null,"pages":null},"PeriodicalIF":1.7,"publicationDate":"2024-02-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140426619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
M. Amadori, Valeria Mengacci, P. Callieri, Alireza Askari Chaverdi, Matteo Bartolucci, Negar Eftekhari, Alessia Andreotti, P. Holakooei
Ancient Ardaxšīr Khwarrah, today known as Shahr-e Gur, situated near the modern town of Firuzabad in Fars, Iran, holds historical significance as the inaugural capital city of the Sasanian Empire. During archaeological excavations conducted in 2005 by an Iranian–German team directed by Mas‘oud Azarnoush and Dietrich Huff, a mud-brick complex was uncovered, revealing a remarkably well-preserved stretch of wall painting and a polychrome painted floor. The discovery prompted the hypothesis of a potential funerary context dating back to the Sasanian period. Both the wall painting and painted floor have suffered extensive deterioration attributed to the environmental conditions of the archaeological site, which was inscribed on the UNESCO World Heritage List in 2020. To address the urgent need for preservation and further understanding of the site’s artistic and structural elements, an emergency diagnostic project was initiated. Non-invasive investigations were carried out on the wall and floor by optical digital microscopy and portable energy-dispersive X-ray fluorescence. Additionally, representative minute samples underwent analysis through various techniques, including micro-X-ray fluorescence, polarised light microscopy, scanning electron microscopy with energy-dispersive X-ray spectroscopy, micro-Raman spectroscopy, micro-Fourier Transform Infrared Spectroscopy, gas chromatography-mass spectrometry and pyrolysis coupled with gas chromatography-mass spectrometry. The palette of the floor and mural paintings were identified to contain red and yellow ochres, lead-based pigments, carbon black and bone white. The unexpected presence of Egyptian blue mixed with green earth was recognised in the green hues of the wall painting. The detection of protein material in both the wall painting and polychrome floor indicates the use of “a secco” technique, thereby shedding light on the artistic practices employed in Ardaxšīr Khwarrah.
古阿尔达希尔-胡瓦拉（Ardaxšīr Khwarrah）今天被称为沙尔-古尔（Shahr-e Gur），位于伊朗法尔斯的现代城镇菲鲁扎巴德附近，作为萨珊帝国的开国都城具有重要的历史意义。2005 年，由 Mas'oud Azarnoush 和 Dietrich Huff 领导的一个伊朗-德国考古队进行考古发掘时，发现了一个泥砖建筑群，揭示了一段保存完好的壁画和多色彩绘地板。这一发现促使人们假设这里可能是萨珊王朝时期的殡葬场所。由于考古遗址的环境条件，壁画和彩绘地板都出现了大面积的破损，该遗址已于 2020 年被列入联合国教科文组织世界遗产名录。为了满足保护和进一步了解遗址艺术和结构元素的迫切需要，启动了一个紧急诊断项目。通过光学数字显微镜和便携式能量色散 X 射线荧光技术，对墙壁和地板进行了非侵入式调查。此外，还通过各种技术对具有代表性的微小样本进行了分析，包括显微 X 射线荧光、偏振光显微镜、扫描电子显微镜与能量色散 X 射线光谱、显微拉曼光谱、显微傅立叶变换红外光谱、气相色谱-质谱法和热解耦合气相色谱-质谱法。经鉴定，地画和壁画的调色板中含有红色和黄色赭石、铅基颜料、碳黑和骨白。在壁画的绿色色调中，意外地发现了埃及蓝与绿土的混合。在壁画和多色地板中发现的蛋白质材料表明使用了 "a secco "技术，从而揭示了 Ardaxšīr Khwarrah 的艺术实践。
{"title":"Integrated Investigations of Painting Materials in the Sasanian City of Ardaxšīr Khwarrah, near Firuzabad (Southern Iran)","authors":"M. Amadori, Valeria Mengacci, P. Callieri, Alireza Askari Chaverdi, Matteo Bartolucci, Negar Eftekhari, Alessia Andreotti, P. Holakooei","doi":"10.3390/heritage7030058","DOIUrl":"https://doi.org/10.3390/heritage7030058","url":null,"abstract":"Ancient Ardaxšīr Khwarrah, today known as Shahr-e Gur, situated near the modern town of Firuzabad in Fars, Iran, holds historical significance as the inaugural capital city of the Sasanian Empire. During archaeological excavations conducted in 2005 by an Iranian–German team directed by Mas‘oud Azarnoush and Dietrich Huff, a mud-brick complex was uncovered, revealing a remarkably well-preserved stretch of wall painting and a polychrome painted floor. The discovery prompted the hypothesis of a potential funerary context dating back to the Sasanian period. Both the wall painting and painted floor have suffered extensive deterioration attributed to the environmental conditions of the archaeological site, which was inscribed on the UNESCO World Heritage List in 2020. To address the urgent need for preservation and further understanding of the site’s artistic and structural elements, an emergency diagnostic project was initiated. Non-invasive investigations were carried out on the wall and floor by optical digital microscopy and portable energy-dispersive X-ray fluorescence. Additionally, representative minute samples underwent analysis through various techniques, including micro-X-ray fluorescence, polarised light microscopy, scanning electron microscopy with energy-dispersive X-ray spectroscopy, micro-Raman spectroscopy, micro-Fourier Transform Infrared Spectroscopy, gas chromatography-mass spectrometry and pyrolysis coupled with gas chromatography-mass spectrometry. The palette of the floor and mural paintings were identified to contain red and yellow ochres, lead-based pigments, carbon black and bone white. The unexpected presence of Egyptian blue mixed with green earth was recognised in the green hues of the wall painting. The detection of protein material in both the wall painting and polychrome floor indicates the use of “a secco” technique, thereby shedding light on the artistic practices employed in Ardaxšīr Khwarrah.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":null,"pages":null},"PeriodicalIF":1.7,"publicationDate":"2024-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140429031","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
M. Botticelli, C. Miliani, Eva Luna Ravan, C. Caliri, Francesco Paolo Romano
In a recent non-destructive analytical campaign at Museo Civico, Castello Ursino, in Catania, Italy, several paintings in the permanent collection were investigated by MA-XRF scanning, with a special focus on Matthias Stomer’s production. On one depiction of the Mocking of Christ (ca. 1640) donated to the municipality of Catania by G.B. Finocchiaro in 1826, the analysis documented the use of Naples yellow. Sb with Pb was detected in yellow areas of the Mocking of Christ, but not in his work Tobias healing his father. This finding possibly suggested an early use of lead antimonate yellow in South Italy, although it is generally accepted that this pigment was introduced in painting in the eighteenth century. Further details on his technique and later conservation treatments are provided, as well as literary comparisons with the artistic production during the same period, in Sicily and elsewhere. A systematic study of Stomer’s works, for example examining paintings produced while he was in Naples or Rome, might determine whether this material choice depended on local availability. Overall, it would shed light on his technique, as well as on the history of Naples yellow in southern Italy and beyond, before this pigment became so popular in the eighteenth century.
{"title":"Naples Yellow Revisited: Insights into Trades and Use in 17th-Century Sicily from the Macro X-ray Fluorescence Scanning of Matthias Stomer’s ‘The Mocking of Christ’","authors":"M. Botticelli, C. Miliani, Eva Luna Ravan, C. Caliri, Francesco Paolo Romano","doi":"10.3390/heritage7030057","DOIUrl":"https://doi.org/10.3390/heritage7030057","url":null,"abstract":"In a recent non-destructive analytical campaign at Museo Civico, Castello Ursino, in Catania, Italy, several paintings in the permanent collection were investigated by MA-XRF scanning, with a special focus on Matthias Stomer’s production. On one depiction of the Mocking of Christ (ca. 1640) donated to the municipality of Catania by G.B. Finocchiaro in 1826, the analysis documented the use of Naples yellow. Sb with Pb was detected in yellow areas of the Mocking of Christ, but not in his work Tobias healing his father. This finding possibly suggested an early use of lead antimonate yellow in South Italy, although it is generally accepted that this pigment was introduced in painting in the eighteenth century. Further details on his technique and later conservation treatments are provided, as well as literary comparisons with the artistic production during the same period, in Sicily and elsewhere. A systematic study of Stomer’s works, for example examining paintings produced while he was in Naples or Rome, might determine whether this material choice depended on local availability. Overall, it would shed light on his technique, as well as on the history of Naples yellow in southern Italy and beyond, before this pigment became so popular in the eighteenth century.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":null,"pages":null},"PeriodicalIF":1.7,"publicationDate":"2024-02-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140433637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the face of escalating global concerns surrounding environmental sustainability and the preservation of cultural heritage, this research explores the intricate connection between residents’ environmentally responsible conduct (ERB) and tourists’ sustainable involvement with cultural heritage sites (SU). Highlighting the pivotal importance of destination identification (DI) as a mediator and self-congruity (SC) as a moderator, our study utilizes a quantitative data approach to investigate the nuanced relationships inherent in the domain of tourism destinations. The data were collected from 324 tourists (visiting Luxor heritage city in Egypt) and analyzed by PLS-SEM, and the results showed a positive correlation between residents who strongly identify with their local environment and an increased dedication to environmentally responsible actions. Moreover, tourists who demonstrate elevated levels of self-congruity with the cultural heritage destination are inclined to embrace more sustainable behaviors, thereby making positive contributions to heritage preservation initiatives. This study enriches the evolving domain of sustainable tourism by providing insights into the intricate interactions between residents and tourists, fostering environmentally responsible behavior, and promoting the sustainable utilization of cultural heritage. Practical applications encompass the formulation of community-based interventions, the design of destination marketing strategies, and the proposal of policy recommendations. These initiatives aim to enhance the engagement of both residents and tourists, fostering the long-term preservation of cultural and environmental assets. Ultimately, the research seeks to guide sustainable tourism practices that strike a balance between the economic advantages of tourism and the essential preservation of cultural heritage and natural environments for future generations.
{"title":"Residents’ Environmentally Responsible Behavior and Tourists’ Sustainable Use of Cultural Heritage: Mediation of Destination Identification and Self-Congruity as a Moderator","authors":"I. Elshaer, Alaa M. S. Azazz, Sameh Fayyad","doi":"10.3390/heritage7030056","DOIUrl":"https://doi.org/10.3390/heritage7030056","url":null,"abstract":"In the face of escalating global concerns surrounding environmental sustainability and the preservation of cultural heritage, this research explores the intricate connection between residents’ environmentally responsible conduct (ERB) and tourists’ sustainable involvement with cultural heritage sites (SU). Highlighting the pivotal importance of destination identification (DI) as a mediator and self-congruity (SC) as a moderator, our study utilizes a quantitative data approach to investigate the nuanced relationships inherent in the domain of tourism destinations. The data were collected from 324 tourists (visiting Luxor heritage city in Egypt) and analyzed by PLS-SEM, and the results showed a positive correlation between residents who strongly identify with their local environment and an increased dedication to environmentally responsible actions. Moreover, tourists who demonstrate elevated levels of self-congruity with the cultural heritage destination are inclined to embrace more sustainable behaviors, thereby making positive contributions to heritage preservation initiatives. This study enriches the evolving domain of sustainable tourism by providing insights into the intricate interactions between residents and tourists, fostering environmentally responsible behavior, and promoting the sustainable utilization of cultural heritage. Practical applications encompass the formulation of community-based interventions, the design of destination marketing strategies, and the proposal of policy recommendations. These initiatives aim to enhance the engagement of both residents and tourists, fostering the long-term preservation of cultural and environmental assets. Ultimately, the research seeks to guide sustainable tourism practices that strike a balance between the economic advantages of tourism and the essential preservation of cultural heritage and natural environments for future generations.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":null,"pages":null},"PeriodicalIF":1.7,"publicationDate":"2024-02-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140437582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Heritage tourism in Egypt, differentiated by its distinctive ancient wonders and cultural prosperity, has faced numerous challenges through its history, with political unrest, economic fluctuations, and, most recently, the global COVID-19 pandemic. This research paper investigates the dynamic interplay between planned and adopted resilience within the hotel sector in Egyptian heritage sites and their consequential effects on both social and economic sustainability. A quantitative research method was employed to empirically explore these dynamics. A structured questionnaire was distributed to 550 top and middle managers in hotels located in heritage sites, capturing insights into their perspectives on planned and adopted resilience. The collected data underwent rigorous analysis utilizing “partial least squares structural equation modeling” (PLS-SEM), providing a robust foundation for drawing meaningful conclusions. Findings from the research underscore the necessity of aligning planned and adopted resilience to generate sustainable social and economic performance. The synthesis of planned and adopted resilience was revealed to be pivotal in generating sustainable social and economic performance for hotels. This synthesis catalyzes the hotels’ ability to mitigate uncertainties, adjust to changing environment, and ensure long-term viability. This research might contribute to the current literature by suggesting industry-specific awareness for the reciprocal relationship between planned and adopted resilience in the hotel businesses and their combined influence on both sides of sustainability (social and economic). The findings provide actionable recommendations for hotel management, policymakers, and industry stakeholders to enhance resilience, foster social cohesion, and ensure the economic sustainability of heritage tourism in an everchanging environment.
{"title":"Heritage Tourism Resilience and Sustainable Performance Post COVID-19: Evidence from Hotels Sector","authors":"Alaa M. S. Azzaz, I. Elshaer","doi":"10.3390/heritage7030055","DOIUrl":"https://doi.org/10.3390/heritage7030055","url":null,"abstract":"Heritage tourism in Egypt, differentiated by its distinctive ancient wonders and cultural prosperity, has faced numerous challenges through its history, with political unrest, economic fluctuations, and, most recently, the global COVID-19 pandemic. This research paper investigates the dynamic interplay between planned and adopted resilience within the hotel sector in Egyptian heritage sites and their consequential effects on both social and economic sustainability. A quantitative research method was employed to empirically explore these dynamics. A structured questionnaire was distributed to 550 top and middle managers in hotels located in heritage sites, capturing insights into their perspectives on planned and adopted resilience. The collected data underwent rigorous analysis utilizing “partial least squares structural equation modeling” (PLS-SEM), providing a robust foundation for drawing meaningful conclusions. Findings from the research underscore the necessity of aligning planned and adopted resilience to generate sustainable social and economic performance. The synthesis of planned and adopted resilience was revealed to be pivotal in generating sustainable social and economic performance for hotels. This synthesis catalyzes the hotels’ ability to mitigate uncertainties, adjust to changing environment, and ensure long-term viability. This research might contribute to the current literature by suggesting industry-specific awareness for the reciprocal relationship between planned and adopted resilience in the hotel businesses and their combined influence on both sides of sustainability (social and economic). The findings provide actionable recommendations for hotel management, policymakers, and industry stakeholders to enhance resilience, foster social cohesion, and ensure the economic sustainability of heritage tourism in an everchanging environment.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":null,"pages":null},"PeriodicalIF":1.7,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140441365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
H. Gomes, H. Collado, S. Garcês, Virginia Lattao, Maria Nicoli, N. Eftekhari, E. Marrocchino, P. Rosina
The study seeks to unravel the intricate operational sequence involved in preparing prehistoric pigments for rock art within the Puerto Roque rock art shelter. Sixteen pigment samples were meticulously collected from specific figurative representations. Additionally, three ochre samples were sourced from the shelter’s soil. Employing a comprehensive multi-analytical approach, including Raman microspectroscopy, X-ray microfluorescence (EDxrf), Fourier-transform infrared spectroscopy (ATR-FTIR), and scanning electron microscopy (SEM-EDS), all nineteen samples underwent thorough analysis. Notably, darker pigments revealed a composition of hematite with the added presence of carbon. Meanwhile, one sample exhibited an orange hue primarily composed of goethite and bright red pigments predominantly characterised by hematite, as confirmed by Raman analysis. EDxrf analysis demonstrated an elemental composition akin to the three ochre pieces examined. Furthermore, ATR-FTIR spectroscopy suggested the potential influence of a heating process in enhancing red coloration, corroborated by spectral results from specific samples. This finding aligns with prior research, underscoring the technological sophistication embedded in early artistic endeavours.
{"title":"Archeometrical Characterization of Rock Art Pigments from Puerto Roque Open-Air Rock Art Shelter (Valencia De Alcantara, Extremadura, Spain)","authors":"H. Gomes, H. Collado, S. Garcês, Virginia Lattao, Maria Nicoli, N. Eftekhari, E. Marrocchino, P. Rosina","doi":"10.3390/heritage7030053","DOIUrl":"https://doi.org/10.3390/heritage7030053","url":null,"abstract":"The study seeks to unravel the intricate operational sequence involved in preparing prehistoric pigments for rock art within the Puerto Roque rock art shelter. Sixteen pigment samples were meticulously collected from specific figurative representations. Additionally, three ochre samples were sourced from the shelter’s soil. Employing a comprehensive multi-analytical approach, including Raman microspectroscopy, X-ray microfluorescence (EDxrf), Fourier-transform infrared spectroscopy (ATR-FTIR), and scanning electron microscopy (SEM-EDS), all nineteen samples underwent thorough analysis. Notably, darker pigments revealed a composition of hematite with the added presence of carbon. Meanwhile, one sample exhibited an orange hue primarily composed of goethite and bright red pigments predominantly characterised by hematite, as confirmed by Raman analysis. EDxrf analysis demonstrated an elemental composition akin to the three ochre pieces examined. Furthermore, ATR-FTIR spectroscopy suggested the potential influence of a heating process in enhancing red coloration, corroborated by spectral results from specific samples. This finding aligns with prior research, underscoring the technological sophistication embedded in early artistic endeavours.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":null,"pages":null},"PeriodicalIF":1.7,"publicationDate":"2024-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140443982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
P. Clini, R. Quattrini, R. Nespeca, Daniele A. De Luca, Salvatore La Porta
Over the past decade, virtual museums have rapidly evolved due to technological advancements, and after the COVID-19 disruption grew in importance, this sustained the innovation of storytelling and the digital transformation of touristic practices. This paper presents the outcomes of a cooperation project: a virtual museum for eight ports in the Adriatic area, constituting notable examples of widespread heritage. The platform Adrijo is a multi-scalar, multilayer virtual museum that leverages the concept of geo-storytelling and e-tourism, also applying two augmented reality technologies for site-specific installations. In addition to the project results, an assessment of the different levels and experiences is provided, based on qualitative and qualitative analysis. As a re-usable resource, the technical tender specification from the methodological work package is presented, encompassing details of the technology, structure, functionalities, costs, timing for realization, and accessibility for disabled people. This paper proposes, through the critical analysis of the VM, a methodology that can be reused in other contexts, also providing toolkits for both its implementation and user satisfaction surveys, as well as for analyzing the strengths and weaknesses of some specific examples. The goal of the present research is thus to establish a consolidated methodological framework for designing, developing, implementing, and assessing a virtual museum, fully featured with 3D models and augmented reality technologies.
{"title":"Adrijo: A Digital Platform for Adriatic Port Heritage—Good Practices for Virtual Museums and Touristic Experiences","authors":"P. Clini, R. Quattrini, R. Nespeca, Daniele A. De Luca, Salvatore La Porta","doi":"10.3390/heritage7030054","DOIUrl":"https://doi.org/10.3390/heritage7030054","url":null,"abstract":"Over the past decade, virtual museums have rapidly evolved due to technological advancements, and after the COVID-19 disruption grew in importance, this sustained the innovation of storytelling and the digital transformation of touristic practices. This paper presents the outcomes of a cooperation project: a virtual museum for eight ports in the Adriatic area, constituting notable examples of widespread heritage. The platform Adrijo is a multi-scalar, multilayer virtual museum that leverages the concept of geo-storytelling and e-tourism, also applying two augmented reality technologies for site-specific installations. In addition to the project results, an assessment of the different levels and experiences is provided, based on qualitative and qualitative analysis. As a re-usable resource, the technical tender specification from the methodological work package is presented, encompassing details of the technology, structure, functionalities, costs, timing for realization, and accessibility for disabled people. This paper proposes, through the critical analysis of the VM, a methodology that can be reused in other contexts, also providing toolkits for both its implementation and user satisfaction surveys, as well as for analyzing the strengths and weaknesses of some specific examples. The goal of the present research is thus to establish a consolidated methodological framework for designing, developing, implementing, and assessing a virtual museum, fully featured with 3D models and augmented reality technologies.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":null,"pages":null},"PeriodicalIF":1.7,"publicationDate":"2024-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140444621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Javier Raimundo, S. L. Medina, Julián Aguirre de Mata, T. Herrero-Tejedor, Enrique Priego-de-los-Santos
Efforts in the domain of building studies involve the use of a diverse array of geomatic sensors, some providing invaluable information in the form of three-dimensional point clouds and associated registered properties. However, managing the vast amounts of data generated by these sensors presents significant challenges. To ensure the effective use of multisensor data in the context of cultural heritage preservation, it is imperative that multisensor data fusion methods be designed in such a way as to facilitate informed decision-making by curators and stakeholders. We propose a novel approach to multisensor data fusion using multispectral voxels, which enable the application of deep learning algorithms as the self-organizing maps to identify and exploit the relationships between the different sensor data. Our results indicate that this approach provides a comprehensive view of the building structure and its potential pathologies, and holds great promise for revolutionizing the study of historical buildings and their potential applications in the field of cultural heritage preservation.
{"title":"Deep Learning Enhanced Multisensor Data Fusion for Building Assessment Using Multispectral Voxels and Self-Organizing Maps","authors":"Javier Raimundo, S. L. Medina, Julián Aguirre de Mata, T. Herrero-Tejedor, Enrique Priego-de-los-Santos","doi":"10.3390/heritage7020051","DOIUrl":"https://doi.org/10.3390/heritage7020051","url":null,"abstract":"Efforts in the domain of building studies involve the use of a diverse array of geomatic sensors, some providing invaluable information in the form of three-dimensional point clouds and associated registered properties. However, managing the vast amounts of data generated by these sensors presents significant challenges. To ensure the effective use of multisensor data in the context of cultural heritage preservation, it is imperative that multisensor data fusion methods be designed in such a way as to facilitate informed decision-making by curators and stakeholders. We propose a novel approach to multisensor data fusion using multispectral voxels, which enable the application of deep learning algorithms as the self-organizing maps to identify and exploit the relationships between the different sensor data. Our results indicate that this approach provides a comprehensive view of the building structure and its potential pathologies, and holds great promise for revolutionizing the study of historical buildings and their potential applications in the field of cultural heritage preservation.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":null,"pages":null},"PeriodicalIF":1.7,"publicationDate":"2024-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140453491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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