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Persuasion by Projection: Charles Piazzi Smyth and the Performance of Scientific Expertise 投射说服:查尔斯-皮亚兹-斯迈思与科学专业知识的表现
IF 0.2 2区 艺术学 0 ART Pub Date : 2024-01-22 DOI: 10.1080/03087298.2023.2291259
Stéphanie Hornstein
In 1864, Charles Piazzi Smyth, Astronomer-Royal for Scotland, set out to measure the Great Pyramid of Giza in order to prove that its design had been devised by none other than God himself. Smyth’s...
1864 年,苏格兰皇家天文学家查尔斯-皮亚兹-斯迈思(Charles Piazzi Smyth)开始测量吉萨大金字塔,以证明它的设计不是由上帝亲自设计的。斯迈思的...
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引用次数: 0
Vivan Sundaram is Not a Photographer: The Photographic Work of Vivan Sundaram 维凡-孙达拉姆不是摄影师:维凡-孙达拉姆的摄影作品
IF 0.2 2区 艺术学 0 ART Pub Date : 2024-01-15 DOI: 10.1080/03087298.2023.2294636
Ajay Sinha
Published in History of Photography (Ahead of Print, 2024)
发表于《摄影史》(2024 年提前出版)
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引用次数: 0
Photographs and the Practice of History: A Short Primer 照片与历史实践:简明入门
IF 0.2 2区 艺术学 0 ART Pub Date : 2024-01-12 DOI: 10.1080/03087298.2023.2294634
Teresa Mendes Flores
Published in History of Photography (Ahead of Print, 2024)
发表于《摄影史》(2024 年提前出版)
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引用次数: 0
Changes in umbilical catheters' microstructure in vivo: A prospective study. 脐带导管体内微观结构的变化:一项前瞻性研究。
2区 艺术学 0 ART Pub Date : 2024-01-01 Epub Date: 2022-06-08 DOI: 10.1177/11297298221100441
Alina Sobczak, Aleksandra Kowalik, Marta Homa, Patrycja Turalska, Przemko Kwinta

Background: Umbilical vessels present after birth allow a unique central access for both venous and arterial catheterization, yet the catheterization complications can be misdiagnosed as the complications of prematurity per se.

Methods: A prospective observational study of 41 used polyurethane umbilical catheters, both venous and arterial was conducted in a tertiary neonatal intensive care unit. The study consisted of bedside ultrasound imaging and post-removal microbiological and microstructural analysis to assess the in vivo catheters' changes and their clinical significance.

Results: The study has shown that catheters' surface thrombosis and bacterial colonization happen more often within umbilical venous than within arterial catheters (31% vs 8% in both cases) and are inversely proportional to the patient's gestational age (thrombosis: Me: 28 weeks vs no thrombosis: 32 weeks; p = 0.05, bacterial colonization: 27 weeks vs no colonization: 30 weeks; p = 0.013), respectively. The clots formed near the catheter's tip are correlated with catheter's bacterial colonization. Chemical analysis with energy dispersive spectroscopy showed a higher calcium composition in used catheters (19.89% vs 0%, p = 0.016) and structure analysis in the scanning electron microscopy proved that within hours catheters become covered with an external coating of a constant thickness, not affected by the catheterization time.

Conclusion: The following observations give a better insight to the complex in vivo interactions and call for a more intense bedside-monitoring of the indwelling devices.

背景:出生后存在的脐血管为静脉和动脉导管插入提供了独特的中央通道,但导管插入并发症可能被误诊为早产儿本身的并发症:在一家三级新生儿重症监护病房对 41 例使用过的聚氨酯脐导管(包括静脉和动脉导管)进行了前瞻性观察研究。研究包括床旁超声成像和移除后的微生物和微观结构分析,以评估导管的体内变化及其临床意义:研究表明,脐静脉导管表面血栓形成和细菌定植的发生率高于动脉导管(两者分别为31%和8%),并且与患者的胎龄成反比(血栓形成:我:28周 vs 无血栓形成:我:28周 vs 无血栓形成:我:28周 vs 无血栓形成:我:28周 vs 无血栓形成):血栓形成:28 周 vs 无血栓形成:32 周;p = 0.05,细菌定植:27 周 vs 无定植:30 周;p = 0.01:p=0.05,细菌定植:27 周 vs 无定植:30 周;p=0.013)。导管顶端附近形成的血栓与导管的细菌定植有关。利用能量色散光谱进行的化学分析显示,使用过的导管中钙含量更高(19.89% 对 0%,p = 0.016),扫描电子显微镜进行的结构分析表明,导管在数小时内就会被一层厚度恒定的外涂层覆盖,不受导管使用时间的影响:结论:以下观察结果让我们对复杂的体内相互作用有了更深入的了解,并呼吁对留置装置进行更严格的床边监测。
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引用次数: 0
From the Gestell to the Reprogestell: Notes on the Technological Continuum 从 Gestell 到 Reprogestell:技术连续性笔记
IF 0.2 2区 艺术学 0 ART Pub Date : 2023-12-18 DOI: 10.1080/03087298.2023.2288417
Eduardo Ralickas
This article casts a retrospective glance at the technological continuum from which the art history slide lecture springs. The article focuses specifically on the copy apparatuses widely used to ma...
本文回顾了艺术史幻灯片讲座所源于的技术连续性。文章特别关注广泛用于制作艺术史幻灯片的复制设备。
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引用次数: 0
From Art History Pedagogic Resource to Post-Digital Art Medium: Shifting Cultural Values in a Dismantled Slide Library 从艺术史教学资源到后数字艺术媒介:被拆除的幻灯片图书馆中文化价值观的转变
IF 0.2 2区 艺术学 0 ART Pub Date : 2023-12-18 DOI: 10.1080/03087298.2023.2284543
Annebella Pollen
Over the last decade, 35mm slide libraries that were used to support art history teaching in higher education in Europe and North America have been widely dismantled and dispersed. This article exa...
在过去十年中,欧洲和北美高等教育中用于支持艺术史教学的 35 毫米幻灯片库被广泛拆除和分散。本文介绍了这一情况。
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引用次数: 0
Contributors 贡献者
IF 0.2 2区 艺术学 0 ART Pub Date : 2023-12-14 DOI: 10.1080/03087298.2022.2282843
Patrizia Di Bello
Published in History of Photography (Vol. 46, No. 4, 2022)
发表于《摄影史》(第 46 卷,第 4 期,2022 年)
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引用次数: 0
Illuminating the Science of Art History: The Advent of the Slide Lecture in France 照亮艺术史的科学:幻灯片讲座在法国的出现
IF 0.2 2区 艺术学 0 ART Pub Date : 2023-12-05 DOI: 10.1080/03087298.2023.2283312
Kim Timby
In the late 1880s and early 1890s, a small number of professors – including Charles Diehl, Louis Courajod and Henry Lemonnier – started projecting photographic reproductions in their art history cl...
在19世纪80年代末和90年代初,少数教授——包括查尔斯·迪尔、路易斯·库拉约德和亨利·莱蒙尼尔——开始在他们的艺术史课程中放映摄影复制品。
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引用次数: 0
‘A Lot of People to Live With’: Dyadic Departures in Mary Ellen Mark’s Pursuit of Faces in Tandem “和很多人生活在一起”:玛丽·艾伦·马克对面孔串联追求的二元背离
IF 0.2 2区 艺术学 0 ART Pub Date : 2023-11-20 DOI: 10.1080/03087298.2023.2277033
Sally Stein
Just-Killed Epilogue as On-the-Rebound Prologue (in lieu of an abstract)Call me naïve to be shocked when the following article was killed by fiat just as it was poised to be published in a Mary Ell...
当下面这篇文章正准备在《玛丽·埃尔》(Mary Ell)上发表时,被法条杀死了,请打电话给我naïve,让我感到震惊……
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引用次数: 0
Victorian Facebooks: Privacy Concerns at William Notman’s Studio 维多利亚时代的facebook: William Notman工作室的隐私问题
2区 艺术学 0 ART Pub Date : 2023-11-07 DOI: 10.1080/03087298.2023.2266945
Sarah Parsons, Vanessa Nicholas
The history of issues of privacy in relation to photography is generally dated to the introduction of handheld cameras and halftone printing at the end of the nineteenth century. Citing a remarkable series of notations in the records of famed Montreal photographer William Notman, this article argues that privacy concerns were at issue in the everyday operations of the photography studios that preceded amateur photography. These notations represent the rudimentary attempts that some of Notman’s clients made to restrict the circulation, sale and availability of their studio portraits starting in the 1870s. This article speculates that the emergent anxieties regarding privacy exemplified by such notations were informed by the setup and marketing practices of early photography studios. Ultimately, this analysis seeks to show that current debates about privacy, photography and visibility can be traced back to the commercial systems that developed in tandem with early photography technologies.
与摄影有关的隐私问题的历史通常可以追溯到19世纪末手持相机和半色调印刷的引入。这篇文章引用了著名的蒙特利尔摄影师威廉·诺特曼(William Notman)记录中的一系列引人注目的注释,认为在业余摄影之前,在摄影工作室的日常运作中,隐私问题是一个问题。从19世纪70年代开始,诺特曼的一些客户试图限制他们工作室肖像的流通、销售和可用性,这些符号代表了这些初步尝试。这篇文章推测,这些符号所体现的对隐私的焦虑是由早期摄影工作室的设置和营销实践所引起的。最后,这篇分析试图表明,当前关于隐私、摄影和可见性的争论可以追溯到与早期摄影技术一起发展的商业系统。
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引用次数: 0
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History of Photography
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