La collection du Grand Seminaire de Rimouski confiee au Centre Joseph-Charles Tache de l’UQAR comprend les volumes 11 a 17 de l’edition princeps de l’Encyclopedie ou dictionnaire raisonne des sciences des arts et des metiers, publiee a Paris jusqu’au volume 7, puis sous l’adresse de Neufchastel a partir du tome 8. La presence d’une serie tronquee de l’Encyclopedie dans la collection du Grand Seminaire de Rimouski et la recherche des tomes manquants ont servi de point de depart a une investigation qui permet de mieux comprendre l’evolution des bibliotheques et l’importance de la circulation des livres dans les institutions d’enseignement de Rimouski durant la seconde moitie du xixe siecle. L’examen des differentes marques de possession dans les livres du Centre Tache et la consultation de divers catalogues et listes conserves par le Centre d’archives et de documentation du Seminaire de Rimouski (CEDAD) de la Corporation du Seminaire de Rimouski revelent que les bibliotheques religieuses et scolaires de la region se sont principalement constituees, au xixe siecle, sur le principe du don et de la circulation des ouvrages. Nombre de volumes du Centre Tache conservent des traces de cette pratique.
{"title":"L’Encyclopédie de Diderot et d’Alembert dans la bibliothèque du Grand Séminaire de Rimouski, ou les vicissitudes d’une bibliothèque depuis 1855","authors":"Catherine Broué, Marie-Ange Croft","doi":"10.7202/1020221AR","DOIUrl":"https://doi.org/10.7202/1020221AR","url":null,"abstract":"La collection du Grand Seminaire de Rimouski confiee au Centre Joseph-Charles Tache de l’UQAR comprend les volumes 11 a 17 de l’edition princeps de l’Encyclopedie ou dictionnaire raisonne des sciences des arts et des metiers, publiee a Paris jusqu’au volume 7, puis sous l’adresse de Neufchastel a partir du tome 8. La presence d’une serie tronquee de l’Encyclopedie dans la collection du Grand Seminaire de Rimouski et la recherche des tomes manquants ont servi de point de depart a une investigation qui permet de mieux comprendre l’evolution des bibliotheques et l’importance de la circulation des livres dans les institutions d’enseignement de Rimouski durant la seconde moitie du xixe siecle. L’examen des differentes marques de possession dans les livres du Centre Tache et la consultation de divers catalogues et listes conserves par le Centre d’archives et de documentation du Seminaire de Rimouski (CEDAD) de la Corporation du Seminaire de Rimouski revelent que les bibliotheques religieuses et scolaires de la region se sont principalement constituees, au xixe siecle, sur le principe du don et de la circulation des ouvrages. Nombre de volumes du Centre Tache conservent des traces de cette pratique.","PeriodicalId":130512,"journal":{"name":"Mémoires du livre / Studies in Book Culture","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125839877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
L’etude du genre du commentaire est tout a fait operante dans le cadre d’une reflexion melant edition et histoire textuelle, puisque tout commentaire engage la representation conjointe de deux discours differents. Le commentaire de Philargyrius aux Bucoliques de Virgile, sous la forme des Explanationes, s’inscrit ainsi dans cette demarche. Le commentaire, propose en deux versions de longueur inegale, est presente sous forme de scholies continues, dotees de lemmes. Or, cette mise en page n’est sans doute pas la seule connue pour ce texte. Ces aspects formels du commentaire pourraient n’etre que secondaires, et finalement sans importance, s’ils n’influencaient le texte qui nous est donne a lire aujourd’hui. Mais precisement, au-dela de l’etude des variations de mise en page, le lecteur moderne se trouve confronte a des problematiques editoriales liees a la reception, la lecture et la pratique pedagogique du commentaire a differentes epoques.
{"title":"Lire entre les lignes : le commentaire de Philargyrius aux Bucoliques de Virgile","authors":"Cécile Paret-Parras","doi":"10.7202/1016736AR","DOIUrl":"https://doi.org/10.7202/1016736AR","url":null,"abstract":"L’etude du genre du commentaire est tout a fait operante dans le cadre d’une reflexion melant edition et histoire textuelle, puisque tout commentaire engage la representation conjointe de deux discours differents. Le commentaire de Philargyrius aux Bucoliques de Virgile, sous la forme des Explanationes, s’inscrit ainsi dans cette demarche. Le commentaire, propose en deux versions de longueur inegale, est presente sous forme de scholies continues, dotees de lemmes. Or, cette mise en page n’est sans doute pas la seule connue pour ce texte. Ces aspects formels du commentaire pourraient n’etre que secondaires, et finalement sans importance, s’ils n’influencaient le texte qui nous est donne a lire aujourd’hui. Mais precisement, au-dela de l’etude des variations de mise en page, le lecteur moderne se trouve confronte a des problematiques editoriales liees a la reception, la lecture et la pratique pedagogique du commentaire a differentes epoques.","PeriodicalId":130512,"journal":{"name":"Mémoires du livre / Studies in Book Culture","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128574388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
“The Soul of Man under Socialism” is unique among Oscar Wilde’s essays because it was published as a book during his lifetime. As The Soul of Man, it appeared five days after his sentencing to two years’ imprisonment. Issued by family friend Arthur Humphreys, The Soul of Man was published in a modest, privately printed edition limited to fifty copies. Wilde’s essay provided Humphreys with an opportunity to combat injustice with idealism. Humphreys’ edition went further, intensifying Wilde’s denunciation of a punitive society by emending the essay’s text, specifically by deleting the word “occasional” from Wilde’s critique of crime and punishment. Indeed, the essay’s strident indignation derives from a sense of solidarity with identities considered deviant by public opinion, which, I argue, was precisely Humphreys’ purpose when he pointedly published The Soul of Man in 1895.
{"title":"Textual Dissidence: The Occasions of Wilde’s ‘The Soul of Man under Socialism’","authors":"Gregory Mackie","doi":"10.7202/1016742AR","DOIUrl":"https://doi.org/10.7202/1016742AR","url":null,"abstract":"“The Soul of Man under Socialism” is unique among Oscar Wilde’s essays because it was published as a book during his lifetime. As The Soul of Man, it appeared five days after his sentencing to two years’ imprisonment. Issued by family friend Arthur Humphreys, The Soul of Man was published in a modest, privately printed edition limited to fifty copies. Wilde’s essay provided Humphreys with an opportunity to combat injustice with idealism. Humphreys’ edition went further, intensifying Wilde’s denunciation of a punitive society by emending the essay’s text, specifically by deleting the word “occasional” from Wilde’s critique of crime and punishment. Indeed, the essay’s strident indignation derives from a sense of solidarity with identities considered deviant by public opinion, which, I argue, was precisely Humphreys’ purpose when he pointedly published The Soul of Man in 1895.","PeriodicalId":130512,"journal":{"name":"Mémoires du livre / Studies in Book Culture","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130716589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Despite increased recognition of the importance of the material nature of the book to our understanding of the creation of meanings, there has been relatively little focus on the travel literature of the eighteenth century. The market was enormous and a significant part of it comprised reissued and reprinted works. This article looks at the way books that returned to the market were given new contexts and created new meanings without changing the language of the main body of the text. By careful consideration of paratextual features such as title-pages, dedicatory epistles, marginalia and running titles and by considering such issues as the gathering of texts into collections, this article demonstrates the financial, political and ideological motives behind the reissue and reprinting of books. It shows how, through them, texts were 'reformed' in many different ways and suggests that reissues and reprints created, in effect, new books.
{"title":"Travelling in New Formes: Reissued and Reprinted Travel Literature in the Long Eighteenth Century","authors":"M. Day","doi":"10.7202/1016741AR","DOIUrl":"https://doi.org/10.7202/1016741AR","url":null,"abstract":"Despite increased recognition of the importance of the material nature of the book to our understanding of the creation of meanings, there has been relatively little focus on the travel literature of the eighteenth century. The market was enormous and a significant part of it comprised reissued and reprinted works. This article looks at the way books that returned to the market were given new contexts and created new meanings without changing the language of the main body of the text. By careful consideration of paratextual features such as title-pages, dedicatory epistles, marginalia and running titles and by considering such issues as the gathering of texts into collections, this article demonstrates the financial, political and ideological motives behind the reissue and reprinting of books. It shows how, through them, texts were 'reformed' in many different ways and suggests that reissues and reprints created, in effect, new books.","PeriodicalId":130512,"journal":{"name":"Mémoires du livre / Studies in Book Culture","volume":"88 4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126304178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article explores the media transfer between books and periodicals by example of historical narratives serialized within the Religious Tract Society’s family magazine Leisure Hour (1852-1905). A look at the travelling of texts and ideas between these two media shows that the RTS not only negotiated media boundaries but operated at the intersection of other categories, such as class and gender, linked to the reputation of the different media as well as modes of representation and approaches to history. In a combination of book history and periodical studies under a historical culture perspective, the article focuses on three case studies: (1) the transition from book into periodical serial and the (re)appropriation of history for a working-class audience; (2) the collection of a periodical series into book form and the author’s boundary-work under the regulation of the RTS; (3) the transfer of material features in the creation of monthly parts and shift in historical genre.
{"title":"Serializing the Past in and out of the Leisure Hour: Historical Culture and the Negotiation of Media Boundaries","authors":"Doris Lechner","doi":"10.7202/1016740AR","DOIUrl":"https://doi.org/10.7202/1016740AR","url":null,"abstract":"This article explores the media transfer between books and periodicals by example of historical narratives serialized within the Religious Tract Society’s family magazine Leisure Hour (1852-1905). A look at the travelling of texts and ideas between these two media shows that the RTS not only negotiated media boundaries but operated at the intersection of other categories, such as class and gender, linked to the reputation of the different media as well as modes of representation and approaches to history. In a combination of book history and periodical studies under a historical culture perspective, the article focuses on three case studies: (1) the transition from book into periodical serial and the (re)appropriation of history for a working-class audience; (2) the collection of a periodical series into book form and the author’s boundary-work under the regulation of the RTS; (3) the transfer of material features in the creation of monthly parts and shift in historical genre.","PeriodicalId":130512,"journal":{"name":"Mémoires du livre / Studies in Book Culture","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129325979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Contrairement a la lecture ou a la trajectoire de maisons d’edition, la question de la mediation marchande du livre a ete peu traitee par les recherches de sciences sociales menees sur le livre. Mobilisant une approche classique de la sociologie de la consommation, qui s’interesse aux structures commerciales pour la culture marchande qu’elles contribuent a faconner, cet article examine les conditions d’achat que la FNAC a amenagees pour le livre et leurs effets du cote des clients et du cote des professionnels du secteur. Trois elements sont mis en evidence : les innovations apportees par « l’agitateur culturel » dans la mediation du livre a son lecteur-consommateur, les controverses que son engagement a suscitees, ainsi que les effets provoques par les strategies de rationalisation mises au point pour selectionner l’offre et approvisionner ses points de vente.
{"title":"Ce que la FNAC a fait du livre. Innovations, controverses et rationalisation dans le commerce culturel français","authors":"Vincent Chabault","doi":"10.7202/1016745AR","DOIUrl":"https://doi.org/10.7202/1016745AR","url":null,"abstract":"Contrairement a la lecture ou a la trajectoire de maisons d’edition, la question de la mediation marchande du livre a ete peu traitee par les recherches de sciences sociales menees sur le livre. Mobilisant une approche classique de la sociologie de la consommation, qui s’interesse aux structures commerciales pour la culture marchande qu’elles contribuent a faconner, cet article examine les conditions d’achat que la FNAC a amenagees pour le livre et leurs effets du cote des clients et du cote des professionnels du secteur. Trois elements sont mis en evidence : les innovations apportees par « l’agitateur culturel » dans la mediation du livre a son lecteur-consommateur, les controverses que son engagement a suscitees, ainsi que les effets provoques par les strategies de rationalisation mises au point pour selectionner l’offre et approvisionner ses points de vente.","PeriodicalId":130512,"journal":{"name":"Mémoires du livre / Studies in Book Culture","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123883300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Compared to Georges Chastellain or Jean Molinet, Jean de Wavrin is not a very well known figure of burgundian historiography; he is nonetheless the author of the Anchiennes cronicques d’Engleterre, an extensive historical compilation in six volumes that has not yet been edited in full. About 40% of the text is derived from the Chroniques of Jean Froissart. This article investigates the transmission and the transformation of Froissart’s Chroniques into the Wavrin compilation through a close reading of an episode (the Flemish wars of 1379-85, Froissart, Book II; Wavrin, volume III) in manuscript context. It evaluates the extent to which Wavrin is faithful to Froissart, and explores complex issues of manuscript transmission. This article also examines Wavrin’s compiling method and his interventions on his source text taking into account the impact of these interventions on the reader, and the relationship between the materiality of the manuscript and its content.
{"title":"The Ghosts of Chroniclers Past: The Transmission and Legacy of the Chroniques of Jean Froissart in the Anchiennes Cronicques d’Engleterre compiled by Jean de Wavrin","authors":"Caroline Prud’homme","doi":"10.7202/1016738AR","DOIUrl":"https://doi.org/10.7202/1016738AR","url":null,"abstract":"Compared to Georges Chastellain or Jean Molinet, Jean de Wavrin is not a very well known figure of burgundian historiography; he is nonetheless the author of the Anchiennes cronicques d’Engleterre, an extensive historical compilation in six volumes that has not yet been edited in full. About 40% of the text is derived from the Chroniques of Jean Froissart. This article investigates the transmission and the transformation of Froissart’s Chroniques into the Wavrin compilation through a close reading of an episode (the Flemish wars of 1379-85, Froissart, Book II; Wavrin, volume III) in manuscript context. It evaluates the extent to which Wavrin is faithful to Froissart, and explores complex issues of manuscript transmission. This article also examines Wavrin’s compiling method and his interventions on his source text taking into account the impact of these interventions on the reader, and the relationship between the materiality of the manuscript and its content.","PeriodicalId":130512,"journal":{"name":"Mémoires du livre / Studies in Book Culture","volume":"57 7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131580490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The early modern anthology allowed editors to assemble new products quickly without waiting for fresh work to be written, something which proved to be particularly fruitful for poetry collections. However, it is often hard to discern how such collections were developed and assembled. The popular Cantiques du Sieur de Maisonfleur appeared in eight variations between 1580 and 1613. What makes this particular collection all the more intriguing is the cross-confessional background of the poets involved, especially as the collected works had a spiritual focus. This study explores both the changing editorial aims and textual presentation of the Cantiques. It considers the evolving layout and ordering of the works and the different reading apparatus introduced into the volumes so as to discern how readers were meant to approach the collection. It argues that the editorial decisions behind this collection reflected the cross-confessional trends of the later Reformation, particularly how they manifested themselves in a France dealing with the realities and legacies of religious civil war.
{"title":"Face to Face and Side by Side: Printing Cross-Confessional Poetry in Late xvith and Early xviith century France","authors":"S. Barker","doi":"10.7202/1016739AR","DOIUrl":"https://doi.org/10.7202/1016739AR","url":null,"abstract":"The early modern anthology allowed editors to assemble new products quickly without waiting for fresh work to be written, something which proved to be particularly fruitful for poetry collections. However, it is often hard to discern how such collections were developed and assembled. The popular Cantiques du Sieur de Maisonfleur appeared in eight variations between 1580 and 1613. What makes this particular collection all the more intriguing is the cross-confessional background of the poets involved, especially as the collected works had a spiritual focus. This study explores both the changing editorial aims and textual presentation of the Cantiques. It considers the evolving layout and ordering of the works and the different reading apparatus introduced into the volumes so as to discern how readers were meant to approach the collection. It argues that the editorial decisions behind this collection reflected the cross-confessional trends of the later Reformation, particularly how they manifested themselves in a France dealing with the realities and legacies of religious civil war.","PeriodicalId":130512,"journal":{"name":"Mémoires du livre / Studies in Book Culture","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131682476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cet article, tire d’un travail de these, se propose d’analyser l’histoire des collaborations de Francis Ponge avec Philippe Sollers a partir des contextes de l’edition d’une monographie consacree au poete, dans la collection « Poetes d’Aujourd’hui » aux Editions Seghers en 1963, et des Entretiens de Francis Ponge avec Philippe Sollers parus chez Gallimard/Seuil en 1970. L’etude souleve ainsi les enjeux de collaboration entre ecrivains, entre generations d’ecrivains et entre editeurs. Elle definit le reseau complexe de relations qui faconne durablement la mediation litteraire de l’oeuvre, notamment l’influence incontestable des rapports concurrentiels entre maisons d’edition sur les conditions de la production et de la mediation litteraires elles-memes. Plus largement, ce travail permet d’eclairer l’histoire du livre et du milieu de l’edition litteraire dans le contexte d’effervescence des sciences humaines et sociales des annees 60. Cette contribution s’appuie sur une recherche archivistique minutieuse de donnees publiques et privees familiales (correspondances, corpus d’articles critiques et d’interviews).
本文得出一个赞美劳动,打算分析历史积淀与Philippe Sollers Francis Ponge环保专著的出版背景学起了一个诗人,在今天的«操作员工作站集合»对塞出版社1963年,弗朗西斯和访谈文章与Philippe Sollers Ponge家里Gallimard / 1970年的门槛。因此，这项研究提出了作家之间、几代作家之间和出版商之间合作的问题。它定义了一种复杂的关系网络，这种关系持久地影响了作品的文学中介，特别是出版社之间的竞争关系对文学生产条件和中介本身的不可否认的影响。更广泛地说，这本书在20世纪60年代人文和社会科学蓬勃发展的背景下阐明了书籍和文学出版界的历史。这一贡献是基于对公共和私人家庭数据(信件、批评文章和采访的语料库)的仔细档案研究。
{"title":"Processus de médiation littéraire : les enjeux éditoriaux. Tractations et concurrences éditoriales autour de Francis Ponge","authors":"Marie Doga","doi":"10.7202/1016744AR","DOIUrl":"https://doi.org/10.7202/1016744AR","url":null,"abstract":"Cet article, tire d’un travail de these, se propose d’analyser l’histoire des collaborations de Francis Ponge avec Philippe Sollers a partir des contextes de l’edition d’une monographie consacree au poete, dans la collection « Poetes d’Aujourd’hui » aux Editions Seghers en 1963, et des Entretiens de Francis Ponge avec Philippe Sollers parus chez Gallimard/Seuil en 1970. L’etude souleve ainsi les enjeux de collaboration entre ecrivains, entre generations d’ecrivains et entre editeurs. Elle definit le reseau complexe de relations qui faconne durablement la mediation litteraire de l’oeuvre, notamment l’influence incontestable des rapports concurrentiels entre maisons d’edition sur les conditions de la production et de la mediation litteraires elles-memes. Plus largement, ce travail permet d’eclairer l’histoire du livre et du milieu de l’edition litteraire dans le contexte d’effervescence des sciences humaines et sociales des annees 60. Cette contribution s’appuie sur une recherche archivistique minutieuse de donnees publiques et privees familiales (correspondances, corpus d’articles critiques et d’interviews).","PeriodicalId":130512,"journal":{"name":"Mémoires du livre / Studies in Book Culture","volume":" 8","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113952778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Les nombreuses editions modernes de L’Utopie de Thomas More presentent un visage tres different des premieres editions publiees au debut du xvie siecle. On note, par exemple, que la plus grande partie de ce qu’on appelle les parerga – lettres d’humanistes, poemes et gravures qui encadrent les editions renaissantes –, a ete presque systematiquement eliminee. Il en va de meme pour les 194 notes marginales, attribuees a Erasme ou a Pierre Gilles. Ces coupures et reconfigurations des editions originales paraissent extremement significatives : elles nous semblent etroitement liees a une lecture de L’Utopie qui parait deformee par notre conception moderne du livre et de l’auteur. Une analyse attentive des quatre premieres editions nous permettra de mettre en lumiere la structure textuelle et editoriale beaucoup plus sophistiquee de cette oeuvre humaniste foncierement « dialogocentrique », ce qui pourrait transformer radicalement notre lecture de ce livre utopique a plus d’un titre.
{"title":"Le livre utopique","authors":"Jean-François Vallée","doi":"10.7202/1016737AR","DOIUrl":"https://doi.org/10.7202/1016737AR","url":null,"abstract":"Les nombreuses editions modernes de L’Utopie de Thomas More presentent un visage tres different des premieres editions publiees au debut du xvie siecle. On note, par exemple, que la plus grande partie de ce qu’on appelle les parerga – lettres d’humanistes, poemes et gravures qui encadrent les editions renaissantes –, a ete presque systematiquement eliminee. Il en va de meme pour les 194 notes marginales, attribuees a Erasme ou a Pierre Gilles. Ces coupures et reconfigurations des editions originales paraissent extremement significatives : elles nous semblent etroitement liees a une lecture de L’Utopie qui parait deformee par notre conception moderne du livre et de l’auteur. Une analyse attentive des quatre premieres editions nous permettra de mettre en lumiere la structure textuelle et editoriale beaucoup plus sophistiquee de cette oeuvre humaniste foncierement « dialogocentrique », ce qui pourrait transformer radicalement notre lecture de ce livre utopique a plus d’un titre.","PeriodicalId":130512,"journal":{"name":"Mémoires du livre / Studies in Book Culture","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122651082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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