Heritage Science最新文献

Some ancient Chinese paper artifacts dyed with amur cork tree bark extracts are currently preserved to different extents in museums and libraries worldwide. As traditional natural plant dyes, the long-term performance of the amur cork tree bark extract-dyed handmade paper has been questioned under a preserved environment. The photodegradation process of the extract-dyed papers was examined under accelerating artificial UVA irradiation conditions according to China national standard-paper and board- accelerated aging (exposure to light). Changes during aging were analyzed by optical observation and scanning electron microscopy (SEM), X-ray diffraction (XRD), thermogravimetric analysis (TGA), Fourier transform infrared spectrometry (FTIR), pH, and tensile strength and folding endurance tests. The results showed that the main components from extracted dyes played an important role in affecting the photodegradation properties of dyed paper. The changes in surface color, pH, morphology and mechanical properties after the artificial UVA accelerated degradation tests revealed that a suitable concentration of the extract dyes for maintaining the long-term irradiation stability of the paper is important.

Modern technologies are commonly used to inventory different architectural or industrial objects (especially cultural heritage objects and sites) to generate architectural documentation or 3D models. The Terrestrial Laser Scanning (TLS) method is one of the standard technologies researchers investigate for accurate data acquisition and processing required for architectural documentation. The processing of TLS data to generate high-resolution architectural documentation is a multi-stage process that begins with point cloud registration. In this step, it is a common practice to identify corresponding points manually, semi-manually or automatically. There are several challenges for the TLS point cloud processing in the data registration process: correct spatial distribution, marking of control points, automation, and robustness analysis. This is particularly important when large, complex heritage sites are investigated, where it is impossible to distribute marked control points. On the other hand, when orientating multi-temporal data, there is also the problem of corresponding reference points. For this reason, it is necessary to use automatic tie-point detection methods. Therefore, this article aims to evaluate the quality and completeness of the TLS registration process using 2D raster data in the form of spherical images and Affine Hand-crafted and Learned-based detectors in the multi-stage TLS point cloud registration as test data; point clouds were used for the historic 17th-century cellars of the Royal Castle in Warsaw without decorative structures, two baroque rooms in the King John III Palace Museum in Wilanów with decorative elements, ornaments and materials on the walls and flat frescoes, and two modern test fields, narrow office, and empty shopping mall. The extended Structure-from-Motion was used to determine the tie points for the complete TLS registration and reliability analysis. The evaluation of detectors demonstrates that for the test sites exhibiting rich textures and numerous ornaments, a combination of AFAST, ASURF, ASIFT, SuperGlue and LoFTR can be effectively employed. For the point cloud registration of less textured buildings, it is advisable to use AFAST/ASIFT. The robust method for point cloud registration exhibits comparable outcomes to the conventional target-based and Iterative Closest Points methods.

In this paper, ‘contextual numismatics’ is presented as the most recent and innovative research direction in the field of numismatics. In addition, its further potential for research and the limit of gaining knowledge are outlined. A historical overview of the gradual development of an archaeological-oriented approach to numismatic material serves as an introduction to the discussion. This is followed by a presentation of the distinguishing features compared to other research methods to study Roman coin finds, as well as a discussion of possible paths and goals in the further development of this approach to study these culturally significant objects.

The beginning of human settlement in the Hami Basin, located in the eastern part of Xinjiang, has been a focal question for the academic community in China. In particular, the thesis that the immigrating population from the Hexi Corridor since the late Neolithic founded the Tianshanbeilu culture has riveted the attention of scholars. Pottery wares, abundantly discovered at the synonymous cemetery of this culture, have played a key role in extrapolating population migration and cultural interaction. This paper aims to test the thesis by characterizing the chemical composition, painting pigment, and carburizing technique of 70 pottery samples from the cemetery with various scientific methods. It shows that the chemical compositions of the coarse pottery in the three colors of red, yellow, and gray, painted and unpainted alike, are remarkably different from those of fine pottery in black and red, indicating that the raw materials for the coarse and fine pottery samples are possibly procured from different sources; the pigments of the red slip and black paint are derived from hematite, black manganese ore, and carbon black; carburizing and polishing techniques are further applied to the gray coarse pottery; In combination with the compositional data of pottery samples from the Yaer cemetery also in the Hami Basin and the Xichengyi settlement in the Hexi Corridor, this paper finds that some pottery wares of the Tianshanbeilu culture were exchanged within the Hami Basin, but each site had its own production facility. No direct exchange of pottery wares with Xichengyi is attested; the similar style of pottery wares between the two sites may have resulted from population migration and technological exchange.

The present paper presents the analytical study of an unusual Peruvian 1899 dinero coin whose authenticity has been questioned since the 1970’s. This coin, which is present in some numismatic collections although there is no record of having been minted officially, has been characterized using non-destructive techniques such as X-ray fluorescence (XRF), scanning electron microscopy coupled with energy dispersive spectroscopy (SEM–EDS), and X-ray diffraction (XRD). Results are consistent with a cast counterfeit coin made at the turn of the 19th and 20th using a copper base alloy that was silver-platted to pass unnoticed among the public. The alloy used, generally known as german silver, was common for counterfeits in North America and Europe in that period. The historical reasons for the appearance of this unexpected coin in Peru during a time of economic difficulties, where the public experienced a shortage of small-change coins, are briefly outlined.

Inlay celadon was a type of high-end ceramics of the Koryŏ dynasty (918–1392 AD) produced in the Korean Peninsula. It was conveyed to China during the Yuan dynasty (1279–1368 AD) as tribute or trade goods. In this study, the authors analyzed six samples of inlay celadon recently discovered at the prosperous Taicang Port of the Yuan and Ming dynasties in the lower Yangtze River, China. With scanning electron microscopy coupled with energy dispersive spectroscopy (SEM–EDS) and X-ray diffraction (XRD), the authors investigated the production technique, and compositional characteristics of these samples for the purpose of tracking their provenances. While the bodies are made of porcelain stone, the glazes are of porcelain stone and calcium-rich flux. The white inlay material in these samples is kaolinite-dominant, and the black one is made of quartz with high Fe content or a compound of quartz and raw materials with high Fe content. The results link the samples uncovered at the Taicang Port to the Samhǔngni Kiln in Kangjin-gun and the Uch'ǒlli and Chinsǒri Kilns in Buan-gun in Southern Korea. The products from these kilns were shipped to China in several shipments.