Ancient Chinese architecture drawing is a unique form of ancient Chinese art. Porcine blood hydrogels are distinctive ingredients used to prepare the composite material of the substrate layer for architecture drawing. This investigation was focused on the mechanism for porcine blood hydrogel formation. Based on the traditional Chinese recipe for the preparation of porcine blood-lime mortar, samples with different ratios of porcine blood and lime water were prepared, and the molecular-scale interactions between the lime water and proteins in the porcine blood were examined with FTIR spectroscopy, Raman spectroscopy, XRD, XPS, fluorescence spectroscopy, contact angle and rheology studies. The mechanical properties and morphological features of the samples were detected with a rheometer, universal material testing machine and SEM. The results indicated that an appropriate amount of lime water was required for gelation of the porcine blood. With the appropriate alkalinity, sufficient carboxyl groups on the fibrin chains were deprotonated, and coordination with Ca2+ ions formed enough cross-links for support networks within the structure of the porcine blood hydrogel. Complexation of deprotonated carboxyl groups on the fibrin chains with Ca2+ ions led to the formation of a hydrophobic surface due alterations of the fibrin conformation and increased the adhesive properties of the hydrogel. With the hydrogel used as an ingredient in the preparation of a substrate layer composite, it is suggested that the hydrophobic surface of the hydrogel facilitated mixing with hydrophobic tung oil during preparation of the composite material, and strong adhesion of the hydrogel increased the mechanical strength and crack resistance of the substrate layer.
{"title":"Mechanism for formation of porcine blood hydrogels used as additives in the mortar of traditional Chinese architectural painting","authors":"Cong Cheng, Yeting Zhu, Jingyi Zhang, Wei Li, Gele Teri, Lizhen Zheng, Daodao Hu","doi":"10.1186/s40494-024-01191-8","DOIUrl":"https://doi.org/10.1186/s40494-024-01191-8","url":null,"abstract":"<p>Ancient Chinese architecture drawing is a unique form of ancient Chinese art. Porcine blood hydrogels are distinctive ingredients used to prepare the composite material of the substrate layer for architecture drawing. This investigation was focused on the mechanism for porcine blood hydrogel formation. Based on the traditional Chinese recipe for the preparation of porcine blood-lime mortar, samples with different ratios of porcine blood and lime water were prepared, and the molecular-scale interactions between the lime water and proteins in the porcine blood were examined with FTIR spectroscopy, Raman spectroscopy, XRD, XPS, fluorescence spectroscopy, contact angle and rheology studies. The mechanical properties and morphological features of the samples were detected with a rheometer, universal material testing machine and SEM. The results indicated that an appropriate amount of lime water was required for gelation of the porcine blood. With the appropriate alkalinity, sufficient carboxyl groups on the fibrin chains were deprotonated, and coordination with Ca<sup>2+</sup> ions formed enough cross-links for support networks within the structure of the porcine blood hydrogel. Complexation of deprotonated carboxyl groups on the fibrin chains with Ca<sup>2+</sup> ions led to the formation of a hydrophobic surface due alterations of the fibrin conformation and increased the adhesive properties of the hydrogel. With the hydrogel used as an ingredient in the preparation of a substrate layer composite, it is suggested that the hydrophobic surface of the hydrogel facilitated mixing with hydrophobic tung oil during preparation of the composite material, and strong adhesion of the hydrogel increased the mechanical strength and crack resistance of the substrate layer.</p>","PeriodicalId":13109,"journal":{"name":"Heritage Science","volume":"47 1","pages":""},"PeriodicalIF":2.5,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140018965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-01DOI: 10.1186/s40494-024-01182-9
Costanza Cucci, Tommaso Guidi, Marcello Picollo, Lorenzo Stefani, Lorenzo Python, Fabrizio Argenti, Andrea Barucci
The study aims at investigating the use of reflectance Hyperspectral Imaging (HSI) in the Visible (Vis) and Near Infrared (NIR) range in combination with Deep Convolutional Neural Networks (CNN) to address the tasks related to ancient Egyptian hieroglyphs recognition. Recently, well-established CNN architectures trained to address segmentation of objects within images have been successfully tested also for trial sets of hieroglyphs. In real conditions, however, the surfaces of the artefacts can be highly degraded, featuring corrupted and scarcely readable inscriptions which highly reduce the CNNs capabilities in automated recognition of symbols. In this study, the use of HSI technique in the extended Vis-NIR range is proposed to retrieve readability of degraded symbols by exploiting spectral images. Using different algorithmic chains, HSI data are processed to obtain enhanced images to be fed to the CNN architectures. In this pilot study, an ancient Egyptian coffin (XXV Dynasty), featuring a degraded hieroglyphic inscription, was used as a benchmark to test, in real conditions, the proposed methodological approaches. A set of Vis-NIR HSI data acquired on-site, in the framework of a non-invasive diagnostic campaign, was used in combination with CNN architectures to perform hieroglyphs segmentation. The outcomes of the different methodological approaches are presented and compared to each other and to the results obtained using standard RGB images.
{"title":"Hyperspectral imaging and convolutional neural networks for augmented documentation of ancient Egyptian artefacts","authors":"Costanza Cucci, Tommaso Guidi, Marcello Picollo, Lorenzo Stefani, Lorenzo Python, Fabrizio Argenti, Andrea Barucci","doi":"10.1186/s40494-024-01182-9","DOIUrl":"https://doi.org/10.1186/s40494-024-01182-9","url":null,"abstract":"<p>The study aims at investigating the use of reflectance Hyperspectral Imaging (HSI) in the Visible (Vis) and Near Infrared (NIR) range in combination with Deep Convolutional Neural Networks (CNN) to address the tasks related to ancient Egyptian hieroglyphs recognition. Recently, well-established CNN architectures trained to address segmentation of objects within images have been successfully tested also for trial sets of hieroglyphs. In real conditions, however, the surfaces of the artefacts can be highly degraded, featuring corrupted and scarcely readable inscriptions which highly reduce the CNNs capabilities in automated recognition of symbols. In this study, the use of HSI technique in the extended Vis-NIR range is proposed to retrieve readability of degraded symbols by exploiting spectral images. Using different algorithmic chains, HSI data are processed to obtain enhanced images to be fed to the CNN architectures. In this pilot study, an ancient Egyptian coffin (XXV Dynasty), featuring a degraded hieroglyphic inscription, was used as a benchmark to test, in real conditions, the proposed methodological approaches. A set of Vis-NIR HSI data acquired on-site, in the framework of a non-invasive diagnostic campaign, was used in combination with CNN architectures to perform hieroglyphs segmentation. The outcomes of the different methodological approaches are presented and compared to each other and to the results obtained using standard RGB images.</p>","PeriodicalId":13109,"journal":{"name":"Heritage Science","volume":"171 1","pages":""},"PeriodicalIF":2.5,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140019006","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-29DOI: 10.1186/s40494-024-01185-6
Lina Yan, Yile Chen, Liang Zheng, Yi Zhang
In computer artificial intelligence, there is great potential in research on the protection of Suzhou's traditional gardens, a world cultural heritage site. As a special material in Suzhou's traditional garden architecture, shedthin tile is widely used in roof base laying and is one of the important materials for building roofs. However, professionals need to reach the roof and spend much time and effort assessing the damage before repairing it. Therefore, the main goals of this study are to investigate a machine learning-based method for finding targets and determining the type of surface damage on a shedthin tile using the YOLOv4 model trained in this study. Using 500 shedthin tile on-site photos as training samples, the model was trained for 750 epochs. The main results of this study are as follows: (1) An object detection method based on machine learning can efficiently and accurately identify damage content, overcoming the manpower and time–cost limitations of traditional assessment methods. (2) The detection model in this study has an accuracy of 85.89% for water stain recognition of shedthin tiles, 93.29% for surface scaling, 87.37% for color aberration, and 96.15% for too wide a gap. The comprehensive accuracy is 90.20%, which meets the basic testing requirements. (3) The model demonstrated its robustness and reliability in complex environments in application tests in actual scenarios, providing a methodological reference for computer vision and target detection technology in cultural heritage protection.
{"title":"Application of computer vision technology in surface damage detection and analysis of shedthin tiles in China: a case study of the classical gardens of Suzhou","authors":"Lina Yan, Yile Chen, Liang Zheng, Yi Zhang","doi":"10.1186/s40494-024-01185-6","DOIUrl":"https://doi.org/10.1186/s40494-024-01185-6","url":null,"abstract":"<p>In computer artificial intelligence, there is great potential in research on the protection of Suzhou's traditional gardens, a world cultural heritage site. As a special material in Suzhou's traditional garden architecture, shedthin tile is widely used in roof base laying and is one of the important materials for building roofs. However, professionals need to reach the roof and spend much time and effort assessing the damage before repairing it. Therefore, the main goals of this study are to investigate a machine learning-based method for finding targets and determining the type of surface damage on a shedthin tile using the YOLOv4 model trained in this study. Using 500 shedthin tile on-site photos as training samples, the model was trained for 750 epochs. The main results of this study are as follows: (1) An object detection method based on machine learning can efficiently and accurately identify damage content, overcoming the manpower and time–cost limitations of traditional assessment methods. (2) The detection model in this study has an accuracy of 85.89% for water stain recognition of shedthin tiles, 93.29% for surface scaling, 87.37% for color aberration, and 96.15% for too wide a gap. The comprehensive accuracy is 90.20%, which meets the basic testing requirements. (3) The model demonstrated its robustness and reliability in complex environments in application tests in actual scenarios, providing a methodological reference for computer vision and target detection technology in cultural heritage protection.</p>","PeriodicalId":13109,"journal":{"name":"Heritage Science","volume":"12 1","pages":""},"PeriodicalIF":2.5,"publicationDate":"2024-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140006911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-26DOI: 10.1186/s40494-023-01130-z
Abstract
A refutation of the claims by Scott Stripling et al. regarding the epigraphic analysis and paleographic contents of the folded lead object discovered on Mt. Ebal in 2019 during the wet-sifting of dump piles from a previous archaeological excavation by Adam Zertal. This piece of lead is often referred to as the “Mt. Ebal Curse Tablet”. An article regarding this find, by Stripling et al., titled “You are Cursed by the God YHW:” an early Hebrew inscription from Mt. Ebal”, was published on May 23, 2023, in the Heritage Science journal.
摘要 对斯科特-斯特里普林(Scott Stripling)等人关于亚当-泽尔塔尔(Adam Zertal)2019 年在以巴山上对之前考古发掘的垃圾堆进行湿筛时发现的折叠铅块的书法分析和古文字学内容的说法进行驳斥。这块铅片通常被称为 "埃巴尔山诅咒石碑"。2023 年 5 月 23 日,《遗产科学》杂志发表了 Stripling 等人撰写的一篇关于这一发现的文章,题为 "You are Cursed by the God YHW:" an early Hebrew inscription from Mt.
{"title":"Mt. Ebal curse tablet? A refutation of the claims regarding the so called Mt. Ebal curse tablet","authors":"","doi":"10.1186/s40494-023-01130-z","DOIUrl":"https://doi.org/10.1186/s40494-023-01130-z","url":null,"abstract":"<h3>Abstract</h3> <p>A refutation of the claims by Scott Stripling et al. regarding the epigraphic analysis and paleographic contents of the folded lead object discovered on Mt. Ebal in 2019 during the wet-sifting of dump piles from a previous archaeological excavation by Adam Zertal. This piece of lead is often referred to as the “Mt. Ebal Curse Tablet”. An article regarding this find, by Stripling et al., titled “You are Cursed by the God YHW:” an early Hebrew inscription from Mt. Ebal”, was published on May 23, 2023, in the Heritage Science journal.</p>","PeriodicalId":13109,"journal":{"name":"Heritage Science","volume":"27 1","pages":""},"PeriodicalIF":2.5,"publicationDate":"2024-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139969142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-22DOI: 10.1186/s40494-024-01180-x
Yuzhao Zhang, Shanshan Chen, Mark A. Hoistad
Western cities have been confronted with the challenges of 'urban shrinkage' as changes in economic and production models have caused population migrations. China, in its recent history, has experienced rapid and dynamic growth in its cities. However, as its economy is evolving, it too is being confronted with 'urban shrinkage' challenges. Populations have been shifting inside small and medium sized cities in response to problems created during this rapid growth period. Most heritage areas have suffered from depopulation, neglect and disinvestment. The historic Puhuiquan neighborhood in Yulin City is a classic example of the current Chinese version of 'urban shrinkage'. Yulin City, founded as a military city five centuries ago, has shifted its focus away from its historic purpose into a resource-based city. Yulin’s planning developed new areas, drawing population out of the historic Puhuiquan neighborhood. This area is the home to a unique urban cultural landscape where land and architecture have merged to create the development of various types of 'cave' houses. Suffering from the effects of 'urban shrinkage', this research explores the causes and potential solutions for the area employing both 'smart shrinkage' and 'urban renewal' strategies, informed by local resident participation, to develop a sustainable renewal strategy for this heritage area.
{"title":"Sustainable development strategy for historic neighborhood shrinkage: taking Puhuiquan neighborhood in Yulin, China, as an example","authors":"Yuzhao Zhang, Shanshan Chen, Mark A. Hoistad","doi":"10.1186/s40494-024-01180-x","DOIUrl":"https://doi.org/10.1186/s40494-024-01180-x","url":null,"abstract":"<p>Western cities have been confronted with the challenges of 'urban shrinkage' as changes in economic and production models have caused population migrations. China, in its recent history, has experienced rapid and dynamic growth in its cities. However, as its economy is evolving, it too is being confronted with 'urban shrinkage' challenges. Populations have been shifting inside small and medium sized cities in response to problems created during this rapid growth period. Most heritage areas have suffered from depopulation, neglect and disinvestment. The historic Puhuiquan neighborhood in Yulin City is a classic example of the current Chinese version of 'urban shrinkage'. Yulin City, founded as a military city five centuries ago, has shifted its focus away from its historic purpose into a resource-based city. Yulin’s planning developed new areas, drawing population out of the historic Puhuiquan neighborhood. This area is the home to a unique urban cultural landscape where land and architecture have merged to create the development of various types of 'cave' houses. Suffering from the effects of 'urban shrinkage', this research explores the causes and potential solutions for the area employing both 'smart shrinkage' and 'urban renewal' strategies, informed by local resident participation, to develop a sustainable renewal strategy for this heritage area.</p>","PeriodicalId":13109,"journal":{"name":"Heritage Science","volume":"141 1","pages":""},"PeriodicalIF":2.5,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139928360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-21DOI: 10.1186/s40494-024-01179-4
Abstract
This study focuses on the application of deep learning for transforming semantic point clouds into semantic Building Information Models (BIM) to create a Heritage Digital Twin, centering on Taoping Village, a site of historical and cultural significance in Sichuan, China. Utilizing advanced technologies such as unmanned aerial vehicles and terrestrial laser scanning, we capture detailed point cloud data of the village. A pivotal element of our methodology is the KP-SG neural network, which exhibits outstanding overall performance, particularly excelling in accurately identifying 11 categories. Among those categories, buildings and vegetation, achieves recognition rates of 81% and 83% respectively, and a 2.53% improvement in mIoU compared to KP-FCNN. This accuracy is critical for constructing detailed and accurate semantic BIM models of Taoping Village, facilitating comprehensive architecture and landscape analysis. Additionally, the KP-SG’s superior segmentation capability contributes to the creation of high-fidelity 3D models, enriching virtual reality experiences. We also introduce a digital twin platform that integrates diverse datasets, their semantic information, and visualization tools. This platform is designed to support process automation and decision-making and provide immersive experiences for tourists. Our approach, integrating semantic BIM models and a digital twin platform, marks a significant advancement in preserving and understanding traditional villages like Taoping and demonstrates the transformative potential of deep learning in cultural heritage conservation.
{"title":"Deep learning based approaches from semantic point clouds to semantic BIM models for heritage digital twin","authors":"","doi":"10.1186/s40494-024-01179-4","DOIUrl":"https://doi.org/10.1186/s40494-024-01179-4","url":null,"abstract":"<h3>Abstract</h3> <p>This study focuses on the application of deep learning for transforming semantic point clouds into semantic Building Information Models (BIM) to create a Heritage Digital Twin, centering on Taoping Village, a site of historical and cultural significance in Sichuan, China. Utilizing advanced technologies such as unmanned aerial vehicles and terrestrial laser scanning, we capture detailed point cloud data of the village. A pivotal element of our methodology is the KP-SG neural network, which exhibits outstanding overall performance, particularly excelling in accurately identifying 11 categories. Among those categories, buildings and vegetation, achieves recognition rates of 81% and 83% respectively, and a 2.53% improvement in mIoU compared to KP-FCNN. This accuracy is critical for constructing detailed and accurate semantic BIM models of Taoping Village, facilitating comprehensive architecture and landscape analysis. Additionally, the KP-SG’s superior segmentation capability contributes to the creation of high-fidelity 3D models, enriching virtual reality experiences. We also introduce a digital twin platform that integrates diverse datasets, their semantic information, and visualization tools. This platform is designed to support process automation and decision-making and provide immersive experiences for tourists. Our approach, integrating semantic BIM models and a digital twin platform, marks a significant advancement in preserving and understanding traditional villages like Taoping and demonstrates the transformative potential of deep learning in cultural heritage conservation.</p>","PeriodicalId":13109,"journal":{"name":"Heritage Science","volume":"27 1","pages":""},"PeriodicalIF":2.5,"publicationDate":"2024-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139920335","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-20DOI: 10.1186/s40494-024-01181-w
Zichen Xie, Ying Hu, Siwei Shan, Qin-Qin Lü, Feiyong Yuan, Tao Li
The Wujiafentou site is located at the heart of the Youziling (5900–5500 cal BP) and Shijiahe (4500–4200 cal BP) cultures in the Handong region, a core area to understand the relationship among economic networks, sociopolitical integration, and regional identity in the middle Yangtze River valley (MYRV) of central China during the Late Neolithic times. Its pottery assemblages are important clues to understanding the pottery production and use before and after the extensive walled town construction activities in the Neolithic MYRV. Wujiafentou is less than 5 km from the Shijiahe walled town, the largest city of its time in the MYRV. This paper applies microscopic examination and chemical and mineralogical analyses to a sample of 152 sherds of the Youziling-period and Shijiahe-period utilitarian vessels unearthed from the Wujiafentou site, revealing the changes and continuity in pottery production and use over time. We also probe into the socio-economic ties between Wujiafentou and the Shijiahe walled town mainly through hong tao bei (red clay cups), which were widely distributed and presumably highly symbolic items of the Shijiahe culture related to drinking, feasts, and rituals. We propose that the Wujiafentou inhabitants produced their red clay cups by mimicking those made within the Shijiahe walled town. Our study highlights an alternative interpretation of the formation of a regional identity during the Shijiahe period.
{"title":"Changes and continuity in pottery production and use at Wujiafentou in the core zone of Youziling and Shijiahe cultures in central China","authors":"Zichen Xie, Ying Hu, Siwei Shan, Qin-Qin Lü, Feiyong Yuan, Tao Li","doi":"10.1186/s40494-024-01181-w","DOIUrl":"https://doi.org/10.1186/s40494-024-01181-w","url":null,"abstract":"<p>The Wujiafentou site is located at the heart of the Youziling (5900–5500 cal BP) and Shijiahe (4500–4200 cal BP) cultures in the Handong region, a core area to understand the relationship among economic networks, sociopolitical integration, and regional identity in the middle Yangtze River valley (MYRV) of central China during the Late Neolithic times. Its pottery assemblages are important clues to understanding the pottery production and use before and after the extensive walled town construction activities in the Neolithic MYRV. Wujiafentou is less than 5 km from the Shijiahe walled town, the largest city of its time in the MYRV. This paper applies microscopic examination and chemical and mineralogical analyses to a sample of 152 sherds of the Youziling-period and Shijiahe-period utilitarian vessels unearthed from the Wujiafentou site, revealing the changes and continuity in pottery production and use over time. We also probe into the socio-economic ties between Wujiafentou and the Shijiahe walled town mainly through <i>hong tao bei</i> (red clay cups), which were widely distributed and presumably highly symbolic items of the Shijiahe culture related to drinking, feasts, and rituals. We propose that the Wujiafentou inhabitants produced their red clay cups by mimicking those made within the Shijiahe walled town. Our study highlights an alternative interpretation of the formation of a regional identity during the Shijiahe period.</p>","PeriodicalId":13109,"journal":{"name":"Heritage Science","volume":"29 1","pages":""},"PeriodicalIF":2.5,"publicationDate":"2024-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139920354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-20DOI: 10.1186/s40494-024-01177-6
Wenzheng Zhang, Yiwei Wang, Lin Fu, Yike Hu
The “Eight Scenic Views Paintings” represent crucial visual materials for investigating the history of cultural landscapes. However, traditional methods of interpreting materials struggle to discern the inherent connections between different landscape elements. This study proposes an approach for deconstructing historical images, taking the example of the Forty Scenic Views in the Late Ming Dynasty in Nanjing, China. To explore the co-occurrence structure, hierarchical clustering, and correlation features among various elements, various digital humanities quantification methods were applied, including spatial analysis of ArcGIS, co-occurrence and clustering of KH Coder, and correlation analysis of SPSS. This study reveals the characteristics of the landscape construction of Nanjing in the Late Ming: natural landscape as the foundation, artificial landscape as the core, and advocating tradition as the fashion. It also uncovers the landscape order: mountains, waters, and scenic views interweaved and coexisted, as well as nature and culture intertwined and clustered. In addition, multiple information graphs of the subordinate and co-occurrence relationships of 20 landscape elements were constructed, 5 landscape paradigms were extracted, and 36 pairs of related relationships were discovered, deepening the historical understanding of the urban landscape construction of Nanjing in the Late Ming. This paper puts forward the idea of analyzing historical images by digital method, which provides some essential and detailed historical basis for explaining the value of cultural landscape heritage and shaping contemporary urban landscape.
{"title":"Scenery deconstruction: a new approach to understanding the historical characteristics of Nanjing cultural landscape","authors":"Wenzheng Zhang, Yiwei Wang, Lin Fu, Yike Hu","doi":"10.1186/s40494-024-01177-6","DOIUrl":"https://doi.org/10.1186/s40494-024-01177-6","url":null,"abstract":"<p>The “Eight Scenic Views Paintings” represent crucial visual materials for investigating the history of cultural landscapes. However, traditional methods of interpreting materials struggle to discern the inherent connections between different landscape elements. This study proposes an approach for deconstructing historical images, taking the example of the Forty Scenic Views in the Late Ming Dynasty in Nanjing, China. To explore the co-occurrence structure, hierarchical clustering, and correlation features among various elements, various digital humanities quantification methods were applied, including spatial analysis of ArcGIS, co-occurrence and clustering of KH Coder, and correlation analysis of SPSS. This study reveals the characteristics of the landscape construction of Nanjing in the Late Ming: natural landscape as the foundation, artificial landscape as the core, and advocating tradition as the fashion. It also uncovers the landscape order: mountains, waters, and scenic views interweaved and coexisted, as well as nature and culture intertwined and clustered. In addition, multiple information graphs of the subordinate and co-occurrence relationships of 20 landscape elements were constructed, 5 landscape paradigms were extracted, and 36 pairs of related relationships were discovered, deepening the historical understanding of the urban landscape construction of Nanjing in the Late Ming. This paper puts forward the idea of analyzing historical images by digital method, which provides some essential and detailed historical basis for explaining the value of cultural landscape heritage and shaping contemporary urban landscape.</p>","PeriodicalId":13109,"journal":{"name":"Heritage Science","volume":"17 1","pages":""},"PeriodicalIF":2.5,"publicationDate":"2024-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139928453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-20DOI: 10.1186/s40494-024-01169-6
J. Jayanthi, P. Uma Maheswari
In recent times, there has been a proactive effort by various institutions and organizations to preserve historic manuscripts as repositories of traditional knowledge and cultural heritage. Leveraging digital media and emerging technologies has proven to be an efficient way to safeguard these invaluable documents. Such technologies not only facilitate the extraction of knowledge from historic manuscripts but also hold promise for global applications. However, transforming inscribed stone artifacts into binary formats presents significant challenges due to angle distortion, subtle differences between foreground and background, background noise, variations in text size, and related issues. A pivotal aspect of effective image processing in preserving the rich information and wisdom encoded in stone inscriptions lies in employing appropriate pre-processing methods and techniques. This research paper places a special focus on elucidating various preprocessing techniques, encompassing resizing, grayscale conversion, enhancement of brightness and contrast, smoothening, noise removal, morphological operations, and thresholding. To comprehensively assess these techniques, we undertake a study involving stone inscription images extracted from the Tanjore Brihadeeswar Temple, dating back to the eleventh century during the reign of Raja Raja Chola. This choice is informed by the manifold challenges associated with image correction, such as distortion and blurring. We undertake an evaluation encompassing a diverse array of stone background structures, including types like flawless-bright-moderately legible, dark-illegible, flawless-bright-illegible, flawless-dull, flawless-irregular-moderate, highly impaired-dark-legible, highly impaired-irregular-illegible, impaired-dark-moderate, impaired-dull-moderately legible, impaired-dusky dark-moderate, and very impaired-dusky dark-legible. Subsequently, the processed outputs are subjected to character recognition and information extraction, with a focus on comparing the outcomes of various pre-processing methods, including binarization and grayscale conversion. This study seeks to contribute insights into the most effective pre-processing strategies for enhancing the legibility and preservation of ancient Indian script images etched onto diverse stone background structures.
近来,各种机构和组织都在积极努力保护作为传统知识和文化遗产宝库的历史手稿。事实证明,利用数字媒体和新兴技术是保护这些宝贵文献的有效途径。这些技术不仅有助于从历史手稿中提取知识,而且有望在全球范围内得到应用。然而,由于角度失真、前景和背景之间的细微差别、背景噪音、文字大小的变化以及相关问题,将石刻文物转换为二进制格式面临着巨大的挑战。要有效地进行图像处理以保存石刻中的丰富信息和智慧,关键在于采用适当的预处理方法和技术。本研究论文特别注重阐明各种预处理技术,包括调整大小、灰度转换、增强亮度和对比度、平滑处理、去噪、形态学操作和阈值处理。为了全面评估这些技术,我们进行了一项研究,涉及从坦乔尔布里哈德斯瓦神庙(Tanjore Brihadeeswar Temple)提取的石刻图像,其历史可追溯到十一世纪拉贾-乔拉(Raja Raja Chola)统治时期。这一选择是基于图像校正所面临的多重挑战,如失真和模糊。我们对各种不同的石材背景结构进行了评估,包括无瑕疵-明亮-中等可读、暗色-不可读、无瑕疵-明亮-不可读、无瑕疵-暗色、无瑕疵-不规则-中等、高度受损-暗色-可读、高度受损-不规则-不可读、受损-暗色-中等、受损-暗色-中等可读、受损-暗色-中等和极度受损-暗色-可读等类型。随后,对处理后的输出结果进行字符识别和信息提取,重点是比较各种预处理方法(包括二值化和灰度转换)的结果。本研究旨在深入探讨最有效的预处理策略,以提高蚀刻在不同石头背景结构上的古印度文字图像的可读性和保存性。
{"title":"Comparative study: enhancing legibility of ancient Indian script images from diverse stone background structures using 34 different pre-processing methods","authors":"J. Jayanthi, P. Uma Maheswari","doi":"10.1186/s40494-024-01169-6","DOIUrl":"https://doi.org/10.1186/s40494-024-01169-6","url":null,"abstract":"<p>In recent times, there has been a proactive effort by various institutions and organizations to preserve historic manuscripts as repositories of traditional knowledge and cultural heritage. Leveraging digital media and emerging technologies has proven to be an efficient way to safeguard these invaluable documents. Such technologies not only facilitate the extraction of knowledge from historic manuscripts but also hold promise for global applications. However, transforming inscribed stone artifacts into binary formats presents significant challenges due to angle distortion, subtle differences between foreground and background, background noise, variations in text size, and related issues. A pivotal aspect of effective image processing in preserving the rich information and wisdom encoded in stone inscriptions lies in employing appropriate pre-processing methods and techniques. This research paper places a special focus on elucidating various preprocessing techniques, encompassing resizing, grayscale conversion, enhancement of brightness and contrast, smoothening, noise removal, morphological operations, and thresholding. To comprehensively assess these techniques, we undertake a study involving stone inscription images extracted from the Tanjore Brihadeeswar Temple, dating back to the eleventh century during the reign of Raja Raja Chola. This choice is informed by the manifold challenges associated with image correction, such as distortion and blurring. We undertake an evaluation encompassing a diverse array of stone background structures, including types like flawless-bright-moderately legible, dark-illegible, flawless-bright-illegible, flawless-dull, flawless-irregular-moderate, highly impaired-dark-legible, highly impaired-irregular-illegible, impaired-dark-moderate, impaired-dull-moderately legible, impaired-dusky dark-moderate, and very impaired-dusky dark-legible. Subsequently, the processed outputs are subjected to character recognition and information extraction, with a focus on comparing the outcomes of various pre-processing methods, including binarization and grayscale conversion. This study seeks to contribute insights into the most effective pre-processing strategies for enhancing the legibility and preservation of ancient Indian script images etched onto diverse stone background structures.</p>","PeriodicalId":13109,"journal":{"name":"Heritage Science","volume":"199 1","pages":""},"PeriodicalIF":2.5,"publicationDate":"2024-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139920334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-19DOI: 10.1186/s40494-024-01178-5
Abstract
Plain pottery excavated from the Tang Dynasty tomb of Liu Jing was taken as the research object. The color, chemical composition, microstructure, and phase were tested to investigate the influencing factors of color for plain pottery fragments. The results indicated that the contents of Fe2O3 and TiO2 in all fragments varied little, and the influence of humic acids in clay as well as the firing atmosphere on the appearance color of plain pottery was excluded. Therefore, the main factor affecting color saturation (C*) was identified as the firing temperature (T). More importantly, the correlation between C* and firing temperature was established by replicas fired at different temperatures. Before the appearance of the glass phase, iron-containing minerals played a major role in coloring, and after that, iron ions in the glass phase and iron crystallization rose the important function of coloring. Consequently, with the increase of firing temperature, C* value increased firstly and then decreased. The inflection point of the fitted C* − T curve corresponded to the glass phase formation temperature. By comparing the estimated firing temperatures obtained by the fitted C* − T correlation curve with the known firing temperature of replicas, it was demonstrated that the color measurement is an ideal method for deducing the firing temperatures of ancient plain pottery.
摘要 以唐代刘敬墓出土的素陶为研究对象。从颜色、化学成分、微观结构和物相等方面对素陶残片的颜色影响因素进行了测试。结果表明,所有碎片中 Fe2O3 和 TiO2 的含量变化不大,排除了陶土中腐殖酸和烧成气氛对素陶外观颜色的影响。因此,影响颜色饱和度(C*)的主要因素被确定为烧成温度(T)。更重要的是,通过在不同温度下烧制的复制品,确定了 C* 与烧制温度之间的相关性。在玻璃相出现之前,含铁矿物在着色中起着主要作用,而在玻璃相出现之后,玻璃相中的铁离子和铁结晶则上升为着色的重要功能。因此,随着焙烧温度的升高,C*值先升高后降低。拟合的 C* - T 曲线的拐点与玻璃相形成温度相对应。通过将拟合 C* - T 相关曲线得到的估计烧成温度与已知复制品的烧成温度进行比较,证明颜色测量是推断古代素陶烧成温度的理想方法。
{"title":"Correlation study on firing temperature and color of plain pottery excavated from the Tang Dynasty tomb of Liu Jing in Shaanxi, China","authors":"","doi":"10.1186/s40494-024-01178-5","DOIUrl":"https://doi.org/10.1186/s40494-024-01178-5","url":null,"abstract":"<h3>Abstract</h3> <p>Plain pottery excavated from the Tang Dynasty tomb of Liu Jing was taken as the research object. The color, chemical composition, microstructure, and phase were tested to investigate the influencing factors of color for plain pottery fragments. The results indicated that the contents of Fe<sub>2</sub>O<sub>3</sub> and TiO<sub>2</sub> in all fragments varied little, and the influence of humic acids in clay as well as the firing atmosphere on the appearance color of plain pottery was excluded. Therefore, the main factor affecting color saturation (<em>C*</em>) was identified as the firing temperature (<em>T</em>). More importantly, the correlation between <em>C*</em> and firing temperature was established by replicas fired at different temperatures. Before the appearance of the glass phase, iron-containing minerals played a major role in coloring, and after that, iron ions in the glass phase and iron crystallization rose the important function of coloring. Consequently, with the increase of firing temperature, <em>C*</em> value increased firstly and then decreased. The inflection point of the fitted <em>C*</em> − <em>T</em> curve corresponded to the glass phase formation temperature. By comparing the estimated firing temperatures obtained by the fitted <em>C*</em> − <em>T</em> correlation curve with the known firing temperature of replicas, it was demonstrated that the color measurement is an ideal method for deducing the firing temperatures of ancient plain pottery.</p>","PeriodicalId":13109,"journal":{"name":"Heritage Science","volume":"1200 1","pages":""},"PeriodicalIF":2.5,"publicationDate":"2024-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139920355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}