Pub Date : 2022-12-30DOI: 10.4467/23538953ce.22.021.17160
Sébastien Viron
« Nothing could be clearer »: Names and faces memory in Romain Gary's work We will examine the largely ethical vocation of Romain Gary's memorial writing project, which leads it to metamorphose itself into a literary tomb of the forgotten dead. We will then discuss, from a more narratological point of view, how this memory emerges untimely in the narrative and sometimes frees itself from it to signify the transcendent character of the name and the face. Finally, we will show that Gary goes beyond the somewhat naive vision of the memory as a mere recorder of events or images by associating it with the imagination to give it a poetic and counter-historical use.
{"title":"« Car on ne saurait mieux dire » : la mémoire des noms et des visages dans l’œuvre de Romain Gary","authors":"Sébastien Viron","doi":"10.4467/23538953ce.22.021.17160","DOIUrl":"https://doi.org/10.4467/23538953ce.22.021.17160","url":null,"abstract":"« Nothing could be clearer »: Names and faces memory in Romain Gary's work\u0000\u0000We will examine the largely ethical vocation of Romain Gary's memorial writing project, which leads it to metamorphose itself into a literary tomb of the forgotten dead. We will then discuss, from a more narratological point of view, how this memory emerges untimely in the narrative and sometimes frees itself from it to signify the transcendent character of the name and the face. Finally, we will show that Gary goes beyond the somewhat naive vision of the memory as a mere recorder of events or images by associating it with the imagination to give it a poetic and counter-historical use.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124661719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-30DOI: 10.4467/23538953ce.22.019.17158
E. M. Wierzbowska
The Distorting Mirror of Literature: Character Portraits in "La Force du Désir" by Marie Krysinska A roman à clef, where the presence of fictional and nonfictional elements is obvious, is a powerful framework for literary portraits of the author’s contemporaries. The degree of deformation, be it glamorizing or devaluing, depends on several factors, among which the pleasure of playing hide and seek is not the least. Each reference, even a demeaning one, brings out of the shadow of the past both prominent and background characters, as well as important events, all from the author’s point of view. Through this display, an image of a very complex environment emerges, where the worst rubs shoulders with the best, and where the constraints of daily life or loyalty to ideals impose difficult choices with very serious consequences. The author observes the sociological phenomena that affect her environment and, while making sharp criticisms, seeks to find a remedy for the wound that destroys Art and the Artist.
{"title":"Le miroir déformant de la littérature: portraits dans La Force du Désir de Marie Krysinska","authors":"E. M. Wierzbowska","doi":"10.4467/23538953ce.22.019.17158","DOIUrl":"https://doi.org/10.4467/23538953ce.22.019.17158","url":null,"abstract":"The Distorting Mirror of Literature: Character Portraits in \"La Force du Désir\" by Marie Krysinska\u0000\u0000A roman à clef, where the presence of fictional and nonfictional elements is obvious, is a powerful framework for literary portraits of the author’s contemporaries. The degree of deformation, be it glamorizing or devaluing, depends on several factors, among which the pleasure of playing hide and seek is not the least. Each reference, even a demeaning one, brings out of the shadow of the past both prominent and background characters, as well as important events, all from the author’s point of view. Through this display, an image of a very complex environment emerges, where the worst rubs shoulders with the best, and where the constraints of daily life or loyalty to ideals impose difficult choices with very serious consequences. The author observes the sociological phenomena that affect her environment and, while making sharp criticisms, seeks to find a remedy for the wound that destroys Art and the Artist.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134304597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-29DOI: 10.4467/23538953ce.22.017.16505
Sebastian Ziółkowski
Expressionist nuances in “The Madwoman of Chaillot” by Giraudoux The aim of this paper is to highlight the use of some expressionist motifs and patterns in The Madwoman of Chaillot [La Folle de Chaillot] by Giraudoux. In the analysed drama we can see realisation of such expressionist process as antinaturalistic desobjectivization of the world, developed monologism, social middle-class revolt, rehabilitation of a marginal protagonist, abstraction, antinaturalism, or subjectivism inducing the “irradiation” of the author’s I.
{"title":"Nuances expressionnistes dans La Folle de Chaillot de Giraudoux","authors":"Sebastian Ziółkowski","doi":"10.4467/23538953ce.22.017.16505","DOIUrl":"https://doi.org/10.4467/23538953ce.22.017.16505","url":null,"abstract":"Expressionist nuances in “The Madwoman of Chaillot” by Giraudoux\u0000\u0000The aim of this paper is to highlight the use of some expressionist motifs and patterns in The Madwoman of Chaillot [La Folle de Chaillot] by Giraudoux. In the analysed drama we can see realisation of such expressionist process as antinaturalistic desobjectivization of the world, developed monologism, social middle-class revolt, rehabilitation of a marginal protagonist, abstraction, antinaturalism, or subjectivism inducing the “irradiation” of the author’s I.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114611082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-29DOI: 10.4467/23538953ce.22.015.16503
M. Bataillé
The print of forgetfulness in L'Affaire Furtif (2010) by Sylvain Prudhomme and L'Empreinte à Crusoé (2012) by Patrick Chamoiseau L'Affaire Furtif (2010) by Sylvain Prudhomme and L'Empreinte à Crusoé (2012) by Patrick Chamoiseau invest the ‘robinsonade’ genre with a renewed thought on memory and forgetfulness. These stories have the particularity of enriching the thematic and philosophical treatment of forgetfulness with a literary approach, in the light of the mythical legacy in which they are involved. Forgetfulness constitutes an initiatory threshold, desired in Prudhomme's case or endured in Chamoiseau's, thanks to which the main characters discover or rediscover themselves. Above all, the two stories have a strong specular dimension used to think on the weight of literary legacy in scriptural work.
{"title":"L’empreinte de l’oubli dans L’Affaire Furtif (2010) de Sylvain Prudhomme et L’Empreinte à Crusoé (2012) de Patrick Chamoiseau","authors":"M. Bataillé","doi":"10.4467/23538953ce.22.015.16503","DOIUrl":"https://doi.org/10.4467/23538953ce.22.015.16503","url":null,"abstract":"The print of forgetfulness in L'Affaire Furtif (2010) by Sylvain Prudhomme and L'Empreinte à Crusoé (2012) by Patrick Chamoiseau\u0000\u0000L'Affaire Furtif (2010) by Sylvain Prudhomme and L'Empreinte à Crusoé (2012) by Patrick Chamoiseau invest the ‘robinsonade’ genre with a renewed thought on memory and forgetfulness. These stories have the particularity of enriching the thematic and philosophical treatment of forgetfulness with a literary approach, in the light of the mythical legacy in which they are involved. Forgetfulness constitutes an initiatory threshold, desired in Prudhomme's case or endured in Chamoiseau's, thanks to which the main characters discover or rediscover themselves. Above all, the two stories have a strong specular dimension used to think on the weight of literary legacy in scriptural work.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128654128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-29DOI: 10.4467/23538953ce.22.014.16502
Patrick Teichmann
« La trace d’une époque finie dans les moeurs d’une époque nouvelle » : The Memory Crisis in Jules Barbey d’Aurevilly’s Le Chevalier des Touches In his historical novel Le Chevalier des Touches (1864), Jules Barbey d’Aurevilly paints a sombre picture of the former counterrevolutionary Chouan heroes of Normandy : over the first decades following the French Revolution, the aristocrats lose their ancestral castle and end up living in an anachronistic salon while slowly falling into collective oblivion. Therefore, this article argues that Barbey d’Aurevilly’s novel is concerned with a pressing memory crisis (in the sense of the term coined by Richard Terdiman) which manifests itself in the material sphere. For this purpose, the gradual decay of the nobles’ abodes will be analyzed, from the transformation of their castle to the asylum where the protagonist spends his last days. The examination of these intérieurs allows us to gain extensive insight into Barbey d’Aurevilly’s attachment to the Ancien Régime and his fundamental repudiation of the social changes occasioned by the political developments in 19th-century France.
{"title":"« La trace d’une époque finie dans les moeurs d’une époque nouvelle » : la crise de mémoire dans Le Chevalier des Touches de Jules Barbey d’Aurevilly","authors":"Patrick Teichmann","doi":"10.4467/23538953ce.22.014.16502","DOIUrl":"https://doi.org/10.4467/23538953ce.22.014.16502","url":null,"abstract":"« La trace d’une époque finie dans les moeurs d’une époque nouvelle » : The Memory Crisis in Jules Barbey d’Aurevilly’s Le Chevalier des Touches\u0000\u0000In his historical novel Le Chevalier des Touches (1864), Jules Barbey d’Aurevilly paints a sombre picture of the former counterrevolutionary Chouan heroes of Normandy : over the first decades following the French Revolution, the aristocrats lose their ancestral castle and end up living in an anachronistic salon while slowly falling into collective oblivion. Therefore, this article argues that Barbey d’Aurevilly’s novel is concerned with a pressing memory crisis (in the sense of the term coined by Richard Terdiman) which manifests itself in the material sphere. For this purpose, the gradual decay of the nobles’ abodes will be analyzed, from the transformation of their castle to the asylum where the protagonist spends his last days. The examination of these intérieurs allows us to gain extensive insight into Barbey d’Aurevilly’s attachment to the Ancien Régime and his fundamental repudiation of the social changes occasioned by the political developments in 19th-century France.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"94 12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128710245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-29DOI: 10.4467/23538953ce.22.016.16504
Laëtitia Deleuze
Following the (wounded) memory lane: poetics of voices and corporeal memory in Laurent Mauvignier’s Loin d’eux and Camille de Toledo’s Thésée, sa vie nouvelle This is a study of the novel Loin d'eux by Laurent Mauvignier (1999) and Thésée, sa vie nouvelle by Camille de Toledo (2020). Through these two works, this article examines how the modalities of a survival of memory and of the traumatic memorial image are inscribed in the body and mind and how the narrative and scriptural forms resonate with them. I will first analyze how Mauvignier's writing of the wound meets inhibited speech and silence, suggesting in solitary subjects the failure for a shared language. I will then question in de Toledo's text how the relationship to a painful bodymemory proceeds from an inscription in the present, an awareness of a memorial corporality and a desire to “survive with”. Both these texts respectively give us pause to reflect on how the memory trace is apprehended through the power of speaking and listening.
{"title":"« Suivre le fil de la blessure » : Poétique des voix et corporalité de la mémoire dans Loin d’eux de Laurent Mauvignier et Thésée, sa vie nouvelle de Camille de Toledo","authors":"Laëtitia Deleuze","doi":"10.4467/23538953ce.22.016.16504","DOIUrl":"https://doi.org/10.4467/23538953ce.22.016.16504","url":null,"abstract":"Following the (wounded) memory lane: poetics of voices and corporeal memory in Laurent Mauvignier’s Loin d’eux and Camille de Toledo’s Thésée, sa vie nouvelle\u0000\u0000This is a study of the novel Loin d'eux by Laurent Mauvignier (1999) and Thésée, sa vie nouvelle by Camille de Toledo (2020). Through these two works, this article examines how the modalities of a survival of memory and of the traumatic memorial image are inscribed in the body and mind and how the narrative and scriptural forms resonate with them. I will first analyze how Mauvignier's writing of the wound meets inhibited speech and silence, suggesting in solitary subjects the failure for a shared language. I will then question in de Toledo's text how the relationship to a painful bodymemory proceeds from an inscription in the present, an awareness of a memorial corporality and a desire to “survive with”. Both these texts respectively give us pause to reflect on how the memory trace is apprehended through the power of speaking and listening.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125641424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.4467/23538953ce.22.008.16077
Sophie Guermès
An old Bookworm on board a ship”: Michaux and the Sea This article demonstrates the importance of the Sea in the life and the works of Henri Michaux. The representation of the Sea is subject to the “dictatorship of the Imagination”. According to his will, Michaux changes seascapes, personifies fishes and oisters, allows the soul to swim. The sea also inspires a lot of metaphors, particularly developed in the mescalinian texts. Drug becomes Ocean; the poet becomes a castaway, a drowned, then resurrected man sailing on a purified water.
{"title":"« Un vieux rat de bibliothèque grimpé à bord d’un navire » : Henri Michaux et la mer","authors":"Sophie Guermès","doi":"10.4467/23538953ce.22.008.16077","DOIUrl":"https://doi.org/10.4467/23538953ce.22.008.16077","url":null,"abstract":"An old Bookworm on board a ship”: Michaux and the Sea\u0000\u0000This article demonstrates the importance of the Sea in the life and the works of Henri Michaux. The representation of the Sea is subject to the “dictatorship of the Imagination”. According to his will, Michaux changes seascapes, personifies fishes and oisters, allows the soul to swim. The sea also inspires a lot of metaphors, particularly developed in the mescalinian texts. Drug becomes Ocean; the poet becomes a castaway, a drowned, then resurrected man sailing on a purified water.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121573148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.4467/23538953ce.22.012.16081
Przemysław Szczur
Michel Dieudonné’s "La Comtesse polonaise": attempting a hypertextual and transfictional reading of the character of Pauliska Basing mainly on concepts introduced by Gérard Genette and Richard Saint-Gelais, the article offers a hypertextual and transfictional lecture of the character of Pauliska that appears in Michel Dieudonné’s play La Comtesse polonaise. The author focuses on the relations between this text and his hypotextual model, namely the novel Pauliska ou la Perversité moderne by Jacques-Antoine Révéroni Saint-Cyr. He tries to show how Michel Dieudonné exploits the generic scheme of gothic novel in a theatrical text, introducing also in his play a more historical perspective and a utopian one. He analyses both similarities and dissimilarities between the two versions of Pauliska, the latter being generated mostly by the mechanisms of intermodal transmodalization. The author sees Michel Dieudonné’s Pauliska as a postmodern, metatextual and critical version of the character imagined by Révéroni Saint-Cyr.
{"title":"\"La Comtesse polonaise\" de Michel Dieudonné : essai de lecture hypertextuelle et transfictionnelle du personnage de Pauliska","authors":"Przemysław Szczur","doi":"10.4467/23538953ce.22.012.16081","DOIUrl":"https://doi.org/10.4467/23538953ce.22.012.16081","url":null,"abstract":"Michel Dieudonné’s \"La Comtesse polonaise\": attempting a hypertextual and transfictional reading of the character of Pauliska\u0000\u0000Basing mainly on concepts introduced by Gérard Genette and Richard Saint-Gelais, the article offers a hypertextual and transfictional lecture of the character of Pauliska that appears in Michel Dieudonné’s play La Comtesse polonaise. The author focuses on the relations between this text and his hypotextual model, namely the novel Pauliska ou la Perversité moderne by Jacques-Antoine Révéroni Saint-Cyr. He tries to show how Michel Dieudonné exploits the generic scheme of gothic novel in a theatrical text, introducing also in his play a more historical perspective and a utopian one. He analyses both similarities and dissimilarities between the two versions of Pauliska, the latter being generated mostly by the mechanisms of intermodal transmodalization. The author sees Michel Dieudonné’s Pauliska as a postmodern, metatextual and critical version of the character imagined by Révéroni Saint-Cyr.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126694295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.4467/23538953ce.22.009.16078
Gaëla Le Grand
The letter and its duality: writing a departing self or Artaud’s injunctio Artaud’s work includes a large volume of correspondence, which should be given a special status. Neither a work of art, nor an appendix to the work, the letter becomes an object and a body that makes it possible to read Artaud’s corpus, insofar as it provides us with interpretative keys and forces the reader to go back and forth between letters and other writings. It is a sign of the author’s real presence, and demonstrate the idea of a suffering, dispersed and fragmented body. Paradoxically, it symbolizes the very project of the author: collecting the traces of oneself, inscribing oneself in the pure duration, and supplanting the pain of the spatial environment. The letter is the very movement of writing, conceived then as sheer speed.
{"title":"La lettre et son double : Écrire un moi en partance, ou l’injonction d’Artaud","authors":"Gaëla Le Grand","doi":"10.4467/23538953ce.22.009.16078","DOIUrl":"https://doi.org/10.4467/23538953ce.22.009.16078","url":null,"abstract":"The letter and its duality: writing a departing self or Artaud’s injunctio\u0000\u0000Artaud’s work includes a large volume of correspondence, which should be given a special status. Neither a work of art, nor an appendix to the work, the letter becomes an object and a body that makes it possible to read Artaud’s corpus, insofar as it provides us with interpretative keys and forces the reader to go back and forth between letters and other writings. It is a sign of the author’s real presence, and demonstrate the idea of a suffering, dispersed and fragmented body. Paradoxically, it symbolizes the very project of the author: collecting the traces of oneself, inscribing oneself in the pure duration, and supplanting the pain of the spatial environment. The letter is the very movement of writing, conceived then as sheer speed.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125741487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.4467/23538953ce.22.011.16080
Souad Atoui-Labidi
Malika Mokeddem’s writing: a writing of metamorphosis The reader attentive to the novels of Malika Mokeddem cannot fail to spot the impressive link between humans and nature. The author’s fiction creates its own laws and invents a universe where language is no longer used as a means of description but as a tool to symbolically say a fusion between its different elements. The space of the dune amply brushed in the novels has captured our attention since it metamorphoses and changes status: sometimes affective/ maternal, sometimes seductive. As for the symbolically painted sea, has an emotional dimension since it has often been synonymous with substitute for the absent mother. We will try, in this article, to highlight a writing in metamorphosis and to understand its different manifestations through the analysis of the explicit and implicit words of the author in her stories. The use of Bachelard’s work will therefore be of great support to explore the proposed avenues.
{"title":"L’écriture de Malika Mokeddem : une écriture de la métamorphose","authors":"Souad Atoui-Labidi","doi":"10.4467/23538953ce.22.011.16080","DOIUrl":"https://doi.org/10.4467/23538953ce.22.011.16080","url":null,"abstract":"Malika Mokeddem’s writing: a writing of metamorphosis\u0000\u0000The reader attentive to the novels of Malika Mokeddem cannot fail to spot the impressive link between humans and nature. The author’s fiction creates its own laws and invents a universe where language is no longer used as a means of description but as a tool to symbolically say a fusion between its different elements. The space of the dune amply brushed in the novels has captured our attention since it metamorphoses and changes status: sometimes affective/ maternal, sometimes seductive. As for the symbolically painted sea, has an emotional dimension since it has often been synonymous with substitute for the absent mother.\u0000\u0000We will try, in this article, to highlight a writing in metamorphosis and to understand its different manifestations through the analysis of the explicit and implicit words of the author in her stories. The use of Bachelard’s work will therefore be of great support to explore the proposed avenues.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123810258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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