Pub Date : 1900-01-01DOI: 10.4467/23538953ce.21.033.14386
M. Mrozowicki
Tannhäuser rehabilitated (V) – « La quatrième »’s image in the parisian press –Ernst Van Dyck and the others The fifth part of the cycle is devoted to the presentation of the main Parisian musical critics’ opinions on the Tannhäuser’s performance at Palais Garnier on May 13th, 1895, conducted by Paul Taffanel and directed by Alexander Lapissida. If these journalists – such as Jacques Weber of Le Temps, Catulle Mendès of La Revue de Paris, Hippolyte Fierens-Gevaert of Journal des débats, Paul Dukas of La Revue hebdomadaire, Ferdinand Le Borne of Le Monde artiste, Henry Gauthier-Villars of L’Écho de Paris, Alfred Bruneau of Gil Blas, and some others that are recalled in the article, were not unanimous on various aspects of this production, all of them considered Ernest Van Dyck, interpreting the title role, as the principle triumphator of the evening.
Tannhäuser修复(V) -“La quatri”在巴黎新闻界的形象-恩斯特·范·戴克和其他人该周期的第五部分致力于介绍巴黎主要音乐评论家对1895年5月13日在卡尼尔宫(Palais Garnier)举行的Tannhäuser演出的意见，由保罗·塔法内尔(Paul Taffanel)指挥，亚历山大·拉皮西达(Alexander Lapissida)执导。如果这些记者——如雅克•韦伯的Le Temps Catulle门德斯的Revue巴黎,希波吕忒Fierens-Gevaert期刊des讨论,保罗Dukas拉Revue hebdomadaire,费迪南德Le承担《世界报》的艺人,亨利Gauthier-Villars L 'Echo巴黎,阿尔弗雷德的Bruneau吉尔布拉斯,和其他一些回忆的文章,不一致在这个生产的各个方面,他们都认为是欧内斯特·范·戴克,解读标题的作用,作为今晚的主要胜利者。
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Pub Date : 1900-01-01DOI: 10.4467/23538953ce.21.034.14387
E. M. Wierzbowska
{"title":"Marta Sukiennicka, Éloquences romantiques. Les années de l’Arsenal (1824-1834), Poznań, Wydawnictwo Naukowe UAM, 2020, p. 269","authors":"E. M. Wierzbowska","doi":"10.4467/23538953ce.21.034.14387","DOIUrl":"https://doi.org/10.4467/23538953ce.21.034.14387","url":null,"abstract":"","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114559865","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4467/23538953CE.19.013.10698
Piotr Sadkowski
{"title":"La fiction hantée par le passé/le passé hanté par la fiction : les spectres de la Grande Guerre dans Douze lettres d’amour au soldat inconnu d’Olivier Bar barant et Visites aux vivants de Cathie Barreau","authors":"Piotr Sadkowski","doi":"10.4467/23538953CE.19.013.10698","DOIUrl":"https://doi.org/10.4467/23538953CE.19.013.10698","url":null,"abstract":"","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123397436","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4467/23538953ce.21.031.14384
Éléonore Mermet
Night and voices in Journal d’un curé de campagne How the Journal d’un curé de campagne is written is intimately linked to the night because of the narrator’s insomnia. We will demonstrate that this night is the expression of an inner night, through the carmelite mysticism of John of the Cross. The writing is purified by the silence and anguish of the priest's mystical night: we will see that his writing becomes a prayer, that is to say, the hosting of divine and human voices in silence, based on Jean-Louis Chrétien’s phenomenological approach of prayer. This idea of writing will allow us to understand the relationship of Bernanos himself to his own writing: this nightly writing listens and gives voice to those who have none.
《Journal d 'un curde campagne》中的夜与声音《Journal d 'un curde campagne》的写作方式与夜密切相关，因为叙述者的失眠。我们将通过十字架约翰的加尔默罗神秘主义，证明这个夜晚是内心之夜的表达。写作被牧师神秘之夜的沉默和痛苦所净化:我们将看到他的写作成为一种祈祷，也就是说，基于让-路易斯·克雷姆森的现象学祈祷方法，在沉默中主持神圣和人类的声音。这种写作的想法将让我们理解贝南诺斯本人与他自己的写作之间的关系:这种夜间写作倾听并给予那些没有声音的人以声音。
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Pub Date : 1900-01-01DOI: 10.4467/23538953ce.20.012.12819
Sébastien Galland
taillienne, le poil a été symptoma quement occulté par la cri que avisée. Pourtant, à examiner la chose de plus près : « Ainsi les guenilles d’Edwarda me regardaient, velues et roses, pleines de vie comme une pieuvre répu ‐ gnante »1, le poil est omniprésent dans les récits comme dans les essais de Bataille. Provoquant l’horripila on et la fascina on, il par cipe de l’informe qui marque un rejet de la ra onalité et de la philosophie, de la méta pho risa on et de l’esthé que, au profit de la laideur, de l’abjec on et du bas matériel. Objet hétérogène et irréduc ble, le poil ne saurait se soume re au discours, à ses catégories ou ses normes. Il borde une zone unheimlich (étrangeté inquiétante) qui confine à l’irreprésentable, et suscite un processus de démétaphorisa on où se rencontre le réel sexuel sans nom et sans image. Par là, cet objet irré duc ‐ ble libère la puissance transgressive du sacré, celle de l’éro sme sans doute, mais plus encore celle du diony ‐ siaque qui est volonté de puissance et augmenta on du sen ment de vie. Parce que la pilosité a este de l’énergie vitale commune à l’humain, à l’animal et au végétal, elle est la « part maudite », l’expression de la grande santé qui, pour Bataille lecteur de Nietzsche, s’inscrit en faux contre les puritanismes anciens ou actuels qui caractérisent les idéaux ascé ques. Déchet de la civilisa on, le poil n’en est pas seulement le malaise mais aussi la limite subversive et joyeuse. Chasser, traquer ou raser la pilosité, laquelle SÉBASTIEN GALLAND Université Paul‐Valéry, Montpellier III
泰里尔夫人，她的头发被那明智的叫声所掩盖了。然而，仔细观察一下:“爱德华的破布就这样看着我，毛茸茸的，粉红色的，像一只重生的章鱼一样充满活力。”1在故事和战斗散文中，头发无处不在。他激发了人们的恐怖和着迷，他参与了一种无知论，这标志着对理性和哲学的拒绝，对元理性和美学的拒绝，而赞成丑陋、abjec和低物质。头发是异质的、不可减少的物体，它不能与话语、它的类别或它的规范联系在一起。它围绕着一个非海姆利克区(令人不安的奇怪)，接近于不可代表，并引发了一个去隐喻的过程，在那里没有名字和形象的性现实相遇。通过这种方式，这个疯狂的物体释放了神圣的越界力量，毫无疑问是快乐的力量，但更重要的是酒神的力量，它是对权力的意志，增加了生命的感觉。因为毛发了救命este能源部共同向人类、动物和植物,它是«»纲纪份额、大健康的表达,对于战场尼采,指控符合读者的现任或前任puritanismes理想ascé特有的问题。文明的浪费，头发不仅是一种不适，也是一种颠覆性和快乐的极限。狩猎，跟踪或剃毛sebastien GALLAND universite Paul - valery，蒙彼利埃III
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Pub Date : 1900-01-01DOI: 10.4467/23538953CE.19.014.10699
Gökçe Ergenekon
{"title":"« La chimère d’un âge perdu ». Présence du passé dans la poésie de René Char","authors":"Gökçe Ergenekon","doi":"10.4467/23538953CE.19.014.10699","DOIUrl":"https://doi.org/10.4467/23538953CE.19.014.10699","url":null,"abstract":"","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123229431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4467/23538953CE.19.017.10702
Jolanta Rachwalska von Rejchwald
{"title":"Le geste signifiant. La rhétorique du corps paroxystique dans La Conquête de Plassans d’Émile Zola","authors":"Jolanta Rachwalska von Rejchwald","doi":"10.4467/23538953CE.19.017.10702","DOIUrl":"https://doi.org/10.4467/23538953CE.19.017.10702","url":null,"abstract":"","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115101427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4467/23538953CE.19.004.10299
Cécile Hanania
{"title":"Un homme de passage de Serge Doubrovsky : la tentation de l’Odyssée","authors":"Cécile Hanania","doi":"10.4467/23538953CE.19.004.10299","DOIUrl":"https://doi.org/10.4467/23538953CE.19.004.10299","url":null,"abstract":"","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128850485","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4467/23538953ce.21.032.14385
Sabrina Lusuriello
The darker the night, the brighter the day: “the beauty of the world’s nights” by Marguerite Duras Night-time, the favorite time of awakening for Marguerite Duras, has an ambivalent status. In a colorful game, the sleepless night changes from white to black, from bright to dark. Rather than a standstill or loss of time, the night without sleep offers a spectacular acceleration and intensification. Since the night acts as a catalyst, insomnia confronts the characters to their inescapable fate. Staying awake becomes an act of resistance, for both, characters and author. Therefore, insomnia emphasizes emptiness and inaction, and transforms loss into creation and fulfillment. Which means that insomnia is more than a physical phenomenon: it acquires a metaphysical dimension in Marguerite Duras’s work.
{"title":"Plus sombre la nuit, plus claire la journée: « la beauté des nuits du monde » de Marguerite Duras","authors":"Sabrina Lusuriello","doi":"10.4467/23538953ce.21.032.14385","DOIUrl":"https://doi.org/10.4467/23538953ce.21.032.14385","url":null,"abstract":"The darker the night, the brighter the day: “the beauty of the world’s nights” by Marguerite Duras\u0000\u0000Night-time, the favorite time of awakening for Marguerite Duras, has an ambivalent status. In a colorful game, the sleepless night changes from white to black, from bright to dark. Rather than a standstill or loss of time, the night without sleep offers a spectacular acceleration and intensification. Since the night acts as a catalyst, insomnia confronts the characters to their inescapable fate. Staying awake becomes an act of resistance, for both, characters and author. Therefore, insomnia emphasizes emptiness and inaction, and transforms loss into creation and fulfillment. Which means that insomnia is more than a physical phenomenon: it acquires a metaphysical dimension in Marguerite Duras’s work.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125321476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4467/23538953ce.20.007.12425
Martyna Zapolnik
The secondperson narration in the writing of malaise. The comparative analysis of A Man Asleep by Georges Perec and L’Inconsolable by Anne Godard (Part Two) Suspension between life and death is not the only one that heroes of Gerorges Perec and Anne Godard, accompanied by a reader, have to undergo. The grammatical second person applied in order to represent the characters implies actually a particular plurality of voices which creates in a paradoxical way these two silent heroes. Moreover, devoid of anchor point unlike other grammatical persons, it makes them constantly suspended in time and space. Therethrough, A Man Asleep and L’Inconsolable cannot be treated just like rewritings of common myths: they represent a new quality in the history of literature, very dynamic and rich in interpretations.
{"title":"Le récit à la deuxième personne dans l’écriture du malaise. Analyse comparative d’Un homme qui dort de Georges Perec et de L’Inconsolable d’Anne Godard (II partie)","authors":"Martyna Zapolnik","doi":"10.4467/23538953ce.20.007.12425","DOIUrl":"https://doi.org/10.4467/23538953ce.20.007.12425","url":null,"abstract":"The secondperson narration in the writing of malaise. The comparative analysis of A Man Asleep by Georges Perec and L’Inconsolable by Anne Godard (Part Two)\u0000\u0000Suspension between life and death is not the only one that heroes of Gerorges Perec and Anne Godard, accompanied by a reader, have to undergo. The grammatical second person applied in order to represent the characters implies actually a particular plurality of voices which creates in a paradoxical way these two silent heroes. Moreover, devoid of anchor point unlike other grammatical persons, it makes them constantly suspended in time and space. Therethrough, A Man Asleep and L’Inconsolable cannot be treated just like rewritings of common myths: they represent a new quality in the history of literature, very dynamic and rich in interpretations.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116311337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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