Pub Date : 2022-01-01DOI: 10.11648/j.ijla.20221003.11
Abdulkadir Erkal
: Classical Turkish poetry is important in terms of reflecting the cultural and sociological structure of Ottoman society together with different images and dreams in texts. Places that symbolize the general characteristic structure of a society and nation have also been the main material of poems. In the texts in which Divan poetry put love at the center, idols, one of the objects that symbolize beauty, are among them, when they use concrete signs in their depictions of the beloved, the main actor of this phenomenon. Concepts such as sanem and nigar are products of human art and represent perfect beauty aesthetically. The places of worship of the Christian religion (churches, monasteries, etc.) in which these objects, which are seen as the symbol of beauty, are located, together with the cities and countries identified with these concepts, are frequently used as an element of simile in classical Turkish poetry. The places where these objects are located have taken shape around this meaning. In this study, by examining the texts of classical Turkish poetry, the place of idol and idol concepts in the meaning world of this poem is tried to be determined.
{"title":"Metaphorizing Places in Classical Turkish Poetry: Idol Houses","authors":"Abdulkadir Erkal","doi":"10.11648/j.ijla.20221003.11","DOIUrl":"https://doi.org/10.11648/j.ijla.20221003.11","url":null,"abstract":": Classical Turkish poetry is important in terms of reflecting the cultural and sociological structure of Ottoman society together with different images and dreams in texts. Places that symbolize the general characteristic structure of a society and nation have also been the main material of poems. In the texts in which Divan poetry put love at the center, idols, one of the objects that symbolize beauty, are among them, when they use concrete signs in their depictions of the beloved, the main actor of this phenomenon. Concepts such as sanem and nigar are products of human art and represent perfect beauty aesthetically. The places of worship of the Christian religion (churches, monasteries, etc.) in which these objects, which are seen as the symbol of beauty, are located, together with the cities and countries identified with these concepts, are frequently used as an element of simile in classical Turkish poetry. The places where these objects are located have taken shape around this meaning. In this study, by examining the texts of classical Turkish poetry, the place of idol and idol concepts in the meaning world of this poem is tried to be determined.","PeriodicalId":14110,"journal":{"name":"International Journal of Literature and Arts","volume":"102 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82039016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.11648/j.ijla.20221002.17
Gounougo Aboubakar
{"title":"Semiotics and Poetics of the Road in Ferdinand Oyono's <i>Old Negro and the Medal</i>","authors":"Gounougo Aboubakar","doi":"10.11648/j.ijla.20221002.17","DOIUrl":"https://doi.org/10.11648/j.ijla.20221002.17","url":null,"abstract":"","PeriodicalId":14110,"journal":{"name":"International Journal of Literature and Arts","volume":"5 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91425600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.11648/j.ijla.20221001.14
Bawa Kammampoal
{"title":"The Social Use of Language: An Ethnography of Communication in Chinua Achebe’s <i>Arrow of God</i>","authors":"Bawa Kammampoal","doi":"10.11648/j.ijla.20221001.14","DOIUrl":"https://doi.org/10.11648/j.ijla.20221001.14","url":null,"abstract":"","PeriodicalId":14110,"journal":{"name":"International Journal of Literature and Arts","volume":"65 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83449327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.11648/j.ijla.20221002.18
Safi Lawal, A. Ahman
{"title":"Experimenting Side-Reading Questionning Strategy in Reawkening Nigerian Polytechnic Students’ Summary Writing Performance","authors":"Safi Lawal, A. Ahman","doi":"10.11648/j.ijla.20221002.18","DOIUrl":"https://doi.org/10.11648/j.ijla.20221002.18","url":null,"abstract":"","PeriodicalId":14110,"journal":{"name":"International Journal of Literature and Arts","volume":"269 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90772975","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.11648/j.ijla.20221002.19
Onyeka Ike, P. Chinaka
{"title":"Leadership Failure and Consequences: Exemplifying Political Historicity in Chimamanda Adichie’s Novels","authors":"Onyeka Ike, P. Chinaka","doi":"10.11648/j.ijla.20221002.19","DOIUrl":"https://doi.org/10.11648/j.ijla.20221002.19","url":null,"abstract":"","PeriodicalId":14110,"journal":{"name":"International Journal of Literature and Arts","volume":"34 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78912375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.11648/j.ijla.20221003.13
Wang Cong
{"title":"A Literary Review of Neorealism in British and American Literature","authors":"Wang Cong","doi":"10.11648/j.ijla.20221003.13","DOIUrl":"https://doi.org/10.11648/j.ijla.20221003.13","url":null,"abstract":"","PeriodicalId":14110,"journal":{"name":"International Journal of Literature and Arts","volume":"89 1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82791020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.11648/j.ijla.20221003.12
A. Kuusamo
{"title":"Charles Baudelaire’s The Swan and the Vanishing Cityspace","authors":"A. Kuusamo","doi":"10.11648/j.ijla.20221003.12","DOIUrl":"https://doi.org/10.11648/j.ijla.20221003.12","url":null,"abstract":"","PeriodicalId":14110,"journal":{"name":"International Journal of Literature and Arts","volume":"171 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85666461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.11648/j.ijla.20221002.13
Thekla I. Anastasiou
{"title":"Eating Relationships in an Early Years Setting: More-Than-a-Kiss Assemblage","authors":"Thekla I. Anastasiou","doi":"10.11648/j.ijla.20221002.13","DOIUrl":"https://doi.org/10.11648/j.ijla.20221002.13","url":null,"abstract":"","PeriodicalId":14110,"journal":{"name":"International Journal of Literature and Arts","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84682371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.11648/j.ijla.20221001.18
Maḥmūd Na’āmneh
{"title":"Şūfī Language and the Opening of Signification: al-Ḥallāj as an Example","authors":"Maḥmūd Na’āmneh","doi":"10.11648/j.ijla.20221001.18","DOIUrl":"https://doi.org/10.11648/j.ijla.20221001.18","url":null,"abstract":"","PeriodicalId":14110,"journal":{"name":"International Journal of Literature and Arts","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81976599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-19DOI: 10.11648/J.IJLA.20210905.15
Wanting Chen, Guohao Zou
Chinese export porcelain was a great wonder in the long history of the world. During Ming and Qing dynasty, it was exported in large quantity beyond China, which led to a taste for Chinese designs and made different cultures encountered, exchanged and integrated. At the same time, Chinese export porcelain actively influenced passively recipient foreign consumers, which made the world civilization be promoted. The utensils are used to convey Daoism. While spreading Chinese culture, Chinese export porcelain carried the world's religious culture such as Christian culture, Islamic culture, Buddhist culture and Chinese local Taoist culture, bursting with colorful light. By collecting a large number of images of the Chinese export porcelain in religious culture during Ming and Qing dynasty, this article uses historical research method and the method of anthropology to make a specific and comprehensive analysis of the religious culture on exported porcelain so as to reappear the splendid global history. This article also elaborated on the design semantics, acceptance, and innovative development of religious culture on exported porcelains during the Ming and Qing Dynasties under the environment of the source language and target languages in China and beyond China. This article also analyzes the transportation routes and specific loading methods of porcelains during the Ming and Qing Dynasties, which better reflects the movement of Chinese Ceramics and its appropriation in world history. The methods of iconology are used in this article and the narrative stories on porcelains are analyzed. Chinese exported porcelain is functional and its spiritual enlightenment is appreciated by human-beings. The world civilization, human-being’s wisdom, spiritual connotation, communication integration and mutual development of all the world’s nations are witnessed by Chinese export porcelains in Ming and Qing Dynasties.
{"title":"A Study on Chinese Export Porcelain’s Religious Culture in Ming and Qing Dynasty","authors":"Wanting Chen, Guohao Zou","doi":"10.11648/J.IJLA.20210905.15","DOIUrl":"https://doi.org/10.11648/J.IJLA.20210905.15","url":null,"abstract":"Chinese export porcelain was a great wonder in the long history of the world. During Ming and Qing dynasty, it was exported in large quantity beyond China, which led to a taste for Chinese designs and made different cultures encountered, exchanged and integrated. At the same time, Chinese export porcelain actively influenced passively recipient foreign consumers, which made the world civilization be promoted. The utensils are used to convey Daoism. While spreading Chinese culture, Chinese export porcelain carried the world's religious culture such as Christian culture, Islamic culture, Buddhist culture and Chinese local Taoist culture, bursting with colorful light. By collecting a large number of images of the Chinese export porcelain in religious culture during Ming and Qing dynasty, this article uses historical research method and the method of anthropology to make a specific and comprehensive analysis of the religious culture on exported porcelain so as to reappear the splendid global history. This article also elaborated on the design semantics, acceptance, and innovative development of religious culture on exported porcelains during the Ming and Qing Dynasties under the environment of the source language and target languages in China and beyond China. This article also analyzes the transportation routes and specific loading methods of porcelains during the Ming and Qing Dynasties, which better reflects the movement of Chinese Ceramics and its appropriation in world history. The methods of iconology are used in this article and the narrative stories on porcelains are analyzed. Chinese exported porcelain is functional and its spiritual enlightenment is appreciated by human-beings. The world civilization, human-being’s wisdom, spiritual connotation, communication integration and mutual development of all the world’s nations are witnessed by Chinese export porcelains in Ming and Qing Dynasties.","PeriodicalId":14110,"journal":{"name":"International Journal of Literature and Arts","volume":"44 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80033125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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