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International Journal of Literature and Arts最新文献

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The Stage as a Canvas: A Postcolonial Analysis of Wole Soyinka’s The Lion and The Jewel 舞台作为画布:索因卡的《狮子与宝石》的后殖民分析
Pub Date : 2023-08-17 DOI: 10.11648/j.ijla.20231104.15
David Kwofie, J. Daniels
: Postcolonialism applies to cultures that have been affected by imperial processes. It is a theoretical approach propounded by experts such as Frantz Fanon, Edward Said, Gayatri Spivak
后殖民主义适用于受帝国统治影响的文化。这是由弗朗茨·法农、爱德华·赛义德、加亚特里·斯皮瓦克等专家提出的一种理论方法
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引用次数: 0
Embracing the Diversity of Craft Functions in Daily Life 拥抱日常生活中工艺功能的多样性
Pub Date : 2023-08-05 DOI: 10.11648/j.ijla.20231104.14
W. Sudana, Isnawati Mohamad
: Craft is a field of art that is very open with various meanings, according to the purpose of its creation, the raw materials used, the work process
工艺是一个非常开放的艺术领域,根据其创作目的,使用的原材料,工作过程,具有多种含义
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引用次数: 0
Stan Lai’s Translation Thoughts of Performability from the Perspective of Translators Voice: A Case Study of Subtext Translation of Secret Love in Peach Blossom Land 从译者的声音看赖斯坦的可表演性翻译思想——以《桃花源暗恋》潜台词翻译为例
Pub Date : 2023-07-24 DOI: 10.11648/j.ijla.20231104.13
Wu Bian, Ketong Liu
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引用次数: 0
The Institutionalism of Odo Masquerade and Sustainable Development in Igbo Land 奥多假面舞会的制度主义与伊博土地的可持续发展
Pub Date : 2023-07-13 DOI: 10.11648/j.ijla.20231104.12
Felix E Ukwu, Felicia U Eze-Dike, Charles O Manasseh, Chine Sp Logan, O. Okanya, E. Ejim
: Africans’ greatest problem was the incursion of the white men tino Africa many decades ago, even though many European authors described Africa as darkness before the coming of the white man, the natural growth that had been established in many African kingdoms was aborted as the white men brought and imposed another culture upon Africa. The Odo masquerade cult has outlived the colonial invasion of Africa and is still serving as a worship and as a cultural system. The objective of this study is to examine the relevance of Odo masquerade cult in this present age. The Modernization Theory is adopted as the theoretical framework of the study while content analysis was utilized as research method. The findings include that Odo Masquerade is a cult, a culture, a form of religion and a masquerade. The paper recommends the reform of the practice of Odo Masquerade cult to be relevant in this present age and be a tool for sustainable development. The modernization process is to shield the tradition from all the practice or tenets that are contending and inimical with the present development of today.
当前位置非洲人最大的问题是几十年前白人对非洲的入侵,尽管许多欧洲作家将白人到来之前的非洲描述为黑暗,但由于白人给非洲带来并强加了另一种文化,许多非洲王国已经建立起来的自然增长被中止了。奥德假面舞会在非洲的殖民入侵之后仍然存在,仍然是一种崇拜和文化体系。本研究的目的是检验在这个时代的Odo假面崇拜的相关性。本文采用现代化理论作为研究的理论框架,采用内容分析法作为研究方法。调查结果包括,Odo Masquerade是一种崇拜,一种文化,一种宗教形式和假面舞会。本文建议对Odo假面舞会的实践进行改革,以适应当今时代的需要,并成为可持续发展的工具。现代化进程是为了保护传统不受与今天的发展相竞争和有害的所有实践或信条的影响。
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引用次数: 0
Fictions of (Cultural) Memory: Re-inventing British Imperial Memory in Kipling’s ‘The White Man’s Burden’ and Lord Byron’s ‘The Prisoner of Chillon’ (文化)记忆的虚构:吉卜林《白人的重担》和拜伦勋爵《西隆的囚徒》中重塑大英帝国的记忆
Pub Date : 2023-07-11 DOI: 10.11648/j.ijla.20231104.11
Nforbin Gerald Niba
: This study explores the representations of British cultural memory and identity in two British Poems—Kipling’s ‘The White Man’s burden’ and Lord Byron’s ‘The Prisoner of Chillon’, with the aim of demonstrating that, as ‘fictions of memory’ these literary works teem with a memory of British political/imperial history in the form of linguistic parameters, ideological and cultural discourses, myths, images and mainly metaphors of imperial history or what most critics generally refer to as, ‘fictions of empire’ or ‘metaphors of empire’. The selected texts from the British colonial context are linked by their historical affinity to
:本研究探讨了两首英国诗歌——吉卜林的《白人的负担》和拜伦勋爵的《齐龙的囚徒》——中英国文化记忆和身份的表现,目的是证明,作为“记忆的小说”,这些文学作品以语言参数、意识形态和文化话语、神话、图像和主要的帝国历史隐喻的形式,充满了对英国政治/帝国历史的记忆,或者大多数评论家通常所说的,"帝国的虚构"或"帝国的隐喻"从英国殖民语境中选择的文本是由他们的历史亲和力联系在一起的
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引用次数: 0
The Igbo Concept of Ojemba enweghi iro in the Migration of the Igbo Indigenes 伊博土著移民中的Ojemba enweghi iro概念
Pub Date : 2023-06-27 DOI: 10.11648/j.ijla.20231103.19
U. Aniga
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引用次数: 0
Cognitive Analysis of Metaphor and Metonymy in Prose 散文中隐喻和转喻的认知分析
Pub Date : 2023-06-21 DOI: 10.11648/j.ijla.20231103.17
Lu Siyi, Yueling Ma
: Metaphor and metonymy, which are figures of speech as well as means of cognition and ways of thinking, are commonly used in literary works, allowing authors to better express themselves and helping readers appreciate the charm of language. In order to have a better understanding of how they add to the cultural connotations of literary works and expand readers’ cognition, this article selects typical sentences from Chi ZiJian Prose featured by vivid and poetic language and analyzes how metaphor and metonymy, as important rhetorical devices and ways of thinking, act as active roles in adding luster to literary works and helping readers grasp the spirit and emotion of the author and in return, further broaden their perceptions by creating extensive connections. Therefore, readers are supposed to utilize their past cognitive experience and fully exert their imagination to find similarities and build connections, project their knowledge and experience from one domain to the other, understand the hidden meaning and thus the cognitive purposes can be achieved. The analysis of this study also places emphasis on the cultural background and the intentionality of the author because words and sentences can not be isolated from the context or it can be interpreted in many different ways.
:隐喻和转喻是文学作品中常用的语词,也是一种认知手段和思维方式,可以让作者更好地表达自己,帮助读者领略语言的魅力。为了更好地理解比喻和隐喻如何增添文学作品的文化内涵,拓展读者的认知,本文选取了《迟子建散文》中语言生动、富有诗意的典型句子,分析比喻和隐喻作为重要的修辞手法和思维方式,如何积极地为文学作品增光添彩,帮助读者把握作者的精神和情感,进而通过广泛的联系进一步拓宽读者的认知。因此,读者要利用以往的认知经验,充分发挥自己的想象力,寻找相似点,建立联系,将自己的知识经验从一个领域投射到另一个领域,理解其中隐藏的意义,从而达到认知的目的。本研究的分析还重视文化背景和作者的意图,因为词句不能脱离语境,否则会有多种不同的解释。
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引用次数: 0
On the Philosophy of the Thing in Modern Paintings 论现代绘画中的事物哲学
Pub Date : 2023-06-21 DOI: 10.11648/j.ijla.20231103.18
Jianjun Cui
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引用次数: 0
Application of Ceramic Mosaic Art in Architectural Decoration — Taking Park Güell as an Example 陶瓷马赛克艺术在建筑装饰中的应用--以居尔公园为例
Pub Date : 2023-06-10 DOI: 10.11648/j.ijla.20231103.16
Qiao Qian, Pei Wen, Yang Huiyu, Weijia Li
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引用次数: 0
Morphological Mutability of Modern Critical Genres: Theatre Review as a Parody 现代批评流派的形态多变性:作为戏仿的戏剧评论
Pub Date : 2023-06-10 DOI: 10.11648/j.ijla.20231103.15
Natallia Lysova
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引用次数: 0
期刊
International Journal of Literature and Arts
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