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Kulturella Perspektiv – Svensk etnologisk tidskrift最新文献

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Täta beskrivningar i etnografiskt skrivande 民族志写作中的密集描述
Pub Date : 2024-05-14 DOI: 10.54807/kp.v33.17533
Sofia Breimo
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引用次数: 0
”Nån slags soffliggande nomad i musikbranschen” "音乐界的某种沉睡游牧者"
Pub Date : 2024-01-31 DOI: 10.54807/kp.v23.21682
Maja Nordström
This article presents Max Mackhé, a pop musician and political activist. He comes from Sweden, lives in Norway and feels like part of the Sámi community. The article discusses Max’s own experiences concerning identity and shows how an ethnic identity can be culturally constructed and that this can be a complex issue that relates to civil rights, among other things. Early in his life he felt affinity towards the Sámi culture and has witnessed racism toward Sámi people. His music nowadays bears witness of his strong political engagement in environmental issues and the rights of indigenous peoples, for instance regarding the current mining exploitations in the north of Sweden. His political activism also takes place in social media, for instance on Twitter.
本文介绍流行音乐家和政治活动家马克斯-马克赫(Max Mackhé)。他来自瑞典,生活在挪威,感觉自己是萨米人社区的一员。文章讨论了马克斯本人在身份认同方面的经历,说明了种族身份认同是如何在文化上建构起来的,以及这可能是一个与公民权利等有关的复杂问题。早年,他就对萨米文化产生了亲切感,并目睹了针对萨米人的种族主义。如今,他的音乐见证了他对环境问题和原住民权利的强烈政治参与,例如对当前瑞典北部采矿业开发的参与。他的政治活动也通过社交媒体进行,例如在 Twitter 上。
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引用次数: 0
Att berätta och återberätta 讲述和复述
Pub Date : 2024-01-31 DOI: 10.54807/kp.v23.21598
Coppélie Cocq
This article examines the issue of entitlement in narrative interaction. Based on interviews, it investigates how stories are shaped, transferred and turned from personal to collective stories. Further, the role and the responsibility of the researcher in narrative processes are discussed.
本文探讨了叙事互动中的权利问题。文章以访谈为基础,探讨了故事是如何形成、转移以及从个人故事转变为集体故事的。此外,文章还讨论了研究人员在叙事过程中的角色和责任。
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引用次数: 0
Etnologiska möjligheter 人种学机会
Pub Date : 2024-01-31 DOI: 10.54807/kp.v23.21625
Helena Hörnfeldt
During the past decade, Ethnology, like many other disciplines in humanities, indulged in a somewhat anxious self-reflection. The methodological and spatial differences between subjects like Ethnology, Anthropology and History have almost disappeared and the position of Ethnology as a discipline at the intersection of cultural history and analyses of contemporary society is no longer unique. This essay explores the ethnological possibilities and the potential for doing research that includes analyses of both the past and the contemporary. By searching for a deeper knowledge of a phenomenon in both the contemporary and the past, an understanding of the specific conditions surrounding the phenomenon becomes possible. Furthermore, through the study of how and why it became what it is, the contingency of history becomes apparent. With a focus on both the present and the past, it also becomes easier to discern what historical processes are important for us today. Ethnology has much to gain if we, based on the insights of the new cultural history and the linguistic turn, resume the combination of contemporary analysis and historical reconstruction which has characterized the discipline at times. In this way Ethnology also offers something original in relation to what the disciplines of history, contemporary historians and anthropologists do regarding knowledge production.
在过去的十年中,民族学与许多其他人文学科一样,沉浸在某种焦虑的自我反思之中。民族学、人类学和历史学等学科之间在方法论和空间上的差异几乎消失殆尽,民族学作为一门处于文化史和当代社会分析交汇点上的学科的地位也不再独一无二。这篇文章探讨了民族学的可能性,以及开展既分析过去又分析当代的研究的潜力。通过在当代和过去寻找对某一现象的更深层次的了解,就有可能理解围绕这一现象的特定条件。此外,通过研究它是如何变成现在这个样子的,以及为什么会变成现在这个样子,历史的偶然性就会显现出来。同时关注现在和过去,也就更容易发现哪些历史进程对我们今天很重要。如果我们以新文化史和语言学转向的见解为基础,重新将当代分析和历史重构结合起来,那么人种学将获益良多。这样,人种学也能为历史学科、当代历史学家和人类学家在知识生产方面的工作提供一些原创性的东西。
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引用次数: 0
Livsviktig historia? 重要历史?
Pub Date : 2024-01-31 DOI: 10.54807/kp.v23.21631
Mikael Vallström
With a voluminous newspaper material from the 1930s and contemporary life story interviews as starting-point the article discusses how ethnology can handle existential issues. The discussion especially concerns parallels between societal crisis of today and of the 1930s. By making a distinction between “the history we are living and a part of ” (die Geschichte) and “the history we are writing” (die Historie), the aim is to point out a possibility to develop a criticism of historiography, and an “unhistorical” methodology “for life”. These concepts originate from Nietzsche’s (1874/1998) statement that historicism is a threat to life itself. To make it possible to found a method that deals with existential issues raised by traces and heritages from the past, and that also is able to maintain conditions for life, the article argues for an analysis paying attention to the variability, openness and dialogic nature of historical material. Furthermore, this kind of attention is regarded as a crucial political and democratic task for ethnology.
文章以 20 世纪 30 年代的大量报纸资料和当代生活故事访谈为出发点,讨论了人种学如何处理生存问题。讨论尤其关注当今社会危机与 20 世纪 30 年代社会危机之间的相似之处。通过区分 "我们生活的历史"(die Geschichte)和 "我们书写的历史"(die Historie),文章旨在指出对历史学进行批判的可能性,以及一种 "非历史 "的 "生活 "方法论。这些概念源自尼采(1874/1998 年)的论述,即历史主义是对生命本身的威胁。为了能够找到一种方法来处理由过去的痕迹和遗产所引发的生存问题,同时也能够维持生命的条件,文章主张在分析中关注历史材料的可变性、开放性和对话性。此外,这种关注被视为民族学的一项重要的政治和民主任务。
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引用次数: 0
Roy Rabb och anakronismen 罗伊-拉布和不合时宜
Pub Date : 2024-01-31 DOI: 10.54807/kp.v23.21637
Sven-Erik Klinkmann
This text deals with anachronism, within the framework of a cultural analytical research effort, in the life and art of Ostrobothnian dance band musician and local politician Roy Rabb. The intention here is to activate a critical thinking on anachronisms, what they do and why it seems that we need them. The arenas and artefacts studied are Roy Rabb’s activities as a dance band musician, his laptop, steel guitar and his sports car, and also his engagement in the populist party the True Finns. The playfully subversive character of many of Rabb’s musical and visual undertakings makes it difficult to place his anachronisms within an unambiguously national or nationalistic context. But on the other hand, some remarks he has been making, of an openly racist and male chauvinistic nature, indicates a certain caution as to a reading the anachronisms of Roy Rabb strictly along the lines of a playful subversiveness.
本文在文化分析研究工作的框架内,探讨了奥斯特罗伯特舞蹈乐队音乐家和当地政治家罗伊-拉布的生活和艺术中的不合时宜之处。本文的目的在于激活对不合时宜之处、不合时宜之处的作用以及为什么我们似乎需要不合时宜之处的批判性思考。罗伊-拉布作为舞蹈乐队音乐家的活动、他的笔记本电脑、钢吉他和跑车,以及他在民粹主义政党 "真正芬兰人 "中的参与,都是研究的领域和对象。罗伊-拉布的许多音乐和视觉作品都具有嬉皮笑脸的颠覆性,因此很难将他的不合时宜之处置于明确的国家或民族主义背景之下。但另一方面,罗伊-拉布公开发表的一些带有种族主义和大男子主义性质的言论,也表明我们在解读罗伊-拉布的不合时宜之处时,应严格遵循游戏性颠覆的原则。
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引用次数: 0
Ta det inte personligt, men . . . 别往心里去,但是...
Pub Date : 2024-01-31 DOI: 10.54807/kp.v23.21646
Billy Ehn
Critical thinking is one of the most highly respected scientific ideals in the academic life. But when it is practiced, for example in reviewing written texts, it is not always experienced as a good thing. It hurts to be criticised. Therefore this practice will for sure generate dissonant feelings, both in those who are giving critique and in those who are receiving it. In order to manage the ambivalence both parties have to learn a cultural competence for presenting and accepting critical viewpoints as a usable gift.
批判性思维是学术生活中最受推崇的科学理想之一。但是,当批判性思维付诸实践时,例如在审阅书面文本时,人们并不总是认为这是一件好事。被批评是一种伤害。因此,无论是提出批评的人还是接受批评的人,都肯定会产生不和谐的感觉。为了处理好这种矛盾心理,双方都必须学习一种文化能力,将批评观点作为一种可用的礼物来展示和接受。
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引用次数: 0
Vad är urfolksmetodologier? 什么是土著方法论?
Pub Date : 2024-01-31 DOI: 10.54807/kp.v23.21691
Kristina Sehlin MacNeil
Many indigenous researchers have described Indigenous Methodologies as alternative ways of thinking about research processes. This article aims to give an introduction to Indigenous Methodologies and to locate them in relation to the qualitative research field. In addition epistemological aspects of indigenous research models are contrasted with mainstream Western approaches in order to open up for a conversation on the use of multiple epistemologies. The article concludes with a discussion on whom Indigenous Methodologies are available to and poses the hopeful proposition that space might be created for Indigenous Methodologies within mainstream academia.
许多本土研究人员将本土方法论描述为思考研究过程的另一种方式。本文旨在介绍土著方法论,并将其与定性研究领域联系起来。此外,本文还将土著研究模式的认识论方面与西方主流方法进行对比,以便就多重认识论的使用展开对话。文章最后讨论了土著方法论的适用对象,并提出了在主流学术界为土著方法论创造空间的充满希望的主张。
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引用次数: 3
Medskapandets konst? 共同创造的艺术?
Pub Date : 2024-01-31 DOI: 10.54807/kp.v23.21700
Anna-Lill Ledman
Umeå is appointed the European capital of culture in 2014, a position that was gained partly through putting forward Sami culture and northern Sweden as unique components of Europe. The year offers a variety of possibilities for Sami actors and Sami society to make visible Sami culture, traditions and society. However, it also implies the risk of being used by others in the marketing of a city and of the northern region of Sweden. In this article, the challenge of representation is addressed through the theoretical concept of strategic essentialism. The text identifies problems related to the lack of genuine Sami participation and influence in the process of Umeå2014 and, in the long run, in other societal contexts.
乌默奥被指定为 2014 年欧洲文化之都,这一地位部分是通过将萨米文化和瑞典北部作为欧洲的独特组成部分而获得的。这一年为萨米人行动者和萨米社会提供了各种机会,让人们了解萨米文化、传统和社会。然而,这也意味着在营销一个城市和瑞典北部地区时被他人利用的风险。本文通过战略本质论的理论概念来探讨代表性的挑战。文章指出了在乌默奥 2014 进程中,以及从长远来看在其他社会环境中,萨米人缺乏真正参与和影响的相关问题。
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引用次数: 0
”Vem skall befria mig från detta förskräckliga förflutna?” "谁能让我摆脱这可怕的过去?"
Pub Date : 2024-01-31 DOI: 10.54807/kp.v23.21628
Maria Vallström
In this article I discuss how to deal with a strong biased material, from an asylum, in an effort to gain new knowledge by setting the scene with the patient in the middle. In this re-reading of historical records, I especially focus on the use of the foucauldian perspective as a help in “cutting” in the material, and consequences of my choice to follow the patient, not the asylum or the time period, primarily. That choise makes it necessary to consider contextualization on different levels. Finally, interpretation and subjectivation is discussed as a complex matter involving many voices, using an example from Salberga hospital in Sweden, an asylum opening in 1930, intedended for “asocial, imbecile men”.
在这篇文章中,我讨论了如何处理来自精神病院的带有强烈偏见的材料,以病人为中心设置场景,努力获取新的知识。在重读历史记录的过程中,我特别注重使用福柯的视角来帮助 "切割 "材料,以及我选择以病人而非精神病院或时间段为主要研究对象的后果。这一选择使得我们有必要从不同层面考虑语境化问题。最后,以瑞典萨尔贝加医院为例,讨论了解释和主观化这一涉及多种声音的复杂问题,萨尔贝加医院是一家于 1930 年开业的精神病院,专门收容 "不合群的低能男子"。
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Kulturella Perspektiv – Svensk etnologisk tidskrift
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