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Passionate and Pious: Religious Media and Black Women’s Sexuality, written by Monique Moultrie 《热情与虔诚:宗教媒体与黑人女性的性取向》,莫尼克·莫尔特里著
Pub Date : 2020-05-01 DOI: 10.1163/21659214-bja10005
Apryl A. Williams
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引用次数: 0
The Cow in the Elevator: An Anthropology of Wonder, written by Tulasi Srinivas 《电梯里的牛:奇迹人类学》,作者:图拉西·斯里尼瓦斯
Pub Date : 2020-05-01 DOI: 10.1163/21659214-bja10003
Zachary Sheldon
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引用次数: 0
Mediated Identity of Catholic Internet Forum Users in Poland 波兰天主教网路论坛使用者的中介认同
Pub Date : 2020-05-01 DOI: 10.1163/21659214-bja10007
M. Kołodziejska
The paper analyses the emic conceptualisations of “religious identity” among the users of two online Catholic forums in Poland, dyskusje.katolik.pl and forum.wiara.pl, with the use of computer-mediated discourse analysis (cmda). This study aims to contribute to the debates on online religious identity construction, in particular within heteronomous and/or contentious communities (Abdel-Fadil, 2017; Davidson & Farquhar, 2014; Kimmons et al., 2017). The paper argues that religious identity on the forums has an individual and collective dimension, and that the fillings of the term “religious identity” often involve non-verbatim, covert references to religion and faith, which makes them similar to a division into “us” vs. “them.” It will be argued that the mediatised religious identities of forum users, while flexible and transformable, are also grounded in non-media contexts, for instance a church or a religious community, or a certain understanding of religion and religiosity.
本文运用电脑媒介话语分析(cmda),分析波兰两个在线天主教论坛dyskusje.katolik.pl和forum.wiara.pl用户对“宗教认同”的主体性概念。本研究旨在促进关于在线宗教身份建构的辩论,特别是在他治和/或有争议的社区内(Abdel-Fadil, 2017;Davidson & Farquhar, 2014;Kimmons et al., 2017)。本文认为,论坛上的宗教认同具有个人和集体的维度,而“宗教认同”一词的填充往往涉及非逐字的、隐蔽的宗教和信仰,这使得它们类似于“我们”与“他们”的划分。有人认为,论坛用户的媒介化宗教身份虽然是灵活和可改变的,但也基于非媒体背景,例如教堂或宗教社区,或对宗教和宗教信仰的某种理解。
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引用次数: 1
Empowered: Popular Feminism and Popular Misogyny, written by Sarah Banet-Weiser 《授权:流行女权主义和流行厌女症》,作者莎拉·班内特-威瑟
Pub Date : 2019-12-13 DOI: 10.1163/21659214-00803006
Ruth Tsuria
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引用次数: 0
Veiled Superheroes: Islam, Feminism, and Popular Culture, written by Sophia Rose Arjana with Kim Fox 戴面纱的超级英雄:伊斯兰教、女权主义和流行文化,索菲亚·罗斯·阿贾纳与金·福克斯合著
Pub Date : 2019-12-13 DOI: 10.1163/21659214-00803007
Kristin M. Peterson
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引用次数: 0
Hashtag Islam: How Cyber-Islamic Environments Are Transforming Religious Authority, written by Gary R. Bunt 标签伊斯兰:网络伊斯兰环境如何改变宗教权威,作者Gary R. Bunt
Pub Date : 2019-12-13 DOI: 10.1163/21659214-00803009
Prasaadi Dangolla
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引用次数: 0
The (Un)Stable Digital Bible: A Destabilising Peritext and Stabilising Epitext (不)稳定的数字圣经:一个不稳定的背景和稳定的外文
Pub Date : 2019-12-13 DOI: 10.1163/21659214-00803002
David G. Ford
Over the past 30 years the Bible has gone digital. This transition from paper technology to digital technology has attracted the interest of scholars because such a change has consequences for how the Bible is used and could lead to differences in how it is understood. Many are claiming that a digital Bible will result in a less stable Bible (Parker, 2003; Pui-lan, 2008; Beal, 2011, pp. 189–190; Wagner, 2012, pp. 20–23; Clivaz, 2014; Holmes, 2016), due to the peritext (the physical aspect of the text) of this new reading technology. However, I argue that this claim does not sufficiently take into account the Bible’s epitext (the nonphysical aspect of the text), through which evangelical Christians engage the scriptures. Ultimately, I argue that the epitext will limit the destabilising effect of the digital peritext.
在过去的30年里,圣经已经数字化了。这种从纸质技术到数字技术的转变引起了学者们的兴趣,因为这种变化对圣经的使用方式产生了影响,并可能导致对圣经的理解方式的差异。许多人声称,数字化圣经将导致圣经不那么稳定(Parker, 2003;Pui-lan, 2008;比尔,2011年,第189-190页;Wagner, 2012, pp. 20-23;Clivaz, 2014;Holmes, 2016),由于这种新的阅读技术的periitext(文本的物理方面)。然而,我认为这种说法没有充分考虑到圣经的外文(文本的非物质方面),福音派基督徒通过它来接触圣经。最后,我认为外延将限制数字语境的不稳定效应。
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引用次数: 0
Is Social Media a Digital Pulpit? How Evangelical Leaders Use Twitter to Encourage the Faithful and Publicize Their Work 社交媒体是数字讲坛吗?福音派领袖如何使用推特鼓励信徒和宣传他们的工作
Pub Date : 2019-12-13 DOI: 10.1163/21659214-00803004
R. Burge, Miles D. Williams
Social media is altering how some religious leaders communicate with their followers and with the public. This has the potential to challenge theories of religious communication that have been developed through the study of traditional modes such as sermons. This study examines how leaders in U.S. evangelicalism take advantage of the public platform provided by Twitter. Using over 85,000 tweets from 88 prominent evangelical leaders, we find that these leaders often use their social media platforms as a natural extension of their current modes of communication. More specifically, evangelical leaders use their account to encourage and inspire their followers, while also conveying information about upcoming personal projects such as tours and book releases. In a small number of cases, evangelical leaders do make reference to political issues, but those individuals are ones who have already built a brand based on political commentary. Speaking broadly, the usage of political language by evangelical leaders is rare. The paper concludes with a discussion of how this analysis advances theories of religion and communication.
社交媒体正在改变一些宗教领袖与追随者以及公众的沟通方式。这有可能挑战宗教传播理论,这些理论是通过对传统模式(如布道)的研究而发展起来的。本研究考察了美国福音派领袖如何利用Twitter提供的公共平台。通过88位杰出福音派领袖的85000多条推文,我们发现这些领袖经常使用他们的社交媒体平台作为他们当前沟通模式的自然延伸。更具体地说,福音派领袖使用他们的账户来鼓励和激励他们的追随者,同时也传达有关即将到来的个人项目的信息,如旅游和新书发行。在少数情况下,福音派领袖确实会提到政治问题,但这些人已经在政治评论的基础上建立了自己的品牌。从广义上讲,福音派领袖很少使用政治语言。文章最后讨论了这一分析对宗教与传播理论的推动作用。
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引用次数: 6
Religion-in-the-Making: Media, Culture and Art/Activism as Producing Religion from the Critical Perspectives of Gender and Sexuality 制作中的宗教:媒体、文化和艺术/行动主义从性别和性的批判视角生产宗教
Pub Date : 2019-12-13 DOI: 10.1163/21659214-00803005
Nella van den Brandt
This article contributes to the study of media, religion and culture from the perspective of gender and sexuality. It argues that media and culture need to be considered as locations in which ‘other stories’ about religion, gender and sexuality are potentially being produced. It shows that various types of media and visual artefacts have different modes of ‘making’ religion. It coins ‘religion-in-the-making’ and uses this concept to focus on two cultural productions that construct/convey ‘other’ religious narratives starting from female and queer bodies: the Belgian fictional movie Le Tout Nouveau Testament and the Al Jazeera biographical documentary Hip-Hop Hijabis.
这篇文章有助于从性别和性的角度来研究媒体、宗教和文化。它认为,媒体和文化需要被视为可能产生关于宗教、性别和性的“其他故事”的场所。这表明,不同类型的媒体和视觉人工制品具有不同的“制造”宗教的模式。它创造了“正在形成的宗教”,并利用这一概念关注两种文化作品,这两种文化作品构建/传达了从女性和酷儿身体开始的“其他”宗教叙事:比利时虚构电影《Le Tout Nouveau Testament》和半岛电视台的传记纪录片《Hip-Hop Hijabis》。
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引用次数: 0
Some Linguistic Implications of Transferring Rituals Online: The Case of bay’ah or Allegiance Pledging in Sufism 仪式在线传递的一些语言含义:以苏菲派的“bay 'ah”或效忠宣誓为例
Pub Date : 2019-12-12 DOI: 10.1163/21659214-00803001
A. Rosowsky
Within the growing body of research devoted to exploring digital religion (Campbell, 2013), relatively little attention has been paid to the linguistic implications of religion moving online. In a study focusing on the online ritual of bay’ah, or allegiance pledging, in Sufism, this article presents findings that identify instances of language form and practice being modified and transformed when ritual moves online. Two aspects of linguistic change are considered. The first explores how an offline, predominantly orally based ritual transfers to a predominantly visual and written mode of communication online. The second considers how ritual performativity is maintained, modified or reduced as a consequence of this transfer. Using a combination of multimodal discourse analysis and speech act theory, an analysis of the findings suggests that a variety of approaches are used by designers of online ritual portals to address these linguistic challenges.
在越来越多致力于探索数字宗教的研究中(Campbell, 2013),很少有人关注宗教在线迁移的语言含义。在一项关于苏菲派网上仪式bay 'ah(效忠宣誓)的研究中,这篇文章提出了一些发现,发现当仪式转移到网上时,语言形式和实践被修改和转变的实例。本文考虑了语言变化的两个方面。第一部分探讨了以口头为主的线下仪式如何转变为以视觉和书面为主的在线交流模式。第二部分考虑的是仪式表演是如何作为这种转移的结果而保持、修改或减少的。结合多模态语篇分析和言语行为理论,对研究结果的分析表明,在线仪式门户网站的设计者使用了各种方法来解决这些语言挑战。
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引用次数: 0
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