Pub Date : 2016-12-06DOI: 10.1163/21659214-90000086
Meri-Anna Elina Hintsala
Emotional expressions have been interpreted as a social glue and as a vital foundation for active internet discussions. In this article I will show that emotions have great significance in ordinary religious life and effect a change of religious interpretation in an individual’s life in the Conservative Laestadian (CL) revival movement in Finland. Through content analysis, this article illustrates that emotions as social reactions are constructed in connection with two aspects, religious and the secular. Three different positions of emotional reactions – believers, doubters and surrenderers – were formulated in terms of CL vis-a-vis secular society, everyday religiously motivated choices and the theological tradition of the movement. The findings also illustrate the intersectionality between the concepts “digital”, “emotion” and “religion”, in which the gendered emotional expressions are constructed.
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Pub Date : 2016-05-03DOI: 10.1163/21659214-90000070
F. W. Dobbs-Allsopp, Chris Hooker, Gregory P. Murray
A collaborative project of the Brooklyn Museum and a number of allied institutions, including Princeton Theological Seminary and West Semitic Research, the Digital Brooklyn Museum Aramaic Papyri ( DBMAP ) is to be both an image-based electronic facsimile edition of the important collection of Aramaic papyri from Elephantine housed at the Brooklyn Museum and an archival resource to support ongoing research on these papyri and the public dissemination of knowledge about them. In the process of building out a (partial) prototype of the edition, to serve as a proof of concept, we have discovered little field-specific discussion that might guide our markup decisions. Consequently, here our chief ambition is to initiate such a conversation. After a brief overview of DBMAP , we offer some initial reflection on and assessment of XML markup schemes specifically for Semitic texts from the ancient Near East that comply with TEI, CSE, and MEP guidelines. We take as our example BMAP 3 (= TAD B3.4) and we focus on markup as pertains to the editorial transcription of this documentary text and to the linguistic analysis of the text’s language.
数字布鲁克林博物馆阿拉姆纸莎草(DBMAP)是布鲁克林博物馆和包括普林斯顿神学院和西闪米特研究所在内的一些联合机构的合作项目，它既是布鲁克林博物馆收藏的重要的象岛阿拉姆纸莎草收藏的基于图像的电子传真版本，也是支持对这些纸莎草进行研究和公众传播知识的档案资源。在构建版本的(部分)原型的过程中，作为概念的证明，我们发现了一些可能指导我们的标记决策的特定领域的讨论。因此，我们的主要目标就是发起这样一场对话。在对DBMAP进行简要概述之后，我们提供一些关于XML标记方案的初步反思和评估，这些方案专门针对符合TEI、CSE和MEP指导方针的古代近东闪米特文本。我们以BMAP 3 (= TAD B3.4)为例，重点关注与该纪录片文本的编辑转录和文本语言的语言分析有关的标记。
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Pub Date : 2016-05-03DOI: 10.1163/21659214-90000071
J. Krans
Johann Jakob Wettstein (1683-1754) worked almost all his life toward the publication of his landmark 1751-52 edition of the Greek New Testament. In recent years, a large number of previously unknown sources on and by Wettstein has come to light, scattered over libraries in Europe, that provide new insights into his life and his New Testament project. This paper explores the diversity of these sources, their genres, their connections, their state of conservation and accessibility and the like. Starting from the idea that the collection offers an excellent opportunity for mapping a single scholar’s projects and international networks over time and space, it envisages a project that brings together this wealth of material. It asks what challenges and possibilities for international digital research the collection entails and formulates the desiderata concerning the necessary digital infrastructure and collaboration across traditional scholarly boundaries.
Johann Jakob Wettstein(1683-1754)几乎终其一生都在为出版具有里程碑意义的1751-52年希腊文新约而努力。近年来，大量以前不为人知的关于韦特斯坦和韦特斯坦的资料已经曝光，这些资料散落在欧洲的图书馆中，为他的生活和他的新约计划提供了新的见解。本文探讨了这些资源的多样性，它们的类型，它们的联系，它们的保护状况和可及性等。从这个收藏提供了一个很好的机会来绘制单个学者的项目和国际网络的时间和空间的想法开始，它设想了一个项目，汇集了这些丰富的材料。它询问了国际数字研究的挑战和可能性，并阐述了有关必要的数字基础设施和跨越传统学术界限的合作的期望。
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Pub Date : 2016-05-03DOI: 10.1163/21659214-90000075
G. Lancioni, N. Joosse
The Arabic Diatessaron Project (henceforth ADP) is an international research project in Digital Humanities that aims to collect, digitalise and encode all known manuscripts of the Arabic Diatessaron (henceforth AD), a text that has been relatively neglected in scholarly research. ADP’s final goal is to provide a number of tools that can enable scholars to effectively query, compare and investigate all known variants of the text that will be encoded as far as possible in compliance with the Text Encoding Initiative (TEI) guidelines. The paper addresses a number of issues involved in the process of digitalising manuscripts included in the two existing editions (Ciasca 1888 and Marmardji 1935), adding variants in unedited manuscripts, encoding and lemmatising the text. Issues involved in the design of the ADP include presentation of variants, choice of the standard text, applicability of TEI guidelines, automatic translation between different encodings, cross-edition concordances and principles of lemmatisation.
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Pub Date : 2016-05-03DOI: 10.1163/21659214-90000074
J. Saint-Laurent
This article describes The Gateway to the Syriac Saints , a database project developed by the Syriac Reference Portal (www.syriaca.org) . It is a research tool for the study of Syriac saints and hagiographic texts. The Gateway to the Syriac Saints is a two-volume database: 1) Qadishe and 2) Bibliotheca Hagiographica Syriaca Electronica (BHSE). Hagiography, the lives of the saints, is a multiform genre. It contains elements of myth, history, biblical exegesis, romance, and theology. The production of saints’ lives blossomed in late antiquity alongside the growth of the cult of the saints. Scholars have attended to hagiographic traditions in Greek and Latin, but many scholars have yet to discover the richness of Syriac hagiographic literature: the stories, homilies, and hymns on the saints that Christians of the Middle East told and preserved. It is our hope that our database will give scholars and students increased access to these traditions to generate new scholarship. The first volume, Qadishe or “saints” in Syriac, is a digital catalogue of saints or holy persons venerated in the Syriac tradition. Some saints are native to the Syriac-speaking milieu, whereas others come from other linguistic or cultural traditions. Through the translation of their hagiographies and the diffusion of saints’ cults in the late antique world, saints were adopted, “imported,” and appropriated into Syriac religious memory. The second volume, the BHSE , focuses on Syriac hagiographic texts. The BHSE contains the titles of over 1000 Syriac stories, hymns, and homilies on saints. It also includes authors’ or hagiographers’ names, the first and last lines of the texts (in Syriac, English, and French), bibliographic information, and the names of the manuscripts containing these hagiographic works. We have also listed modern and ancient translations of these works. All of the data in the Gateway to the Syriac Saints has been encoded in TEI, and it is fully searchable, linkable, and open.
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Pub Date : 2016-05-03DOI: 10.1163/21659214-90000072
J. Libby
“Fragmentation” is a well-worn watchword in contemporary biblical studies. But is endless fragmentation across the traditional domains of epistemology, methodology and hermeneutics the inevitable future for the postmodern exercise of biblical scholarship? In our view, multiple factors mitigate against such a future, but two command our attention here. First, digital humanities itself, through its principled use of corpora, databases and computer-based methods, seems to be remarkably capable of producing findings with high levels of face validity (interpretive agreement) across multiple hermeneutical perspectives and communities. Second, and perhaps more subversively, there is a substantial body of practitioners that, per Kearney, actively question postmodernity’s impress as the final port of call for philosophy. For these practitioners deconstruction has become both indispensable — by delegitimizing hegemonies — but, in its own way, metanarratival by stultifying all other iterative, dialectical and critical processes that have historically motivated scholarship. Sensing this impasse, Kearney (1987, pp. 43-45) proposes a reimagining that is not only critical but that also embraces ποίησις, the possibility of optimistic, creative work. Such a stance within digital humanities would affirm that poietic events emerge not only through frictions and fragmentation (e.g. Kinder and McPherson 2014, pp. xiii-xviii) but also through commonalties and convergence. Our approach here will be to demonstrate such a reimagining, rather than to argue for it, using two worked examples in the Greek New Testament (GNT). Those examples – digital humanities-enabled papyrology and digital humanities-enabled statistical linguistics – demonstrate ways in which the data of the text itself can be used to interrogate our perspectives and suggest that our perspectives must remain ever open to such inquiries. We conclude with a call for digital humanities to further leverage its notable strengths to cast new light on old problems not only in biblical studies, but across the spectrum of the humanities.
“碎片化”是当代圣经研究中一个老生常谈的口号。但是，在认识论、方法论和解释学的传统领域中，无休止的分裂是后现代圣经研究不可避免的未来吗?我们认为，有多种因素可以缓解这样的未来，但这里有两个因素值得我们注意。首先，数字人文学科本身，通过其对语料库、数据库和基于计算机的方法的原则使用，似乎非常有能力在多个解释学观点和社区中产生具有高水平表面有效性(解释一致性)的发现。其次，也许更具颠覆性的是，根据科尔尼的说法，有大量的实践者积极质疑后现代主义作为哲学的最后一站的印象。对于这些实践者来说，解构已经变得不可或缺——通过使霸权失去合法性——但是，以它自己的方式，通过使所有其他的迭代、辩证和批判的过程变得无效，这些过程在历史上推动了学术研究。科尔尼(1987，第43-45页)意识到这种僵局，提出了一种重新想象，这种重新想象不仅是批判性的，而且还包含了π (ο)的，也就是乐观的、创造性的工作的可能性。数字人文学科中的这种立场肯定了诗性事件不仅通过摩擦和分裂(例如Kinder和McPherson 2014, pp. xiii-xviii)出现，而且通过共性和趋同出现。在这里，我们将使用希腊新约(GNT)中的两个有效例子来证明这种重新想象，而不是争论它。这些例子——数字人文支持的纸莎草学和数字人文支持的统计语言学——展示了文本本身的数据可以用来质疑我们的观点的方式，并表明我们的观点必须永远对这种质疑保持开放。最后，我们呼吁数字人文学科进一步利用其显著优势，不仅在圣经研究中，而且在人文学科的各个领域，为老问题提供新的视角。
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Pub Date : 2016-04-30DOI: 10.1163/21659214-90000078
Kristin M. Peterson
{"title":"Review of \"Religion in Science Fiction: The Evolution of an Idea and the Extinction of a Genre\", by Steven Hrotic (Bloomsbury, 2014)","authors":"Kristin M. Peterson","doi":"10.1163/21659214-90000078","DOIUrl":"https://doi.org/10.1163/21659214-90000078","url":null,"abstract":"","PeriodicalId":142820,"journal":{"name":"The Journal of Religion, Media and Digital Culture","volume":"108 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128592617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-04-30DOI: 10.1163/21659214-90000081
Giulia Evolvi
{"title":"Review of \"Silver Screen Buddha: Buddhism in Asian and Western Films\", by Sharon Suh (Bloomsbury, 2015)","authors":"Giulia Evolvi","doi":"10.1163/21659214-90000081","DOIUrl":"https://doi.org/10.1163/21659214-90000081","url":null,"abstract":"","PeriodicalId":142820,"journal":{"name":"The Journal of Religion, Media and Digital Culture","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131197150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-04-30DOI: 10.1163/21659214-90000077
Ruth Tsuria
{"title":"Review of \"Deconstructing Islamophobia in Poland\", by Katarzyna Górak-Sosnowska (University of Warsaw, 2014)","authors":"Ruth Tsuria","doi":"10.1163/21659214-90000077","DOIUrl":"https://doi.org/10.1163/21659214-90000077","url":null,"abstract":"","PeriodicalId":142820,"journal":{"name":"The Journal of Religion, Media and Digital Culture","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132583087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-04-30DOI: 10.1163/21659214-90000080
Amber M. Stamper
{"title":"Review of \"Antagonism on YouTube: Metaphor in Online Discourse\", by Stephen Pihlaja (Bloomsbury, 2014)","authors":"Amber M. Stamper","doi":"10.1163/21659214-90000080","DOIUrl":"https://doi.org/10.1163/21659214-90000080","url":null,"abstract":"","PeriodicalId":142820,"journal":{"name":"The Journal of Religion, Media and Digital Culture","volume":"199 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115714936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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