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Transformation of the Feminine Self in Yogamāyā 在Yogamāyā中女性自我的转变
Pub Date : 2019-09-30 DOI: 10.3126/jodem.v10i1.30398
I. Mishra
This article aims to analyze the struggle of Yogamaya, the lead female character of the novel Yogamāyā, by Neelam Karki Niharika. The novel based on the real life story of a rebel, Yogamaya, chronicles the incidents of her life that triggered her to cast off her feminine self and rebel for the establishment of a just society based on equity. The article examines those factors that force Yogamaya to rebel against the existing society and the process of her rebellion drawing insights form Helen Cixous and other feminists who find patriarchal gender roles based on binary opposition as oppressive, and suggest that women should act beyond gender binary and subvert the patriarchal norms and values that restrict them in every walk of their lives. I use transliteration and free translation while citing from the novel in the analysis. The finding of the article suggests that a number of factors instigate Yogamaya cast of her feminine self and emerge as a rebel. It helps to understand how Yogamaya subverts patriarchy within its bound exposing the inherent biasness in it.
本文旨在分析Neelam Karki Niharika的小说Yogamāyā的女主角Yogamaya的斗争。这部小说以反叛者Yogamaya的真实生活故事为基础,记录了促使她摆脱女性化自我,为建立以公平为基础的公正社会而反抗的生活事件。本文从海伦·西克斯(Helen Cixous)等女权主义者的观点出发,考察了迫使Yogamaya反抗现有社会的因素,以及她的反抗过程,这些女权主义者认为基于二元对立的父权性别角色是压迫性的,并建议女性应该超越性别二元,颠覆在生活的各个方面限制她们的父权规范和价值观。我在分析中引用小说的同时,采用了音译和意译的方法。这篇文章的发现表明,许多因素促使Yogamaya塑造了她女性化的自我,并以反叛者的身份出现。它有助于理解瑜伽屋如何在其范围内颠覆父权制,揭露其内在的偏见。
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引用次数: 0
Highsmith's The Price of Salt: A Harbinger of Homosexual's Happiness 海史密斯的《盐的价格:同性恋幸福的预兆》
Pub Date : 2019-09-30 DOI: 10.3126/jodem.v10i1.30397
Bhawana Pokharel
Patricia Highsmith’s The Price of Salt embodies homosexual relationship between its female characters namely Therese and Carole. In doing so, it presents a resistance to the contemporary heterosexual society which accepts only heterosexuality as its sexual norm. The article argues that the character’s rejection of the traditional mode  of heterosexual relationship is in order to search for their lesbian self though that is taken as a deviation in the society; and so it faces various challenges. However, the characters together overcome the obstacles laid down by the society and move forward to finding freedom as well as establishing a new path which is taken as an unconventional practice in the then society; in turn, it proves to be the harbinger of hope and happiness for their kind. To substantiate this claim, the article draws from Lillian Faderman, Adrienne Rich, Judith Butler and Helen Boyd for the different aspects of lesbianism and queer theory they present. Similarly, the article is a descriptive, interpretive and analytical reading of the novel on the basis of the ideas based on the above mentioned scholars.
帕特里夏·海史密斯的《盐的代价》体现了小说中两个女性角色特蕾莎和卡罗尔之间的同性恋关系。在这样做的过程中,它对当代异性恋社会提出了一种抵制,这种社会只接受异性恋作为其性规范。文章认为,角色对传统异性恋关系模式的拒绝是为了寻找自己的女同性恋自我,尽管这在社会上被认为是一种偏离;因此它面临着各种各样的挑战。然而,人物共同克服了社会设置的障碍,朝着寻找自由的方向前进,并建立了一条新的道路,这在当时的社会中被视为一种非常规的做法;反过来,它被证明是他们的希望和幸福的先兆。为了证实这一说法,文章引用了Lillian Faderman, Adrienne Rich, Judith Butler和Helen Boyd的观点,从不同的角度阐述了女同性恋和酷儿理论。同样,本文也是在上述学者的思想基础上对小说进行描述性、解释性和分析性的阅读。
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引用次数: 0
Ecological Awareness in Vālmikī's Rāmāyana 生态意识在Vālmikī和Rāmāyana
Pub Date : 2019-09-30 DOI: 10.3126/jodem.v10i1.30402
M. Pokharel
The use of ecological awareness in the Vālmikī Rāmāyana is an exemplary case to deal with the postmodern environmental crisis. This research paper focuses on the connection between flora and fauna in this classical text. This study primarily interprets the discourses of the text which relates to the ecological awareness. At the same time, it also deals with the logic behind constructing the discourse of the poet through the activities of the characters and their thoughts related to ecology. To analyze the ecological awareness of the text, ecological study has been used as an overall theoretical approach. This study is significant in order to present how Vālmikī Rāmāyana manifests the ecological awareness to the postmodern people. The research approach adopted in this exploration is interpretive. The findings of this investigation provide the evidences that the epic has used ecological awareness in such a way that the epic impresses humans to make a balance between nature and creatures. The main conclusion drawn from this research is that Vālmikī is a far-sighted classical poet to make human beings aware of ecological crisis and its effects everywhere in the world.
在Vālmikī Rāmāyana中运用生态意识是应对后现代环境危机的典范案例。这篇研究论文的重点是在这个经典文本中植物群和动物群之间的联系。本研究主要解读与生态意识相关的文本话语。同时,通过人物的活动及其与生态有关的思想,探讨诗人话语建构背后的逻辑。为了分析文本的生态意识,生态学研究被作为一个整体的理论方法。本研究对于呈现Vālmikī Rāmāyana如何向后现代人士展现生态意识具有重要意义。本研究采用解释性研究方法。这一调查结果提供了证据,证明史诗利用生态意识,以史诗的方式打动人类,使自然与生物之间取得平衡。研究得出的主要结论是,Vālmikī是一位有远见的古典诗人,他让人类意识到生态危机及其在世界各地的影响。
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引用次数: 0
Prostitution as a Form of Human Alienation in Vargas Llosa's The Green House 巴尔加斯·略萨《温室》中作为人类异化形式的卖淫
Pub Date : 2019-09-30 DOI: 10.3126/jodem.v10i1.30396
Bam Dev Adhikari
The portrayal of prostitutes as the characters and prostitution as the institution is a rampant subject in Spanish American novels since the time of the first novelist of the continent, Jose Joaquin Fernandez de Lizardi. Mario Vargas Llosa’s novel The Green House portrays the women characters in pathetic exploitation, mainly sexual exploitation. The exploitation of the women in the novel is inextricably connected with the political system of Peru. The capitalist economic/ political system of Peru in the second half of the 20th century forced women to sell their body for their survival. Prostitution is treated as an industry from which the investors or the bidders earn surplus money. My argument is that the political/economic system, capitalism is responsible for the alienation and exploitation of women in Peru in the 1960s.
从美洲大陆第一位小说家何塞·华金·费尔南德斯·德·利扎尔迪开始,将妓女作为角色和卖淫作为制度的描写就成为西班牙裔美国人小说中一个猖獗的主题。马里奥·巴尔加斯·略萨的小说《绿房子》描绘了女性角色的悲惨剥削,主要是性剥削。小说中对女性的剥削与秘鲁的政治制度密不可分。20世纪下半叶秘鲁的资本主义经济/政治制度迫使妇女为了生存而出卖自己的身体。卖淫被视为一种行业,投资者或投标者从中赚取多余的钱。我的观点是,政治/经济制度,资本主义是秘鲁在20世纪60年代疏远和剥削妇女的原因。
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引用次数: 0
Constructing the Discourse of Marginalised Ethnic Community in Rai's Fire Cares not its Birthday Anniversary 《拉伊之火》中边缘化族群话语的建构:不关心它的生日
Pub Date : 1900-01-01 DOI: 10.3126/jodem.v10i1.30399
Jiwan Kumar Rai
The decade of 2010s is very crucial in literary creation, particularly poetry writing in Nepali literature because the trend of writing shifted to the representation of marginalised people and their “culture as whole way of life” (qtd in During 2).  Mainly the indigenous poets are concerned to the issues of marginalised indigenous people. Bhupal Rai's collection of poem Fire Cares not Its Birthday Anniversary falls in the same trend that deconstructs the cultural discourses of the state power and reconstructs the discourse of the indigenous people. In this context, this study aims to find out the issues of cultural discourses in the poems that the poet resists against and reconstructs a new body of knowledge, i.e. a counter discourse of marginalized. In the same way, it attempts to unfold how he resists against the existing body of cultural discourses and reconstructs the discourses from the perspective of marginalised people. Similarly, this study aims to analyses the logical reasons of redefining and reconstructing the existed ruling groups' body of knowledge. The interpretive method has been used to analyses the texts. For this, Foucault's concept of power/discourse has been applied as a theoretical tool. This research article gives the insights to see the interwoven power relations in social practices and construction of knowledge.
2010年代是尼泊尔文学创作的关键时期,尤其是尼泊尔文学的诗歌写作,因为写作的趋势转向了对边缘化人群及其“作为整体生活方式的文化”的表现(见期间2)。土著诗人主要关注边缘化土著人民的问题。Bhupal Rai的诗集《Fire Cares not Its Birthday Anniversary》与解构国家权力的文化话语、重建原住民话语的趋势是一致的。在此背景下,本研究旨在找出诗人在诗歌中所抵制的文化话语问题,并重建一种新的知识体系,即边缘化的反话语。以同样的方式,试图揭示他如何从边缘人群的视角来抵制现存的文化话语体,并重建话语。同样,本研究旨在分析重新定义和重构现有统治集团知识体系的逻辑原因。本文采用解释法对文本进行分析。为此,福柯的权力/话语概念被用作理论工具。本文对社会实践和知识建构中相互交织的权力关系有了深刻的认识。
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引用次数: 0
Environmental Role in Shaping Recollection 环境在回忆形成中的作用
Pub Date : 1900-01-01 DOI: 10.3126/jodem.v10i1.30400
K. P. Bhandari
The core concern of this article is to unravel the underlying mystery of mental activities; it reveals how a writer tends to weave his thoughts and memories. The article aims at dealing with the bases of writer’s reasons and recollections appeared in journal. The analysis as such becomes significant to synchronize, acknowledge and recognize the basic causes behind the seemingly scattered and deviated thoughts but coherently correlated concepts of the writer. In order to achieve such importance and objective of this study, this qualitative research has implemented an outlook the nature / culture ambivalent aspect of the broad perspective, ecocriticism on shaping one’s perception as a tool. And the model text to be analyzed is “Reminiscences of a Journey to Greece” a journal prepared by Govinda Raj Bhattarai. After the investigation into this journal, the exploration elucidates that one’s encounter with the environment becomes the generator and stimulator of mental matters memoirs, concepts, ideas and emotions. Therefore, the key conclusion of this analysis is that one cannot generate ideas in the void or absence of context rather the external world becomes the bedrock to beget inner world the conceptions of the creator in journal.
本文的核心关注点是揭开心理活动的潜在奥秘;它揭示了一个作家倾向于如何编织他的思想和记忆。本文旨在探讨作家在期刊中出现的理由和回忆的依据。这样的分析对于同步、承认和认识作者看似零散和偏离的思想背后的基本原因具有重要意义。为了实现本研究的重要性和目的,本定性研究实施了一种展望自然/文化矛盾方面的广阔视角,生态批评对塑造一个人的感知作为一种工具。要分析的模型文本是Govinda Raj Bhattarai编写的期刊《希腊之旅的回忆》。通过对这篇日记的调查,探索揭示了一个人与环境的接触成为心理事件、记忆、概念、思想和情感的产生和刺激者。因此,这一分析的关键结论是,一个人不能在空白或缺乏语境的情况下产生想法,而是外部世界成为产生内在世界的基石,即创造者在日记中的概念。
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引用次数: 0
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JODEM: Journal of Language and Literature
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