Pub Date : 2023-01-02DOI: 10.1080/10464883.2023.2165842
Gabriel Cira, Kris Manjapra
The 2018–2023 architectural preservation process of a historic Black church in Massachusetts demonstrates a set of socio-architectural tactics identified as guerrilla preservation, or small maneuvers in pursuit of exuberance. These are shown to be both necessary in dealing with existing structures of power, property, and funding and also necessary in responsibly unpacking difficult layers of history produced by racial capitalism and colonialism. Historical contexts of the building and its inhabitants, the historical context of the term “guerrilla,” and architectural legacies of Black vernacular architecture in New England demonstrate that smaller tactics of preservation and exuberant expression contain potential to rupture the social matrix of the colonial-capitalist value system in the present.
{"title":"Guerrilla Maneuvers in Architectural Preservation","authors":"Gabriel Cira, Kris Manjapra","doi":"10.1080/10464883.2023.2165842","DOIUrl":"https://doi.org/10.1080/10464883.2023.2165842","url":null,"abstract":"The 2018–2023 architectural preservation process of a historic Black church in Massachusetts demonstrates a set of socio-architectural tactics identified as guerrilla preservation, or small maneuvers in pursuit of exuberance. These are shown to be both necessary in dealing with existing structures of power, property, and funding and also necessary in responsibly unpacking difficult layers of history produced by racial capitalism and colonialism. Historical contexts of the building and its inhabitants, the historical context of the term “guerrilla,” and architectural legacies of Black vernacular architecture in New England demonstrate that smaller tactics of preservation and exuberant expression contain potential to rupture the social matrix of the colonial-capitalist value system in the present.","PeriodicalId":15044,"journal":{"name":"Journal of Architectural Education","volume":"77 1","pages":"194 - 201"},"PeriodicalIF":0.2,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42590079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/10464883.2023.2165796
Rebecca Choi
By reconsidering the Watts Urban Workshop’s architectural proposals for funding from President Johnson’s Model Cities Program, an outbranch of his 1964 War on Poverty, this microhistory outlines feasible architectural visions of reparations in 1970s Watts, Los Angeles. While most histories of the War on Poverty consider Johnson’s concept of “maximum feasible participation” as a driving force of self-help programming for poor communities as more of a gesture than a call, a consideration of the Workshop’s goals to teach self-determination and community participation shows how Black practitioners were thinking about reparative futures in ways that simply have not been registered by architecture, urban planning, or history.
{"title":"“Soul and T-Square”","authors":"Rebecca Choi","doi":"10.1080/10464883.2023.2165796","DOIUrl":"https://doi.org/10.1080/10464883.2023.2165796","url":null,"abstract":"By reconsidering the Watts Urban Workshop’s architectural proposals for funding from President Johnson’s Model Cities Program, an outbranch of his 1964 War on Poverty, this microhistory outlines feasible architectural visions of reparations in 1970s Watts, Los Angeles. While most histories of the War on Poverty consider Johnson’s concept of “maximum feasible participation” as a driving force of self-help programming for poor communities as more of a gesture than a call, a consideration of the Workshop’s goals to teach self-determination and community participation shows how Black practitioners were thinking about reparative futures in ways that simply have not been registered by architecture, urban planning, or history.","PeriodicalId":15044,"journal":{"name":"Journal of Architectural Education","volume":"77 1","pages":"28 - 33"},"PeriodicalIF":0.2,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47299291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/10464883.2023.2165805
Danika Cooper
On July 29, 2022, the United States Supreme Court ruled on the Oklahoma v. Castro-Huerta case in favor of the state of Oklahoma. In doing so, the Court formally limited criminal jurisdiction on Indigenous lands and thus further eroded Indigenous sovereignty and autonomy. The Court concluded that Indigenous courts do not have the authority to criminally charge non-Indigenous people, even if that person has committed a crime against an Indigenous person, on Indigenous lands. Instead, states possess concurrent jurisdiction with the federal government over crimes committed by all non-Indigenous people.1 This decision comes just shy of the two-year anniversary of the ruling in McGirt v. Oklahoma (2020) in which the Supreme Court concluded that nearly 43 percent of what is commonly known as the state of Oklahoma is in fact still Indigenous territory, and thus affirmed tribal jurisdiction over the eastern part of the state.2 In the McGirt case, mapping boundaries of Cherokee, Muscogee, Choctaw, Chickasaw, and Seminole territories over time proved essential in the Supreme Court’s decision to uphold Indigenous sovereignty (Figure 1). The McGirt decision represented a landmark victory for Indigenous struggles for sovereignty over their lands as it is one of the few moments in United States history where the US had been held legally responsible for adhering to and fulfilling its treaty obligations.3 The case of Oklahoma v. Castro-Huerta directly challenged McGirt, with the state of Oklahoma arguing that Indigenous tribal courts should not have authority over non-Indigenous people, even if those people are occupying Indigenous lands. While Castro-Huerta did not overturn McGirt completely, the case does symbolically represent a looming threat. And what’s more, in the weeks leading up to Oklahoma v. Castro-Huerta, the Supreme Court has shown that they are willing to reassess any and all previously established US legal precedent: the Court has limited the agency of all those residing in the US over their own bodies by overturning Roe v. Wade (1973) in Dobbs v. Jackson Women’s Health Organization (2022)4 and has lifted previously established regulatory policies for environmental management in West Virginia v. EPA (2022).5 At their core, these legal decisions actively expand the jurisdiction of federal and state governments to erode sovereignty over bodies and land. And further, the Supreme Court’s shifting approach from largely upholding precedent to reconsidering it, directly mounts pressure against Indigenous sovereignty: Oklahoma v. Castro-Huerta explicitly narrows the scope of Indigenous governance over their own lands and directly challenges their autonomy as sovereign nations. These recent Supreme Court rulings are forewarnings that without returning lands to Indigenous peoples, their sovereignty and freedom over themselves and their lands are always up for negotiation. As the McGirt and Castro-Huerta cases reveal, returning land in purely symbolic terms i
{"title":"Spatializing Reparations","authors":"Danika Cooper","doi":"10.1080/10464883.2023.2165805","DOIUrl":"https://doi.org/10.1080/10464883.2023.2165805","url":null,"abstract":"On July 29, 2022, the United States Supreme Court ruled on the Oklahoma v. Castro-Huerta case in favor of the state of Oklahoma. In doing so, the Court formally limited criminal jurisdiction on Indigenous lands and thus further eroded Indigenous sovereignty and autonomy. The Court concluded that Indigenous courts do not have the authority to criminally charge non-Indigenous people, even if that person has committed a crime against an Indigenous person, on Indigenous lands. Instead, states possess concurrent jurisdiction with the federal government over crimes committed by all non-Indigenous people.1 This decision comes just shy of the two-year anniversary of the ruling in McGirt v. Oklahoma (2020) in which the Supreme Court concluded that nearly 43 percent of what is commonly known as the state of Oklahoma is in fact still Indigenous territory, and thus affirmed tribal jurisdiction over the eastern part of the state.2 In the McGirt case, mapping boundaries of Cherokee, Muscogee, Choctaw, Chickasaw, and Seminole territories over time proved essential in the Supreme Court’s decision to uphold Indigenous sovereignty (Figure 1). The McGirt decision represented a landmark victory for Indigenous struggles for sovereignty over their lands as it is one of the few moments in United States history where the US had been held legally responsible for adhering to and fulfilling its treaty obligations.3 The case of Oklahoma v. Castro-Huerta directly challenged McGirt, with the state of Oklahoma arguing that Indigenous tribal courts should not have authority over non-Indigenous people, even if those people are occupying Indigenous lands. While Castro-Huerta did not overturn McGirt completely, the case does symbolically represent a looming threat. And what’s more, in the weeks leading up to Oklahoma v. Castro-Huerta, the Supreme Court has shown that they are willing to reassess any and all previously established US legal precedent: the Court has limited the agency of all those residing in the US over their own bodies by overturning Roe v. Wade (1973) in Dobbs v. Jackson Women’s Health Organization (2022)4 and has lifted previously established regulatory policies for environmental management in West Virginia v. EPA (2022).5 At their core, these legal decisions actively expand the jurisdiction of federal and state governments to erode sovereignty over bodies and land. And further, the Supreme Court’s shifting approach from largely upholding precedent to reconsidering it, directly mounts pressure against Indigenous sovereignty: Oklahoma v. Castro-Huerta explicitly narrows the scope of Indigenous governance over their own lands and directly challenges their autonomy as sovereign nations. These recent Supreme Court rulings are forewarnings that without returning lands to Indigenous peoples, their sovereignty and freedom over themselves and their lands are always up for negotiation. As the McGirt and Castro-Huerta cases reveal, returning land in purely symbolic terms i","PeriodicalId":15044,"journal":{"name":"Journal of Architectural Education","volume":"77 1","pages":"66 - 86"},"PeriodicalIF":0.2,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42457196","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/10464883.2023.2165816
Nate Imai, Matthew Okazaki
Little Tokyo in Los Angeles has long been a community for Japanese immigrants and Japanese American citizens. Since its founding, Little Tokyo has been met with significant external resistance from individuals, organizations, the government, and legislation to curb its growth and reduce its footprint. This narrative focuses on the century-long resistance to these efforts and the continued strength and resilience of the local community through the lens of a little-known but significant building in Little Tokyo: the San Pedro Firm Building.
{"title":"Seeking Redress","authors":"Nate Imai, Matthew Okazaki","doi":"10.1080/10464883.2023.2165816","DOIUrl":"https://doi.org/10.1080/10464883.2023.2165816","url":null,"abstract":"Little Tokyo in Los Angeles has long been a community for Japanese immigrants and Japanese American citizens. Since its founding, Little Tokyo has been met with significant external resistance from individuals, organizations, the government, and legislation to curb its growth and reduce its footprint. This narrative focuses on the century-long resistance to these efforts and the continued strength and resilience of the local community through the lens of a little-known but significant building in Little Tokyo: the San Pedro Firm Building.","PeriodicalId":15044,"journal":{"name":"Journal of Architectural Education","volume":"77 1","pages":"119 - 123"},"PeriodicalIF":0.2,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43153406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/10464883.2023.2165804
L. Song
This essay explores reparative design pedagogies to advance intersecting racial justice and climate goals through the case study of the “CoDesign Field Lab: Black Belt Study for the Green New Deal.” Through engaged community design processes with Afro-descendant communities in the Black Belt South, the design action research seminar sought to reimagine and future the region as fount and staging ground for a reparation-based Green New Deal. We examine the course design and setup—including relational infrastructures to deepen collaboration between regional youth and community elders and graduate students of urban planning, architecture, landscape architecture, and design studies—and the resulting future histories of reparative infrastructures for the Black Belt. The concluding discussion considers case implications for design pedagogies, including the importance of shifting away from knowledge bases and design-cultures predicated on whiteness and white supremacy, and supporting community-based processes of reparative design and reparations centering those who have directly suffered harm and their descendant communities.
{"title":"Toward Reparative Design Pedagogies","authors":"L. Song","doi":"10.1080/10464883.2023.2165804","DOIUrl":"https://doi.org/10.1080/10464883.2023.2165804","url":null,"abstract":"This essay explores reparative design pedagogies to advance intersecting racial justice and climate goals through the case study of the “CoDesign Field Lab: Black Belt Study for the Green New Deal.” Through engaged community design processes with Afro-descendant communities in the Black Belt South, the design action research seminar sought to reimagine and future the region as fount and staging ground for a reparation-based Green New Deal. We examine the course design and setup—including relational infrastructures to deepen collaboration between regional youth and community elders and graduate students of urban planning, architecture, landscape architecture, and design studies—and the resulting future histories of reparative infrastructures for the Black Belt. The concluding discussion considers case implications for design pedagogies, including the importance of shifting away from knowledge bases and design-cultures predicated on whiteness and white supremacy, and supporting community-based processes of reparative design and reparations centering those who have directly suffered harm and their descendant communities.","PeriodicalId":15044,"journal":{"name":"Journal of Architectural Education","volume":"77 1","pages":"52 - 65"},"PeriodicalIF":0.2,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49389332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/10464883.2023.2165828
C. García
Sean Connelly is a Pacific Islander American artist in Honolulu, O‘ahu where he/they were born and still live and work. Connelly creates work that focuses on material, place, and time. They work primarily in sculpture, architecture, and installation, but are also active in experimental cartography, filmmaking, design theory, architectural history, urban sociology, land planning, data analysis, and visual arts like new media, bioculture, and land art. Through this work Connelly creates clarity around the physical and spiritual conditions of the built environment. They engage the built environment and its effects on their community to decolonize and address the traumas of settler colonialism, militarization, and modernism embedded physically in the environment in architecture and in everyday life. Professionally, Connelly operates under the imprint AFTEROCEANIC and directs a range of client-based and parainstitutional grassroots projects as a Pacific laboratory for applied theory and culture in design and built environments.
{"title":"To Enter the Crater","authors":"C. García","doi":"10.1080/10464883.2023.2165828","DOIUrl":"https://doi.org/10.1080/10464883.2023.2165828","url":null,"abstract":"Sean Connelly is a Pacific Islander American artist in Honolulu, O‘ahu where he/they were born and still live and work. Connelly creates work that focuses on material, place, and time. They work primarily in sculpture, architecture, and installation, but are also active in experimental cartography, filmmaking, design theory, architectural history, urban sociology, land planning, data analysis, and visual arts like new media, bioculture, and land art. Through this work Connelly creates clarity around the physical and spiritual conditions of the built environment. They engage the built environment and its effects on their community to decolonize and address the traumas of settler colonialism, militarization, and modernism embedded physically in the environment in architecture and in everyday life. Professionally, Connelly operates under the imprint AFTEROCEANIC and directs a range of client-based and parainstitutional grassroots projects as a Pacific laboratory for applied theory and culture in design and built environments.","PeriodicalId":15044,"journal":{"name":"Journal of Architectural Education","volume":"77 1","pages":"130 - 139"},"PeriodicalIF":0.2,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48324992","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/10464883.2023.2165831
J. Rushmore
{"title":"The Smallest Twine May Lead Me","authors":"J. Rushmore","doi":"10.1080/10464883.2023.2165831","DOIUrl":"https://doi.org/10.1080/10464883.2023.2165831","url":null,"abstract":"","PeriodicalId":15044,"journal":{"name":"Journal of Architectural Education","volume":"77 1","pages":"143 - 147"},"PeriodicalIF":0.2,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45021906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/10464883.2023.2165838
V. McEwen, C. García
Jennifer Newsom and Tom Carruthers are partners in work and life who founded Dream The Combine in Minneapolis, MN in 2013. They are now based between there and Ithaca, NY. Their work consists of site-specific installations that probe the section of an image. They aim to complicate regimes of visuality through methods that introduce perceptual uncertainty in embodied experience, and manipulate the boundary between real and illusory space. Dream The Combine are winners of the 2022–2023 Rome Prize in Architecture, the 2022 United States Artists Fellowship in Architecture and Design, the 2021 McKnight Fellowship for Visual Artists, the 2020–2021 J. Irwin and Xenia S. Miller Prize, the 2018 Young Architects Program at MoMA PS1, the 2018 Art Omi Architecture Residency, and the 2017 FSP/Jerome Foundation Fellowship. Dream The Combine are also part of the curatorial ensemble for the 2023 Counterpublic Triennial in St. Louis, MO.
Jennifer Newsom和Tom Carruthers是工作和生活方面的合作伙伴，他们于2013年在明尼苏达州明尼阿波利斯创立了Dream The Combine。他们现在驻扎在那里和纽约伊萨卡之间。他们的工作包括探测图像部分的特定地点装置。他们的目的是通过在具体体验中引入感知的不确定性，并操纵真实空间和虚幻空间之间的边界，使视觉系统复杂化。Dream The Combine获得了2022–2023年罗马建筑奖、2022年美国建筑与设计艺术家奖学金、2021年McKnight视觉艺术家奖学金、2020–2021年J.Irwin和Xenia S.Miller奖、2018年MoMA PS1青年建筑师项目、2018年Art Omi建筑住宅和2017年FSP/Jerome基金会奖学金。Dream The Combine也是密苏里州圣路易斯2023年反公众三年展策展团的一部分。
{"title":"Trouble With the Word ‘Repair’","authors":"V. McEwen, C. García","doi":"10.1080/10464883.2023.2165838","DOIUrl":"https://doi.org/10.1080/10464883.2023.2165838","url":null,"abstract":"Jennifer Newsom and Tom Carruthers are partners in work and life who founded Dream The Combine in Minneapolis, MN in 2013. They are now based between there and Ithaca, NY. Their work consists of site-specific installations that probe the section of an image. They aim to complicate regimes of visuality through methods that introduce perceptual uncertainty in embodied experience, and manipulate the boundary between real and illusory space. Dream The Combine are winners of the 2022–2023 Rome Prize in Architecture, the 2022 United States Artists Fellowship in Architecture and Design, the 2021 McKnight Fellowship for Visual Artists, the 2020–2021 J. Irwin and Xenia S. Miller Prize, the 2018 Young Architects Program at MoMA PS1, the 2018 Art Omi Architecture Residency, and the 2017 FSP/Jerome Foundation Fellowship. Dream The Combine are also part of the curatorial ensemble for the 2023 Counterpublic Triennial in St. Louis, MO.","PeriodicalId":15044,"journal":{"name":"Journal of Architectural Education","volume":"77 1","pages":"155 - 163"},"PeriodicalIF":0.2,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46640784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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