Pub Date : 2023-10-10DOI: 10.1080/10464883.2023.2232694
Ersela Kripa, Francesco Marullo, Stephen Mueller
Published in Journal of Architectural Education (Vol. 77, No. 2, 2023)
发表于《建筑教育学报》2023年第77卷第2期
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Pub Date : 2023-07-03DOI: 10.1080/10464883.2023.2232702
Yousef Awaad Hussein, Asaiel Al Saeed, Saphiya Abu Al-Maati, Aseel AlYaqoub
Desert landscapes serve as a site for the dynamic interplay of competing historical and geopolitical narratives. In Kuwait, tribal, colonial, and global conflicts across the hinterland have mobilized state planning efforts, articulating a geospatial division between urban and desert life. Concurrently, visioning tools such as hand-drawn maps and satellite imagery have not only shaped the understanding of this desert, but have been shaped by it. Through an examination of the forces that have driven its transformation, this landscape is shown as both product and producer of cultural, social, and political complexity. The contemporary desert exists as a patchwork, the result of a disparate collection of essential narratives projected onto the territory.
{"title":"Tactical Landscapes","authors":"Yousef Awaad Hussein, Asaiel Al Saeed, Saphiya Abu Al-Maati, Aseel AlYaqoub","doi":"10.1080/10464883.2023.2232702","DOIUrl":"https://doi.org/10.1080/10464883.2023.2232702","url":null,"abstract":"Desert landscapes serve as a site for the dynamic interplay of competing historical and geopolitical narratives. In Kuwait, tribal, colonial, and global conflicts across the hinterland have mobilized state planning efforts, articulating a geospatial division between urban and desert life. Concurrently, visioning tools such as hand-drawn maps and satellite imagery have not only shaped the understanding of this desert, but have been shaped by it. Through an examination of the forces that have driven its transformation, this landscape is shown as both product and producer of cultural, social, and political complexity. The contemporary desert exists as a patchwork, the result of a disparate collection of essential narratives projected onto the territory.","PeriodicalId":15044,"journal":{"name":"Journal of Architectural Education","volume":"9 1","pages":"255 - 263"},"PeriodicalIF":0.2,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139363612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-03DOI: 10.1080/10464883.2023.2233379
Ersela Kripa, Francesco Marullo, Stephen Mueller
A Black and Amazigh Indigenous scholar from Morocco, Brahim El Guabli is an associate professor of Arabic studies and comparative literature at Williams College. His first book is entitled Moroccan Other-Archives: History and Citizenship after State Violence (Fordham University Press, 2023). He’s currently completing a second book entitled Desert Imaginations: Saharanism and Its Discontents (University of California Press, forthcoming). His journal articles have appeared in LA Review of Books, PMLA, Interventions, The Cambridge Journal of Postcolonial Literary Inquiry, Arab Studies Journal, History in Africa, META, and the Journal of North African Studies, among others. He is coeditor of the two volumes of Lamalif: A Critical Anthology of Societal Debates in Morocco During the “Years of Lead” (1966–1988) (Liverpool University Press, 2022) and Refiguring Loss: Jews in Maghrebi and Middle Eastern Cultural Production (Pennsylvania State University Press, forthcoming).
来自摩洛哥的黑人和阿马齐格土著学者 Brahim El Guabli 是威廉姆斯学院阿拉伯语研究和比较文学副教授。他的第一本书名为《摩洛哥他者档案》：历史与国家暴力后的公民身份》（福特汉姆大学出版社，2023 年）。他目前正在完成第二部著作《沙漠想象》：撒哈拉主义及其不满》（加州大学出版社，即将出版）。他的期刊论文曾发表在《洛杉矶书评》、《PMLA》、《干预》、《剑桥后殖民文学研究期刊》、《阿拉伯研究期刊》、《非洲历史》、《META》和《北非研究期刊》等刊物上。他是两卷本《Lamalif：Lamalif：1966-1988 年摩洛哥社会辩论批判选集》（利物浦大学出版社，2022 年）和《重塑损失》（Refiguring Loss：马格里布和中东文化生产中的犹太人》（宾夕法尼亚州立大学出版社，即将出版）。
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Pub Date : 2023-07-03DOI: 10.1080/10464883.2023.2232697
Dalal Musaed Alsayer
This paper uses three different representations (aerial photograph, map, photograph) to shed light on how environmental imaginaries of the desert systematically created a “wasteland” that enabled an architecture of exploitation and extraction in which the histories, characteristics, and narratives of Saudi Arabia were replaced. Organized in chronological order, the images were produced in connection with US geologist Karl Saben Twitchell’s desire to extract resources from Saudi Arabia through his role as the Saudi King’s confidant and US expert. Here, representation and extraction allowed Twitchell and his company, Saudi Arabian Mining Syndicate, to frame the landscape as a “regime of emptiness” that enabled the systematic transformation of the Saudi desert.
本文使用三种不同的表现形式（航拍照片、地图、照片）来揭示沙漠的环境想象是如何系统地创造出一个 "荒地"，从而使开发和开采的架构得以实现，在这个架构中，沙特阿拉伯的历史、特征和叙事被取代。这些图片按时间顺序排列，其制作与美国地质学家卡尔-萨本-特维奇尔（Karl Saben Twitchell）作为沙特国王的心腹和美国专家从沙特阿拉伯开采资源的愿望有关。在这里，表现和开采让特维奇尔和他的公司沙特阿拉伯矿业辛迪加公司将景观定格为 "空虚的制度"，从而实现了对沙特沙漠的系统改造。
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Pub Date : 2023-07-03DOI: 10.1080/10464883.2023.2233375
Tamar Zinguer
When Robert Smithson visited Passaic, New Jersey, the town where he was born, he recognized in the deserted sandbox a ‘model desert’ and a ‘sandbox monument.’ Following Smithson’s lead, this narrative will thread spatial instances that explore how a box full of sand, where children usually play, could encapsulate the potency of some vast barren lands eliciting war and destruction, burial, and death. In the hands of some players, the sandbox also becomes a monument to unattainable lands, a monument to the passage of time—a playground to a future yet to come.
{"title":"Model Desert, Sandbox Monument","authors":"Tamar Zinguer","doi":"10.1080/10464883.2023.2233375","DOIUrl":"https://doi.org/10.1080/10464883.2023.2233375","url":null,"abstract":"When Robert Smithson visited Passaic, New Jersey, the town where he was born, he recognized in the deserted sandbox a ‘model desert’ and a ‘sandbox monument.’ Following Smithson’s lead, this narrative will thread spatial instances that explore how a box full of sand, where children usually play, could encapsulate the potency of some vast barren lands eliciting war and destruction, burial, and death. In the hands of some players, the sandbox also becomes a monument to unattainable lands, a monument to the passage of time—a playground to a future yet to come.","PeriodicalId":15044,"journal":{"name":"Journal of Architectural Education","volume":"41 1","pages":"278 - 289"},"PeriodicalIF":0.2,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139363866","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-03DOI: 10.1080/10464883.2023.2233384
Ersela Kripa, Francesco Marullo, Stephen Mueller
Menna Agha is the newly appointed Assistant Professor of Design and Spatial Justice at Carleton University. She is a third-generation displaced Fadicha Nubian, a legacy that infuses her research interests in race, gender, space, and territory. Among her publications are the articles: “Nubia Still Exists: On the Utility of the Nostalgic Space” in Humanities (2019); “The Non-Work of the Unimportant: The shadow economy of Nubian women in displacement villages,” in A Journal for Body and Gender (2019), and “Liminal Publics, Marginal Resistance,” in IDEA Journal (2017).
Menna Agha 是卡尔顿大学新任命的设计与空间正义助理教授。她是第三代流离失所的法迪夏-努比亚人，种族、性别、空间和领地是她的研究兴趣所在。她的著作包括"努比亚依然存在：On the Utility of the Nostalgic Space" in Humanities (2019); "The Non-Work of the Unimportant: The shadow economy of Nubian women in displacement villages," in A Journal for Body and Gender (2019), and "Liminal Publics, Marginal Resistance," in IDEA Journal (2017).
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Pub Date : 2023-01-02DOI: 10.1080/10464883.2023.2165800
N. Frankowski, C. García
Mabel O. Wilson teaches architecture and African American and African Diaspora Studies at Columbia University, where she also serves as the Director of the Institute for Research in African American Studies. With her practice Studio &, she was a member of the design team that recently completed the Memorial to Enslaved Laborers at the University of Virginia. Wilson has authored Begin with the Past: Building the National Museum of African American History and Culture (2016) and Negro Building: Black Americans in the World of Fairs and Museums (2012), and coedited the volume Race and Modern Architecture: From the Enlightenment to Today (2020). She is a founding member of Who Builds Your Architecture? (WBYA?)—an advocacy project to educate the architectural profession about the problems of globalization and labor. For the Museum of Modern Art in New York City, she was cocurator of the exhibition Reconstructions: Architecture and Blackness in America (2021).
Mabel O.Wilson在哥伦比亚大学教授建筑、非裔美国人和非洲侨民研究，她还担任非裔美国人研究所所长。在她的实践工作室&，她是设计团队的一员，该团队最近在弗吉尼亚大学完成了奴役劳工纪念碑。Wilson著有《从过去开始：建设美国国家非裔历史文化博物馆》（2016）和《黑人建筑：博览会和博物馆世界中的美国黑人》（2012），并合著了《种族与现代建筑：从启蒙运动到今天》（2020）一书。她是Who Builds Your Architecture的创始成员？（WBYA？）——一个倡导项目，旨在教育建筑行业了解全球化和劳动力问题。在纽约市现代艺术博物馆，她是展览《重建：美国的建筑与黑人》（2021）的协办人。
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Pub Date : 2023-01-02DOI: 10.1080/10464883.2023.2165815
V. McEwen, C. García
Keeanga-Yamahtta Taylor is a scholar of anti-Black racism, public policy, radical politics and social movements. She has written three award-winning books, including Race for Profit: How Banks and the Real Estate Industry Undermined Black Homeownership (2019), which was a semi-finalist for the 2019 National Book Award and a finalist for the Pulitzer Prize in History in 2020. In 2021, Taylor was awarded a Guggenheim Fellowship, and a MacArthur Foundation “Genius” Grant. Taylor is a contributing writer at The New Yorker. She is the Leon Forrest Professor of African American Studies at Northwestern University.
{"title":"How to Establish Value","authors":"V. McEwen, C. García","doi":"10.1080/10464883.2023.2165815","DOIUrl":"https://doi.org/10.1080/10464883.2023.2165815","url":null,"abstract":"Keeanga-Yamahtta Taylor is a scholar of anti-Black racism, public policy, radical politics and social movements. She has written three award-winning books, including Race for Profit: How Banks and the Real Estate Industry Undermined Black Homeownership (2019), which was a semi-finalist for the 2019 National Book Award and a finalist for the Pulitzer Prize in History in 2020. In 2021, Taylor was awarded a Guggenheim Fellowship, and a MacArthur Foundation “Genius” Grant. Taylor is a contributing writer at The New Yorker. She is the Leon Forrest Professor of African American Studies at Northwestern University.","PeriodicalId":15044,"journal":{"name":"Journal of Architectural Education","volume":"77 1","pages":"112 - 118"},"PeriodicalIF":0.2,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45886813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/10464883.2023.2165794
V. McEwen, C. García
Rasheedah Phillips is a queer housing advocate, parent, writer, interdisciplinary artist, and cultural producer. Phillips' writing and artwork has appeared in The Funambulist Magazine, e-flux Architecture, Flash Art Magazine, Philadelphia Inquirer, Recess Arts, and more. Phillips is the founder of The AfroFuturist Affair, founding member of Metropolarity Queer Speculative Fiction Collective, co-founder of Black Quantum Futurism, co-creator of the award winning Community Futures Lab, and creator of the Time Zone Protocols, Black Women Temporal Portal, and Black Time Belt projects. As part of BQF and as a solo artist, Phillips has been awarded a CERN Artists Residency, Vera List Center Fellowship, A Blade of Grass Fellowship, and a Velocity Fund Fellowship, among others. Phillips has exhibited, presented, been in residence, and performed at Institute of Contemporary Art London, The Metropolitan Museum of Art, Philadelphia Museum of Art, Serpentine Gallery, Red Bull Arts, Chicago Architecture Biennial, Akademie Solitude, Manifesta 13 Biennale, documenta fifteen, and more.
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