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Postava chlapca a mládenca v konceptoch slovenskej literatúry (nielen) pre deti a mládež
Pub Date : 2021-11-03 DOI: 10.34739/clit.2021.15.18
Eva Pršová
In the text, it is possible to observe the character of a young man which in a literary-historical perspective corresponds to several literary types in Slovak literature. The interpretation focuses on modelling and transforming a plebeian and obedient hero into a modern, educated and confident bachelor. At the same time, it marginally touches on the image of a man / father, who changes into an uncertain, unreliable and often absent parent on the axis of the dominant and patriarchal. The text also presents poetological aspects of the protagonists' creation: a realistic image in Kukučín's short stories, a slightly subjectivised and expressive image of a boy of interwar prose, a naive and stylised type from the 1950s fiction, an immediate, an authentic and plastic hero modelled by modern prose in novels for young adults. Transformations of construction can also be observed at the linguo-stylistic level of texts, the way of narration, and the choice of narrator.
在文本中,可以观察到一个年轻人的性格,从文学历史的角度来看,这与斯洛伐克文学中的几种文学类型相对应。诠释的重点是将一个平民、顺从的英雄塑造成一个现代的、受过教育的、自信的单身汉。与此同时,它略微触及了一个男人/父亲的形象,他在统治和父权的轴心上变成了一个不确定的、不可靠的、经常缺席的父母。本文还介绍了主人公创作的诗学方面:Kukučín短篇小说中的现实主义形象,两次世界大战之间散文中略带主观和富有表现力的男孩形象,20世纪50年代小说中天真和程式化的类型,一个直接的,真实的和可塑造的英雄,为年轻人提供现代散文小说的模型。在文本的语言风格层面、叙事方式和叙述者的选择上也可以观察到结构的变化。
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引用次数: 0
Otcovia, milenci a kamionisti: mužské postavy v prozaickom svete Ivany Dobrakovovej
Pub Date : 2021-11-03 DOI: 10.34739/clit.2021.15.22
Zuzana Bariaková
The paper analyses the depiction of male characters in the select texts of the Slovak writer Ivana Dobrakovová. Although male protagonists are not rare in her prose, little attention is paid to them. This literary approach to their depiction is determined by the writer’s strong focus on the main female protagonists – the female characters make the majority in Dobrakovová’s short stories. However, men regularly appear as fathers or intimate partners of her female characters, and these relationships – ranging from informal to institutional – play a specific role in her works.
本文分析了斯洛伐克作家Ivana dobrakovov选集中对男性角色的刻画。虽然男性主角在她的散文中并不少见,但对他们的关注却很少。这种文学手法是由作者对主要女性主人公的强烈关注决定的——女性角色在多布拉科沃的短篇小说中占多数。然而,男性经常以父亲或亲密伴侣的身份出现在她的女性角色中,这些关系——从非正式的到制度的——在她的作品中扮演着特定的角色。
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引用次数: 0
Ośrodek Badań Historii Kobiet w Białymstoku
Pub Date : 2021-11-03 DOI: 10.34739/clit.2021.15.27
Beata Walęciuk-Dejneka
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引用次数: 2
Kontextová senzitívnosť pomenovania osôb mužského rodu
Pub Date : 2021-11-03 DOI: 10.34739/clit.2021.15.02
Lujza Urbancová
The author pays attention to lexical meaning of contextual sensitive words. The meaning can vary in various texts. Although the meaning is diverse, people understand it in communication due to a broader context, for example, stereotypes existing in a society. The paper deals with the words chlap, muž and their common adjective collocations. It also includes the social part of lexical meaning of the adjective dobrý used together with the noun chlap. The study of the Slovak national corpora confirms that the social part of the meaning mirrors gender system of Slovak society.
在不同的文本中,意思可能会有所不同。虽然含义是多种多样的,但人们在交流中理解它是由于更广泛的背景,例如社会中存在的刻板印象。本文讨论了chlap、mukv这两个词及其常用形容词搭配。它还包括与名词chlap一起使用的形容词dobrý的词汇意义的社会部分。对斯洛伐克民族语料库的研究证实,社会部分的意义反映了斯洛伐克社会的性别制度。
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引用次数: 0
Voyeursky subjekt a fenomén camp v slovenskej poézii (Michal Habaj ako novodobý trubadúr)
Pub Date : 2021-11-03 DOI: 10.34739/clit.2021.15.21
Zuzana Jediná
The contribution focuses on a specific form of masculinity in the poetry of Michal Habaj, a contemporary Slovak poet. The article describes the phenomenon camp in connection with experimental verses of this poet. Camp is represented by a way of looking at the world as an aesthetic phenomenon that is not based on beauty, but on stylization, as Susan Sontag presented it in her essay. The contribution focuses on a main feature of the stylization (artisticity and theatricality) and presents the consequences of stylizing a subject into a voyeur-oriented modern troubadour. It describes a phenomenon of game and irony in a work of Michal Habaj: a subversive game with the function of basic literary categories, a game with gender and a game with discourse, in connection with the transformation of the category of masculinity into poetry.
这篇文章的重点是当代斯洛伐克诗人Michal Habaj诗歌中的一种特殊形式的男子气概。本文结合这位诗人的实验诗来描述坎普现象。坎普是一种将世界视为一种美学现象的方式,这种审美现象不是基于美,而是基于风格化,正如苏珊·桑塔格在她的文章中提出的那样。该贡献集中在风格化的一个主要特征(艺术性和戏剧性),并提出了风格化一个主题成为一个以偷窥为导向的现代游吟诗人的后果。它描述了Michal Habaj作品中的一种游戏和反讽现象:一种具有基本文学范畴功能的颠覆性游戏,一种与性别有关的游戏,一种与话语有关的游戏,与男子气概范畴向诗歌的转变有关。
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引用次数: 0
Коды «мужского» и «не-мужского» в художественном мире Morpho Eugenia А.С. Байетт
Pub Date : 2021-11-02 DOI: 10.34739/clit.2021.15.16
Ирина Попова-Бондаренко
Morpho Eugenia is the first part of the postmodernist novel Angels and Insects by A.S. Byatt. The male world is represented here in abundance by numerous names of famous naturalists, philosophers and poets of the XVII-XVIII centuries and of Victorian England, as well as by the male characters of the novel. It is pointed out that the concepts of “masculine” and “non-masculine” in the novel presuppose double reading, namely, the traditional (Victorian) and posttraditional one (neo-Victorian). In the neo-Victorian interpretation, most of the male characters in the novel are devoid of traditional masculine qualities (honor and dignity, commitment to the cause, inner strength), they bear a stigma of vice (incest), while the “male organization” features of the central female character, non-typical for a Victorian woman (talent, efficiency, perseverance, energy, self-reliance), contribute to the formation of an integral harmonious world of men and women as friends, lovers, like-minded people.
《Morpho Eugenia》是拜厄特后现代主义小说《天使与昆虫》的第一部分。男性世界在这里被大量地代表了,许多著名的博物学家,哲学家和诗人的名字,在十七至十八世纪和维多利亚时代的英国,以及小说中的男性角色。文章指出,小说中“男性化”和“非男性化”的概念预设了双重阅读,即传统(维多利亚时代)和后传统(新维多利亚时代)的双重阅读。在新维多利亚时代的解读中,小说中的大多数男性角色都缺乏传统的男性特质(荣誉和尊严,对事业的承诺,内在的力量),他们承担着邪恶的耻辱(乱伦),而中心女性角色的“男性组织”特征,对于维多利亚时代的女性来说是非典型的(才能,效率,毅力,精力,自力更生),有助于形成一个完整的和谐世界,男人和女人作为朋友,爱人,志趣相投的人。
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引用次数: 0
Recenzja: Słownik biograficzny kobiet kultury. Białystok i województwo podlaskie, cz. I i II, Białystok 2017, 2018, Wydawnictwo Humanica
Pub Date : 2001-11-03 DOI: 10.34739/clit.2021.15.26
Beata Walęciuk-Dejneka
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引用次数: 0
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Conversatoria Litteraria
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