Pub Date : 2021-11-03DOI: 10.34739/clit.2021.15.18
Eva Pršová
In the text, it is possible to observe the character of a young man which in a literary-historical perspective corresponds to several literary types in Slovak literature. The interpretation focuses on modelling and transforming a plebeian and obedient hero into a modern, educated and confident bachelor. At the same time, it marginally touches on the image of a man / father, who changes into an uncertain, unreliable and often absent parent on the axis of the dominant and patriarchal. The text also presents poetological aspects of the protagonists' creation: a realistic image in Kukučín's short stories, a slightly subjectivised and expressive image of a boy of interwar prose, a naive and stylised type from the 1950s fiction, an immediate, an authentic and plastic hero modelled by modern prose in novels for young adults. Transformations of construction can also be observed at the linguo-stylistic level of texts, the way of narration, and the choice of narrator.
{"title":"Postava chlapca a mládenca v konceptoch slovenskej literatúry (nielen) pre deti a mládež","authors":"Eva Pršová","doi":"10.34739/clit.2021.15.18","DOIUrl":"https://doi.org/10.34739/clit.2021.15.18","url":null,"abstract":"In the text, it is possible to observe the character of a young man which in a literary-historical perspective corresponds to several literary types in Slovak literature. The interpretation focuses on modelling and transforming a plebeian and obedient hero into a modern, educated and confident bachelor. At the same time, it marginally touches on the image of a man / father, who changes into an uncertain, unreliable and often absent parent on the axis of the dominant and patriarchal. The text also presents poetological aspects of the protagonists' creation: a realistic image in Kukučín's short stories, a slightly subjectivised and expressive image of a boy of interwar prose, a naive and stylised type from the 1950s fiction, an immediate, an authentic and plastic hero modelled by modern prose in novels for young adults. Transformations of construction can also be observed at the linguo-stylistic level of texts, the way of narration, and the choice of narrator.","PeriodicalId":151212,"journal":{"name":"Conversatoria Litteraria","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133731497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-03DOI: 10.34739/clit.2021.15.07
О.Л. Довгий
The article is devoted to the analysis of four characters named Eugene (heroes of A. Kantemir’ satire, A.E. Izmailov’s novel, A. Pushkin’s Eugene Onegin and The Bronze Horseman), represents the initial stage in the evolution of the semantic halo of this name in Russian literature, through an onomastic prism. The study is based on a matrix that takes into account the interaction of components that make up the semantic core of the concept of "nobility": nobility of the family, adherence to external decorum, high moral qualities. The main point was to check in Russian literature for "true Eugene", possessing all the signs of nobility, genetic, external, internal. The answer turned out to be negative: the semantics of the loss of various components turns out to be a constitutional feature of the semantic halo of the name. Russian literature at the initial stage of the development of "Eugene's plot" was more likely to move away from the semantics of the name, fixing the absence of nobility in the "noble", differently approaching the description of this phenomenon. Four heroes were involved in a united plot of the evolution of the semantic halo of the name - processing from satire to tragedy.
{"title":"«А благородство моё во мне унывает…»: Какой из четырех Евгениев настоящий?","authors":"О.Л. Довгий","doi":"10.34739/clit.2021.15.07","DOIUrl":"https://doi.org/10.34739/clit.2021.15.07","url":null,"abstract":"The article is devoted to the analysis of four characters named Eugene (heroes of A. Kantemir’ satire, A.E. Izmailov’s novel, A. Pushkin’s Eugene Onegin and The Bronze Horseman), represents the initial stage in the evolution of the semantic halo of this name in Russian literature, through an onomastic prism. The study is based on a matrix that takes into account the interaction of components that make up the semantic core of the concept of \"nobility\": nobility of the family, adherence to external decorum, high moral qualities. The main point was to check in Russian literature for \"true Eugene\", possessing all the signs of nobility, genetic, external, internal. The answer turned out to be negative: the semantics of the loss of various components turns out to be a constitutional feature of the semantic halo of the name. Russian literature at the initial stage of the development of \"Eugene's plot\" was more likely to move away from the semantics of the name, fixing the absence of nobility in the \"noble\", differently approaching the description of this phenomenon. Four heroes were involved in a united plot of the evolution of the semantic halo of the name - processing from satire to tragedy.","PeriodicalId":151212,"journal":{"name":"Conversatoria Litteraria","volume":"86 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127031176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-03DOI: 10.34739/clit.2021.15.27
Beata Walęciuk-Dejneka
{"title":"Ośrodek Badań Historii Kobiet w Białymstoku","authors":"Beata Walęciuk-Dejneka","doi":"10.34739/clit.2021.15.27","DOIUrl":"https://doi.org/10.34739/clit.2021.15.27","url":null,"abstract":"","PeriodicalId":151212,"journal":{"name":"Conversatoria Litteraria","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120976586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-03DOI: 10.34739/clit.2021.15.02
Lujza Urbancová
The author pays attention to lexical meaning of contextual sensitive words. The meaning can vary in various texts. Although the meaning is diverse, people understand it in communication due to a broader context, for example, stereotypes existing in a society. The paper deals with the words chlap, muž and their common adjective collocations. It also includes the social part of lexical meaning of the adjective dobrý used together with the noun chlap. The study of the Slovak national corpora confirms that the social part of the meaning mirrors gender system of Slovak society.
{"title":"Kontextová senzitívnosť pomenovania osôb mužského rodu","authors":"Lujza Urbancová","doi":"10.34739/clit.2021.15.02","DOIUrl":"https://doi.org/10.34739/clit.2021.15.02","url":null,"abstract":"The author pays attention to lexical meaning of contextual sensitive words. The meaning can vary in various texts. Although the meaning is diverse, people understand it in communication due to a broader context, for example, stereotypes existing in a society. The paper deals with the words chlap, muž and their common adjective collocations. It also includes the social part of lexical meaning of the adjective dobrý used together with the noun chlap. The study of the Slovak national corpora confirms that the social part of the meaning mirrors gender system of Slovak society.","PeriodicalId":151212,"journal":{"name":"Conversatoria Litteraria","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129425026","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-03DOI: 10.34739/clit.2021.15.21
Zuzana Jediná
The contribution focuses on a specific form of masculinity in the poetry of Michal Habaj, a contemporary Slovak poet. The article describes the phenomenon camp in connection with experimental verses of this poet. Camp is represented by a way of looking at the world as an aesthetic phenomenon that is not based on beauty, but on stylization, as Susan Sontag presented it in her essay. The contribution focuses on a main feature of the stylization (artisticity and theatricality) and presents the consequences of stylizing a subject into a voyeur-oriented modern troubadour. It describes a phenomenon of game and irony in a work of Michal Habaj: a subversive game with the function of basic literary categories, a game with gender and a game with discourse, in connection with the transformation of the category of masculinity into poetry.
{"title":"Voyeursky subjekt a fenomén camp v slovenskej poézii (Michal Habaj ako novodobý trubadúr)","authors":"Zuzana Jediná","doi":"10.34739/clit.2021.15.21","DOIUrl":"https://doi.org/10.34739/clit.2021.15.21","url":null,"abstract":"The contribution focuses on a specific form of masculinity in the poetry of Michal Habaj, a contemporary Slovak poet. The article describes the phenomenon camp in connection with experimental verses of this poet. Camp is represented by a way of looking at the world as an aesthetic phenomenon that is not based on beauty, but on stylization, as Susan Sontag presented it in her essay. The contribution focuses on a main feature of the stylization (artisticity and theatricality) and presents the consequences of stylizing a subject into a voyeur-oriented modern troubadour. It describes a phenomenon of game and irony in a work of Michal Habaj: a subversive game with the function of basic literary categories, a game with gender and a game with discourse, in connection with the transformation of the category of masculinity into poetry.","PeriodicalId":151212,"journal":{"name":"Conversatoria Litteraria","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131075045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-02DOI: 10.34739/clit.2021.15.16
Ирина Попова-Бондаренко
Morpho Eugenia is the first part of the postmodernist novel Angels and Insects by A.S. Byatt. The male world is represented here in abundance by numerous names of famous naturalists, philosophers and poets of the XVII-XVIII centuries and of Victorian England, as well as by the male characters of the novel. It is pointed out that the concepts of “masculine” and “non-masculine” in the novel presuppose double reading, namely, the traditional (Victorian) and posttraditional one (neo-Victorian). In the neo-Victorian interpretation, most of the male characters in the novel are devoid of traditional masculine qualities (honor and dignity, commitment to the cause, inner strength), they bear a stigma of vice (incest), while the “male organization” features of the central female character, non-typical for a Victorian woman (talent, efficiency, perseverance, energy, self-reliance), contribute to the formation of an integral harmonious world of men and women as friends, lovers, like-minded people.
{"title":"Коды «мужского» и «не-мужского» в художественном мире Morpho Eugenia А.С. Байетт","authors":"Ирина Попова-Бондаренко","doi":"10.34739/clit.2021.15.16","DOIUrl":"https://doi.org/10.34739/clit.2021.15.16","url":null,"abstract":"Morpho Eugenia is the first part of the postmodernist novel Angels and Insects by A.S. Byatt. The male world is represented here in abundance by numerous names of famous naturalists, philosophers and poets of the XVII-XVIII centuries and of Victorian England, as well as by the male characters of the novel. It is pointed out that the concepts of “masculine” and “non-masculine” in the novel presuppose double reading, namely, the traditional (Victorian) and posttraditional one (neo-Victorian). In the neo-Victorian interpretation, most of the male characters in the novel are devoid of traditional masculine qualities (honor and dignity, commitment to the cause, inner strength), they bear a stigma of vice (incest), while the “male organization” features of the central female character, non-typical for a Victorian woman (talent, efficiency, perseverance, energy, self-reliance), contribute to the formation of an integral harmonious world of men and women as friends, lovers, like-minded people.","PeriodicalId":151212,"journal":{"name":"Conversatoria Litteraria","volume":"26 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123080921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2001-11-03DOI: 10.34739/clit.2021.15.26
Beata Walęciuk-Dejneka
{"title":"Recenzja: Słownik biograficzny kobiet kultury. Białystok i województwo podlaskie, cz. I i II, Białystok 2017, 2018, Wydawnictwo Humanica","authors":"Beata Walęciuk-Dejneka","doi":"10.34739/clit.2021.15.26","DOIUrl":"https://doi.org/10.34739/clit.2021.15.26","url":null,"abstract":"","PeriodicalId":151212,"journal":{"name":"Conversatoria Litteraria","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117284431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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