Pub Date : 2021-11-03DOI: 10.34739/clit.2021.15.10
Ксения Игоревна Морозова
The motif of the Apocalypse passes through all the works of the Samara writer A.K. Goldebaev (Semenov). But if in his early works he did not highlight the end of the world (It seems distant and therefore not so scary to the author), years later he realizes the seriousness of what is happening – death isapproaching. In the story The Young Jackdaw (In the Established Order), published in 1910 in the short story collection Knowledge, the writer starts a conversation about the fallen women. However, this topic is not the leading one, and the female characters are not central ones. In this article, the author attempts to reveal the true meaning of the work through the analysis of the system of male characters.
{"title":"Галерея мужских образов в рассказе А.К. Гольдебаева Галчонок","authors":"Ксения Игоревна Морозова","doi":"10.34739/clit.2021.15.10","DOIUrl":"https://doi.org/10.34739/clit.2021.15.10","url":null,"abstract":"The motif of the Apocalypse passes through all the works of the Samara writer A.K. Goldebaev (Semenov). But if in his early works he did not highlight the end of the world (It seems distant and therefore not so scary to the author), years later he realizes the seriousness of what is happening – death isapproaching. In the story The Young Jackdaw (In the Established Order), published in 1910 in the short story collection Knowledge, the writer starts a conversation about the fallen women. However, this topic is not the leading one, and the female characters are not central ones. In this article, the author attempts to reveal the true meaning of the work through the analysis of the system of male characters.","PeriodicalId":151212,"journal":{"name":"Conversatoria Litteraria","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127720802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-03DOI: 10.34739/clit.2021.15.08
Александр Иваницкий
The key role of the ethics in the H. v. Kleist’s novellas comes from the providential character of the life’s unfolding. Having guessed it, the characters face the moral сhoice which needs to be implemented. The paradoxical uncovering of the providence as fate triggers the moral and behavioral “relay race” of characters, realizing the stages of this implementation. The historicism of the providence makes it to the dialectic of the world’s transformation with the help of the character, who had intuitively guessed this dialectics. Meanwhile, history as the social movement of the people makes moral / behavioral “relay race” of characters the stages of this movement.
{"title":"Этика героя новелл Генриха фон Клейста (эволюция значений)","authors":"Александр Иваницкий","doi":"10.34739/clit.2021.15.08","DOIUrl":"https://doi.org/10.34739/clit.2021.15.08","url":null,"abstract":"The key role of the ethics in the H. v. Kleist’s novellas comes from the providential character of the life’s unfolding. Having guessed it, the characters face the moral сhoice which needs to be implemented. The paradoxical uncovering of the providence as fate triggers the moral and behavioral “relay race” of characters, realizing the stages of this implementation. The historicism of the providence makes it to the dialectic of the world’s transformation with the help of the character, who had intuitively guessed this dialectics. Meanwhile, history as the social movement of the people makes moral / behavioral “relay race” of characters the stages of this movement.","PeriodicalId":151212,"journal":{"name":"Conversatoria Litteraria","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123713153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-03DOI: 10.34739/clit.2021.15.04
Андрей Можайский
This article analyzes the text of Aeschylus’s tragedy Seven against Thebes in the context of one of the main characters - Eteocles - as a male character. In the text of Aeschylus, Eteocles looks like a tough ruler who is endowed with certain masculine qualities. Moreover, through his words, the male character is sometimes expressed. This helps him save his hometown, but at the same time leads him to death. According to Eteocles, the men of Thebes in the face of the enemy must protect their Mother Earth with shields in their hands. In addition to identifying a warrior with a shield, Aeschylus, through the words of Eteocles, indicates that the place of the male protector is on the battlements and in the gates with towers. According to Aeschylus, Eteocles is the bravest master (king) of the Cadmeans. The use of the word ἄναξ in relation to Eteocles reflects the archaic nature of the story of Seven against Thebes. Eteocles as a male character is not just the bravest king of the Cadmeans, but he also pretends to be a wise ruler. According to Aeschylus, Eteocles is an almost exclusively positive male character, despite the fact that he indicates that evil has been done to Polyneices.
{"title":"Этеокл как мужской персонаж трагедии Эсхила Семеро против Фив","authors":"Андрей Можайский","doi":"10.34739/clit.2021.15.04","DOIUrl":"https://doi.org/10.34739/clit.2021.15.04","url":null,"abstract":"This article analyzes the text of Aeschylus’s tragedy Seven against Thebes in the context of one of the main characters - Eteocles - as a male character. In the text of Aeschylus, Eteocles looks like a tough ruler who is endowed with certain masculine qualities. Moreover, through his words, the male character is sometimes expressed. This helps him save his hometown, but at the same time leads him to death. According to Eteocles, the men of Thebes in the face of the enemy must protect their Mother Earth with shields in their hands. In addition to identifying a warrior with a shield, Aeschylus, through the words of Eteocles, indicates that the place of the male protector is on the battlements and in the gates with towers. According to Aeschylus, Eteocles is the bravest master (king) of the Cadmeans. The use of the word ἄναξ in relation to Eteocles reflects the archaic nature of the story of Seven against Thebes. Eteocles as a male character is not just the bravest king of the Cadmeans, but he also pretends to be a wise ruler. According to Aeschylus, Eteocles is an almost exclusively positive male character, despite the fact that he indicates that evil has been done to Polyneices.","PeriodicalId":151212,"journal":{"name":"Conversatoria Litteraria","volume":"116 40","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131943035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-03DOI: 10.34739/clit.2021.15.15
Lucia Panáčková
The article reflects dramatic work of Peter Karvaš in the context of existentialist philosophy. It points to the connection between the social situation and the author´s topic choice, emotional engagement and approach to characters. In the article the author defines the basic features of existentialist philosophy in the work of Peter Karvaš providing analysis of selected extracts. In particular the article deals with the issue of how male characters react to the same situation and their motives behind the reaction. The article also reveals subjective view of Karvaš on social events and their impact on people and Karvaš himself.
{"title":"Peter Karvaš v kontexte existencializmu","authors":"Lucia Panáčková","doi":"10.34739/clit.2021.15.15","DOIUrl":"https://doi.org/10.34739/clit.2021.15.15","url":null,"abstract":"The article reflects dramatic work of Peter Karvaš in the context of existentialist philosophy. It points to the connection between the social situation and the author´s topic choice, emotional engagement and approach to characters. In the article the author defines the basic features of existentialist philosophy in the work of Peter Karvaš providing analysis of selected extracts. In particular the article deals with the issue of how male characters react to the same situation and their motives behind the reaction. The article also reveals subjective view of Karvaš on social events and their impact on people and Karvaš himself.","PeriodicalId":151212,"journal":{"name":"Conversatoria Litteraria","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134483663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-03DOI: 10.34739/clit.2021.15.24
Jozef Tatár
{"title":"Migrácia v umeleckej literatúre Bariaková Zuzana, Jakubík Henrich, Kubealaková Martina: Hranice okolo nás a v nás: Literárne podoby migrácie v slovenskej literatúre, 2019","authors":"Jozef Tatár","doi":"10.34739/clit.2021.15.24","DOIUrl":"https://doi.org/10.34739/clit.2021.15.24","url":null,"abstract":"","PeriodicalId":151212,"journal":{"name":"Conversatoria Litteraria","volume":"56 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120835422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-03DOI: 10.34739/clit.2021.15.06
Мария Полякова
The article considers some features of the epistolary genre from the point of view of its pedagogical potential. A Letter from the Swiss reformer Ulrich Zwingli to his stepson Herald Meyer is also briefly analyzed. According to the author, this work is the most complete and, at the same time, concise example of a letter of instruction to a young person. It reflects three directions of the young man's relationship: with God, with himself, and with the world (surrounding people). In General, the same scheme of relations is already present in the ancient era (Cicero's treatise «On duties»).
{"title":"Образ благочестивого юноши в эпистолярном жанре XVI века (на примере письма Ульриха Цвингли пасынку Герольду Мейеру)","authors":"Мария Полякова","doi":"10.34739/clit.2021.15.06","DOIUrl":"https://doi.org/10.34739/clit.2021.15.06","url":null,"abstract":"The article considers some features of the epistolary genre from the point of view of its pedagogical potential. A Letter from the Swiss reformer Ulrich Zwingli to his stepson Herald Meyer is also briefly analyzed. According to the author, this work is the most complete and, at the same time, concise example of a letter of instruction to a young person. It reflects three directions of the young man's relationship: with God, with himself, and with the world (surrounding people). In General, the same scheme of relations is already present in the ancient era (Cicero's treatise «On duties»).","PeriodicalId":151212,"journal":{"name":"Conversatoria Litteraria","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115810768","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-03DOI: 10.34739/clit.2021.15.17
Irena Dimova
The paper is devoted to the problem of the „male“ language which can be found in the works of two Bulgarian poets – Miglena Nikolchina and Irena Ivanova (better known by her pseudonym Rene Karabaš). The author associates them with the change that happens in literary criticism and the literary production itself after the 1990s. The author considers the synthesis of poetry and prose, poetry and theory as an intertextual „dialogue” through which is possible to analyze the texts of both poets. Thematically, the article focuses on the ways in which the woman gains „a right to have a voice“ rejecting her gender to take up the poet’s word and on how man appears to be a „quotation” in their works.
{"title":"Problém „mužského“ jazyka (na príklade básní Migleny Nikolčinej a Ireny Ivanovej)","authors":"Irena Dimova","doi":"10.34739/clit.2021.15.17","DOIUrl":"https://doi.org/10.34739/clit.2021.15.17","url":null,"abstract":"The paper is devoted to the problem of the „male“ language which can be found in the works of two Bulgarian poets – Miglena Nikolchina and Irena Ivanova (better known by her pseudonym Rene Karabaš). The author associates them with the change that happens in literary criticism and the literary production itself after the 1990s. The author considers the synthesis of poetry and prose, poetry and theory as an intertextual „dialogue” through which is possible to analyze the texts of both poets. Thematically, the article focuses on the ways in which the woman gains „a right to have a voice“ rejecting her gender to take up the poet’s word and on how man appears to be a „quotation” in their works.","PeriodicalId":151212,"journal":{"name":"Conversatoria Litteraria","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125398268","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-03DOI: 10.34739/clit.2021.15.09
Юлия Егорова
The story of Foma Gordeev summed up the period of Gorky's ideological and aesthetic search at the end 19th - early 20th centuries, associated with the searching for a new hero in literature. The writer did not see in the representatives of the merchant dynasties people capable of building a worthy future for Russia. Even the presented image of the “atypical”, “broken out” from the class of his own kind, Foma Gordeev, became similar to Gorky's “superfluous person”, unable to become an active fighter for the reorganization of the world. In this work, Gorky depicted the collapse of the era of capitalist relations and marked a new upsurge in the labor movement for Russia and the growth of the ideas of socialism.
{"title":"Образ Фомы Гордеева в системе идейно-эстетических исканий раннего Горького","authors":"Юлия Егорова","doi":"10.34739/clit.2021.15.09","DOIUrl":"https://doi.org/10.34739/clit.2021.15.09","url":null,"abstract":"The story of Foma Gordeev summed up the period of Gorky's ideological and aesthetic search at the end 19th - early 20th centuries, associated with the searching for a new hero in literature. The writer did not see in the representatives of the merchant dynasties people capable of building a worthy future for Russia. Even the presented image of the “atypical”, “broken out” from the class of his own kind, Foma Gordeev, became similar to Gorky's “superfluous person”, unable to become an active fighter for the reorganization of the world. In this work, Gorky depicted the collapse of the era of capitalist relations and marked a new upsurge in the labor movement for Russia and the growth of the ideas of socialism.","PeriodicalId":151212,"journal":{"name":"Conversatoria Litteraria","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126921848","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-03DOI: 10.34739/clit.2021.15.12
S. Sobieraj
The article presents interpretations of poems by Bolesław Leśmian, where a motif of the forest can be found. Initially, the forest in Leśmian's poetry appears as symbolism of spiritual states: melancholy, longing and sadness, which are the characteristic features of the Young Poland poetry, which was primarily patronized by Kazimierz Przerwa-Tetmajer. Then, in the poems from Orchard, he announces the project of a union of human and nature and a turn towards the original instinctuality, the implementation of which the next volume will bring. Aa essential text is the poem Green Hour. This is the mystery of the existential tragedy of the human who lives on the border between the worlds: nature, human civilization and God. Here we can see the unveiling of the idea of realistic symbolism, which involves the search for mediation between different entities. However, he does not come to it because of the fact that the protagonist of the described events is under the influence of principio individuationis. Only the resignation from this principle - which occurs in the poems of Oak and Desire, and in other works of The Meadow - shows the space of the forest as a place of reconciliation between beings. In the interpretation, it was noticed that Leśmian's cosmogonic concepts were inspired by the philosophical thought of Friedrich Nietzsche and Henri Bergson.
{"title":"Topos lasu w poezji Bolesława Leśmiana. Natura – człowiek – Bóg","authors":"S. Sobieraj","doi":"10.34739/clit.2021.15.12","DOIUrl":"https://doi.org/10.34739/clit.2021.15.12","url":null,"abstract":"The article presents interpretations of poems by Bolesław Leśmian, where a motif of the forest can be found. Initially, the forest in Leśmian's poetry appears as symbolism of spiritual states: melancholy, longing and sadness, which are the characteristic features of the Young Poland poetry, which was primarily patronized by Kazimierz Przerwa-Tetmajer. Then, in the poems from Orchard, he announces the project of a union of human and nature and a turn towards the original instinctuality, the implementation of which the next volume will bring.\u0000Aa essential text is the poem Green Hour. This is the mystery of the existential tragedy of the human who lives on the border between the worlds: nature, human civilization and God. Here we can see the unveiling of the idea of realistic symbolism, which involves the search for mediation between different entities. However, he does not come to it because of the fact that the protagonist of the described events is under the influence of principio individuationis. Only the resignation from this principle - which occurs in the poems of Oak and Desire, and in other works of The Meadow - shows the space of the forest as a place of reconciliation between beings. In the interpretation, it was noticed that Leśmian's cosmogonic concepts were inspired by the philosophical thought of Friedrich Nietzsche and Henri Bergson.","PeriodicalId":151212,"journal":{"name":"Conversatoria Litteraria","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114217141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-03DOI: 10.34739/clit.2021.15.07
О.Л. Довгий
The article is devoted to the analysis of four characters named Eugene (heroes of A. Kantemir’ satire, A.E. Izmailov’s novel, A. Pushkin’s Eugene Onegin and The Bronze Horseman), represents the initial stage in the evolution of the semantic halo of this name in Russian literature, through an onomastic prism. The study is based on a matrix that takes into account the interaction of components that make up the semantic core of the concept of "nobility": nobility of the family, adherence to external decorum, high moral qualities. The main point was to check in Russian literature for "true Eugene", possessing all the signs of nobility, genetic, external, internal. The answer turned out to be negative: the semantics of the loss of various components turns out to be a constitutional feature of the semantic halo of the name. Russian literature at the initial stage of the development of "Eugene's plot" was more likely to move away from the semantics of the name, fixing the absence of nobility in the "noble", differently approaching the description of this phenomenon. Four heroes were involved in a united plot of the evolution of the semantic halo of the name - processing from satire to tragedy.
{"title":"«А благородство моё во мне унывает…»: Какой из четырех Евгениев настоящий?","authors":"О.Л. Довгий","doi":"10.34739/clit.2021.15.07","DOIUrl":"https://doi.org/10.34739/clit.2021.15.07","url":null,"abstract":"The article is devoted to the analysis of four characters named Eugene (heroes of A. Kantemir’ satire, A.E. Izmailov’s novel, A. Pushkin’s Eugene Onegin and The Bronze Horseman), represents the initial stage in the evolution of the semantic halo of this name in Russian literature, through an onomastic prism. The study is based on a matrix that takes into account the interaction of components that make up the semantic core of the concept of \"nobility\": nobility of the family, adherence to external decorum, high moral qualities. The main point was to check in Russian literature for \"true Eugene\", possessing all the signs of nobility, genetic, external, internal. The answer turned out to be negative: the semantics of the loss of various components turns out to be a constitutional feature of the semantic halo of the name. Russian literature at the initial stage of the development of \"Eugene's plot\" was more likely to move away from the semantics of the name, fixing the absence of nobility in the \"noble\", differently approaching the description of this phenomenon. Four heroes were involved in a united plot of the evolution of the semantic halo of the name - processing from satire to tragedy.","PeriodicalId":151212,"journal":{"name":"Conversatoria Litteraria","volume":"86 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127031176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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