Pub Date : 2022-12-21DOI: 10.46585/absa.2022.15.2430
E. Jelínková
Janice Galloway represents one of the most strikingly original voices in new Scottish fiction, which breaks with the tradition of conventional narratives looking back at the national history and looking up to larger-than-life male heroes. Instead, Galloway writes deftly crafted short stories of everyday life in contemporary settings, finding that the past informs the present and proceeding to explore how the stateless nation’s cultural heritage affects her characters. This paper analyses selected stories from Galloway’s collections Blood (1991) and Where You Find It (1996) from the perspective of trauma criticism, which seems a particularly fitting approach to the author’s often disturbing narratives of violence and abuse. The focus is on child characters and on the ways that historical trauma, as introduced by Sigmund Freud and further refined by Cathy Caruth, is passed down to them. Finally, the paper provides examples from the individual short stories which illustrate how the traumatic experience can be acknowledged, witnessed, and ultimately communicated.
珍妮丝·加洛韦代表了苏格兰新小说中最引人注目的原创声音之一，她打破了传统叙事的传统，回顾了民族历史，并仰望着具有传奇色彩的男性英雄。相反，加洛韦以当代背景下的日常生活为背景，巧妙地创作了一些短篇小说，发现过去告诉了现在，并继续探索这个无国籍国家的文化遗产是如何影响她的角色的。本文从创伤批评的角度分析了加洛韦选集《血》(1991)和《Where You Find It》(1996)中的故事，这似乎是一个特别适合作者经常令人不安的暴力和虐待叙事的方法。书的重点是儿童角色，以及西格蒙德·弗洛伊德(Sigmund Freud)介绍的、凯西·卡鲁斯(Cathy Caruth)进一步完善的历史创伤是如何传递给他们的。最后，本文提供了来自个别短篇故事的例子，说明创伤经历如何被承认、目睹并最终交流。
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Pub Date : 2022-12-21DOI: 10.46585/absa.2022.15.2408
Małgorzata Łuczyńska-Hołdys
The present article examines the notions of fantasy, illusion and logic in Keats’s romance Lamia (1819) from the perspective of the aesthetic and literary category of the grotesque. In his text Keats puts the grotesque to two uses. First, it serves to mark his ambiguous attitude to both reason and imagination as two exclusive modes of cognition; secondly, it records his uneasiness in relation to the romantic ideal of love. Two conflicting points of view inform and battle in the poem: one might be called Romantic, as it endorses imagination and beauty as values per se; the other invites an interrogation of the idealistic approach. Neither of these two perspectives is unequivocally applauded in the text, and the Romantic grotesque appears a perfect vehicle for expressing this incongruity.
{"title":"Romantic fantasy and the grotesque in John Keats’s “Lamia”","authors":"Małgorzata Łuczyńska-Hołdys","doi":"10.46585/absa.2022.15.2408","DOIUrl":"https://doi.org/10.46585/absa.2022.15.2408","url":null,"abstract":"The present article examines the notions of fantasy, illusion and logic in Keats’s romance Lamia (1819) from the perspective of the aesthetic and literary category of the grotesque. In his text Keats puts the grotesque to two uses. First, it serves to mark his ambiguous attitude to both reason and imagination as two exclusive modes of cognition; secondly, it records his uneasiness in relation to the romantic ideal of love. Two conflicting points of view inform and battle in the poem: one might be called Romantic, as it endorses imagination and beauty as values per se; the other invites an interrogation of the idealistic approach. Neither of these two perspectives is unequivocally applauded in the text, and the Romantic grotesque appears a perfect vehicle for expressing this incongruity.","PeriodicalId":158621,"journal":{"name":"American & British Studies Annual","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115585370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-21DOI: 10.46585/absa.2022.15.2428
B. Kucała
Sarah Moss’s novel The Fell (2021), set during the second lockdown in Britain, is an instance of fiction’s engagement with the ongoing Covid-19 pandemic. Written in the midst of the calamity, the novel presents events from the limited perspective of an individual whose personal crisis is intensified by her enforced isolation and confinement. Spanning only one night, the story recounts the protagonist’s quarantine-breaking walk on the hills of the nearby Peak District as her way of coping with the overwhelming situation. This article analyses the character’s retreat into nature as her instinctive reaction to societal pressures. Drawing on Frédéric Gros’s A Philosophy of Walking and Henry David Thoreau’s essay Walking, this article centres on the trope of walking in Moss’s novel, positing that the heroine is an incarnation of Thoreau’s “walker errant.” It is argued that for Kate communing with nature, perceived as a site of otherness and an ever-renewing cycle of life and death, is vital for her spiritual balance, but it has also become a survival strategy during the current crisis.
{"title":"Walking to Stay Alive: Sarah Moss’s Lockdown Novel The Fell","authors":"B. Kucała","doi":"10.46585/absa.2022.15.2428","DOIUrl":"https://doi.org/10.46585/absa.2022.15.2428","url":null,"abstract":"Sarah Moss’s novel The Fell (2021), set during the second lockdown in Britain, is an instance of fiction’s engagement with the ongoing Covid-19 pandemic. Written in the midst of the calamity, the novel presents events from the limited perspective of an individual whose personal crisis is intensified by her enforced isolation and confinement. Spanning only one night, the story recounts the protagonist’s quarantine-breaking walk on the hills of the nearby Peak District as her way of coping with the overwhelming situation. This article analyses the character’s retreat into nature as her instinctive reaction to societal pressures. Drawing on Frédéric Gros’s A Philosophy of Walking and Henry David Thoreau’s essay Walking, this article centres on the trope of walking in Moss’s novel, positing that the heroine is an incarnation of Thoreau’s “walker errant.” It is argued that for Kate communing with nature, perceived as a site of otherness and an ever-renewing cycle of life and death, is vital for her spiritual balance, but it has also become a survival strategy during the current crisis.","PeriodicalId":158621,"journal":{"name":"American & British Studies Annual","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126432962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-21DOI: 10.46585/absa.2022.15.2435
Tomáš Jajtner
The following paper analyses a classic work of 18th century nature writing, Gilbert White’s (1720–1793) Natural History of Selborne (1789). It contextualizes the work in the cultural and philosophical discussions of its era, and stresses White’s “economy of nature” as a continuum of spiritual, aesthetic, and economic dimensions of nature. The essay argues that this complexity presents the English naturalist’s unique contribution to the rise of nature writing and ecological thought during the emergence of Romanticism. The final discussion here deals with the reception of White’s work beginning in the late 1960s and its significance within the ecocritical debates of our day.
{"title":"Lessons of Selborne:","authors":"Tomáš Jajtner","doi":"10.46585/absa.2022.15.2435","DOIUrl":"https://doi.org/10.46585/absa.2022.15.2435","url":null,"abstract":"The following paper analyses a classic work of 18th century nature writing, Gilbert White’s (1720–1793) Natural History of Selborne (1789). It contextualizes the work in the cultural and philosophical discussions of its era, and stresses White’s “economy of nature” as a continuum of spiritual, aesthetic, and economic dimensions of nature. The essay argues that this complexity presents the English naturalist’s unique contribution to the rise of nature writing and ecological thought during the emergence of Romanticism. The final discussion here deals with the reception of White’s work beginning in the late 1960s and its significance within the ecocritical debates of our day. ","PeriodicalId":158621,"journal":{"name":"American & British Studies Annual","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133892674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-21DOI: 10.46585/absa.2022.15.2427
Quan Wang
Industrialization revolutionizes human life and engenders anthropocentrism. Edgar Allan Poe ruminates on the repercussions of anthropocentrism in his stories and speculates about a posthumanist world. “The Imp of the Perverse” challenges the prevailing standard of reason and compels us to discover the underlying world that brings current situations into existence and legitimizes perverse phenomena. The three examples of the perverse, namely, circumlocution, procrastination, and abyss obsession, outline the latent coordinates of human identity: species, time, and space. The fourth instance recapitulates the three coordinates and features underdeveloped aspects. The abrupt ending of the story (“but where?”) plunges readers into textual instability. “MS. Found in a Bottle” continues the journey of the suspended plunge: anthropocentric departure, disoriented temporality, multidimensional space. The juxtaposition of these two stories illuminates Poe’s reflections on anthropocentric hubris and posthumanist speculation.
{"title":"Perverse, Anthropocentrism, and Posthumanism in Two of Edgar Allan Poe’s Stories","authors":"Quan Wang","doi":"10.46585/absa.2022.15.2427","DOIUrl":"https://doi.org/10.46585/absa.2022.15.2427","url":null,"abstract":"Industrialization revolutionizes human life and engenders anthropocentrism. Edgar Allan Poe ruminates on the repercussions of anthropocentrism in his stories and speculates about a posthumanist world. “The Imp of the Perverse” challenges the prevailing standard of reason and compels us to discover the underlying world that brings current situations into existence and legitimizes perverse phenomena. The three examples of the perverse, namely, circumlocution, procrastination, and abyss obsession, outline the latent coordinates of human identity: species, time, and space. The fourth instance recapitulates the three coordinates and features underdeveloped aspects. The abrupt ending of the story (“but where?”) plunges readers into textual instability. “MS. Found in a Bottle” continues the journey of the suspended plunge: anthropocentric departure, disoriented temporality, multidimensional space. The juxtaposition of these two stories illuminates Poe’s reflections on anthropocentric hubris and posthumanist speculation.","PeriodicalId":158621,"journal":{"name":"American & British Studies Annual","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115107815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Murders on the Campus","authors":"Šárka Bubíková","doi":"10.46585/absa.2022.15.2438","DOIUrl":"https://doi.org/10.46585/absa.2022.15.2438","url":null,"abstract":"[Review of The Contemporary Academic Mystery Novel: A Study in Genre by Elżbieta Perkowska-Gawlik (Peter Lang, 2021)]","PeriodicalId":158621,"journal":{"name":"American & British Studies Annual","volume":"44 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114024375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-21DOI: 10.46585/absa.2022.15.2433
S. Azimi, S. Ahmadzadeh, Mahmoud Reza Ghorban Sabbagh
“The Monkey Puzzle” is one of the most interesting as well as intimidatingly complex poems of Marianne Moore. It envelops Moore’s attitude as an objectivist poet moving towards the relationship between language and the world. The scarce critical attention it has received does not reflect the high status it should have in Moore’s oeuvre. The present paper builds on the body of research that does exist, and from there moves on to a detailed analysis of the poem in an attempt to show how a catachrestic divergence from significatory processes is at work all throughout this poem. The reinterpretation of the poem through a focus on its catachrestic bounciness will not only shed light on some of its most complex imagery, but will also show how a philosophical filament runs through the whole poem and invites the readers to trespass the boundaries of the significatory walls drawn around our imagination.
{"title":"Catachrestic Divergence:","authors":"S. Azimi, S. Ahmadzadeh, Mahmoud Reza Ghorban Sabbagh","doi":"10.46585/absa.2022.15.2433","DOIUrl":"https://doi.org/10.46585/absa.2022.15.2433","url":null,"abstract":"“The Monkey Puzzle” is one of the most interesting as well as intimidatingly complex poems of Marianne Moore. It envelops Moore’s attitude as an objectivist poet moving towards the relationship between language and the world. The scarce critical attention it has received does not reflect the high status it should have in Moore’s oeuvre. The present paper builds on the body of research that does exist, and from there moves on to a detailed analysis of the poem in an attempt to show how a catachrestic divergence from significatory processes is at work all throughout this poem. The reinterpretation of the poem through a focus on its catachrestic bounciness will not only shed light on some of its most complex imagery, but will also show how a philosophical filament runs through the whole poem and invites the readers to trespass the boundaries of the significatory walls drawn around our imagination. ","PeriodicalId":158621,"journal":{"name":"American & British Studies Annual","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127000998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-21DOI: 10.46585/absa.2022.15.2431
Vladimíra Fonfárová
As defined by Georg G. Iggers and promoted by Hayden White, the postmodern challenge of historiography calls into question the objective enquiry and truth value of history writing. Many works of fiction have embodied this trend, embracing the challenge by exploring objectivity and the retrievability of the past. In contemporary Canadian literature, such cases are also to be found. The novel Weird Sister (1999) by Kate Pullinger thematizes history and history writing, utilizes Gothic elements, and employs the elements of historiographic metafiction, e.g. as characterized by Linda Hutcheon. The book features characters representing the so‐called silent voices whose testimony had remained lost in the official historical record. This paper aims to show that the depiction of the impossibility of uncovering the truth about the past represents a significant contribution by contemporary fiction authors to the postmodern challenge of historiography, with Pullinger’s novel emerging as a notable contribution to this discourse.
{"title":"Postmodern Challenge of Historiography in Contemporary Canadian Fiction:","authors":"Vladimíra Fonfárová","doi":"10.46585/absa.2022.15.2431","DOIUrl":"https://doi.org/10.46585/absa.2022.15.2431","url":null,"abstract":"As defined by Georg G. Iggers and promoted by Hayden White, the postmodern challenge of historiography calls into question the objective enquiry and truth value of history writing. Many works of fiction have embodied this trend, embracing the challenge by exploring objectivity and the retrievability of the past. In contemporary Canadian literature, such cases are also to be found. The novel Weird Sister (1999) by Kate Pullinger thematizes history and history writing, utilizes Gothic elements, and employs the elements of historiographic metafiction, e.g. as characterized by Linda Hutcheon. The book features characters representing the so‐called silent voices whose testimony had remained lost in the official historical record. This paper aims to show that the depiction of the impossibility of uncovering the truth about the past represents a significant contribution by contemporary fiction authors to the postmodern challenge of historiography, with Pullinger’s novel emerging as a notable contribution to this discourse.","PeriodicalId":158621,"journal":{"name":"American & British Studies Annual","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130990011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-21DOI: 10.46585/absa.2022.15.2432
Šárka Bubíková, Olga Roebuck
While the crime genre may have seemed as purely masculine for the greater part of its history, feminist critics looking for the roots of female crime writing have found a rich history of both the woman crime writer as well as the woman detective. Since the 1980s there has been not only a pronounced resurgence of interest in crime fiction, but also a boom of female detectives created by female writers. Focusing on works by Robert Galbraith, Denise Mina, Linda Barnes, Dana Stabenow and S. J. Rozan, this article explores some of the ways the traditionally masculine private eye subgenre can be appropriated to accommodate a female protagonist. Comparing a variety of protagonists and narrative strategies, it further argues that, perhaps paradoxically, the originally dominantly masculine hardboiled PI tradition seems well accommodating to female (even feminist) appropriations.
{"title":"Female Investigators:","authors":"Šárka Bubíková, Olga Roebuck","doi":"10.46585/absa.2022.15.2432","DOIUrl":"https://doi.org/10.46585/absa.2022.15.2432","url":null,"abstract":"While the crime genre may have seemed as purely masculine for the greater part of its history, feminist critics looking for the roots of female crime writing have found a rich history of both the woman crime writer as well as the woman detective. Since the 1980s there has been not only a pronounced resurgence of interest in crime fiction, but also a boom of female detectives created by female writers. Focusing on works by Robert Galbraith, Denise Mina, Linda Barnes, Dana Stabenow and S. J. Rozan, this article explores some of the ways the traditionally masculine private eye subgenre can be appropriated to accommodate a female protagonist. Comparing a variety of protagonists and narrative strategies, it further argues that, perhaps paradoxically, the originally dominantly masculine hardboiled PI tradition seems well accommodating to female (even feminist) appropriations.","PeriodicalId":158621,"journal":{"name":"American & British Studies Annual","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127054821","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-21DOI: 10.46585/absa.2022.15.2429
P. Chalupský
Arcadia (1992), Jim Crace’s most distinctively urban novel, bears the idiosyncratic features of its author’s writing: it is a deceptively simple story of vague geographical and historical setting conceived as a parable of the current world concerns, it portrays a community in a transitional moment of its existence, and it places special emphasis on spatial representations of its fictitious environment which assume metaphorical properties that convey the story’s rich ideas. Moreover, as a writer focusing on moral issues with a leftist political outlook, Crace has been consistent in his criticism of the neoliberal market economy and its negative impacts on communal values, a view which is also voiced in the novel. This paper makes use of the theoretical premises of Transmodernism as well as analytical tools of phenomenologically focused geocriticism to demonstrate that Arcadia can be subsumed within so-called transmodern fiction. This critique of globalized capitalism is carried out through sites Eric Prieto terms as the entre-deux, the in-between. Accordingly, the paper attempts to demonstrate how the novel’s liminal and heterogeneous places display non-linear and complexly interrelated temporalities which are indicative of their role within the city’s progress.
{"title":"Transgressive Spatiality and Multiple Temporality in Jim Crace’s Arcadia","authors":"P. Chalupský","doi":"10.46585/absa.2022.15.2429","DOIUrl":"https://doi.org/10.46585/absa.2022.15.2429","url":null,"abstract":"Arcadia (1992), Jim Crace’s most distinctively urban novel, bears the idiosyncratic features of its author’s writing: it is a deceptively simple story of vague geographical and historical setting conceived as a parable of the current world concerns, it portrays a community in a transitional moment of its existence, and it places special emphasis on spatial representations of its fictitious environment which assume metaphorical properties that convey the story’s rich ideas. Moreover, as a writer focusing on moral issues with a leftist political outlook, Crace has been consistent in his criticism of the neoliberal market economy and its negative impacts on communal values, a view which is also voiced in the novel. This paper makes use of the theoretical premises of Transmodernism as well as analytical tools of phenomenologically focused geocriticism to demonstrate that Arcadia can be subsumed within so-called transmodern fiction. This critique of globalized capitalism is carried out through sites Eric Prieto terms as the entre-deux, the in-between. Accordingly, the paper attempts to demonstrate how the novel’s liminal and heterogeneous places display non-linear and complexly interrelated temporalities which are indicative of their role within the city’s progress.","PeriodicalId":158621,"journal":{"name":"American & British Studies Annual","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115002527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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