Pub Date : 2020-05-30DOI: 10.32611/JGCC.2020.5.43.125
Gunwoong Lee
{"title":"A Study on the Solutions of Demographic Cliff and Local Extinction: Making a Book Village in Japan","authors":"Gunwoong Lee","doi":"10.32611/JGCC.2020.5.43.125","DOIUrl":"https://doi.org/10.32611/JGCC.2020.5.43.125","url":null,"abstract":"","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"84 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114399530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-08-31DOI: 10.32611/jgcc.2019.08.40.41
Young-jun Lee, Jin-young Kim
{"title":"A Suggestion for the Development of ‘Tree Pilgrimage Way’ Using the Protected Trees in Yeoju-si, Gyeonggi Province","authors":"Young-jun Lee, Jin-young Kim","doi":"10.32611/jgcc.2019.08.40.41","DOIUrl":"https://doi.org/10.32611/jgcc.2019.08.40.41","url":null,"abstract":"","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"270 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116547346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-08-31DOI: 10.32611/jgcc.2019.08.40.15
Mookyoung Lee, Joo-eun Lee
{"title":"Changes of Objecthood Shown in Travel Documentaries on North Korea","authors":"Mookyoung Lee, Joo-eun Lee","doi":"10.32611/jgcc.2019.08.40.15","DOIUrl":"https://doi.org/10.32611/jgcc.2019.08.40.15","url":null,"abstract":"","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128737846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-08-31DOI: 10.32611/jgcc.2019.8.40.125
Ji-ho Tae
{"title":"Social and Cultural Implications of Historical-Cultural Contents through the Concept of ‘Historytelling’","authors":"Ji-ho Tae","doi":"10.32611/jgcc.2019.8.40.125","DOIUrl":"https://doi.org/10.32611/jgcc.2019.8.40.125","url":null,"abstract":"","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115493723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-08-31DOI: 10.32611/jgcc.2019.08.40.65
Jaemin Lee
{"title":"Concepts and Characteristics of Natural Convergence Space as a New Type of Complex Cultural Space: Based on the Theory of Space Production","authors":"Jaemin Lee","doi":"10.32611/jgcc.2019.08.40.65","DOIUrl":"https://doi.org/10.32611/jgcc.2019.08.40.65","url":null,"abstract":"","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115131749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-08-31DOI: 10.32611/jgcc.2019.8.40.105
A. Choi
{"title":"A Case Study on the Planning of Museum & Tourism Contents Using Place Memory of Vacant Houses","authors":"A. Choi","doi":"10.32611/jgcc.2019.8.40.105","DOIUrl":"https://doi.org/10.32611/jgcc.2019.8.40.105","url":null,"abstract":"","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130156876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-31DOI: 10.32611/jgcc.2019.5.39.66
Kwangtaek Park, Sangjoon Bae
Parody which used as the way of creating for a long time has stood out by the spread of postmodernism. Parody that is defined as ‘repetition that includes difference’ by Linda Hutcheon structure the new semantic network in the process of transforming the original text. This paper focuses on the generation process of parody from the perspective of Gilbert Simondon, the theory of individuation. Likewise, technics and technical object, also the elements of culture have potential energy causing the transduction to the other individual, and individuation is occurred to form the new meanings. That is, parody is the phenomenon of individuation between the contents that have potential energy inside. Parody is animatedly applicated in the part of visual culture due to the progress of the digital culture. Especially film which is the interface between the technology, the industry, and the art, can be said as the advanced guard of parody aesthetics. After the 1970s, parody applied to begin in earnest in film produce abundant meaning in the network between film connecting the numerous work. One of the node of the film, (2018) tried parody covering the entire popular culture not only film but also game and so on. In that, (1980) is recontextualized of high importance. In the in the , value-neutral parody with no satirical or respectful intent unfolds icon or settings such as typewriter, anniversary picture, maze, and the banquet room. In this progress, after the fundamental elements in the adventure genre are taken the information of the original text, the internal potential energy form the parody. On the other hand, a filmic element such as a film texture rendering and steadycam commemorate the film historical position of the original, at the same time, those are represented in homage parody varied the meaning. Like the aforesaid parody, this brings about the process of individuation, as well as the nostalgia, which leads to trans-contextualization
{"title":"Parody in the Film Viewed through the Theory of Individuation: The Shining in Ready Player One","authors":"Kwangtaek Park, Sangjoon Bae","doi":"10.32611/jgcc.2019.5.39.66","DOIUrl":"https://doi.org/10.32611/jgcc.2019.5.39.66","url":null,"abstract":"Parody which used as the way of creating for a long time has stood out by the spread of postmodernism. Parody that is defined as ‘repetition that includes difference’ by Linda Hutcheon structure the new semantic network in the process of transforming the original text. This paper focuses on the generation process of parody from the perspective of Gilbert Simondon, the theory of individuation. Likewise, technics and technical object, also the elements of culture have potential energy causing the transduction to the other individual, and individuation is occurred to form the new meanings. That is, parody is the phenomenon of individuation between the contents that have potential energy inside. Parody is animatedly applicated in the part of visual culture due to the progress of the digital culture. Especially film which is the interface between the technology, the industry, and the art, can be said as the advanced guard of parody aesthetics. After the 1970s, parody applied to begin in earnest in film produce abundant meaning in the network between film connecting the numerous work. One of the node of the film, (2018) tried parody covering the entire popular culture not only film but also game and so on. In that, (1980) is recontextualized of high importance. In the in the , value-neutral parody with no satirical or respectful intent unfolds icon or settings such as typewriter, anniversary picture, maze, and the banquet room. In this progress, after the fundamental elements in the adventure genre are taken the information of the original text, the internal potential energy form the parody. On the other hand, a filmic element such as a film texture rendering and steadycam commemorate the film historical position of the original, at the same time, those are represented in homage parody varied the meaning. Like the aforesaid parody, this brings about the process of individuation, as well as the nostalgia, which leads to trans-contextualization","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127938333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-31DOI: 10.32611/jgcc.2019.5.39.1
Soung-su Kim
Eugenics is the science of improving a population by controlled breeding to increase the occurrence of desirable heritable characteristics. There have been many studies in eugenics on pure bloodline or good bloodline. Since the late 20th century, it has been developed into ‘new eugenics’ in its collaborative efforts with biotechnology. Whereas old eugenics, if we can call it that way, tried to make better people of a nation or the whole humankind by removing inferior elements, new eugenics is expected to make humankind free from virus and serious diseases by research on gene therapy and genetic engineering. This is related to the notion of posthumanism, which aims at far better human beings, or post human beings, by artificially renovating human beings. Both new eugenics and posthumanism, however, produce great anxiety. Whether old or new, eugenics is based on human desire to seek better things to its extreme. It is evident that it will produce severe conflicts between superior groups and inferior groups and many unanticipated problems in its implementation in society. Ultimately, research on genetic engineering will deeply affect the essence of life in nature. Furthermore, there have been criticisms on posthumanism in that it lacks accountability with regard to future human beings. The film "Gattaca" is about these concerns and is regarded as one of the best SF films. This paper tries to link eugenics, posthumanism, and the film "Gattaca". The core issue found in all these is the ‘quality of life’. We can also find violation of human dignity in the social system and policies when they try to divide the superior and the inferior and eradicate the perceived inferiority. This paper approaches this issue from the perspective of cultural contents and shows why eugenics and posthumanism appeal to human beings and why they can cause problems. In particular, this paper examines the film "Gattaca" from the perspective of social cultural criticism and original source analysis and shows critical voices found in the film about genetic engineering as new eugenics and posthumanism.
{"title":"Problems of Eugenics and Posthumanism in the Film Gattaca","authors":"Soung-su Kim","doi":"10.32611/jgcc.2019.5.39.1","DOIUrl":"https://doi.org/10.32611/jgcc.2019.5.39.1","url":null,"abstract":"Eugenics is the science of improving a population by controlled breeding to increase the occurrence of desirable heritable characteristics. There have been many studies in eugenics on pure bloodline or good bloodline. Since the late 20th century, it has been developed into ‘new eugenics’ in its collaborative efforts with biotechnology. Whereas old eugenics, if we can call it that way, tried to make better people of a nation or the whole humankind by removing inferior elements, new eugenics is expected to make humankind free from virus and serious diseases by research on gene therapy and genetic engineering. This is related to the notion of posthumanism, which aims at far better human beings, or post human beings, by artificially renovating human beings. Both new eugenics and posthumanism, however, produce great anxiety. Whether old or new, eugenics is based on human desire to seek better things to its extreme. It is evident that it will produce severe conflicts between superior groups and inferior groups and many unanticipated problems in its implementation in society. Ultimately, research on genetic engineering will deeply affect the essence of life in nature. Furthermore, there have been criticisms on posthumanism in that it lacks accountability with regard to future human beings. The film \"Gattaca\" is about these concerns and is regarded as one of the best SF films. This paper tries to link eugenics, posthumanism, and the film \"Gattaca\". The core issue found in all these is the ‘quality of life’. We can also find violation of human dignity in the social system and policies when they try to divide the superior and the inferior and eradicate the perceived inferiority. This paper approaches this issue from the perspective of cultural contents and shows why eugenics and posthumanism appeal to human beings and why they can cause problems. In particular, this paper examines the film \"Gattaca\" from the perspective of social cultural criticism and original source analysis and shows critical voices found in the film about genetic engineering as new eugenics and posthumanism.","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127776677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-31DOI: 10.32611/JGCC.2019.05.39.130
Dong-uk Im, Chang-Hoon Leen
There is an increasing number of cases in which the idle space is revived and transformed into a regenerated space. Idle space means a location which lost its function due to changes in the era and society, or which needs to change its usage. This space is often used as a common space, especially in the field of culture and arts. Oldenberg argued that this "third place" would help raise community ties. The regenerated space as arts mediating center has a high value because of unique place identity. The "Carrières de Lumières" in France, which was launched in 2012, was expanded to the "Bunker de Lumières" in Jeju, Korea, along with "Atelier des Lumières" in Paris. This series of regenerated idle spaces transforming abandoned industrial facilities into immersive digital exhibitions attracts hundreds of thousands of tourists each year, thanks to immersive technology based on audio-visual continuity by AMIEX system. In arts education, especially fine arts education, it is not easy to induce voluntary inward engagement as flow. Therefore, it is effective to amplify users’ curiosity and interest by using digital display and stimulating sensory outward engagement as immersion
闲置空间被改造为再生空间的案例越来越多。闲置空间是指由于时代和社会的变化而失去功能或需要改变使用方式的场所。这个空间经常被用作公共空间，特别是在文化艺术领域。奥尔登伯格认为，这个“第三个地方”将有助于增进社区关系。作为艺术中介中心的再生空间因其独特的场所身份而具有很高的价值。2012年在法国设立的“carriires de lumi”与巴黎的“Atelier des lumi”一起扩大到了韩国济州的“Bunker de lumi”。通过AMIEX系统基于视听连续性的沉浸式技术，这一系列将废弃工业设施转化为沉浸式数字展览的再生闲置空间每年吸引数十万游客。在艺术教育，特别是美术教育中，不容易诱导自愿的内向参与。因此，通过使用数字显示和刺激感官外参与(浸入式)来放大用户的好奇心和兴趣是有效的
{"title":"Analysis of Arts Educational Function of Immersive Digital Exhibition: Case of ‘Bunker de Lumières’ in Jeju","authors":"Dong-uk Im, Chang-Hoon Leen","doi":"10.32611/JGCC.2019.05.39.130","DOIUrl":"https://doi.org/10.32611/JGCC.2019.05.39.130","url":null,"abstract":"There is an increasing number of cases in which the idle space is revived and transformed into a regenerated space. Idle space means a location which lost its function due to changes in the era and society, or which needs to change its usage. This space is often used as a common space, especially in the field of culture and arts. Oldenberg argued that this \"third place\" would help raise community ties. The regenerated space as arts mediating center has a high value because of unique place identity. The \"Carrières de Lumières\" in France, which was launched in 2012, was expanded to the \"Bunker de Lumières\" in Jeju, Korea, along with \"Atelier des Lumières\" in Paris. This series of regenerated idle spaces transforming abandoned industrial facilities into immersive digital exhibitions attracts hundreds of thousands of tourists each year, thanks to immersive technology based on audio-visual continuity by AMIEX system. In arts education, especially fine arts education, it is not easy to induce voluntary inward engagement as flow. Therefore, it is effective to amplify users’ curiosity and interest by using digital display and stimulating sensory outward engagement as immersion","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125603377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-31DOI: 10.32611/JGCC.2019.05.39.44
Jin-Hyung Kim, Woongjae Ryoo
Ecological nature was independently established in cultural content before the industrial society. Cultural contents started to be distributed as products in the industrial society, and since then there has been the coexistence of ecological and anti-ecological nature. Despite this change, community-based festivals and performances as ecological cultural contents encompassing both the time before and after the industrial society are still transmitted in some agricultural and fishing villages in today's Korea. Based on this aspect, ecological cultural contents can be defined as cultural contents that is practiced in various ways for symbiotic relations between men, man and impersonal being, and further beings surrounding cultural contents as well as man and nature. A basic plan for ecological cultural contents would pursue the three following directions: first, establishing a symbiotic system of cultural contents to create synergic effects among elements; second, building a distribution structure of virtuous cycle for cultural contents by reinforcing the productive abilities of consumers and users; and finally, expanding the base of cultural contents to exercise ecological nature. The perception and development of this ecological cultural contents will propose practical acts to help the human society move forward to an environment-friendly future in today's situations where the Earth's self-purification mechanism has collapsed.
{"title":"Perception of Ecological Values in Cultural Contents and Plans for Ecological Cultural Contents","authors":"Jin-Hyung Kim, Woongjae Ryoo","doi":"10.32611/JGCC.2019.05.39.44","DOIUrl":"https://doi.org/10.32611/JGCC.2019.05.39.44","url":null,"abstract":"Ecological nature was independently established in cultural content before the industrial society. Cultural contents started to be distributed as products in the industrial society, and since then there has been the coexistence of ecological and anti-ecological nature. Despite this change, community-based festivals and performances as ecological cultural contents encompassing both the time before and after the industrial society are still transmitted in some agricultural and fishing villages in today's Korea. Based on this aspect, ecological cultural contents can be defined as cultural contents that is practiced in various ways for symbiotic relations between men, man and impersonal being, and further beings surrounding cultural contents as well as man and nature. A basic plan for ecological cultural contents would pursue the three following directions: first, establishing a symbiotic system of cultural contents to create synergic effects among elements; second, building a distribution structure of virtuous cycle for cultural contents by reinforcing the productive abilities of consumers and users; and finally, expanding the base of cultural contents to exercise ecological nature. The perception and development of this ecological cultural contents will propose practical acts to help the human society move forward to an environment-friendly future in today's situations where the Earth's self-purification mechanism has collapsed.","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"320 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116296544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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