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Lega Nord: between mistrust of the Church, traditionalist sympathies and neo-pagan alternatives (beginnings) 北方联盟:在对教会的不信任、传统主义者的同情和新异教替代品之间(开始)
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-11-16 DOI: 10.1080/1354571X.2022.2133282
D. Saresella
ABSTRACT The focus of this article is the Lega party and the religious question from the early 1990s to its definitive collocation on the centre-right in 2001, highlighting the various facets of the movement. One faction grounded in intransigent culture, suspicious of modernity and with evident links to Fraternità Sacerdotale di San Pio X was juxtaposed by another faction espoused, in particular, by Gilberto Oneto which called for a new political religion inspired by pre-Christian Celtic traditions based on ‘small homelands’ whose raison d’être was an assumed Padanian identity juxtaposed to Christian standardization. In the new millennium these anti-Christian stances were cast aside, for the most part, and Lega Catholicism took on a non-universal doctrinal character made up of local, identity-based and racist ideologies. The relationship between the Lega and the radical right milieu is evident, as is its opposition to Vatican II on the grounds of the latter’s vocation for dialogue with other religions and denominations and its solidarity with the poor and marginalized.
本文的重点是20世纪90年代初的联盟党和宗教问题,直到2001年它在中右翼的最终搭配,突出了运动的各个方面。一个派系以不妥协的文化为基础,对现代性持怀疑态度,与圣皮奥十世兄弟会有明显的联系,与另一个派系并在一起,特别是吉尔伯托·奥涅托(Gilberto Oneto),他呼吁一种新的政治宗教,这种宗教的灵感来自于基于“小家园”的前基督教凯尔特传统,其理由être是一种假定的巴达尼亚身份与基督教标准化并在一起。在新的千年里,这些反基督教的立场在很大程度上被抛弃了,而天主教联会采取了一种由地方的、基于身份的和种族主义的意识形态组成的非普遍的教义特征。Lega与激进右翼环境之间的关系是显而易见的,因为它反对第二次梵蒂冈会议,理由是后者的使命是与其他宗教和教派对话,并声援穷人和被边缘化的人。
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引用次数: 0
Jüdinnen in der frühen italienischen Frauenbewegung (1861–1945) 意大利早期的犹太妇女运动(1861—1945)
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-11-11 DOI: 10.1080/1354571X.2022.2133308
Marion Näser-Lather
freedom of women – that were portrayed in Italian operas. The reactions of Stendhal and Mme. De Stael in these contexts are exemplary. The essays cover nineteenth receptions of Italian opera on at least three continents. Their broader aims are illustrated, for example, in Fernando Santos Berçot’s examination of the role played by the Italian Opera Company in Rio de Janeiro, which the author argues helped to establish Brazil as an independent nation-state because the ‘genre itself embodied the idea of European civilization’. Claudio Vellutini’s study of the presence of Gaetano Donizetti and of the impresario Bartolomeo Merelli at the Habsburg court in the middle of the nineteenth century also shows how italianità was not simply a matter of the ‘implantation’ of Italian culture in a foreign context, illustrating instead how it was subject to adaptation and transformation for specific purposes within new contexts. This is evident, too, in Andrew Holden’s interesting comments on the role played by religion in determining public approval of an opera during the nineteenth century in Italy, where the presence of the church and religious considerations determined success or failure – for example, Richard Wagner’s works had to wait until 1871 to be performed on the Italian stage. Similarly, Richard Erkens argues that the operas by Leoncavallo and Franchetti that drew on German myths were considered to be too far from the emotional ideals of the German audience. There are also two very interesting essays on the reception of Italian opera (and evidently of the culture as well) in India and Japan by Rashna Darius Nicholson and Michael Facius, respectively. In both cases, the role of impresarios proved to be fundamental for finding the right language and themes through which to export the culture of Mediterranean Europe into apparently different social contexts. In the closing essay, Benjamin Walton considers that ways in which the essays published in this volume and current literature serve to open new questions about the global and transnational roles of opera in the twenty-first century.
妇女的自由,这些都在意大利歌剧中被描绘出来。司汤达和德·斯塔尔夫人在这些情况下的反应堪称典范。这些文章涵盖了意大利歌剧在至少三个大洲的第19次接受。例如,费尔南多·桑托斯·贝尔帕拉多对意大利歌剧公司在巴西里约热内卢所扮演的角色的研究表明,他们更广泛的目标是,作者认为,这有助于将巴西建立为一个独立的民族国家,因为“流派本身体现了欧洲文明的理念”。Claudio Vellutini对19世纪中期哈布斯堡宫廷的Gaetano Donizetti和Bartolomeo Merelli的研究也表明,意大利文化不仅仅是意大利文化在外国背景下的“植入”问题,而是如何在新的背景下适应和转变特定的目的。这一点也很明显,在安德鲁·霍尔顿的有趣评论中,宗教在19世纪意大利决定公众对歌剧的认可方面所起的作用,教会的存在和宗教因素决定了歌剧的成败——例如,理查德·瓦格纳的作品必须等到1871年才能在意大利舞台上演出。同样,理查德·厄肯斯认为,莱昂卡瓦洛和弗兰凯蒂的歌剧取材于德国神话,被认为与德国观众的情感理想相去太远。Rashna Darius Nicholson和Michael Facius分别写了两篇非常有趣的文章,关于意大利歌剧在印度和日本的接受情况(显然也包括意大利文化)。在这两种情况下,经营者的角色被证明是找到正确的语言和主题的基础,通过这些语言和主题,将地中海欧洲的文化输出到明显不同的社会背景。在结束语中,本杰明·沃尔顿(Benjamin Walton)认为,本卷中发表的文章和当前的文学作品,以何种方式开启了关于歌剧在21世纪的全球和跨国角色的新问题。
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引用次数: 0
Transnational beauty: Avon International and the case of Italy 跨国美容:雅芳国际与意大利案例
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-11-11 DOI: 10.1080/1354571X.2022.2132680
E. Scarpellini
ABSTRACT A clear example of the cultural adaptation process is represented by the global spread of one of the most famous American cosmetics companies, Avon Products. The products related to hygiene and cosmetics, in particular, are deeply influenced by the canons of the dominant culture regarding aesthetics, fashion, morality, gender, religion. This paper will concentrate on one of these challenges, namely, the company’s international strategy in order to expand into different countries, focusing on a case study, Italy. Avon’s history exemplifies the role of light industries during a boom in the economy; it shows the adjustments to a changing market and embodies the challenge of adapting to a different cultural context. Executives at Avon Italy were forced to consider issues like gender and class in their strategies, as their American counterparts did before them, but in a different framework. Moreover, they found that the key to success was the development of targeted marketing for Italian female consumers: a marketing where local sales representatives played a key role.
摘要美国最著名的化妆品公司之一雅芳产品在全球的传播就是文化适应过程的一个明显例子。尤其是与卫生和化妆品相关的产品,深受主流文化关于美学、时尚、道德、性别和宗教的经典影响。本文将集中讨论其中一个挑战,即公司的国际战略,以扩展到不同的国家,重点是意大利的案例研究。雅芳的历史证明了轻工业在经济繁荣时期的作用;它展示了对不断变化的市场的调整,体现了适应不同文化背景的挑战。雅芳意大利公司的高管们被迫在战略中考虑性别和阶级等问题,就像他们之前的美国同行一样,但在一个不同的框架中。此外,他们发现,成功的关键是为意大利女性消费者开发有针对性的营销:当地销售代表在营销中发挥了关键作用。
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引用次数: 0
Against parties? The Radicals between anti-partitocracy and reform, 1979–87 反对派对?介于反党派和改革之间的激进分子,1979–87
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-11-10 DOI: 10.1080/1354571X.2022.2132678
L. Bonfreschi
ABSTRACT Many historians and political scientists have seen the Italian Radicals as the ‘forerunners’ of the anti-partitocracy and anti-political battle, and some scholars have even referred to them as members of the populist family. Distancing itself from the latter definition, the article intends to focus on the emergence of the Radical Party’s (P.R.) anti-partitocracy battle, showing how it combined elements of ‘structural’ anti-politics with an attempt to promote ‘another’ kind of politics and party organization. In the second half of the 1970s, their criticism of parties and the political system shifted from the latter meaning to the first, a shift connected with the perception, from 1978–79, of a ‘blocked system’ and with the evolution of the Radicals’ political project. From 1984–85 they sought to find ways out of the impasse in which were the political system and their own anti-partitocratic critique. This way out took the form of promoting an electoral reform (one-round single-member majority system) and attempting to create a ‘third pole’ (between Christian Democracy and the Communist Party) with the other lay parties.
摘要许多历史学家和政治学家将意大利激进派视为反党派和反政治斗争的“先行者”,一些学者甚至将他们称为民粹主义家族的成员。与后一种定义不同,本文旨在关注激进党(P.R)反党派斗争的出现,展示其如何将“结构性”反政治的元素与促进“另一种”政治和政党组织的尝试相结合。在20世纪70年代后半叶,他们对政党和政治制度的批评从后一种含义转向了前一种含义,这种转变与1978-79年对“封闭制度”的看法以及激进派政治项目的演变有关。从1984年到1985年,他们试图找到摆脱政治制度和他们自己的反党派民主批判僵局的方法。这种解决办法的形式是推动选举改革(一轮单一成员多数制),并试图与其他非专业政党建立“第三极”(基督教民主和共产党之间)。
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引用次数: 0
Feeding fascism: the politics of women’s food work 喂养法西斯主义:妇女食品工作的政治
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-11-09 DOI: 10.1080/1354571X.2022.2139965
J. Dickie
able to fully dominate. One may ask, however, if presenting the image of Mussolini as a weak dictator ultimately downplays Mussolini’s policies and the Duce’s determination to overcome said limits, especially in the second part of the 1930s. The regime’s radicalization entailed more than ‘boredom’ or ‘routine’. In a certain sense, making the point that fascist policies were ‘all show and no content’, and underlying the Duce’s ‘phantasy foreign policy schemes’ may lead to contradict somewhat the very reality of the regime that Corner correctly strives to reconstruct; think for instance, about the sections he devotes to anti-Semitic policies and war. The central question here is not so much the relative strength of the Fascist state, but its very nature, the party-state, which embodied the totality of the nation, and directed its mobilization and transformation. Corner’s scholarship is meticulous. He deserves much credit for tackling the memory of the Fascist Ventennio and its significance today in a thorough and perceptive manner. Despite possible disagreements with his argument in some sections of this book, it is evident that this work will stimulate further reflections on and discussion about the legacy of the Duce and his regime in contemporary Italy.
能够完全支配。然而,人们可能会问,将墨索里尼描绘成一个软弱的独裁者,是否最终淡化了墨索里尼的政策和公爵克服上述限制的决心,尤其是在20世纪30年代后半叶。该政权的激进不仅仅意味着“无聊”或“例行公事”。从某种意义上说,认为法西斯政策“全是表演,没有内容”,并支持公爵的“虚幻外交政策计划”,可能会在某种程度上与Corner正确努力重建的政权的现实相矛盾;例如,想想他专门讨论反犹太主义政策和战争的章节。这里的核心问题与其说是法西斯国家的相对实力,不如说是其本质,即党的国家,它体现了国家的整体,并指导了国家的动员和变革。Corner的治学一丝不苟。他以一种彻底而敏锐的方式纪念法西斯文滕尼奥及其今天的意义,值得高度赞扬。尽管在本书的某些部分可能与他的论点存在分歧,但很明显,这部作品将激发对公爵及其政权在当代意大利的遗产的进一步思考和讨论。
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引用次数: 3
The inner decline of the Christian Democrat Party. Mario Segni and the origins of the referendum movement for electoral system reform 基督教民主党内部的衰落。马里奥·塞格尼与选举制度改革公投运动的起源
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-11-08 DOI: 10.1080/1354571x.2022.2124714
P. Carusi
ABSTRACT The loudest and most senior voice to be found in the Christian Democrat Party in the 1980s in support of electoral system reform was that of Mario Segni; a voice so loud as to progressively become a destabilizing factor for the party. In support of a bipolar political system since 1976, Segni tabled a series of electoral reform bills seeking to implement majority rule reform measures both locally and nationally. The rejection of his proposals led him, in 1988, to abandon the parliamentary route and turn to an electoral reform movement that sought to implement change via referenda in June 1991.
20世纪80年代,基督教民主党支持选举制度改革的呼声最高、级别最高的是马里奥·塞格尼;声音大到逐渐成为该党的不稳定因素。自1976年以来,为了支持两极政治制度,塞格尼提出了一系列选举改革法案,寻求在地方和全国范围内实施多数统治改革措施。1988年,他的提议遭到拒绝,导致他放弃了议会路线,转而发起选举改革运动,试图在1991年6月通过公民投票实现变革。
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引用次数: 0
Italian opera in global and transnational perspective – reimagining Italianità in the long nineteenth century 全球和跨国视野下的意大利歌剧——重塑漫长的十九世纪的意大利歌剧
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-11-07 DOI: 10.1080/1354571X.2022.2111919
Paolo Rota
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引用次数: 0
The Fascist view of the ‘allogeni’ in the border regions 法西斯主义者对边境地区“异体人”的看法
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-11-02 DOI: 10.1080/1354571X.2022.2122369
A. Di Michele
ABSTRACT The Fascist policy towards linguistic minorities has sometimes been compared to that practised in the colonies, using the categories of racism and internal colonialism. According to some interpretations, Fascism considered members of minorities as something foreign, potentially hostile, if not actually inferior, starting from a clear dividing line between who could be considered Italian and who not. It has also been argued that the ‘allogeni’ were the first targets of radical measures to exclude them from Italian citizenship, the forerunners of the later racist laws implemented against colonial subjects and Jews. This article has three aims: to verify whether severe discriminatory actions really were taken against members of linguistic minorities with regard to citizenship rights; to understand whether these persons were perceived as completely alien to the nation on the basis of clear, shared demarcation lines between those who could consider themselves Italian and those who could not; and, finally, to determine whether the view of such minorities was always radically negative and disdainful to the extent that it could justifiably be called racism. The analysis of forms of representation focuses in particular on the German-speaking population of South Tyrol, using various sources (newspapers, institutional correspondence, political speeches, literary accounts). The answer to the first question posed is negative; as regards the other two, in the first place there is a considerable degree of uncertainty on the part of the Fascists in defining the members of the German-speaking minority, who were sometimes presented as being completely outside the perimeter of Italianità, i.e. Italianness, while more often as being on the margins but undoubtedly capable of integration thanks to their unshakably Italian core. This seems to reveal a certain difficulty in defining who could be considered Italian and who could not when clearly drawing the boundaries of Italianness. Secondly, judgements were made about the South Tyroleans that were in no way characterized by a lack of appreciation or by contempt. The descriptions of the South Tyrolean peasant are, to say the least, flattering: full of exaggerated praise for his many virtues, from his religiosity to his obedience to institutions, from his strong ties to the land to his conservatism. The views regarding the Slovenian and Croatian-speaking populations of Venezia Giulia and Istria were very different, expressing and amplifying the most scornful stereotypes of anti-Slavism developed during the national struggles of the nineteenth and twentieth centuries.
摘要法西斯主义对语言少数群体的政策有时被比作殖民地的政策,使用种族主义和内部殖民主义的类别。根据一些解释,法西斯主义认为少数民族成员是外国的,如果不是真正的劣势,也可能是敌对的,这是从谁可以被视为意大利人和谁不能被视为意大利人之间的明确分界线开始的。也有人认为,“异教徒”是将他们排除在意大利公民身份之外的激进措施的第一个目标,是后来针对殖民地臣民和犹太人实施的种族主义法律的先驱。该条有三个目的:核实在公民权利方面是否真的对语言少数群体成员采取了严重的歧视行动;了解这些人是否被视为与这个国家完全陌生,因为那些可以认为自己是意大利人的人和那些不能认为自己是意大利人的人之间有着明确、共同的分界线;最后,确定这些少数群体的观点是否总是极端消极和轻蔑,以至于有理由称之为种族主义。对代表形式的分析特别关注南蒂罗尔的德语人口,使用各种来源(报纸、机构通信、政治演讲、文学报道)。对提出的第一个问题的回答是否定的;关于其他两个,首先,法西斯在定义德语少数民族成员时存在相当大的不确定性,他们有时被认为完全不在意大利的范围内,即意大利性,而更多的时候是处于边缘,但由于他们坚定不移的意大利核心,无疑能够融合。这似乎揭示了在明确划定意大利的界限时,界定谁可以被视为意大利人,谁不能被视为意大利人存在一定的困难。第二,对南蒂罗尔人的判决决不是缺乏欣赏或蔑视。至少可以说,对这位南蒂罗尔农民的描述是奉承的:对他的许多美德充满了夸张的赞扬,从他的宗教信仰到他对制度的服从,从他与土地的牢固联系到他的保守主义。对威尼斯朱利亚和伊斯特里亚的斯洛文尼亚人和克罗地亚人的看法截然不同,表达并放大了十九世纪和二十世纪民族斗争中形成的反斯拉夫主义最轻蔑的刻板印象。
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引用次数: 0
Migration and the media: debating Chinese migration to Italy, 1992–2012 移民与媒体:1992-2012年中国移民到意大利的辩论
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-10-20 DOI: 10.1080/1354571X.2022.2069422
J. South
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引用次数: 0
Italy’s national recovery and resilience plan: context, content and challenges 意大利国家复苏和韧性计划:背景、内容和挑战
IF 0.4 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-09-30 DOI: 10.1080/1354571X.2022.2124672
F. Fabbrini
ABSTRACT The key policy instrument established by the European Union (E.U.) to address the socio-economic consequences of the COVID-19 pandemic is the “Next Generation E.U.” (N.G.E.U.) Recovery Fund –– a ground-breaking initiative which has been compared to the post-WWII Marshall Plan. N.G.E.U. provides grants and loans to E.U. member states to rebuild their economies and enhance their resilience beyond the health crisis. With €191.5 billion of grants and loans, Italy is the prime beneficiary of N.G.E.U. money, absorbing by itself almost one third of the entire Recovery Fund’s financial envelope. In order to program how to use this sizable amount of resources the Italian Government led by Mario Draghi has adopted in spring 2021, as required by E.U. legislation, a National Recovery & Resilience Plan (N.R.R.P.). The purpose of this article is to outline the context, content and challenges of Italy’s N.R.R.P. To this end, the article surveys the formation of the Draghi Government in February 2021, explores the main features of the N.R.R.P., and discusses challenges that Italy faces in implementing the N.R.R.P. In particular, the article reviews the resignation of the Draghi Government in July 2022, and reflects on what this will entail for the future of the N.R.R.P., given incoming parliamentary elections. By providing the first English-language academic analysis of Italy’s N.R.R.P., the article fills a gap in the literature. At the same time, by undertaking a case study of the most relevant N.R.R.P. among all E.U.27 member states, the article provides insight to assess the success of N.G.E.U.
摘要欧盟(EU)为应对新冠肺炎疫情的社会经济后果而制定的关键政策工具是“下一代欧盟”(N.G.E.U.)复苏基金——这是一项突破性举措,被比作二战后的马歇尔计划。非政府组织向欧盟成员国提供赠款和贷款,以重建其经济,增强其在健康危机后的韧性。意大利拥有1915亿欧元的赠款和贷款,是非政府组织资金的主要受益者,其自身吸收了整个复苏基金近三分之一的资金。为了规划如何使用这笔可观的资源,马里奥·德拉吉领导的意大利政府根据欧盟立法的要求,于2021年春季通过了一项国家复苏和恢复计划(NRR.P.)。本文旨在概述意大利NRR.P.的背景、内容和挑战。为此,这篇文章调查了德拉吉政府于2021年2月的组建情况,探讨了NRP的主要特点,并讨论了意大利在实施NRP方面面临的挑战。特别是,这篇文章回顾了2022年7月德拉吉政府的辞职,并反思了在即将到来的议会选举中,这将对NRP的未来产生什么影响。这篇文章提供了对意大利NRRP的第一次英语学术分析,填补了文献中的空白。与此同时,通过对欧盟27个成员国中最相关的NRR.P.进行案例研究,这篇文章为评估NRR.P.的成功提供了见解。
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引用次数: 8
期刊
Journal of Modern Italian Studies
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