首页 > 最新文献

Journal of Modern Italian Studies最新文献

英文 中文
The unpopular realism of Vincenzo Padula. Il Bruzio and Mariuzza Sbrìffiti 文森佐·帕杜拉不受欢迎的现实主义。Il Bruzio和Mariuzza Sbrìffiti
IF 0.4 3区 历史学 Q1 HISTORY Pub Date : 2023-02-14 DOI: 10.1080/1354571X.2023.2171637
M. Pugliese
theater of narration to a national audience and increasing the widespread dissemination of the format. Exhaustively researched over more than a decade, the book’s densely packed narrative displays some of the difficulties of transitioning a dissertation for a wider audience. The discourse had a 90s feel to it, and noticeably absent was how theater of narration fits within postdramatic and polyvocal trends that have earmarked EU theater over the past ten years. For a student seminar or theaterbased audience, selected graphs or tables would have helped differentiate eras and movements. Exploring the various dramaturgical structures would be helpful to playwrights and theater practitioners, particularly considering that the author is herself a playwright. The reader is largely left to do the unpacking while wading through the major points in the book. Although the book is undoubtedly a landmark academic study with a number of photos from important productions, accessibility factors make for a daunting read considering the unfamiliarity of most names and titles in the book, and the genre itself which Guzzetta is introducing to a new audience outside of Italy. While several erstwhile festivals are mentioned, a blind spot would be the internationally esteemed and widely reported annual festival Quartieri dell’Arte based in Viterbo and artistic directed by Gian Maria Cervo. Cervo utilizes sitespecific outlier venues like abandoned civic buildings, medieval, and historic sites for narrator-based and media experiments. This autumnal festival or the Tramedautore mentioned earlier would seem to provide a throughline to the continuing viability of the genre. It is noteworthy that festivals are the most reliable venues and funding sources for emerging Italian theater artists to disseminate their work outside of their region. Guzzetta’s opus is a major contribution to Italian theater studies particularly for English speakers and American academics whose references to Italian theater may be limited to Dario Fo’s political satires or nostalgia for Pirandello as the estimable paragon of Italian playwrights. The book’s main value is to provide a powerful, cogent, and profoundly researched historical reference and foundation that establishes not only the genre of teatro di narrazione but also encourages further inquiry and development of narrative works by theater artists and scholars.
剧场叙事的形式越来越广泛地传播给全国观众。经过十多年的详尽研究,这本书密集的叙事展示了为更广泛的读者转换论文的一些困难。这种话语有一种90年代的感觉,而明显缺乏的是叙事戏剧如何适应过去十年来指定欧盟戏剧的后戏剧化和多焦点趋势。对于学生研讨会或剧院观众来说,选定的图表或表格将有助于区分时代和运动。探索各种戏剧结构将有助于剧作家和戏剧从业者,特别是考虑到作者本身就是一名剧作家。读者在很大程度上只能一边阅读书中的要点,一边拆开包装。尽管这本书无疑是一项具有里程碑意义的学术研究,其中有许多重要作品的照片,但考虑到书中大多数名字和标题的不熟悉程度,以及古泽塔向意大利以外的新观众介绍的类型本身,可访问性因素使阅读变得令人生畏。虽然提到了以前的几个节日,但一个盲点是国际上备受尊敬和广泛报道的年度节日Quartieri dell‘Arte,总部设在维特博,由Gian Maria Cervo执导。Cervo利用废弃的民用建筑、中世纪和历史遗址等特定场地进行叙事和媒体实验。这个秋天的节日或前面提到的Tramedautor似乎为这一流派的持续生存提供了一条主线。值得注意的是,艺术节是意大利新兴戏剧艺术家在本地区以外传播作品的最可靠场所和资金来源。古泽塔的作品对意大利戏剧研究做出了重大贡献,尤其是对英语使用者和美国学者来说,他们对意大利戏剧的提及可能仅限于达里奥·福的政治讽刺或对皮兰德洛作为意大利剧作家中值得尊敬的典范的怀念。这本书的主要价值是提供一个强有力的、有说服力的、深入研究的历史参考和基础,不仅建立了纳拉齐奥内剧院的流派,而且鼓励戏剧艺术家和学者对叙事作品的进一步探索和发展。
{"title":"The unpopular realism of Vincenzo Padula. Il Bruzio and Mariuzza Sbrìffiti","authors":"M. Pugliese","doi":"10.1080/1354571X.2023.2171637","DOIUrl":"https://doi.org/10.1080/1354571X.2023.2171637","url":null,"abstract":"theater of narration to a national audience and increasing the widespread dissemination of the format. Exhaustively researched over more than a decade, the book’s densely packed narrative displays some of the difficulties of transitioning a dissertation for a wider audience. The discourse had a 90s feel to it, and noticeably absent was how theater of narration fits within postdramatic and polyvocal trends that have earmarked EU theater over the past ten years. For a student seminar or theaterbased audience, selected graphs or tables would have helped differentiate eras and movements. Exploring the various dramaturgical structures would be helpful to playwrights and theater practitioners, particularly considering that the author is herself a playwright. The reader is largely left to do the unpacking while wading through the major points in the book. Although the book is undoubtedly a landmark academic study with a number of photos from important productions, accessibility factors make for a daunting read considering the unfamiliarity of most names and titles in the book, and the genre itself which Guzzetta is introducing to a new audience outside of Italy. While several erstwhile festivals are mentioned, a blind spot would be the internationally esteemed and widely reported annual festival Quartieri dell’Arte based in Viterbo and artistic directed by Gian Maria Cervo. Cervo utilizes sitespecific outlier venues like abandoned civic buildings, medieval, and historic sites for narrator-based and media experiments. This autumnal festival or the Tramedautore mentioned earlier would seem to provide a throughline to the continuing viability of the genre. It is noteworthy that festivals are the most reliable venues and funding sources for emerging Italian theater artists to disseminate their work outside of their region. Guzzetta’s opus is a major contribution to Italian theater studies particularly for English speakers and American academics whose references to Italian theater may be limited to Dario Fo’s political satires or nostalgia for Pirandello as the estimable paragon of Italian playwrights. The book’s main value is to provide a powerful, cogent, and profoundly researched historical reference and foundation that establishes not only the genre of teatro di narrazione but also encourages further inquiry and development of narrative works by theater artists and scholars.","PeriodicalId":16364,"journal":{"name":"Journal of Modern Italian Studies","volume":"28 1","pages":"384 - 387"},"PeriodicalIF":0.4,"publicationDate":"2023-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49153653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The theater of narration: from the peripheries of history to the main stages of Italy 叙事剧场:从历史的边缘到意大利的主要舞台
IF 0.4 3区 历史学 Q1 HISTORY Pub Date : 2023-02-14 DOI: 10.1080/1354571X.2023.2171634
Paul Castagno
undercut by ideas of the visual truth associated then and now with photographic imagery, however artificial or contrived. The title of the book rightly underlines the role of imagination in activating meaning in photographs, while emphasizing the practical, commercial and ideological nature of such images. The book has an extensive and highly useful bibliography, containing many lesser-known texts, from across the eclectic range of disciplines where interest in photography has been sustained.
被当时和现在与摄影图像相关联的视觉真实的想法削弱,无论多么人为或做作。这本书的标题正确地强调了想象力在激活照片意义方面的作用,同时强调了这些图像的实用性、商业性和意识形态性。这本书有一个广泛的和非常有用的参考书目,包含许多鲜为人知的文本,从横跨学科的不拘一格的兴趣摄影一直持续。
{"title":"The theater of narration: from the peripheries of history to the main stages of Italy","authors":"Paul Castagno","doi":"10.1080/1354571X.2023.2171634","DOIUrl":"https://doi.org/10.1080/1354571X.2023.2171634","url":null,"abstract":"undercut by ideas of the visual truth associated then and now with photographic imagery, however artificial or contrived. The title of the book rightly underlines the role of imagination in activating meaning in photographs, while emphasizing the practical, commercial and ideological nature of such images. The book has an extensive and highly useful bibliography, containing many lesser-known texts, from across the eclectic range of disciplines where interest in photography has been sustained.","PeriodicalId":16364,"journal":{"name":"Journal of Modern Italian Studies","volume":"28 1","pages":"382 - 384"},"PeriodicalIF":0.4,"publicationDate":"2023-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45476301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Leonardo Sciascia. The man and the writer 莱昂纳多·夏西娅。男人和作家
IF 0.4 3区 历史学 Q1 HISTORY Pub Date : 2023-02-14 DOI: 10.1080/1354571X.2023.2171638
Fabio Moliterni
and museums of peasant culture. Rural farmhouses shifted “from sites of backbreaking labor to exclusive places of leisure and relaxation” (197) and “intentional monuments to endangered memory” (196). Chapter 6 examines “the intellectual and legislative debates on landscape at the national, regional and local levels” (240). It describes the normative construction of beautiful landscapes in Chianti and the Orcia Valley, which became a UNESCO World Heritage site in 2004. Yet at the same time the Valley’s beauty and heritage were threatened by sordid scandals surrounding housing developments, demonstrating the oppositional forces affecting the uses and meanings of the land. Gaggio concludes that, “the Tuscan rural landscape has told many contradictory stories in the past century” (281). He lays out those stories in a compelling narrative that demonstrates how landscape is shaped by humans’ complex interactions with the places they inhabit. The book will interest social science students and scholars of Tuscany and Italy, and those concerned with human-land interactions, the culture of agriculture, and the grassroots enactment of politics. The book leaves us with interesting questions such as, “What makes a landscape beautiful and thus worth protecting?” (238). What makes a landscape “legible”? How do landscapes represent tradition and modernity? How does landscape dovetail with efforts for sustainability? Gaggio adduces abundant empirical data from a wide array of sources to address these and other questions and shows the power of landscape as a conceptual and material focus.
以及农民文化博物馆。农村农舍“从繁重的劳动场所转移到了专属的休闲和放松场所”(197)和“濒危记忆的有意纪念碑”(196)。第6章考察了“国家、地区和地方各级关于景观的知识和立法辩论”(240)。它描述了基安蒂和奥西亚山谷美丽景观的规范建设,奥西亚山谷于2004年成为联合国教科文组织世界遗产。然而,与此同时,山谷的美丽和遗产受到了围绕住房开发的肮脏丑闻的威胁,这表明反对势力影响了土地的用途和意义。加乔总结道,“托斯卡纳乡村景观在过去的一个世纪里讲述了许多矛盾的故事”(281)。他以一种引人注目的叙事方式讲述了这些故事,展示了人类与居住地的复杂互动是如何塑造景观的。这本书将吸引托斯卡纳和意大利的社会科学学生和学者,以及那些关注人地互动、农业文化和基层政治制定的人。这本书给我们留下了一些有趣的问题,比如,“是什么让风景变得美丽,从而值得保护?”(238)。是什么让风景变得“清晰”?风景如何代表传统和现代?景观如何与可持续发展的努力相吻合?Gaggio引用了来自广泛来源的丰富经验数据来解决这些问题和其他问题,并展示了景观作为概念和物质焦点的力量。
{"title":"Leonardo Sciascia. The man and the writer","authors":"Fabio Moliterni","doi":"10.1080/1354571X.2023.2171638","DOIUrl":"https://doi.org/10.1080/1354571X.2023.2171638","url":null,"abstract":"and museums of peasant culture. Rural farmhouses shifted “from sites of backbreaking labor to exclusive places of leisure and relaxation” (197) and “intentional monuments to endangered memory” (196). Chapter 6 examines “the intellectual and legislative debates on landscape at the national, regional and local levels” (240). It describes the normative construction of beautiful landscapes in Chianti and the Orcia Valley, which became a UNESCO World Heritage site in 2004. Yet at the same time the Valley’s beauty and heritage were threatened by sordid scandals surrounding housing developments, demonstrating the oppositional forces affecting the uses and meanings of the land. Gaggio concludes that, “the Tuscan rural landscape has told many contradictory stories in the past century” (281). He lays out those stories in a compelling narrative that demonstrates how landscape is shaped by humans’ complex interactions with the places they inhabit. The book will interest social science students and scholars of Tuscany and Italy, and those concerned with human-land interactions, the culture of agriculture, and the grassroots enactment of politics. The book leaves us with interesting questions such as, “What makes a landscape beautiful and thus worth protecting?” (238). What makes a landscape “legible”? How do landscapes represent tradition and modernity? How does landscape dovetail with efforts for sustainability? Gaggio adduces abundant empirical data from a wide array of sources to address these and other questions and shows the power of landscape as a conceptual and material focus.","PeriodicalId":16364,"journal":{"name":"Journal of Modern Italian Studies","volume":"28 1","pages":"395 - 397"},"PeriodicalIF":0.4,"publicationDate":"2023-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46027447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Long 1970s and 1980s of television and movies in Italy: new forms of de-legitimization 意大利电视和电影漫长的70年代和80年代:新形式的非合法化
IF 0.4 3区 历史学 Q1 HISTORY Pub Date : 2023-02-06 DOI: 10.1080/1354571X.2022.2155765
Paolo Mattera
ABSTRACT The collapse of the political system took place in a context of hostility towards the parties and consensus on judicial investigations. What were the long-term roots of this phenomenon? The answer to this question is difficult and requires new research on the evolution of the society, the economy, the structure of the political system and – this is a crucial point – about mentality and imaginary. A fundamental contribution in this direction can be given by the study of audiovisuals, cinema and television. In fact, they can be analysed as ‘agents of history’, interacting with existing patterns of behaviour and values, and as sources, documenting the deepest currents in society. How to explain the contradiction between the consensus that the major parties achieved for years and the sudden collapse of the whole system? Did movies and television programs contribute to spreading hostility towards mass parties and delegitimizing the political system? The purpose of the article is to offer a hypothesis of interpretation of these issues, using the most representative movies and television programs from the end of the 1970s to the beginning of the 1990s.
摘要政治体制的崩溃发生在对政党的敌意和对司法调查的共识的背景下。这种现象的长期根源是什么?这个问题的答案很难回答,需要对社会、经济、政治体系结构的演变进行新的研究,这是一个关键点,关于心态和想象。视听、电影和电视的研究可以为这一方向做出根本贡献。事实上,它们可以被分析为“历史的代理人”,与现有的行为模式和价值观相互作用,也可以被作为记录社会最深层潮流的来源。如何解释主要政党多年来达成的共识与整个体系突然崩溃之间的矛盾?电影和电视节目是否有助于传播对群众政党的敌意,并使政治制度失去合法性?本文的目的是利用20世纪70年代末至90年代初最具代表性的电影和电视节目,对这些问题提供一个解释的假设。
{"title":"The Long 1970s and 1980s of television and movies in Italy: new forms of de-legitimization","authors":"Paolo Mattera","doi":"10.1080/1354571X.2022.2155765","DOIUrl":"https://doi.org/10.1080/1354571X.2022.2155765","url":null,"abstract":"ABSTRACT The collapse of the political system took place in a context of hostility towards the parties and consensus on judicial investigations. What were the long-term roots of this phenomenon? The answer to this question is difficult and requires new research on the evolution of the society, the economy, the structure of the political system and – this is a crucial point – about mentality and imaginary. A fundamental contribution in this direction can be given by the study of audiovisuals, cinema and television. In fact, they can be analysed as ‘agents of history’, interacting with existing patterns of behaviour and values, and as sources, documenting the deepest currents in society. How to explain the contradiction between the consensus that the major parties achieved for years and the sudden collapse of the whole system? Did movies and television programs contribute to spreading hostility towards mass parties and delegitimizing the political system? The purpose of the article is to offer a hypothesis of interpretation of these issues, using the most representative movies and television programs from the end of the 1970s to the beginning of the 1990s.","PeriodicalId":16364,"journal":{"name":"Journal of Modern Italian Studies","volume":"28 1","pages":"220 - 237"},"PeriodicalIF":0.4,"publicationDate":"2023-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42272219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Milan riots of 1853: history and remembrance 1853年米兰骚乱:历史与纪念
IF 0.4 3区 历史学 Q1 HISTORY Pub Date : 2023-01-01 DOI: 10.1080/1354571X.2022.2057015
M. Soresina
ABSTRACT The article recounts the revolt that took place in Milan on 6 February 1853 and investigates its presence in the official memory of the city. The main figures in the rebellion were from Milan’s working class: while the movement was fomented by Mazzini, it was carried out independently by badly organized groups of workers; unlike the ‘Cinque Giornate’ of 1848, the upper classes were not involved. Barricades were erected and Austrian soldiers were killed, but order was promptly restored by the Austrians. The occupying forces arrested hundreds of people, executed sixteen working-class men and ordered the seizure of the goods of exiles who had left Lombardy after 1848. The article looks at how the events of 1853 were treated by historiography and local commemoration from unification to the present day. It discusses the meaning of the inclusion of that failed, impracticable uprising – a divisive one, involving as it did only figures from the lower classes – in the official justification of the city’s heroism, sanctioned in 1948 when Milan was awarded the gold medal for military valour.
摘要本文讲述了1853年2月6日发生在米兰的起义,并调查了起义在米兰官方记忆中的存在。叛乱的主要人物来自米兰的工人阶级:虽然这场运动是由马齐尼煽动的,但它是由组织恶劣的工人团体独立进行的;与1848年的“耶稣五世”不同,上层阶级没有参与其中。路障被竖起,奥地利士兵被杀,但奥地利人很快恢复了秩序。占领军逮捕了数百人,处决了16名工人阶级男子,并下令扣押1848年后离开伦巴第的流亡者的货物。本文着眼于从统一到今天,史学和地方纪念如何对待1853年的事件。它讨论了将那场失败的、不切实际的起义——一场分裂性的起义,因为它只涉及下层阶级的人物——纳入1948年米兰被授予军事英勇金牌时批准的城市英雄主义的官方理由中的意义。
{"title":"Milan riots of 1853: history and remembrance","authors":"M. Soresina","doi":"10.1080/1354571X.2022.2057015","DOIUrl":"https://doi.org/10.1080/1354571X.2022.2057015","url":null,"abstract":"ABSTRACT The article recounts the revolt that took place in Milan on 6 February 1853 and investigates its presence in the official memory of the city. The main figures in the rebellion were from Milan’s working class: while the movement was fomented by Mazzini, it was carried out independently by badly organized groups of workers; unlike the ‘Cinque Giornate’ of 1848, the upper classes were not involved. Barricades were erected and Austrian soldiers were killed, but order was promptly restored by the Austrians. The occupying forces arrested hundreds of people, executed sixteen working-class men and ordered the seizure of the goods of exiles who had left Lombardy after 1848. The article looks at how the events of 1853 were treated by historiography and local commemoration from unification to the present day. It discusses the meaning of the inclusion of that failed, impracticable uprising – a divisive one, involving as it did only figures from the lower classes – in the official justification of the city’s heroism, sanctioned in 1948 when Milan was awarded the gold medal for military valour.","PeriodicalId":16364,"journal":{"name":"Journal of Modern Italian Studies","volume":"28 1","pages":"53 - 69"},"PeriodicalIF":0.4,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42227708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The 2022 general Italian elections. The long-awaited victory of the right 2022年意大利大选。期待已久的右翼胜利
IF 0.4 3区 历史学 Q1 HISTORY Pub Date : 2022-12-19 DOI: 10.1080/1354571X.2022.2150805
G. Pasquino, M. Valbruzzi
ABSTRACT The 2022 Italian parliamentary elections had an announced winner: the centre-right coalition led by Giorgia Meloni’s party (Fratelli d’Italia [F.d.I.]). Despite the low level of competitiveness, caused mainly by divisions in the centre-left camp, and the high predictability of the election outcome, the elections have had profound consequences for the Italian party system and also for decision-making within the European Union. In addition to providing a detailed analysis of the electoral results of the 2022 elections, the article will focus on the process that led, in a short period of time, to the formation of the new government led, for the first time in Italy”s history, by a woman and, above all, composed predominantly of far-right parties with a populist or sovereigntist attitude. Finally, in the concluding section the article will reflect on the ‘historical’ significance of these elections for the Italian political system, highlighting possible elements of tension for the democratic regime and for the relationship with other E.U. member-states.
2022年意大利议会选举宣布了获胜者:由乔治娅·梅洛尼领导的中右翼联盟(Fratelli d’italia [f.d.i.])。尽管竞争力水平较低(主要是由中左翼阵营的分歧造成的),以及选举结果的高度可预测性,但这次选举对意大利的政党制度以及欧盟内部的决策产生了深远的影响。除了对2022年选举结果进行详细分析外,本文还将重点关注在短时间内导致意大利历史上第一次由女性领导的新政府的形成过程,最重要的是,新政府主要由具有民粹主义或主权主义态度的极右翼政党组成。最后,在文章的结论部分,本文将反思这些选举对意大利政治制度的“历史”意义,强调民主政权和与其他欧盟成员国关系的可能紧张因素。
{"title":"The 2022 general Italian elections. The long-awaited victory of the right","authors":"G. Pasquino, M. Valbruzzi","doi":"10.1080/1354571X.2022.2150805","DOIUrl":"https://doi.org/10.1080/1354571X.2022.2150805","url":null,"abstract":"ABSTRACT The 2022 Italian parliamentary elections had an announced winner: the centre-right coalition led by Giorgia Meloni’s party (Fratelli d’Italia [F.d.I.]). Despite the low level of competitiveness, caused mainly by divisions in the centre-left camp, and the high predictability of the election outcome, the elections have had profound consequences for the Italian party system and also for decision-making within the European Union. In addition to providing a detailed analysis of the electoral results of the 2022 elections, the article will focus on the process that led, in a short period of time, to the formation of the new government led, for the first time in Italy”s history, by a woman and, above all, composed predominantly of far-right parties with a populist or sovereigntist attitude. Finally, in the concluding section the article will reflect on the ‘historical’ significance of these elections for the Italian political system, highlighting possible elements of tension for the democratic regime and for the relationship with other E.U. member-states.","PeriodicalId":16364,"journal":{"name":"Journal of Modern Italian Studies","volume":"28 1","pages":"1 - 21"},"PeriodicalIF":0.4,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44849193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Towards an inadequately rational bicameralism. The Italian Senate ‘reform’ (1948–1963) 走向不够理性的两院制。意大利参议院“改革”(1948–1963)
IF 0.4 3区 历史学 Q1 HISTORY Pub Date : 2022-12-15 DOI: 10.1080/1354571X.2022.2148398
Salvatore Mura
ABSTRACT After the adoption of the Italian Constitution, why did the parties choose to reduce instead of emphasizing the differences between the two Chambers that formed the Parliament? This article highlights the importance of the debate held in Italy between 1948 and 1963 on the functions, composition and methods to elect the Senate. The result, the Constitutional Law 3, 1963, eliminated almost all the differences between the Senate and the Chamber of Deputies. This cannot, therefore, be considered a ‘small reform’, as it was defined, but one that profoundly conditioned the Italy’s subsequent political history and the evolution of Italian bicameralism.
摘要意大利宪法通过后,各党派为什么选择减少而不是强调组成议会的两院之间的分歧?本文强调了1948年至1963年间在意大利举行的关于参议院职能、组成和选举方法的辩论的重要性。结果,1963年第3号宪法消除了参议院和众议院之间几乎所有的分歧。因此,这不能被视为其定义的“小改革”,而是深刻地制约了意大利随后的政治历史和意大利两院制的演变。
{"title":"Towards an inadequately rational bicameralism. The Italian Senate ‘reform’ (1948–1963)","authors":"Salvatore Mura","doi":"10.1080/1354571X.2022.2148398","DOIUrl":"https://doi.org/10.1080/1354571X.2022.2148398","url":null,"abstract":"ABSTRACT After the adoption of the Italian Constitution, why did the parties choose to reduce instead of emphasizing the differences between the two Chambers that formed the Parliament? This article highlights the importance of the debate held in Italy between 1948 and 1963 on the functions, composition and methods to elect the Senate. The result, the Constitutional Law 3, 1963, eliminated almost all the differences between the Senate and the Chamber of Deputies. This cannot, therefore, be considered a ‘small reform’, as it was defined, but one that profoundly conditioned the Italy’s subsequent political history and the evolution of Italian bicameralism.","PeriodicalId":16364,"journal":{"name":"Journal of Modern Italian Studies","volume":"28 1","pages":"323 - 342"},"PeriodicalIF":0.4,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42815124","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘A League of Minds’? Uses and abuses of the League of Nations’ internationalism by Fascist Italy “心灵联盟”?法西斯意大利对国际联盟国际主义的利用和滥用
IF 0.4 3区 历史学 Q1 HISTORY Pub Date : 2022-12-15 DOI: 10.1080/1354571X.2022.2148399
Giulia Simone
ABSTRACT This article aims to shed light on the rationale behind Fascist Italy’s participation in the League of Nations’ (L.o.N.) cultural organizations, as well as on the strategies and diplomatic tools it adopted with a view to setting the intellectual cooperation agenda in the 1920s and 1930s. Although inspired by a strong nationalist ideology, the Fascist regime, at least initially, successfully adapted its cultural diplomacy strategies to the multilateral context of the L.o.N., embracing the language and tools of internationalism. In the long run, however, this delicate balance between nationalist and internationalist attitudes proved untenable: Mussolini’ project aiming to convey a positive and tolerant image of Fascism to the outside world was firstly tainted by the measures taken in 1931 to regiment Italian intellectuals, and then finally collapsed with the aggression to Ethiopia. However, this article shows that the involvement in the L.o.N.’s cultural organizations, while providing Fascism with international channels for circulating its propaganda, also determined instances of real cooperation: the most emblematic case is represented by the development of cinematography, which can be considered Italy’s long-term contribution to the enhancement of intellectual cooperation within the L.o.N. in the interwar period.
摘要本文旨在阐明法西斯意大利加入国际联盟文化组织的理由,以及它在20世纪20年代和30年代为制定知识合作议程而采取的战略和外交工具。尽管受到强烈的民族主义意识形态的启发,法西斯政权至少在最初成功地将其文化外交战略适应了联合国的多边背景,接受了国际主义的语言和工具。然而,从长远来看,民族主义和国际主义态度之间的微妙平衡被证明是站不住脚的:墨索里尼旨在向外界传达积极宽容的法西斯主义形象的项目首先受到1931年意大利知识分子团结措施的影响,然后最终随着对埃塞俄比亚的侵略而崩溃。然而,这篇文章表明,参与联合国的文化组织,在为法西斯主义提供国际宣传渠道的同时,也决定了真正合作的例子:最具象征意义的例子是电影摄影的发展,这可以被认为是意大利在两次世界大战期间对加强联合国内部智力合作的长期贡献。
{"title":"‘A League of Minds’? Uses and abuses of the League of Nations’ internationalism by Fascist Italy","authors":"Giulia Simone","doi":"10.1080/1354571X.2022.2148399","DOIUrl":"https://doi.org/10.1080/1354571X.2022.2148399","url":null,"abstract":"ABSTRACT This article aims to shed light on the rationale behind Fascist Italy’s participation in the League of Nations’ (L.o.N.) cultural organizations, as well as on the strategies and diplomatic tools it adopted with a view to setting the intellectual cooperation agenda in the 1920s and 1930s. Although inspired by a strong nationalist ideology, the Fascist regime, at least initially, successfully adapted its cultural diplomacy strategies to the multilateral context of the L.o.N., embracing the language and tools of internationalism. In the long run, however, this delicate balance between nationalist and internationalist attitudes proved untenable: Mussolini’ project aiming to convey a positive and tolerant image of Fascism to the outside world was firstly tainted by the measures taken in 1931 to regiment Italian intellectuals, and then finally collapsed with the aggression to Ethiopia. However, this article shows that the involvement in the L.o.N.’s cultural organizations, while providing Fascism with international channels for circulating its propaganda, also determined instances of real cooperation: the most emblematic case is represented by the development of cinematography, which can be considered Italy’s long-term contribution to the enhancement of intellectual cooperation within the L.o.N. in the interwar period.","PeriodicalId":16364,"journal":{"name":"Journal of Modern Italian Studies","volume":"28 1","pages":"259 - 277"},"PeriodicalIF":0.4,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49432745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Displacing displacement: narratives for a haunting history 流离失所:一段挥之不去的历史的叙述
IF 0.4 3区 历史学 Q1 HISTORY Pub Date : 2022-12-15 DOI: 10.1080/1354571X.2022.2143635
Elena Miltiadis
ABSTRACT In this article, building on recent theories of displacement, I propose a definition of post-displacement as a ‘displacement of displacement’, or the displacement of already displaced histories. The analysis focuses on the ethnographic case of Latina, an Italian city built in 1932 by the Fascist regime. Given its controversial past that cannot be celebrated, Latina is presented here as a displaced city, whose history cannot serve as a locus for place-making, meaning-making, and future-making. I analyse how the selective re-elaboration of the city’s history by Latina’s inhabitants and local public officials displaces an already displaced history. Through a momentary silencing of Fascism and renewed connections to national history, these narratives allow for the past to be spoken about and remembered, while also fostering a sense of the self in place. Nonetheless, Fascism cannot be completely erased and remains a haunting absent presence. This article thus offers a reflection on (post-)displacement and on the presence and absence of Fascism in contemporary Italy.
在本文中,基于最近的位移理论,我提出了一个后位移的定义,即“位移的位移”,或者已经位移的历史的位移。分析集中于1932年由法西斯政权建造的意大利城市Latina的民族志案例。考虑到它有争议的过去不能被庆祝,拉丁美洲作为一个流离失所的城市,它的历史不能作为一个场所的形成,意义的形成和未来的形成。我分析了拉丁裔居民和当地政府官员对城市历史的选择性重新阐述是如何取代已经被取代的历史的。通过对法西斯主义的短暂沉默和与国家历史的重新联系,这些叙述允许过去被谈论和记住,同时也培养了一种适当的自我意识。尽管如此,法西斯主义不可能被完全抹去,它仍然是一种挥之不去的缺席。因此,本文提供了对(后)位移和法西斯主义在当代意大利的存在和不存在的反思。
{"title":"Displacing displacement: narratives for a haunting history","authors":"Elena Miltiadis","doi":"10.1080/1354571X.2022.2143635","DOIUrl":"https://doi.org/10.1080/1354571X.2022.2143635","url":null,"abstract":"ABSTRACT In this article, building on recent theories of displacement, I propose a definition of post-displacement as a ‘displacement of displacement’, or the displacement of already displaced histories. The analysis focuses on the ethnographic case of Latina, an Italian city built in 1932 by the Fascist regime. Given its controversial past that cannot be celebrated, Latina is presented here as a displaced city, whose history cannot serve as a locus for place-making, meaning-making, and future-making. I analyse how the selective re-elaboration of the city’s history by Latina’s inhabitants and local public officials displaces an already displaced history. Through a momentary silencing of Fascism and renewed connections to national history, these narratives allow for the past to be spoken about and remembered, while also fostering a sense of the self in place. Nonetheless, Fascism cannot be completely erased and remains a haunting absent presence. This article thus offers a reflection on (post-)displacement and on the presence and absence of Fascism in contemporary Italy.","PeriodicalId":16364,"journal":{"name":"Journal of Modern Italian Studies","volume":"28 1","pages":"451 - 465"},"PeriodicalIF":0.4,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41737234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The fascist breadbasket: food, empire, and modernity in Italian East Africa, 1935–1941 法西斯的粮仓:1935-1941年意属东非的食物、帝国和现代性
IF 0.4 3区 历史学 Q1 HISTORY Pub Date : 2022-12-07 DOI: 10.1080/1354571X.2022.2145760
Simone Cinotto
ABSTRACT Food was critical to the fascist project of occupation of Ethiopia and construction of the Italian Empire in East Africa between 1935 and 1941. The plan, deployed as part of the last and most modern war of aggression in the European Scramble for Africa, included the transfer to Ethiopia of plant and animal breeding biotechnologies and the transplantation of Italian farmers to develop a massive;demographic colonization’; first in experimental model settlements, and then replacing Ethiopian biodiversity with Italian agriculture, husbandry, and civilization. The project of extraction of food resources from Ethiopia prioritized mobility – the construction of the road infrastructure necessary to transport colonial crops to the seaports on the Red Sea and from there to Italy and global markets. As the mass demographic colonization project faltered, though, the Empire absorbed food rather than produce it, and the unexpected most important function of Mussolini’s highways was to deliver high volumes of food imported from Italy to settlers. While the consumption of imported processed food represented an exciting experience of modernity and social mobility for Ethiopia’s Italians, Ethiopian armed and spontaneous resistance insisted on the disruption of the invaders’ colonial food system as the pathway to regain control of their land, agriculture, and food sovereignty.
摘要食物对1935年至1941年间占领埃塞俄比亚和在东非建立意大利帝国的法西斯计划至关重要。该计划是欧洲争夺非洲的最后一场也是最现代的侵略战争的一部分,其中包括向埃塞俄比亚转让动植物育种生物技术,以及移植意大利农民以开发大规模的;人口殖民化;首先是实验性的模式定居点,然后用意大利的农业、畜牧业和文明取代埃塞俄比亚的生物多样性。从埃塞俄比亚提取粮食资源的项目优先考虑了流动性——建设将殖民作物运输到红海海港并从那里运输到意大利和全球市场所需的道路基础设施。然而,随着大规模人口殖民化项目的失败,帝国吸收而不是生产食物,墨索里尼高速公路出人意料的最重要功能是将大量从意大利进口的食物运送给定居者。虽然进口加工食品的消费代表了埃塞俄比亚意大利人对现代性和社会流动性的激动人心的体验,但埃塞俄比亚武装和自发的抵抗坚持认为,破坏入侵者的殖民粮食系统是重新控制其土地、农业和粮食主权的途径。
{"title":"The fascist breadbasket: food, empire, and modernity in Italian East Africa, 1935–1941","authors":"Simone Cinotto","doi":"10.1080/1354571X.2022.2145760","DOIUrl":"https://doi.org/10.1080/1354571X.2022.2145760","url":null,"abstract":"ABSTRACT Food was critical to the fascist project of occupation of Ethiopia and construction of the Italian Empire in East Africa between 1935 and 1941. The plan, deployed as part of the last and most modern war of aggression in the European Scramble for Africa, included the transfer to Ethiopia of plant and animal breeding biotechnologies and the transplantation of Italian farmers to develop a massive;demographic colonization’; first in experimental model settlements, and then replacing Ethiopian biodiversity with Italian agriculture, husbandry, and civilization. The project of extraction of food resources from Ethiopia prioritized mobility – the construction of the road infrastructure necessary to transport colonial crops to the seaports on the Red Sea and from there to Italy and global markets. As the mass demographic colonization project faltered, though, the Empire absorbed food rather than produce it, and the unexpected most important function of Mussolini’s highways was to deliver high volumes of food imported from Italy to settlers. While the consumption of imported processed food represented an exciting experience of modernity and social mobility for Ethiopia’s Italians, Ethiopian armed and spontaneous resistance insisted on the disruption of the invaders’ colonial food system as the pathway to regain control of their land, agriculture, and food sovereignty.","PeriodicalId":16364,"journal":{"name":"Journal of Modern Italian Studies","volume":"28 1","pages":"296 - 322"},"PeriodicalIF":0.4,"publicationDate":"2022-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46084042","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
期刊
Journal of Modern Italian Studies
全部 Acc. Chem. Res. ACS Applied Bio Materials ACS Appl. Electron. Mater. ACS Appl. Energy Mater. ACS Appl. Mater. Interfaces ACS Appl. Nano Mater. ACS Appl. Polym. Mater. ACS BIOMATER-SCI ENG ACS Catal. ACS Cent. Sci. ACS Chem. Biol. ACS Chemical Health & Safety ACS Chem. Neurosci. ACS Comb. Sci. ACS Earth Space Chem. ACS Energy Lett. ACS Infect. Dis. ACS Macro Lett. ACS Mater. Lett. ACS Med. Chem. Lett. ACS Nano ACS Omega ACS Photonics ACS Sens. ACS Sustainable Chem. Eng. ACS Synth. Biol. Anal. Chem. BIOCHEMISTRY-US Bioconjugate Chem. BIOMACROMOLECULES Chem. Res. Toxicol. Chem. Rev. Chem. Mater. CRYST GROWTH DES ENERG FUEL Environ. Sci. Technol. Environ. Sci. Technol. Lett. Eur. J. Inorg. Chem. IND ENG CHEM RES Inorg. Chem. J. Agric. Food. Chem. J. Chem. Eng. Data J. Chem. Educ. J. Chem. Inf. Model. J. Chem. Theory Comput. J. Med. Chem. J. Nat. Prod. J PROTEOME RES J. Am. Chem. Soc. LANGMUIR MACROMOLECULES Mol. Pharmaceutics Nano Lett. Org. Lett. ORG PROCESS RES DEV ORGANOMETALLICS J. Org. Chem. J. Phys. Chem. J. Phys. Chem. A J. Phys. Chem. B J. Phys. Chem. C J. Phys. Chem. Lett. Analyst Anal. Methods Biomater. Sci. Catal. Sci. Technol. Chem. Commun. Chem. Soc. Rev. CHEM EDUC RES PRACT CRYSTENGCOMM Dalton Trans. Energy Environ. Sci. ENVIRON SCI-NANO ENVIRON SCI-PROC IMP ENVIRON SCI-WAT RES Faraday Discuss. Food Funct. Green Chem. Inorg. Chem. Front. Integr. Biol. J. Anal. At. Spectrom. J. Mater. Chem. A J. Mater. Chem. B J. Mater. Chem. C Lab Chip Mater. Chem. Front. Mater. Horiz. MEDCHEMCOMM Metallomics Mol. Biosyst. Mol. Syst. Des. Eng. Nanoscale Nanoscale Horiz. Nat. Prod. Rep. New J. Chem. Org. Biomol. Chem. Org. Chem. Front. PHOTOCH PHOTOBIO SCI PCCP Polym. Chem.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1