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Hit song science: a comprehensive survey and research directions 热门歌曲科学:综合调查和研究方向
IF 1.1 4区 计算机科学 Q1 Arts and Humanities Pub Date : 2023-11-20 DOI: 10.1080/09298215.2023.2282999
Danilo B. Seufitelli, Gabriel P. Oliveira, Mariana O. Silva, Clarisse Scofield, Mirella M. Moro
Hit Song Science (HSS) is an emerging topic that aims to unveil the success dynamics within the music industry. Considering the growth of the area, we provide a comprehensive study with a complete ...
热门歌曲科学(HSS)是一个旨在揭示音乐产业成功动态的新兴话题。考虑到该地区的发展,我们提供了一个全面的研究与完整的…
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引用次数: 2
The Stretchy Strap: supporting encumbered interaction with guitars 弹性带:支持妨碍互动与吉他
4区 计算机科学 Q1 Arts and Humanities Pub Date : 2023-11-10 DOI: 10.1080/09298215.2023.2274832
Juan Martinez Avila, Adrian Hazzard, Chris Greenhalgh, Steve Benford, Andrew McPherson
Guitarists struggle to play their instruments while simultaneously using additional computing devices (i.e., encumbered interaction). We explored designs with guitarists through co-design and somaesthetic design workshops, learning that they (unsurprisingly) preferred to focus on playing their guitars and keeping their instruments’ material integrity intact. Subsequently, we devised an interactive guitar strap controller, which guitarists found promising for tackling encumbered interaction during instrumental transcription, learning and practice. Our design process highlights three strategies: considering postural interaction, applying somaesthetic design to interactive music technology development, and augmenting guitar accessories.
吉他手努力演奏他们的乐器,同时使用额外的计算设备(即,阻碍交互)。我们通过共同设计和躯体美学设计研讨会与吉他手一起探索设计,了解到他们(不出所料)更喜欢专注于演奏吉他,并保持乐器的材料完整性。随后,我们设计了一个交互式吉他带控制器,吉他手发现有希望在乐器转录,学习和实践中解决阻碍的交互。我们的设计过程突出了三个策略:考虑姿势互动,将身体美学设计应用于互动音乐技术的开发,以及增加吉他配件。
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引用次数: 0
Geometries in sound: an investigation of embodied cognition in contemporary art music 声音中的几何:当代艺术音乐的具身认知研究
IF 1.1 4区 计算机科学 Q1 Arts and Humanities Pub Date : 2023-11-06 DOI: 10.1080/09298215.2023.2276868
Riccardo D. Wanke
This paper examines how listeners hear contemporary art music practices such as post-spectralism, glitch-electronica, contemporary classical and electroacoustic music. The sound configurations of t...
本文探讨了听众如何聆听当代艺术音乐实践,如后光谱主义、故障电子音乐、当代古典音乐和电声音乐。t的声音配置…
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引用次数: 0
Entropy, pitch, and noise: organisation and disorganisation in the perception of closure for different types of spectra 熵、音高和噪声:不同类型光谱闭合感知中的组织和无序
4区 计算机科学 Q1 Arts and Humanities Pub Date : 2023-11-03 DOI: 10.1080/09298215.2023.2276281
Luca Danieli, Matthias Frank
In this article, we develop a hypothesis on the role of spectral entropy in conveying a sensation of termination for short musical fragments. We tested the hypothesis in an experiment presenting spectral sequences involving sounds categorised in three families (pitch, bell, or noise) and asked 64 participants to rate their levels of closure in a Likert scale with five degrees. The results highlight an agreement by all participants to consider stimuli transiting from organised (e.g. pitch) to disorganised spectra (e.g. bells, noise) as more complete than transitions from the opposite direction.
在这篇文章中,我们提出了一个关于谱熵在传递短音乐片段终止感中的作用的假设。我们在一项实验中测试了这一假设,该实验展示了涉及三大类声音(音调、铃声或噪音)的频谱序列,并要求64名参与者用李克特量表(Likert scale)对他们的封闭程度进行5度评分。结果突出了所有参与者的一致意见,即认为从有组织(如音调)到无组织光谱(如钟声,噪声)的刺激转换比从相反方向的转换更完整。
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引用次数: 0
AMMRI: a computational assessment tool for music novices’ replication and improvisation tasks AMMRI:一个用于音乐新手复制和即兴创作任务的计算评估工具
IF 1.1 4区 计算机科学 Q1 Arts and Humanities Pub Date : 2023-10-26 DOI: 10.1080/09298215.2023.2270973
Roger T. Dean, Anthony Chmiel, Madeleine Radnan, John R. Taylor, Jennifer MacRitchie
We present computational analyses of musical performances during 12-months study by novice participants aged 65–80. They learned two instruments (an electronic piano keyboard; the iPad app ThumbJam...
我们对65-80岁的新手参与者在12个月的研究中的音乐表演进行了计算分析。他们学习了两种乐器(一个电子钢琴键盘;iPad应用程序ThumbJam。。。
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引用次数: 0
Structural Segmentation and Labelling of Tabla Solo Performances 手鼓独奏表演的结构分割与标记
IF 1.1 4区 计算机科学 Q1 Arts and Humanities Pub Date : 2023-10-17 DOI: 10.1080/09298215.2023.2265912
R. Gowriprasad, R. Aravind, Hema A. Murthy
Tabla is a North Indian percussion instrument that serves as both an accompaniment and a captivating solo instrument. Tabla solo is intricate and elaborate, exhibiting rhythmic evolution through a ...
手鼓是北印度的一种打击乐器,既是伴奏乐器,也是迷人的独奏乐器。手鼓独奏是复杂而精细的,表现出节奏的演变。
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引用次数: 0
Automatic music transcription for sitar music analysis 锡塔琴音乐分析自动音乐转录
IF 1.1 4区 计算机科学 Q1 Arts and Humanities Pub Date : 2023-10-05 DOI: 10.1080/09298215.2023.2251450
Li Su, Alec Cooper, Yu-Fen Huang
The automatic transcription for non-Western music presents unique challenges, particularly because the result is often imperfect. How to improve automatic music transcription (AMT) for computationa...
非西方音乐的自动转录提出了独特的挑战,特别是因为结果往往是不完美的。如何提高自动音乐转录(AMT)的计算…
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引用次数: 0
On the concept of Raga parentage in Carnatic music 论卡纳蒂克音乐中拉格血统的概念
IF 1.1 4区 计算机科学 Q1 Arts and Humanities Pub Date : 2023-09-16 DOI: 10.1080/09298215.2023.2251457
Jom Kuriakose, Veena Suresh, Shrey Dutta, Hema A. Murthy, M. V. N. Murthy

The concept of rāga in Carnatic music is based on an ordered set of notes in an octave. Historically rāgas are broadly classified into two sets, namely Janaka (root/parent) and Janya (derived/offspring) rāgas. Every janya rāga is derived from a unique parent. We examine this classification critically and attempt to provide a quantitative basis for such a classification by defining a ‘distance’ between rāgas. The shortest identifies the parentage. Each rāga is defined by a pitch histogram vector in a 12-dimensional space. To achieve consensus, different distance metrics are used in the multi-dimensional space. Using a standard data set (refer to section 4.4), we carry out the distance analysis using entire compositions, which we subsequently fine-tune using only the parts of compositions that contain all the features of the rāga. We also perform an independent analysis for comparing the motif sequences in rāgas. We find that while the conventional method (refer to section 3) is fairly robust, there are exceptions, especially with pentatonic rāgas, and that these exceptions are actively debated in the public domain. Since quantitative methods find it difficult to achieve consensus, we conclude that while a rāga belongs to a family, it does not necessarily belong to a unique parent.

卡纳蒂克音乐中的rāga概念是基于一个八度的有序音符集。历史上rāgas大致分为两组,即Janaka(根/父母)和Janya(衍生/后代)rāgas。每个janya rāga都来自一个唯一的父节点。我们对这种分类进行了批判性的研究,并试图通过定义rāgas之间的“距离”来为这种分类提供定量基础。最短的标识亲子关系。每个rāga在12维空间中由一个音高直方图向量定义。为了达成共识,在多维空间中使用了不同的距离度量。使用标准数据集(参见4.4节),我们使用整个组合进行距离分析,随后我们仅使用包含rāga所有特征的组合部分进行微调。我们还对rāgas中的motif序列进行了独立的比较分析。我们发现,虽然传统方法(参见第3节)相当稳健,但也有例外,特别是五声rāgas,并且这些例外在公共领域受到积极讨论。由于定量方法很难达成共识,我们得出结论,虽然rāga属于一个家庭,但它并不一定属于唯一的父母。
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引用次数: 0
The Rebel Crank: redefining street barrel organs performance practice through physical gesture transgression The Rebel Crank:通过身体姿势违规重新定义街头管风琴表演实践
IF 1.1 4区 计算机科学 Q1 Arts and Humanities Pub Date : 2023-09-13 DOI: 10.1080/09298215.2023.2254287
René Silva Ponce, Juan Parra Cancino, Rodrigo F. Cádiz

This paper redefines the performance practice of street barrel organs by transcending their conventional physical gestures beyond their role as mere music reproduction machines. We propose a new understanding of these instruments by establishing a parallel with how turntables started to be considered musical instruments through hand manipulation. Collaborating with Chilean organilleros, we experimented with the notion of ‘physical gesture transgression’ and explored creating new sounds through various body actions. We provide a list of ‘transgressive gestures,’ proposing expansions through instrument preparation or additional gestures, and how these new gestures can be annotated alongside traditional notation for other musical instruments.

本文重新定义了街头管风琴的表演实践,超越了它们作为音乐复制机器的传统身体姿势。我们提出了对这些乐器的新理解,通过建立与转盘如何开始被视为通过手动操作的乐器的平行关系。我们与智利的组织者合作,试验了“身体姿势越轨”的概念,并探索通过各种身体动作创造新的声音。我们提供了一份“越轨手势”列表,建议通过乐器准备或额外手势进行扩展,以及如何将这些新手势与其他乐器的传统符号一起注释。
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引用次数: 0
Examining transposed makams in Turkish music through machine learning: classification of Rengidil-Neveser and Ruhnevaz-Buselik pieces 通过机器学习检查土耳其音乐中的转位makams: Rengidil-Neveser和Ruhnevaz-Buselik作品的分类
IF 1.1 4区 计算机科学 Q1 Arts and Humanities Pub Date : 2023-08-23 DOI: 10.1080/09298215.2023.2240756
M. K. Karaosmanoglu, Esra Berkman, M. Berkman
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引用次数: 0
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Journal of New Music Research
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